Skip to main content Accessibility help
  • Print publication year: 2015
  • Online publication date: July 2015



Atlas, Allan W., Music at the Aragonese Court of Naples, Cambridge, 1985
Becker, Frederick Otto, “The Maîtrise in Northern France and Burgundy during the Fifteenth Century,” Ph.D. diss., Peabody College, 1967
Bent, Margaret, “What Is Isorhythm?,” in Quomodo cantabimus canticum: Studies in Honor of Edward H. Roesner, ed. David Butler Cannata, Gabriela Ilnitchi Currie, Rena Charnin Mueller, and John Louis Nádas, Middleton, WI, 2008, 121–43
Berger, Anna Maria Busse, Medieval Music and the Art of Memory, Berkeley and Los Angeles, 2005
Boorman, Stanley, Ottaviano Petrucci: Catalogue Raisonné, New York, 2006
Brown, Howard Mayer, and Stanley Sadie, eds., Performance Practice: Music before 1600, New York, 1990
Burckhardt, Jacob, The Civilization of the Renaissance in Italy, London, 1995. Orig. pub. 1880 as Die Kultur der Renaissance in Italien
Caldwell, John, Editing Early Music, Oxford, 1985
Cellarius (Keller), Christoph, Historia universalis … in antiquam et medii aevi ac novam divisa (Universal History Divided into an Ancient, Medieval, and New Period), Jena, 1708. Orig. pub. 1685–96
Christensen, Thomas, ed., The Cambridge History of Western Music Theory, Cambridge, 2002
Cumming, Julie E., “Text Setting and Imitative Technique in Petrucci’s First Five Motet Prints,” in The Motet around 1500: On the Relationship between Imitation and Text Treatment?, ed. Thomas Schmidt-Beste, Turnhout, 2012, 83–110
Demouy, Patrick, “Une source inédite de l’histoire des maîtrises: Le règlement des enfants de choeur de Notre-Dame de Reims (XVIe s.),” in Symphonies lorraines: Compositeurs, exécutants, destinataires. Actes du colloque de Lunéville (20 novembre 1998), ed. Yves Ferraton, Paris, 1998, 169–81
Fitch, Fabrice, “‘Virtual’ Ascriptions in Ms. AugsS 142a: A Window on Alexander Agricola’s Late Style,” JAF 4 (2012), 114–38
Gallagher, Sean, Johannes Regis, Turnhout, 2010
Gordon, George, Medium Aevum and the Middle Age, S.P.E. Tract 19, Oxford, 1925
Grier, James, The Critical Editing of Music: History, Method, and Practice, Cambridge, 1996
Higgins, Paula, “Parisian Nobles, a Scottish Princess, and the Woman’s Voice in Late Medieval Song,” EMH 10 (1991), 145–200
Johnson, William, Early Modern Europe: An Introduction to a Course of Lectures on the Sixteenth Century, Cambridge, 1869
Leech-Wilkinson, Daniel, The Modern Invention of Medieval Music: Scholarship, Ideology, Performance, Cambridge, 2002
Lockwood, Lewis, Music in Renaissance Ferrara, 1400–1505: The Creation of a Musical Center in the Fifteenth Century, Cambridge, MA, 1984
Merkley, Paul A., and Lora L. M. Merkley, Music and Patronage in the Sforza Court, Turnhout, 1999
Milsom, John, “Crecquillon, Clemens, and Four-Voice Fuga, ” in Beyond Contemporary Fame: Reassessing the Art of Clemens non Papa and Thomas Crecquillon. Colloquium Proceedings, Utrecht, April 24–26, 2003, ed. Eric Jas, Turnhout, 2005, 293–345
Mould, Alan, The English Chorister: A History, London, 2007
Murray, Russell E., Jr., Susan Forscher Weiss, and Cynthia J. Cyrus, eds., Music Education in the Middle Ages and the Renaissance, Bloomington and Indianapolis, 2010
Reynolds, Christopher A., Papal Patronage and the Music of St. Peter’s, 1380–1513, Berkeley, 1995
Rifkin, Joshua, “A Black Hole? Problems in the Motet around 1500,” in The Motet around 1500: On the Relationship between Imitation and Text Treatment?, ed. Thomas Schmidt-Beste, Turnhout, 2012, 21–82
Rifkin, JoshuaMunich, Milan, and a Marian Motet: Dating Josquin’s Ave Maria … virgo serena,” JAMS 56 (2003), 239–350
Rifkin, Joshua “Musste Josquin Josquin werden? Zum Problem des Frühwerks,” in Josquin Desprez und seine Zeit, ed. Michael Zywietz, forthcoming
Rifkin, Joshua “Problems of Authorship in Josquin: Some Impolitic Observations. With a Postscript on Absalon, fili mi,” in Proceedings of the International Josquin Symposium Utrecht 1986, ed. Willem Elders and Frits de Haen, Utrecht, 1991, 45–52
Robinson, Fred C., “Medieval, the Middle Ages,” Speculum 59 (1984), 745–56
Rodin, Jesse, Josquin’s Rome: Hearing and Composing in the Sistine Chapel, New York and Oxford, 2012
Sachs, Klaus-Jürgen, “Arten improvisierter Mehrstimmigkeit nach Lehrtexten des 14. bis 16. Jahrhunderts,” BJhM 7 (1983), 166–83
Strohm, Reinhard, “‘Medieval Music’ or ‘Early European Music’?,” in The Cambridge History of Medieval Music, ed. Mark Everist and Thomas Forrest Kelly, forthcoming
Strohm, Reinhard, Music in Late Medieval Bruges, Oxford and New York, 1985; rev. edn. 1990
Strohm, Reinhard, The Rise of European Music, Cambridge, 1993
Taruskin, Richard, “Antoine Busnoys and the L’homme armé Tradition,” JAMS 39 (1986), 255–93
Wegman, Rob C., “Petrus de Domarto’s Missa Spiritus almus and the Early History of the Four-Voice Mass in the Fifteenth Century,” EMH 10 (1991), 235–303
Wright, Craig, Music and Ceremony at Notre Dame of Paris, 500–1550, Cambridge, 1989