Adamic, Louis. Laughing in the Jungle: The Autobiography of an Immigrant in America. New York: Harper and Brothers, 1932.
Adams, Wanda. “Yamanaka, Altizer Awarded Literature Laurels.” Honolulu Advertiser (August 4, 2002).
Agamben, Giorgio. Homo Sacer: Sovereign Power and Bare Life. Stanford, CA: Stanford University Press, 1998.
Agathangelou, Anna, and Ling, L. H. M.. “Power, Borders, Security, Wealth: Lessons of Violence and Desire from September 11.” International Studies Quarterly 48.3 (2004): 517–38.
Aguilar-San Juan, Karin. “Landmarks in Literature by Asian American Lesbians.” Signs 18.4 (1993): 936–43.
Ahmad, Muneer I. “A Rage Shared By Law: Post-September 11 Racial Violence as Crimes of Passion.” California Law Review 92.5 (2004): 1259–1330.
Ahmad, Muneer I. “Homeland Insecurities: Racial Violence the Day after September 11.” Social Text 20.3 (2002): 101–15.
Akhtar, Ayad. American Dervish: A Novel. New York: Little, Brown and Co., 2012.
Alcantra, Ruben R. Sakada: Filipino Adaptation in Hawaii. Washington, DC: University Press of America, 2008.
Alemán, Jesse. “Barbarous Tongues: Immigrant Fiction and Ethnic Voices in Contemporary American Literature.” Modern Fiction Studies 54.2 (2008): 398–404.
Alegado, Dean T. “The Filipino Community in Hawaii: Development and Change.” Social Process in Hawaii 3 (1991): 12–38.
Ali, Agha Shahid. A Nostalgist’s Map of America. New York: W. W. Norton and Company, 1991.
Alquizola, Marilyn C., and Hirabayashi, Lane Ryo. “Bulosan’s The Laughter of My Father: Adding Feminist and Class Perspectives to ‘The Casebook of Resistance.’” Frontiers: A Journal of Women Studies 32.3 (2011): 64–91.
Alsultany, Evelyn. Arabs and Muslims in the Media: Race and Representation after 9/11. New York: New York University Press, 2012.
Ammons, Elizabeth, and White-Parks, Annette, eds. Tricksterism in Turn-of-the-Century American Literature: A Multicultural Perspective. Hanover, NH: University Press of New England, 1994.
Ancestors in the Americas. Directed by Loni Ding. Berkeley, CA: Center for Educational Telecommunications, 1997–8. DVD.
Anderson, Benedict. The Spectre of Comparisons: Nationalism, Southeast Asia and the World. London: Verso, 1998.
Angelou, Maya. I Know Why the Caged Bird Sings. New York: Random House, 1969.
Anker, Elizabeth. “Allegories of Falling and the 9/11 Novel.” American Literary History 23.3 (2011): 463–82.
Anthony, Walter. “Lytell Is Strong in the ‘First Born’: Portrayal of Chinese High Binder Shows Chang Wang a Man Though Yellow.” San Francisco Call 105 (December 9, 1908): 5.
Antin, Mary. The Promised Land. Boston: Houghton Mifflin, 1912.
Apostol, Gina. Gun Dealers’ Daughter. New York: Norton, 2012.
Armstrong, Charles K. “The Cultural Cold War in Korea, 1945–1950.” The Journal of Asian Studies 62.1 (2003): 71–99.
Arrighi, Giovanni. The Long Twentieth Century: Money, Power, and the Origin of Our Times. 2nd ed. London: Verso, 2010.
Asad, Talal. “Ethnography, Literature, and Politics: Some Readings and Uses of Salman Rushdie’s The Satanic Verses.” Cultural Anthropology 5.3 (2009): 239–69.
Asad, Talal On Suicide Bombing. New York: Columbia University Press, 2007.
Asian Women’s Journal, ed. Asian Women. Berkeley: University of California, Berkeley, 1971.
Asian Women United of California, eds. Making Waves: An Anthology of Writings by and about Asian American Women. Boston: Beacon Press, 1989.
Bacho, Peter. Cebu. Seattle: University of Washington Press, 1991.
Bahri, Deepika, and Vasudeva, Mary, eds. Between the Lines: South Asians and Postcoloniality. Philadelphia: Temple University Press, 1996.
Baker, George M. New Brooms Sweep Clean. In Williams, The Chinese Other, 9–24.
Bakhtin, Mikhail M. The Dialogic Imagination: Four Essays. Edited by Holquist, Michael and translated by Emerson, Caryl. Austin: University of Texas Press, 1981.
Bald, Vivek, Chatterjee, Miabi, Reddy, Sujani, and Vimalessery, Manu, eds. The Sun Never Sets: South Asian Migrants in an Age of U.S. Power. New York: New York University Press, 2013.
Barlow, William, and Shapiro, Peter. An End to Silence: The San Francisco State Student Movement in the 60s. New York: Pegasus, 1971.
Barrios, Maria Josephine. “The Taumbayan as Epic Hero, the Audience as Community.” In Radical Street Performance: An International Anthology, ed. Cruz, Jan Cohen. New York: Routledge, 1998, 255–61.
Barrios, Maria Josephine Tungo sa Estetika ng Dulaang Panlansangan. Master’s Thesis. Manila, Philippines, De La Salle University, 1994.
Barrios-Leblanc, Joi, ed. Savage Stage: Plays by Ma-Yi Theater Company. New York: Ma-Yi Theater Company, 2007.
Barthes, Roland. The Rustle of Language. Translated by Howard, Richard. Oxford: Basil Blackwell, 1986.
Bascara, Victor. Model Minority Imperialism. Minneapolis: University of Minnesota Press, 2006.
Baldoz, Rick. The Third Asiatic Invasion: Empire and Migration in Filipino America, 1898–1946. New York: New York University Press, 2011.
Baudrillard, Jean. Simulacra and Simulation. Translated by Glaser, Sheila Faria. Ann Arbor: University of Michigan Press, 2006.
Bayoumi, Moustafa. “Our Work Is of This World.” Amerasia 33.1 (2005): 6–9.
Bayoumi, Moustafa “Staying Put: Aboriginal Rights, the Question of Palestine, and Asian American Studies.” Amerasia 29.2 (2003): 221–8.
Beauregard, Guy. “Reclaiming Sui Sin Far.” In Lee, Josephine D., Lim, Imogene L., and Matsukawa, Yuko, eds., Re/collecting Early Asian America: Essays in Cultural History. Philadelphia: Temple University Press, 2002, 340–54.
Bello, Madge, and Reyes, Vince. “Filipino Americans and the Marcos Overthrow: The Transformation of Political Consciousness.” Amerasia Journal 13 (1986–7): 73–83.
Benjamin, Walter. The Writer of Modern Life: Essays on Charles Baudelaire. Translated by Eiland, Howard. Cambridge, MA: Harvard University Press, 2006.
Benjamin, Walter Illuminations. Edited by Arendt, Hannah and translated by Zohn, Harry. New York: Schocken Books, 1969.
Berssenbrugge, Mei-me. I Love Artists: New and Selected Poems. Berkeley: University of California Press, 2006.
Berssenbrugge, Mei-me Empathy. Barrytown, NY: Station Hill Press, 1989.
Berson, Misha, ed. Between Worlds: Contemporary Asian-American Plays. New York: Theatre Communications Group, 1990.
Bilal, Wafaa. Shoot An Iraqi: Art, Life, and Resistance under the Gun. San Francisco: City Lights, 2008.
Birchall, Diana. Onoto Watanna: The Story of Winnifred Eaton. Chicago: University of Illinois Press, 2001.
