- Cited by 8
-
Cited byCrossref Citations
This Book has been cited by the following publications. This list is generated based on data provided by Crossref.
Tulloch, John 1980. Chekhov: A Structuralist Study. p. 1.
Worthen, W. B. 1998. Drama, Performativity, and Performance. PMLA/Publications of the Modern Language Association of America, Vol. 113, Issue. 5, p. 1093.
Kümmerling-Meibauer, Bettina 1999. Klassiker der Kinder- und Jugendliteratur. p. 169.
Kümmerling-Meibauer, Bettina 2004. Klassiker der Kinder- und Jugendliteratur. p. 169.
Krüger, Lida Viljoen, Hein and Wenzel, Marita 2013. Subversion versus Inversion: The Loss of the Carnivalesque in Janet Suzman'sThe Free State. Journal of Literary Studies, Vol. 29, Issue. 3, p. 82.
Curtin, Adrian 2014. Avant-Garde Theatre Sound. p. 21.
Gavrilova, Natal'ya Vladimirovna 2018. “EMOTIONAL NETWORK”: A. P. CHEKHOV’S PLAY “UNCLE VANYA” IN HARVEY PITCHER’S RESEARCH. Philology. Theory & Practice, p. 225.
Smith, Philip 2021. The Empty Stage in Edward Hopper’s Early Sunday Morning, Girlie Show, and Two Comedians. European journal of American studies, Vol. 16, Issue. 1,
- Publisher:
- Cambridge University Press
- Online publication date:
- December 2009
- Print publication year:
- 1971
- Online ISBN:
- 9780511554230