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  • Print publication year: 2015
  • Online publication date: July 2015

7 - Josquin and epistemology

from Part I - Historiography


Benthem, Jaap van, “Was ‘Une mousse de Biscaye’ Really Appreciated by L’ami Baudichon?,” Muziek & Wetenschap 1 (1991), 175–94
Bernstein, Lawrence F., “A Canonic Chanson in a German Manuscript: Faulte d’argent and Josquin’s Approach to the Chanson for Five Voices,” in Von Isaac bis Bach: Studien zur älteren deutschen Musikgeschichte: Festschrift Martin Just zum 60. Geburtstag, ed. Frank Heidlberger et al., Kassel, 1991, 53–71
Bernstein, Lawrence F., “Chansons for Five and Six Voices,” in The Josquin Companion, ed. Sherr, 393–422
Blackburn, Bonnie J., “Canonic Conundrums: The Singer’s Petrucci,” BJhM 25 (2001), 53–69
Blackburn, Bonnie J., “Masses on Popular Songs and Solmization Syllables,” in The Josquin Companion, ed. Sherr, 51–87
Descartes, René, The Philosophical Writings of Descartes, trans. John Cottingham et al., 3 vols., Cambridge, 1984–91
Elders, Willem, “Who Was Josquin?,” in Proceedings of the International Josquin Symposium Utrecht 1986, ed. Elders and de Haen, 1–14
Elders, Willem and Frits de Haen, eds. Proceedings of the International Josquin Symposium Utrecht 1986, Utrecht, 1991
Fallows, David, Josquin, Turnhout, 2009
Higgins, Paula, “The Apotheosis of Josquin des Prez and Other Mythologies of Musical Genius,” JAMS 57 (2004), 443–510
Josquin des Prez, New Edition of the Collected Works (New Josquin Edition), 30 vols., Utrecht, 1987
Kelly, Henry Ansgar, “Inquisition and the Prosecution of Heresy: Misconceptions and Abuses,” Church History 58 (1989), 439–51
Kerman, Joseph, “A Profile for American Musicology,” JAMS 18 (1965), 61–69
Kirkman, Andrew, “From Humanism to Enlightenment: Reinventing Josquin,” JM 17 (1999), 441–58
Lockwood, Lewis, “Josquin at Ferrara: New Documents and Letters,” in Josquin des Prez: Proceedings of the International Josquin Festival-Conference Held at the Juilliard School at Lincoln Center in New York City, 21–25 June 1971, ed. Edward E. Lowinsky in collaboration with Bonnie J. Blackburn, London, 1976, 103–137
Lowinsky, Edward E., “Character and Purposes of American Musicology: A Reply to Joseph Kerman,” JAMS 18 (1965), 222–34
Macey, Patrick, “An Expressive Detail in Josquin’s Nimphes, nappés,” EM 31 (2003), 400–411
Macey, Patrick, “Josquin and Champion: Conflicting Attributions for the Psalm Motet De profundis clamavi,” in Uno gentile et subtile ingenio: Studies in Renaissance Music in Honour of Bonnie J. Blackburn, ed. M. Jennifer Bloxam, Gioia Filocamo, and Leofranc Holford-Strevens, Turnhout, 2009, 453–68
Macey, Patrick, “Josquin as Classic: Qui habitat, Memor esto, and Two Imitations Unmasked,” JRMA 118 (1993), 1–43
Milsom, John, “Analyzing Josquin,” in The Josquin Companion, ed. Sherr, 431–84
Milsom, John, “Crecquillon, Clemens, and Four-Voice Fuga,” in Beyond Contemporary Fame: Reassessing the Art of Clemens non Papa and Thomas Crecquillon. Colloquium Proceedings, Utrecht, April 24–26, 2003, ed. Eric Jas, Turnhout, 2005, 293–345
Milsom, John, “Josquin des Prez and the Combinative Impulse,” in The Motet around 1500: On the Relationship of Imitation and Text Treatment?, ed. Thomas Schmidt-Beste, Turnhout, 2012, 211–46