Blaise, Clark. “A Novel of India’s Coming of Age.” New York Times Book Review (April 19, 1981), 1.
Blauvelt, William Satake. “Talking with the Woman Warrior.” In Skenazy and Martin, Conversations, 1998, 77–85.
Boal, Augusto. Theatre of the Oppressed. New York: Theater Communications Group, 1985.
Boehmer, Elleke, and Mondal, Anshuman A.. “Networks and Traces: An Interview with Amitav Ghosh.” Wasafiri 27.2 (2012): 30–5.
Boelhower, William. Immigrant Autobiography in the United States: Four Versions of the Italian American Self. Verona, Italy: Essedue Edizioni, 1982.
Bogardus, Emory S. Social Problems and Social Processes: Selected Papers from The Proceedings of the American Sociological Society, 1932. Chicago: University of Chicago Press, 1933.
Bogardus, Emory S. Contemporary Sociology: A Companion Volume to the History of Social Thought. Los Angeles: University of Southern California Press, 1932.
Bolaki, Stella. Unsettling the Bildungsroman: Reading Contemporary Ethnic American Women’s Fiction. Amsterdam: Rodopi, 2011.
Bonetti, Kay. “An Interview with Maxine Hong Kingston.” In Skenazy and Martin, Conversations, 33–46.
Bonus, Rick. Locating Filipino America: Ethnicity and the Cultural Politics of Space. Philadelphia: Temple University Press, 2000.
Booth, Wayne. The Rhetoric of Fiction. Chicago: University of Chicago Press, 1961.
Bordman, Gerald. American Musical Theatre: A Chronicle. 3rd ed. New York: Oxford University Press, 2000.
Bosse, Sara. “Giving a Chinese Luncheon Party.” Harper’s Bazaar (March 1913), 136, 146.
Bosse, Sara, and Watanna, Onoto. Chinese-Japanese Cookbook. Chicago: Rand McNally. 1914.
Brah, Avtar. Cartographies of Diaspora: Contesting Identities. New York: Routledge, 1996.
Brainard, Cecilia Manguerra. When the Rainbow Goddess Wept. Ann Arbor: University of Michigan Press, 1999.
Braudel, Fernand. On History. Translated by Matthews, Sarah. Chicago: University of Chicago Press, 1982.
Brown, Judith M. Global South Asians: Introducing the Modern Diaspora. Cambridge: Cambridge University Press, 2006.
Brown, Larry. “Vietnam through Wistful Eyes.” Washington Post (March 23, 1992): D02.
Brown, Wendy. “Neoliberalism and the End of Democracy.” Theory and Event 7.1 (2003): 37–59.
Broyles-Gonzales, Yolanda. El Teatro Campesino: Theater in the Chicano Movement. Austin: University of Texas Press, 1994.
Broyles-Gonzales, Yolanda “Towards a Re-Vision of Chicano Theatre History: The Women of El Teatro Campesino.” In Making a Spectacle: Feminist Essays on Contemporary Women’s Theater, ed. Hart, Lynda. Ann Arbor: University of Michigan Press, 1989, 209–38.
Buell, Evangeline Canonizado. Twenty-Five Chickens and a Pig for a Bride: Growing Up in a Filipino Immigrant Family. San Francisco: T’boli Publishing, 2006.
Bulosan, Carlos. All the Conspirators, introduction by Hau, Caroline S. and Anderson, Benedict. Seattle: University of Washington Press, 2005.
Bulosan, Carlos On Becoming Filipino: Selected Writings of Carlos Bulosan. Edited by Juan, E. San Jr. Philadelphia: Temple University Press, 1995.
Bulosan, Carlos The Cry and the Dedication. Edited with introduction by Juan, Epifanio San Jr. Philadelphia: Temple University Press, 1995.
Bulosan, Carlos America Is in the Heart. Seattle: University of Washington Press, 1973.
Bürger, Peter. Theory of the Avant-Garde. Translated by Shaw, Michael. Minneapolis: University of Minnesota Press, 1984.
Burke, Kenneth. The Philosophy of Literary Form: Studies in Symbolic Action. Berkeley: University of California Press, 1973.
Burns, Lucy Mae San Pablo. Puro Arte: Filipinos on the Stages of Empire. New York: New York University Press, 2013.
Burns, Lucy Mae San Pablo “Something Larger Than Ourselves.” In Uno and Burns, The Color of Theater, 2002, 195–205.
Burton, Antoinette. The Postcolonial Careers of Santha Rama Rau. Durham, NC: Duke University Press, 2007.
Bush, Roderick D. The End of White World Supremacy: Black Internationalism and the Problem of the Color Line. Philadelphia: Temple University Press, 2009.
Bushnell, O. A. “Hawaii Writers Stifled at Birth, One of Them Says.” The Sunday Start Bulletin and Advertiser (June 25, 1978): F-3.
Butler, Judith. Frames of War: When Is Life Grievable? New York: Verso, 2009.
Butler, Judith Precarious Life: The Powers of Mourning and Violence. London: New York: Verso, 2004.
Butler, Robert Olen. Good Scent from a Strange Mountain. New York: Grove Press, 2001.
Byrd, Jodi A. The Transit of Empire: Indigenous Critiques of Colonialism. Minneapolis: University of Minnesota Press, 2011.
Cainkar, Louise. Homeland Insecurity: The Arab American and Muslim American Experience after 9/11. New York: Russell Sage Foundation, 2009.
California Department of Parks and Recreation and Angel Island Immigration Station Foundation. Poetry and Inscriptions: Translation and Analysis. Poetry Consultants: Charles Egan, Wan Liu, Newton Liu, Xing Chu Wang, February 2004.
Campomanes, Oscar V. “Filipinos in the United States and Their Literature of Exile.” In Lim and Ling, Reading the Literatures of Asian America, 1992, 49–78.
Cardozo, Karen M., and Subramaniam, Banu. “Assembling Asian/American Naturecultures: Orientalism and Invited Invasions.” Journal of Asian American Studies 16.1 (2013): 1–23.
Cathy, Caruth. Unclaimed Experience: Trauma Narrative and History. Baltimore, MD: John Hopkins Press, 1996.
Cataluna, Lee Three Years on Doreen’s Sofa. Honolulu, HI: Bamboo Ridge Press, 2011.
Certeau, Michel de. The Practice of Everyday Life. Berkeley: University of California Press, 1984.
Cha, Theresa Hak Kyung. Dictee. Berkeley: Third Woman, 1982.
Cha, Theresa Hak Kyung. Apparatus – Cinematographic Apparatus. New York: Tanam 1980.
Chae, Youngsuk. Politicizing Asian American Literature: Towards a Critical Multiculturalism. New York: Routledge, 2008.
Chambers, Claire. “‘The Absolute Essentialness of Conversations’: A Discussion with Amitav Ghosh.” Journal of Postcolonial Writing 41.1 (2005): 26–39.
Chan, Jeffery Paul, Chin, Frank, Inada, Lawson Fusao, and Wong, Shawn, eds. The Big Aiiieeeee! An Anthology of Chinese American and Japanese American Literature. New York: Meridian Books, 1991.
Chan, Jeffery Paul, Chin, Frank, Inada, Lawson Fusao, and Wong, Shawn, “Aiiieeeee! Revisited: Preface to the Mentor Edition.” In Chan, Jeffery Paul, Chin, Frank, Inada, Lawson Fusao, and Wong, Shawn Hsu, eds., Aiiieeeee! An Anthology of Asian-American Writers. New York: Signet, 1991, xxiii–xli.
