Book contents
- Frontmatter
- Contents
- TRADITIONS IN WORLD CINEMA
- Acknowledgements
- Dedication
- Introduction
- 1 Wuxia from Literature to Cinema
- 2 Reactions against the Wuxia Genre
- 3 The Rise of Kung Fu, from Wong Fei-hung to Bruce Lee
- 4 The Rise of New School Wuxia
- 5 The Wuxia Films of King Hu
- 6 Wuxia after A Touch of Zen
- 7 Wuxia between Nationalism and Transnationalism
- Epilogue
- Glossary
- Bibliography
- Filmography
- Index
TRADITIONS IN WORLD CINEMA
Published online by Cambridge University Press: 05 August 2013
- Frontmatter
- Contents
- TRADITIONS IN WORLD CINEMA
- Acknowledgements
- Dedication
- Introduction
- 1 Wuxia from Literature to Cinema
- 2 Reactions against the Wuxia Genre
- 3 The Rise of Kung Fu, from Wong Fei-hung to Bruce Lee
- 4 The Rise of New School Wuxia
- 5 The Wuxia Films of King Hu
- 6 Wuxia after A Touch of Zen
- 7 Wuxia between Nationalism and Transnationalism
- Epilogue
- Glossary
- Bibliography
- Filmography
- Index
Summary
General editors: Linda Badley and R. Barton Palmer
Founding editor: Steven Jay Schneider
Traditions in World Cinema is a series of textbooks and monographs devoted to the analysis of currently popular and previously under-examined or undervalued film movements from around the globe. Also intended for general interest readers, the textbooks in this series offer undergraduate- and graduate-level film students accessible and comprehensive introductions to diverse traditions in world cinema. The monographs open up for advanced academic study more specialised groups of films, including those that require theoretically-oriented approaches. Both textbooks and monographs provide thorough examinations of the industrial, cultural, and socio-historical conditions of production and reception.
The flagship textbook for the series includes chapters by noted scholars on traditions of acknowledged importance (the French New Wave, German Expressionism), recent and emergent traditions (New Iranian, post-Cinema Novo), and those whose rightful claim to recognition has yet to be established (the Israeli persecution film, global found footage cinema). Other volumes concentrate on individual national, regional or global cinema traditions. As the introductory chapter to each volume makes clear, the films under discussion form a coherent group on the basis of substantive and relatively transparent, if not always obvious, commonalities. These commonalities may be formal, stylistic or thematic, and the groupings may, although they need not, be popularly identified as genres, cycles or movements (Japanese horror, Chinese martial arts cinema, Italian Neorealism).
- Type
- Chapter
- Information
- Chinese Martial Arts CinemaThe Wuxia Tradition, pp. vi - viiiPublisher: Edinburgh University PressPrint publication year: 2009