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  1. Home
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  3. Early American Women Critics
  • Cited by 16
Publisher:
Cambridge University Press
Online publication date:
September 2009
Print publication year:
2006
Online ISBN:
9780511486104
DOI:
https://doi.org/10.1017/CBO9780511486104
Subjects:
Literature, Area Studies, American Literature, American Studies, American Theatre, Drama, Theatre, Performance Studies
Information

Book description

Early American Women Critics demonstrates that performances of various kinds - religious, political and cultural - enabled women to enter the human rights debates that roiled the American colonies and young republic. Black and white women staked their claims on American citizenship through disparate performances of spirit possession, patriotism, poetic and theatrical production. They protected themselves within various shields which allowed them to speak openly while keeping the individual basis of their identities invisible. Cima shows that between the First and Second Great Religious Awakenings (1730s–1830s), women from West Africa, Europe, and various corners of the American colonies self-consciously adopted performance strategies that enabled them to critique American culture and establish their own diverse and contradictory claims on the body politic. This book restores the primacy of religious performances - Christian, Yoruban, Bantu and Muslim - to the study of early American cultural and political histories, revealing that religion and race are inseparable.

Awards

Winner of the ASTR's 2007 Barnard Hewitt Award for Outstanding Research in Theatre History.

Reviews

"An original and stimulating book about early women critics and critiques."
Janelle Reinelt, Professor of Theatre and Performance, University of Warwick

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