Chan, Jeffery Paul, Chin, Frank, Inada, Lawson Fusao, and Wong, Shawn, Aiiieeeee! An Anthology of Asian-American Writers. Washington, DC: Howard University Press, 1974. Reprinted New York: Anchor Books, 1975; New York: Meridian, 1997.
Chandrashekhar, S. From India to America: A Brief History of Immigration: Problems of Discrimination, Admission, and Assimilation. La Jolla, CA: Population Review, 1982.
Chang, Juliana, ed. Quiet Fire: A Historical Anthology of Asian American Poetry, 1892–1970. New York: The Asian American Writers’ Workshop, 1996.
Chang, Yoonmee. Writing the Ghetto: Class, Authorship, and the Asian American Ethnic Enclave. New Brunswick, NJ: Rutgers University Press, 2010.
Chao, Lien. Beyond Silence: Chinese Canadian Literature in English. Toronto: TSAR Publications, 1997.
Chatterjee, Miabi. “Putting ‘the Family’ to Work: Managerial Discourses of Control in the Immigrant Service Sector.” In Bald et al., The Sun Never Sets, 2013, 127–56.
Chen, Ken. Juvenilia. New Haven, CT: Yale University Press, 2010.
Chen, Kuan-Hsing, and Morley, David, eds. Stuart Hall: Critical Dialogues in Cultural Studies. London: Routledge, 1996.
Chen, Shu-ching. “Magic Capitalism and Melodramatic Imagination – Producing Locality and Reconstructing Asian Ethnicity in Karen Tei Yamashita’s Through the Arc of the Rainforest.” Euramerica 34.4 (2004): 587–625.
Chen, Tina. “Agency/Asiancy.” In Lee, Routledge Companion to Asian American and Pacific Islander Literature, 2014, 56–67.
Chen, Tina “Towards an Ethics of Knowledge.” MELUS 30.2 (2005): 157–73.
Cheng, Anne Anlin. The Melancholy of Race: Psychoanalysis: Assimilation, and Hidden Grief. Oxford: Oxford University Press, 2001.
Cheng, Bill. Southern Cross the Dog. New York: Ecco, 2014.
Cheng, Lucie, and Bonacich, Edna, eds. Labor Immigration under Capitalism: Asian Workers in the United States before World War II. Berkeley: University of California Press, 1984.
Cheung, Floyd. “H. T. Tsiang: Literary Innovator and Activist.” Asian American Literature: Discourses and Pedagogies 2 (2011): 57–76.
Cheung, Floyd “Early Chinese American Autobiography: Reconsidering the Works of Yan Phou Lee and Yung Wing.” In Lawrence and Cheung, Recovered Legacies, 2005, 24–40.
Cheung, Floyd, and Dhingra, Lavina. “The Inheritance of Postcolonial Loss, Asian American Melancholia, and Strategies of Compensation in Jhumpa Lahiri’s The Namesake.” In Naming Jhumpa Lahiri: Canons and Controversies, ed. Dhingra, Lavina and Cheung, Floyd. Lanham, MD: Lexington, 2012, 27–50.
Cheung, King-Kok, ed. An Interethnic Companion to Asian American Literature. Cambridge: Cambridge University Press, 1996.
Cheung, King-Kok. Articulate Silences: Hisaye Yamamoto, Maxine Hong Kingston, Joy Kogawa. Ithaca, NY, and London: Cornell University Press, 1993.
Cheung, King-Kok “Thrice Muted Tale: Interplay of Art and Politics in Hisaye Yamamoto’s ‘The Legend of Miss Sasagawara.’” MELUS 17.3 (1991–2): 109–25.
Cheung, King-Kok “The Woman Warrior versus The Chinaman Pacific: Must a Chinese American Critic Choose between Feminism and Heroism?” In Conflicts in Feminism, ed. Hirsch, Marianne and Keller, Evelyn Fox. New York: Routledge, 1990, 233–52.
Cheung, King-Kok, and Yogi, Stan. Asian American Literature: An Annotated Bibliography. New York: Modern Language Association, 1988.
Chew, Lee. “Life Story of a Chinaman.” In The Life Stories of Undistinguished Americans as Told by Themselves, ed. Holt, Hamilton. New York: Holt, 1906, 281–99.
Chiang, Mark. The Cultural Capital of Asian American Studies: Autonomy and Representation in the University. New York: New York University Press, 2009.
Chiang, Mark “Capitalizing Form: The Globalization of the Literary Field: A Response to David Palumbo-Liu.” American Literary History 20.4 (2008): 836–44.
Chin, Frank. “Come All Ye Asian American Writers of the Real and the Fake.” In Chan, et al., The Big Aiiieeeeee!, 1991, 1–92.
Chin, Frank Donald Duk. Minneapolis, MN: Coffee House Press, 1991.
Chin, Frank Chickencoop Chinaman and The Year of the Dragon. Seattle: University of Washington Press, 1981.
Chin, Frank, and Chan, Jeffrey Paul. “Racist Love.” In Seeing through Shuck, ed. Kostelanetz, Richard. New York: Ballantine, 1972, 65–79.
Chin, Vivian Fumiko. “Gestures of Noncompliance: Resisting, Inventing, and Enduring in Citizen 13660.” In Robinson and Creef, Miné Okubo, 2008, 67–81.
Chock, Eric. “The Neocolonization of Bamboo Ridge: Repositioning Bamboo Ridge and Local Literature in the 1990s.” Bamboo Ridge 69 (1996): 11–25.
Choi, Susan. My Education. New York: Viking Books, 2013.
Choi, Susan American Woman. New York: Harper, 2003.
Choi, Susan The Foreign Student. New York: Harper Perennial, 1998.
Chong, Sylvia. The Oriental Obscene: Violence and Racial Fantasies in the Vietnam Era. Durham, NC: Duke University Press, 2012.
Chow, Rey. “The Secrets of Ethnic Abjection.” In Traces 2: Race, Panic, and Memory of Migration, ed. Morris, Meaghan and de Bary, Brett. Hong Kong: Hong Kong University Press, 2011, 53–77.
Chow, Rey The Protestant Ethnic and The Spirit of Capitalism. New York: Columbia University Press, 2002.
Chow, Rey “How (the) Inscrutable Chinese Led to Globalized Theory.” PMLA 116.1 (2001): 69–74
Chowdhury, Kanishka. “It’s All within Your Reach: Globalization and the Ideologies of Postnationalism and Hybridity.” Cultural Logic: An Electronic Journal of Marxist Theory and Practice 5 (2002). Online resource: http://clogic.eserver.org/2002/chowdhury.html. Accessed December 4, 2014.
Choy, Catherine Ceniza. “A Filipino Woman in America: The Life and Work of Encarnacion Alzona.” Genre 39.3 (2006): 127–40.
Chu, Patricia P. Assimilating Asians: Gendered Strategies of Authorship in Asian America. Durham, NC: Duke University Press, 2000.
Chuh, Kandice. “Of Hemispheres and Other Spheres: Navigating Karen Tei Yamashita’s Literary Worlds.” American Literary History 18.3 (2006): 618–37.
Chuh, Kandice Imagine Otherwise: On Asian Americanist Critique. Durham, NC: Duke University Press, 2003.
Chun, Wendy Hui Kyong. “Race and/as Technology, or How to Do Things to Race.” In Nakamura and Chow-White, Race after the Internet, 2012, 38–60.
Chung, C., Kim, A., and Lemeshewsky, A. K., eds. Between the Lines: An Anthology by Pacific/Asian Lesbians of Santa Cruz. Santa Cruz, CA: Dancing Bird Press, 1987.