Milsom, John, “Motets for Five or More Voices,” in The Josquin Companion, ed. Sherr, 281–320
Osthoff, Helmuth, Josquin Desprez, 2 vols., Tutzing, 1962–65
Owens, Jessie Ann, “How Josquin Became Josquin: Reflections on Historiography and Reception,” in Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, ed. Jessie Ann Owens and Anthony M. Cummings, Warren, MI, 271–80
Owens, Jessie Ann, “Music Historiography and the Definition of ‘Renaissance’,” Notes 47 (1990), 305–30
Planchart, Alejandro Enrique, “Masses on Plainsong Cantus Firmi,” in The Josquin Companion, ed. Sherr, 89–150
Rifkin, Joshua, “Masses and Evidence: Petrucci’s Josquin,” unpublished paper
Rifkin, Joshua, “Miracles, Motivicity, and Mannerism: Adrian Willaert’s Videns Dominus flentes sorores Lazari and Some Aspects of Motet Composition in the 1520s,” in Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance, ed. Dolores Pesce, New York, 1997, 243–64
Rifkin, Joshua, “Motivik – Konstruktivismus – Humanismus: Zu Josquins Motette Huc me sydereo,” in Die Motette: Beiträge zu ihrer Gattungsgeschichte, ed. Herbert Schneider, Mainz, 1992, 105–34
Rifkin, Joshua, “Munich, Milan, and a Marian Motet: Dating Josquin’s Ave Maria … virgo serena,” JAMS 56 (2003), 239–350
Rifkin, Joshua, “Musste Josquin Josquin werden? Zum Problem des Frühwerks,” in Josquin des Prez Und seine Zeit, ed. Michael Zywietz, forthcoming
Rifkin, Joshua, “Problems of Authorship in Josquin: Some Impolitic Observations. With a Postscript on Absalon, fili mi,” in Proceedings of the International Josquin Symposium Utrecht 1986, ed. Elders and de Haen, 45–52
Rifkin, Joshua, “A Singer Named Josquin and Josquin D’Ascanio: Some Problems in the Biography of Josquin des Prez,” unpublished paper
Rodin, Jesse, “Finishing Josquin’s ‘Unfinished’ Mass: A Case of Stylistic Imitation in the Cappella Sistina,” JM 22 (2005), 412–53
Rodin, Jesse, Josquin’s Rome: Hearing and Composing in the Sistine Chapel, New York, 2012
Rodin, Jesse, “‘When in Rome … ’: What Josquin Learned in the Sistine Chapel,” JAMS 61 (2008), 307–72
Rodin, Jesse, “When Josquin Became Josquin.” Acta musicologica, 81 (2009), 23–38
Schlagel, Stephanie P., “The Liber selectarum cantionem and the ‘German Josquin Renaissance’,” JM 19 (2002), 564–615
Sherr, Richard, “Mass Sections,” in The Josquin Companion, ed. Sherr, 211–38
Sherr, Richard, ed., The Josquin Companion, Oxford and New York, 2000
Tuan, Eric, “Beyond the Cadence: Post-Cadential Extensions and Josquin’s Compositional Style,” undergraduate thesis, Stanford University, 2012
Urquhart, Peter, “An Accidental Flat in Josquin’s Sine nomine Mass,” in From Ciconia to Sweelinck: Donum natalicium Willem Elders, ed. Albert Clement and Eric Jas, Amsterdam, 1994, 125–44
Urquhart, Peter, “Canon, Partial Signatures, and ‘Musica Ficta’ in Works by Josquin Des Prez and his Contemporaries,” Ph.D. diss., Harvard University, 1988
Wegman, Rob C., “‘And Josquin Laughed … ’: Josquin and the Composer’s Anecdote in the Sixteenth Century,” JM 17 (1999), 319–57
Wegman, Rob C., “The Other Josquin,” TVNM 58 (2008), 33–68
Wegman, Rob C., “Who Was Josquin?,” in The Josquin Companion, ed. Sherr, 21–50