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CHAPTER LXVII - The Drama.—Rhetoric and Dialectics.—The Sophists

Published online by Cambridge University Press:  05 October 2010

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Summary

Athens immediately after Eukleidês—political history little known.

Respecting the political history of Athens during the few years immediately succeeding the restoration of the democracy, we have unfortunately little or no information. But in the spring of 399 b.c., between three and four years after the beginning of the archonship of Eukleidês, an event happened of paramount interest to the intellectual public of Greece as well as to philosophy generally—the trial, condemnation, and execution, of Sokratês. Before I recount that memorable incident, it will be proper to say a few words on the literary and philosophical character of the age in which it happened. Though literature and philosophy are now becoming separate departments in Greece, each exercises a marked influence on the other—and the state of dramatic literature will be seen to be one of the causes directly contributing to the fate of Sokratês.

Extraordinary development of dramatic genius.

During the century of the Athenian democracy between Kleisthenês and Eukleidês, there had been produced a development of dramatic genius, tragic and comic, never paralleled before or afterwards. Æschylus, the creator of the tragic drama, or at least the first composer who rendered it illustrious, had been a combatant both at Marathon and Salamis; while Sophoklês and Euripidês, his two eminent followers (the former, one of the generals of the Athenian armament against Samos in 440 b.c.) expired both of them only a year before the battle of Ægospotami—just in time to escape the bitter humiliation and suffering of that mournful period.

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A History of Greece , pp. 434 - 544
Publisher: Cambridge University Press
Print publication year: 2010
First published in: 1850

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