Clingman, Stephen. The Grammar of Identity: Transnational Fiction and the Nature of the Boundary. Oxford: Oxford University Press, 2009.
Cole, Jean Lee. The Literary Voices of Winnifred Eaton: Redefining Ethnicity and Authenticity. New Brunswick, NJ: Rutgers University Press, 2002.
Comaroff, Jean. Body of Power, Spirit of Resistance: The Culture and History of a South African People. Chicago: University of Chicago Press, 1985.
Comaroff, Jean, and Comaroff, John. Modernity and Its Malcontent: Ritual and Power in Postcolonial Africa. Chicago: University of Chicago Press, 1993.
Cooke, Miriam, and Rustomji-Kerns, Roshni, eds. Blood into Ink: South Asian and Middle Eastern Women Write War. Boulder, CO: Westview Press, 1994.
“Conversations: Asian American Arts and Activism.” Directed by Bob Nakamura. Los Angeles: The Center for Ethno Communications of the UCLA Asian American Studies Center, 2010. DVD.
Cordova, Dorothy. “Voices From the Past: Why They Came.” In Asian Women United of California, Making Waves, 1989. 42–9.
Crane, Jacob. “Beyond the Cape: Amitav Ghosh, Frederick Douglass and the Limits of the Black Atlantic.” Postcolonial Text 6.4 (2011). Online resource: postcolonial.org/index.php/pct/article/download/1301/1261. Accessed June 27, 2014.
Crow, Charles L. “A MELUS Interview: Hisaye Yamamoto.” MELUS 14.1 (1987): 73–84.
Cruz, Denise. Transpacific Femininities: The Making of the Modern Filipina. Durham, NC: Duke University Press, 2012.
Cruz, Denise “Jose Garcia Villa’s Collection of ‘Others’: Irreconcilabilities of a Queer Transpacific Modernism,” Modern Fiction Studies 55.1 (2009): 11–41.
Culler, Jonathan. The Pursuit of Signs: Semiotics, Literature, Deconstruction. Ithaca, NY: Cornell University Press, 1981.
Cvetkovich, Ann. An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Culture. Durham, NC: Duke University Press, 2003.
Daiya, Kavita. “Provincialising America: Engaging Postcolonial Critique and Asian American Studies in a Transnational Mode.” South Asian Review 26.2 (2005): 265–75.
Das Gupta, Monisha. Unruly Immigrants: Rights, Activism, and Transnational South Asian Politics in the United States. Durham, NC: Duke University Press, 2006.
Dasgupta, Sanjukta. “Locating ‘Home’ in a Liminal Space: Longing and Belonging in the Fiction of ‘Bengali’ American Women Writers.” In Interpreting Homes in South Asian Literature, ed. Lal, Malashri and Kumar, Sukrita Paul. Delhi: Dorling Kindersley, 2007, 75–95.
Davé, Shilpa, Dhingra, Pawan, Maira, Sunaina, Mazumdar, Partha, Shankar, Lavina, Singh, Jaideep, and Srikanth, Rajini. “De-Privileging Positions: Indian Americans, South Asian Americans, and the Politics of Asian American Studies.” Journal of Asian American Studies 3.1 (2000): 67–100.
Davis, Rocío G. “Asian American Stories and Literary Theory: A Reading of Chitra Divakaruni’s ‘The Word Love.’” American Book Review 31.1 (2009): 9–10.
Davis, Rocío G. “Introduction: Have Come, Are Here: Reading Filipino/a American Literature.” MELUS 29.1 (2004): 5–18.
Dayal, Samir. “Re-Positioning India: Tagore’s Passionate Politics of ‘Love.’” Positions: East Asia Cultures Critique 15.1 (2007): 165–208.
Dayal, Samir “Splitting Images: The Satanic Verses and the Incomplete Man.” In Ideas of Home: Literature of Asian Migration, ed. Kain, Geoffrey. East Lansing: Michigan State University Press, 1997, 87–100.
Debates and Proceedings of the Constitutional Convention of the State of California, Convened at the City of Sacramento, Saturday, September 28, 1878. E. B. Wills and P. K. Stockton, official stenographers. Sacramento, CA: State printing, 1880–1.
Debrix, Francois. “The Sublime Spectatorship of War: The Erasure of the Event in America’s Politics of Terror and Aesthetics of Violence.” Millennium 34.3 (2006): 767–91.
de Jesús, Melinda Luisa María. “Rereading History/Rewriting Desire: Reclaiming Queerness in Carlos Bulosan’s America Is in the Heart and Bienvenido N. Santos’ Scent of Apples.” Journal of Asian American Studies 5.2 (2002): 91–111.
DeLillo, Don. Falling Man. New York: Scribner, 2007.
Dempster, Brian Komei. “Introduction.” Dempster, Brian Komei, Making Home from War: Stories of Japanese American Exile and Resettlement. Berkeley, CA: Heydey, 2011, xx–xxvii.
Denison, T. S. Patsy O’Wang. In Williams, The Chinese Other, 1997, 125–48.
Den Tandt, Christophe. “Pragmatic Commitments: Postmodern Realism in Don DeLillo, Maxine Hong Kingston and James Ellroy.” In Stierstorfer, Beyond Postmodernism, 2003, 121–42.
Derrida, Jacques, and Ronell, Avital. “The Law of Genre.” Critical Inquiry 7.1 (1980): 55–81.
Deuleuze, Gilles, and Guattari, Felix. A Thousand Plateaus: Capitalism and Schizophrenia. Translated by Massumi, Brian. Minneapolis: University of Minnesota Press, 1987.
Dhingra, Lavina, and Cheung, Floyd. Naming Jhumpa Lahiri: Canons and Controversies. Lanham, MD: Lexington Books, 2012.
Diaz, Robert G. “Melancholic Maladies: Paranoid Ethics, Reparative Envy, and Asian American Critique.” Women and Performance: A Journal of Feminist Theory 16.2 (2006): 201–19.
Di Leo, Jeffrey. “Analyzing Anthologies.” In On Anthologies: Politics and Pedagogy, ed. Leo, Jeffrey Di. Lincoln: University of Nebraska Press, 2004, 1–30.
Dimock, Wai-Chee. “Introduction: Genres as Fields of Knowledge.” PMLA 122.5 (2007): 1377–88.
Divakaruni, Chitra Banerjee. Leaving Yuba City: New and Selected Poems. New York: Anchor Books, 1997.
Divakaruni, Chitra Banerjee Arranged Marriage. New York: Anchor Books, 1993.
Doyle, James. “Law, Legislation and Literature: The Life of Grace H. Harte.” Biography 17.4 (1994): 367–85.
Dudziak, Mary. Cold War Civil Rights: Race and the Image of Democracy. Princeton, NJ: Princeton University Press, 2000.
East Hawai‘i Cultural Councils. Aloha ‘Āina: Big Island Memories. Hilo: East Hawai‘i Cultural Council, 2012.
Eaton, Edith Maude (Sui Sin Far). Mrs. Spring Fragrance and Other Writings. Edited by Ling, Amy and White-Parks, Annette. Urbana: University of Illinois Press, 1995.
Eaton, Edith Maude. “Leaves from the Mental Portfolio of an Eurasian.” Independent 66 (1909): 125–32. Reprinted in Eaton, Mrs. Spring Fragrance, 219–30.
Eaton, Edith Maude “Sweet Sin: A Chinese-American Story.” Land of Sunshine 8.5 (1898): 223–6.
Eaton, Edith Maude “Half-Chinese Children: Those of American Mothers and Chinese Fathers, Some of Their Troubles and Discomforts.” Montréal Daily Star (1895): 187.
Eaton, Winnifred (Onoto Watanna). “A Half Caste” and Other Writings. Edited by Moser, Linda Trinh and Rooney, Elizabeth. Urbana: University of Illinois Press, 2003.
Eaton, Winnifred. Me: A Book of Remembrance. New York: Century, 1915.
Eaton, Winnifred “The Japanese in America.” Eclectic Magazine (February 1907).
Eaton, Winnifred A Japanese Nightingale. New York: Harper, 1901. Reprinted London: Archibald Constable and Co. Ltd., 1904.
Eaton, Winnifred “The Half Caste.” Conkey’s Home Journal (November 1899).
Eaton, Winnifred (Onoto Watanna), Bosse, Sara, and Hutt, Henry. Marion: The Story of an Artist’s Model. New York: W. J. Watt and Company, 1916.
Ejxenbaum, Boris M. “Literary Environment.” In Readings in Russian Poetics: Formalist and Structuralist Views, ed. Matejka, Ladislav and Pomorska, Krystyna. Normal, IL: Dalkey Archive Press, 2002, 56–65.
Elam, Harry J. Taking It to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka. Ann Arbor: University of Michigan Press, 1997.
Ellison, Ralph.“Richard Wright’s Blues.” Shadow and Act. 1953; 1964. Toronto: New American Library of Canada Limited, 1966.
Eng, Alvin, ed. Tokens? The NYC Asian American Experience on Stage. Philadelphia: Temple University Press, 1999.
Eng, David L., and Hom, Alive Y., eds. Q&A: Queer in Asian America. Philadelphia: Temple University Press, 1999.
Engels, Friedrich. Socialism: Utopian and Scientific. Translated by Aveling, Edward. In Marx, Karl and Engels, Friedrich, Marx/Engels Selected Works, Vol. 3. Moscow: Progress Publishers, 1970, 95–151. Online resource: https://www.marxists.org/archive/marx/works/1880/soc-utop/. Accessed December 4, 2014.
English, James F. The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value. Cambridge, MA: Harvard University Press, 2005.
Espadas, Elizabeth. “Destination Brazil: Immigration in Works of Nélida Piñón and Karen Tei Yamashita,” MACLAS: Latin American Essays 12 (1998): 51–61.
España-Maram, Linda. Creating Masculinity in Los Angeles’s Little Manila, 1920s–1950s: Working-Class Filipinos and Popular Culture. New York: Columbia University Press, 2006.
Espiritu, Augusto Fauni. Five Faces of Exile: The Nation and Filipino American Intellectuals. Stanford, CA: Stanford University Press, 2005.
Espiritu, Yen Le. Body Counts: The Vietnam War and Militarized Refugees. Los Angeles: University of California Press, 2014.
Fabian, Johannes. Time and the Other: How Anthropology Constructs Its Object. New York: Columbia University Press, 1983.
Fanon, Frantz. Black Skin, White Masks. Translated by Markmann, Charles Lam. New York: Grove Press, 1967.
Fanon, Frantz The Wretched of the Earth. Translated by Farrington, Constance. New York: Grove Press, 1963.
Felipe, Virgilio Menor. Hawai‘i: A Pilipino Dream. Honolulu, HI: Mutual Press, 2002.
Fenkl, Heinz Insu. Memories of My Ghost Brother. New York: Plume, 1997.
Ferens, Dominika. “Winnifred Eaton/Onoto Watanna: Establishing Ethnographic Authority.” In Zhou and Najmi, Form and Transformation, 2005, 30–47.
Ferens, Dominika Edith and Winnifred Eaton: Chinatown Missions and Japanese Romances. Chicago: University of Illinois Press, 2002.
Ferguson, Margaret, Salter, Mary Jo, and Stallworthy, Jon, eds. The Norton Anthology of Poetry. 5th ed. New York: Norton, 2004.
Ferguson, Margaret, Salter, Mary Jo, and Stallworthy, Jon. The Norton Anthology of Poetry. 4th ed. New York: Norton, 1996.
Fickle, Tara. “American Rules and Chinese Faces: The Games of Amy Tan’s The Joy Luck Club.” MELUS 39.3 (2014): 68–88.
Fischer, Michael M. J. Emergent Forms of Life and the Anthropological Voice. Durham, NC: Duke University Press, 2003.
Fischer, Michael M. J. “Ethnicity and the Post-Modern Arts of Memory.” In Writing Culture: The Poetics and Politics of Ethnography, ed. Clifford, James and Marcus, George E.. Berkeley: University of California Press, 1986, 194–233.
Fishkin, Shelley Fisher. “Interview with Maxine Hong Kingston.” In Skenazy and Martin, Conversations, 1998, 159–67.
Flower Drum Song. Directed by Henry Koster. 1961. Universal City, CA: Universal Pictures, 2006. DVD.
Foer, Jonathan Safran. Extremely Loud and Incredibly Close. New York: Houghton Mifflin, 2005.
Foote, Donna. “Trouble in Paradise: A Hawaiian Novelist Sparks a P.C. Protest.” Newsweek 132.7 (August 17, 1993): 63.
Foucault, Michel. “Society Must Be Defended”: Lectures at the Collège de France, 1975–76. Translated by Macey, David. New York: Picador, 2003.
Foucault, Michel “Of Other Spaces, Heterotopias.” Architecture, Mouvement, Continuité 5 (1984): 46–9.
Fowler, Alastair. Kinds of Literature: An Introduction to the Theory of Genres and Modes. Cambridge, MA: Harvard University Press, 1982.
Frankenberg, Ruth and Mani, Lata. “Crosscurrents, Crosstalk: Race, ‘Postcoloniality’ and the Politics of Location.” Cultural Studies 7.2 (1992): 292–310.
Friedman, Daniel. “Contemporary Theatre for Working-Class Audiences in the United States.” In Theatre for Working-Class Audiences in the United States, 1830–1980, ed. McConachie, Bruce A. and Friedman, Daniel. Westport, CT: Greenwood Press, 1985, 197–248.
Frye, Northrop. The Anatomy of Criticism: Four Essays. Princeton, NJ: Princeton University Press, 1957.
Fryer, Heather. “Miné Okubo’s War: Citizen 13660’s Attack on Government Propaganda.” In Robinson and Creef, Miné Okubo, 2008, 82–98.
Fu, May. “‘Serve the People and You Help Yourself’: Japanese-American Anti-Drug Organizing in Los Angeles, 1969 to 1972.” Social Justice 35.2 (2008): 80–99.
Fujikane, Candace. “Between Nationalism: Hawai‘i’s Local Nation and Its Troubled Racial Paradise.” Critical Mass: A Journal of Asian American Cultural Criticism 1.2 (1994): 23–57.
Fujino, Diane. Heartbeat of Struggle: The Revolutionary Life of Yuri Kochiyama. Minneapolis: University of Minnesota, 2005.
Gaerlan, Barbara. “The Movement in the United States to Oppose Martial Law in the Philippines, 1972–1991: An Overview.” Pilipinas 33 (1999): 75–98.
Galang, M. Evelina. Her Wild American Self. Minneapolis, MN: Coffee House Press, 1996.
Garcia, Laura E, Gutierrez, Sandra M., and Nuñez, Felicitas, eds. Teatro Chicana: A Collective Memoir and Selected Plays. Austin: University of Texas Press, 2008.
Gates, Henry Louis, Jr. Figures in Black: Words, Signs, and the “Racial” Self. Oxford: Oxford University Press, 1989.
Genette, Gérard. Narrative Discourse: An Essay in Method. Translated by Lewin, Jane E.. Ithaca, NY: Cornell University Press, 1980.
Geron, Kim, de la Cruz, Enrique, Saito, Leland, and Singh, Jaideep. “Asian Americans’ Social Movement and Interest Groups.” PS: Political Science and Politics 34.3 (2001): 618–24.
GhaneaBassiri, Kambiz. A History of Islam in America: From the New World to the New World Order. Cambridge: Cambridge University Press, 2010.
Ghosh, Amitav. The Hungry Tide. London: HarperCollins, 2005.
Ghosh, Amitav Incendiary Circumstances: A Chronicle of the Turmoil of Our Times. Boston: Houghton Mifflin, 2005.
Ghosh, Amitav The Shadow Lines. New Delhi: Ravi Dayal, 2004.
Ghosh, Amitav “Satyajit Ray.” In Amitav Ghosh: A Critical Companion, ed. Khair, Tabish. New Delhi: Permanent Black, 2003, 1–8.
Ghosh, Amitav The Imam and the Indian: Prose Pieces. New Delhi: Ravi Dayal, 2002.
Ghosh, Amitav The Glass Palace. London: HarperCollins, 2001.
Ghosh, Bishnupriya. When Borne Across: Literary Cosmopolitics in the Contemporary Indian Novel. New Brunswick, NJ: Rutgers University Press, 2004.
Gilvarry, Alex. From the Memoirs of a Non-Enemy Combatant. New York: Viking, 2012.
Goh, Robbie B. H. “The Overseas Indian and the Political Economy of the Body in Aravind Adiga’s The White Tiger and Amitav Ghosh’s The Hungry Tide.” Journal of Commonwealth Literature 47.3 (2012): 341–56.
Gold, Matthew K., eds. Debates in the Digital Humanities. Minneapolis: University of Minnesota Press, 2012.
Goldberg, David Theo. Racist Culture: Philosophy and the Politics of Meaning. Cambridge, MA: Blackwell, 1993.
Goldsmith, Kenneth. Uncreative Writing: Managing Language in the Digital Age. New York: Columbia University Press, 2011.
Gonzalez, N. V. M., and Campomanes, Oscar V.. “Filipino American Literature.” In Cheung, An Interethnic Companion, 1996, 62–124.
Gonzalves, Theodore S. The Day the Dancers Stayed: Performing in the Filipino/American Diaspora. Philadelphia: Temple University Press, 2010.
Gotanda, Philip Kan. No More Cherry Blossoms: Sisters Matsumoto and Other Plays. Seattle: University of Washington Press, 2005.
Gotanda, Philip Kan Ballad of Yachiyo. New York City: Theatre Communications Group, 1997.
Gotanda, Philip Kan Fish Head Soup and Other Plays. Seattle: University of Washington Press, 1996.
“Grace H. Harte: Member of the Illinois Bar and One of Our Associate Editors.” Women Lawyers’ Journal 26 (1939–40): 74.
A Grain of Sand: Music for the Struggle of Asians in America. Joanne Miyamoto, Chris Iijima, and Charlie Chin. Smithsonian Center for Folklife and Cultural Heritage, Paredon Records, 1973. Audiocassette.
Grewal, Inderpal. Transnational America: Feminisms, Diasporas, Neoliberalisms. Durham, NC: Duke University Press, 2005.
Grewal, Inderpal “The Postcolonial, Ethnic Studies and the Diaspora,” Socialist Review 24.4 (1994): 45–74.
Grice, Helena. Maxine Hong Kingston. Manchester, UK: Manchester University Press, 2006.
Grimm, Henry. The Chinese Must Go. In Williams, The Chinese Other, 1997, 97–120.
Gruenewald, Mary Matsuda. Looking Like the Enemy: My Story of Imprisonment in Japanese-American Internment Camps. Troutdale, OR: NewSage Press, 2005.
Guidote, Cecilia. Theater for the Nation: A Prospectus for the National Theater of the Philippines. Master’s Thesis. Manila, Philippines, De La Salle University, 2003.
Guterson, David. Snow Falling on Cedars. New York: Vintage Books, 1995.
Habal, Estella. “How I Became a Revolutionary.” San Francisco’s I-Hotel: Mobilizing the Filipino American Community in the Anti-Eviction Movement. Philadelphia: Temple University Press, 2008.
Habal, Estella “How I Became a Revolutionary.” In Legacy to Liberation: Politics and Culture of Revolutionary Asian/Pacific America, ed. Ho, Fred. San Francisco: Big Red Media, 2000, 197–210.
Hagedorn, Jessica. Dream Jungle. New York: Penguin, 2003.
Hagedorn, Jessica Dogeaters. New York: Penguin, 1990.
Hagedorn, Jessica, ed. Charlie Chan Is Dead: An Anthology of Asian American Fiction. New York: Penguin, 1993.
Hall, Stuart. “New Ethnicities.” In Chen and Morley, Stuart Hall, 1996, 441–9.
Hall, Stuart “Cultural Identity and Diaspora.” In Identity: Community, Culture, Difference, ed. Rutherford, Jonathan. London: Lawrence and Wishart, 1990, 223–37.
Hagedorn, Jessica “Signification, Representation, Ideology: Althusser and the Post-Structuralist Debates.” Critical Studies in Mass Communication 2.2 (1985): 91–114.
Hamid, Mohsin. The Reluctant Fundamentalist. New York: Houghton Mifflin Harcourt, 2007.
Hamid, Mohsin “Roots of Rage: ‘Why Do They Hate Us?’” Washington Post (July 22, 2007).
Hamid, Mohsin Moth Smoke. New York: Farrar, Straus, and Giroux, 2000.
Hammad, Suheir. Born Palestinian, Born Black. Brooklyn: UpSet Press, 2010.
Hammad, Suheir “First Writing Since.” Meridians 2.2 (2002): 254–8.
Hammad, Suheir Drops of This Story. New York: Harlem River Press, 1996.
Hammerstein, Oscar, and Fields, Joseph. Flower Drum Song: A Musical Play. New York: Farrar, Straus, and Cudahy, 1959.
Hara, Marie Murphey. “Negotiating the Hyphen.” In Intersecting Circles: The Voices of Hapa Women in Poetry and Prose, ed. Hara, Marie and Keller, Nora Okja. Honolulu, HI: Bamboo Ridge, 1999, 9–16.
Hardt, Michael, and Negri, Antonio. Empire. Cambridge, MA: Harvard University Press, 2000.
Harrison, Patricia Marby. “Genocide or Redemption? Asian American Autobiography and the Portrayal of Christianity in Amy Tan’s The Joy Luck Club and Joy Kogawa’s Obasan.” Christianity and Literature 46.2 (1997): 145–68.
Harte, Bret, and Twain, Mark. Ah Sin. In Williams, The Chinese Other, 1997, 39–96.
Harte, Grace H. “The Battle for the Right of Women to Practice Law.” Women Lawyers’ Journal 33 (1947): 141–53.
Harte, Grace H. “Women and the Legal Profession.” In Series III of the Mary Earhart Dillon Collection, 1890–1945. Cambridge, MA: Schlesinger Library, Radcliffe Institute, Harvard University, 1942, A-68, folder 30.
Harte, Grace H. “Social Aspects of the Convention.” Women Lawyers’ Journal 26 (1939–40): 29–30.
Hartnell, Anna. “Moving through America: Race, Place, and Resistance in Mohsin Hamid’s The Reluctant Fundamentalist.” Journal of Postcolonial Writing 46.3–4 (2010): 336–48.
Harvey, David. A Brief History of Neoliberalism. Oxford: Oxford University Press, 2005.
Hassan, Ihab. “Beyond Postmodernism: Toward an Aesthetic of Trust.” In Stierstorfer, Beyond Postmodernism, 2003, 199–212.
Hattori, Tomo. “Model Minority Discourse and Asian American Jouis-Sense.” differences: A Journal of Feminist Cultural Studies 11.2 (1999): 228–47.
Hawai‘i Council for the Humanities. We Go Eat: A Mixed Plate from Hawai‘i’s Food Culture. Honolulu: Hawai‘i Council for the Humanities, 2008.
Hawai‘i Council for the Humanities. We Go Jam: Celebrating Our Music, Our Soundscape, Our Hawai‘i. Honolulu: Hawai‘i Council for the Humanities, 2012.
Hedges, Christopher. War Is a Force That Gives Us Meaning. New York: Public Affairs, 2002.
Heidemann, Birte. “‘We Are the Glue that Keeps Civilization Together’: Post-Orientalism and Counter-Orientalism in H.M. Naqvi’s Home Boy.” Journal of Postcolonial Writing 48.3 (2012): 289–98.
Hing, Bill Ong. Making and Remaking Asian America through Immigration Policy, 1850–1990. Stanford, CA: Stanford University Press, 1994.
Hinton, Laura. “Three Conversations with Mei-mei Berssenbrugge.” Jacket (27 April, 2005). Online resource: http://jacketmagazine.com/27/hint-bers.html. Accessed June 11, 2015. Reprinted in Elizabeth Innovative Women Poets: An Anthology of Contemporary Poets and Interviews, ed. Frost and Cynthia Hogue. Iowa City: University of Iowa Press, 2007.
Ho, Jennifer Ann. “The Place of Transgressive Texts in Asian American Epistemology.” Modern Fiction Studies 56.1 (2010): 205–25.
Hoeffel, Elizabeth M., Rastogi, Sonya, Kim, Myoung Ouk, and Shahid, Hasan (U.S. Census Bureau). Asians in the United States: 2010. Washington, DC: U.S. Government Printing Office, 2012. Online resource: http://www.census.gov/prod/cen2010/briefs/c2010br-11.pdf. Accessed December 4, 2014.
Hoganson, Kristin L. “‘As Badly Off as the Filipinos’: U.S. Women’s Suffragists and the Imperial Issue at the Turn of the Twentieth Century.” Journal of Women’s History 13.2 (2001): 9–33.
Holthe, Tess Uriza. When the Elephants Dance. New York: Penguin, 2002.
Hom, Marlon. Songs of Gold Mountain: Cantonese Rhymes from San Francisco Chinatown. Berkeley: University of California Press, 1992.
Hong, Cathy Park. Dance Dance Revolution: Poems. New York: Norton, 2008.
Hong, Christine. “Pyongyang Lost: Counterintelligence and Other Fictions of the Forgotten War.” In American Literature and Culture in an Age of Cold War, ed. Belletto, Steven and Grausam, Daniel. Iowa City: University of Iowa Press, 2012, 135–62.
Hong, Grace, and Ferguson, Roderick, eds. Strange Affinities: The Gender and Sexual Politics of Comparative Racialization. Minneapolis: University of Minnesota Press, 2011.
Hongo, Garrett. The Open Boat. New York: Anchor Books Doubleday, 1993.
Horiuchi, Lynne. “Miné Okubo’s Citizen 13660 and Her Trek Artwork.” In Robinson and Creef, Miné Okubo, 2008, 111–30.
Horne, Gerald. Fighting in Paradise: Labor Unions, Racism, and Communists in the Making of Modern Hawai‘i. Honolulu: University of Hawai‘i Press, 2011.
Horne, Gerald The White Pacific: U.S. Imperialism and Black Slavery in the South Seas after the Civil War. Honolulu: University of Hawai‘i Press, 2007.
Houston, Jeanne Wakatsuki. Farewell to Manzanar. New York: Bantam Books, 1973.
Houston, Velina Hasu, ed. But Still, Like Air, I’ll Rise: New Asian American Plays. Philadelphia: Temple University Press, 1997.
Houston, Velina Hasued. The Politics of Life: Four Plays by Asian American Women. Philadelphia: Temple University Press, 1997.
Hoy, Jody. “To Be Able to See the Tao.” In Skenazy and Martin, Conversations, 1998, 47–66.
Hsu, Kai-yu, and Palubinskas, Helen, eds. Asian American Authors. Boston: Houghton Mifflin, 1972.
Huang, Betsy. Contesting Genres in Contemporary Asian American Fiction. New York: Palgrave Macmillan, 2010.
Huang, Guiyou, ed. Greenwood Encyclopedia of Asian American Literature. Westport, CT: Greenwood Press, 2009.
Huang, Guiyou Columbia Guide to Asian American Literature since 1945. New York: Columbia University Press, 2006.
Huang, Yunte. Transpacific Imaginations: History, Literature, Counterpoetics. Cambridge: Harvard University Press, 2008.
Hughes, Langston. “The Negro Artist and the Racial Mountain.” In The Portable Harlem Renaissance Reader, ed. Lewis, David Levering. New York: Penguin Books, 1994, 91–5. Originally published in The Nation (June 23, 1926).
Hutcheon, Linda. The Politics of Postmodernism. New York: Routledge, 1989.
Hwang, David Henry. Flower Drum Song. New York: Theatre Communications Group, 2003.
Hwang, David Henry Dance and the Railroad. In Hwang, David Henry, Trying to Find Chinatown: The Selected Plays. New York: Theatre Communications Group, 2000, 53–88.
Hwang, David Henry FOB and Other Plays. New York: Plume, 1990.
Ibañez, Rose. “Growing Up in America as a Young Filipina American during the Anti-Martial Law and Student Movement in the United States.” In Louie and Omatsu, Asian Americans, 2001, 74–9.
Iijima, Chris. “Pontifications on the Distinctions between Grains of Sand and Yellow Pearls.” In Louie and Omatsu, Asian Americans, 2001, 2–16.
Inada, Lawson Fusao. “Introduction” In Okada, No-No Boy, 1976, iii–vi.
International Hotel Women’s Collective. “Sisterhood Is Powerful.” In Asian Women, 1971, 122–4.
Isaac, Allan Punzalan. American Tropics: Articulating Filipino America. Minneapolis: University of Minnesota Press, 2006.
Iwasaki, Pasty, and Berido, Avery. Hidden Hero: Shirarezaru Eiyū. Hiroshima, Japan: Daiwa Printing Company, 2009.
Jackson, Carl T. The Oriental Religions and American Thought: Nineteenth Century Explorations. Westport, CT: Greenwood Press, 1981.
Jackson, Virginia, and Prins, Yopie, eds. The Lyric Theory Reader: A Critical Anthology. Baltimore, MD: Johns Hopkins University Press, 2013.
Jain, Anupama. How to Be South Asian in America: Narratives of Ambivalence and Belonging. Philadelphia: Temple University Press, 2011.
Jakobson, Roman. “Poetry of Grammar and Grammar of Poetry.” In Verbal Art, Verbal Sign, Verbal Time, ed. Pomorska, Krystyna and Rudy, Stephen. Minneapolis: University of Minnesota Press, 1985, 37–46.
Jakobson, Roman “Shifters, Verbal Categories, and the Russian Verb.” Selected Writings, Vol. II. The Hague: Mouton, 1971, 130–47.
Jameson, Fredric. The Political Unconscious: Narrative as a Socially Symbolic Act. Ithaca, NY: Cornell University Press, 1981.
Jay, Gregory S. “The End of ‘American’ Literature: Toward a Multicultural Practice,” College English 53.3 (1991): 264–81.
Jefferson, Thomas. Thomas Jefferson: Writings: Autobiography/Notes on the State of Virginia/Public and Private Papers/Addresses/Letters. Edited by Peterson, Merrill D.. New York: Library of America, 1984.
Jen, Gish Who’s Irish? Stories. New York: Knopf, 1999.
Jenkins, Henry. Convergence Culture: When Old and New Media Collide. New York: New York University Press. 2006.
Jensen, Joan. Passage from India: Asian Indian Immigrants in North America. New Haven, CT: Yale University Press, 1988.
Jeon, Joseph Jonghyun. Racial Things, Racial Forms: Objecthood in Avant-Garde Asian American Poetry. Iowa City: University of Iowa Press, 2012.
Jerng, Mark C. “Nowhere in Particular: Perceiving Race, Chang-rae Lee’s Aloft, and the Question of Asian American Fiction.” Modern Fiction Studies 56.1 (2010): 183–204.
Jespersen, Otto. Language: Its Nature, Development and Origin. New York: Henry Holt, 1924.
Jordan, June. Living Room: New Poems, 1980–1984. New York: Thunder’s Mouth Press, 1985.
Joseph, Melany. “Another World in Progress: A Progressive Think-Tank in Brazil Opens the Door to Artists.” American Theatre 22.5 (2005): 54–8.
Joseph, Peniel. Waiting ‘til the Midnight Hour: A Narrative History of Black Power. New York: Holt, 2007.
Jowitt, Deborah. Time and the Dancing Image. Berkeley: University of California Press, 1989.
Junius II, . “Brown Maiden Writes.” The Commonwealth Advocate 1.10 (1935): 59–60.
Kahf, Mohja. The Girl in the Tangerine Scarf. New York: Carroll and Graf, 2006.
Kain, Geoffrey, ed. Ideas of Home: Literature of Asian Migration. East Lansing: Michigan State University Press, 1997.
Kalita, S. Mitra. Suburban Sahibs: Three Immigrant Families and Their Passage from India to America. New Brunswick, NJ: Rutgers University Press, 2003.
Kam, Tanya. “Traveling Identities: Between Worlds in Karen Tei Yamashita’s Circle K Cycles.” ellipsis: Journal of the American Portuguese Studies Association 6 (2008): 9–32.
Kamboureli, Smaro. “The Politics of the Beyond: 43 Theses on Autoethnography and Complicity.” In Ty and Verduyn, Asian Canadian Writing, 1998, 31–53.
Kang, Younghill. The Grass Roof. Chicago: Follett Publishing Company, 1966.
Kang, Younghill East Goes West: The Making of and Oriental Yankee. Chicago: Follett Publishing Company, 1965. Reprinted New York: Kaya, 1997.
Katawal, Ubaraj. “Becoming a ‘British Hindoo’: Errant Subjectivities in Bharati Mukherjee’s Fiction.” Postcolonial Text 6.3 (2011): 1–15.
Kaufmann, David. “Thanks for the Memory: Bloch, Benjamin, and the Philosophy of History.” In Not Yet: Reconsidering Ernst Bloch, ed. Daniel, Jamie Owen and Moylan, Tom. London: Verso Press, 1997, 33–52.
Kawai, Yuko. “Stereotyping Asian Americans: The Dialectic of the Model Minority and the Yellow Peril.” Howard Journal of Communications 16.2 (2005): 109–30.
Kermode, Frank. “Memory and Autobiography.” Raritan 15.1 (1995): 36–50.
Khair, Tabish, ed. Amitav Ghosh: A Critical Companion. New Delhi: Permanent Black, 2003.
Kidd, David Comer, and Castano, Emanuele. “Reading Literary Fiction Improves Theory of Mind.” Science 342.6156 (October 18, 2013): 377–80.
Kim, Daniel Y. “‘Bled In, Letter by Letter’: Translation, Postmemory, and the Subject of Korean War: History in Susan Choi’s The Foreign Student.” American Literary History 21.3 (2009): 550–83.
Kim, Daniel Y. “Once More, with Feeling: Cold War Masculinity and the Sentiment of Patriotism in John Okada’s No-No Boy.” Criticism 47.1 (2005): 65–83.
Kim, Elaine H. “Home Is Where the Han Is: A Korean American Perspective on the Los Angeles Upheavals.” In Asian American Studies: A Reader, ed. Shen Wu, Jean Yu-Wen and Song, Min. New Brunswick, NJ: Rutgers University Press, 2000, 270–90.
Kim, Elaine H. “Korean American Literature.” In Cheung, An Interethnic Companion, 1996, 156–91.
Kim, Elaine H. “Preface.” In Charlie Chan Is Dead: An Anthology of Contemporary Asian American Fictioni, ed. Hagedorn, Jessica. New York: Penguin Books, 1993, vii–xiv.
Kim, Elaine H. “‘Such Opposite Creatures’: Men and Women in Asian American Literature.” Michigan Quarterly Review XXXIX.1 (1990): 68–93.
Kim, Elaine H. “Asian American Realities Through Literature.” Cultural Critique (1987): 87–111.
Kim, Elaine H. Asian American Literature: An Introduction to the Writings and Their Social Context. Philadelphia: Temple University Press, 1982.
Kim, Elaine H. “Searching for a Door to America: Younghill Kang, Korean American Writer.” Korea Journal 17.4 (1977): 38–47.
Kim, Elaine H., and Alarcon, Norma, eds. Writing Self, Writing Nation: Essays on Theresa Hak Kyung Cha’s Dictee. Berkeley, CA: Third Woman, 1994.
Kim, Hyo K. “Embodying the In-Between: Theresa Hak Kyung Cha’s Dictee.” Mosaic 46.4 (2013): 127–43.
Kim, Jodi. Ends of Empire: Asian American Critique and the Cold War. Minneapolis: University of Minnesota Press, 2010.
Kim, Richard E. The Martyred. New York: Penguin, 2011.
Kim, Richard E. The Innocent. Boston: Houghton Mifflin, 1968.
Kim, Sue J. “Narrator, Author, Reader: Equivocation in Theresa Hak Kyung Cha’s Dictee.” Narrative 16.2 (2008): 163–77.
Kim, Suji Kwock. Notes from the Divided Country. Baton Rouge: Louisiana State University Press, 2003.
Kin, Huie. Reminiscences. Beijing: San Yu Press, 1932.
King, Bruce. “The Image of the United States in Three Pakistani Novels.” Totalitarian Movements and Political Religions 8.3–4 (2007): 683–8.
Kingston, Maxine Hong. I Love A Broad Margin to My Life. London: Harvill Secker, 2011.
Kingston, Maxine Hong The Fifth Book of Peace. New York: Vintage, 2004.
Kingston, Maxine Hong “Personal Statement.” In Approaches to Teaching Kingston’s The Woman Warrior, ed. Lim, Shirley Geok-lin. New York: MLA, 1991, 23–5.
Kingston, Maxine Hong China Men. New York: Vintage, 1989.
Kingston, Maxine Hong Tripmaster Monkey: His Fake Book. New York: Random House, 1989.
Kingston, Maxine Hong “Cultural Mis-readings by American Reviewers.” In Asian and American Writers in Dialogue: New Cultural Identities, ed. Amirthanayagam, Guy. London: Macmillan, 1982, 55–65.
Kingston, Maxine Hong The Woman Warrior: Memoirs of a Girlhood Among Ghosts. New York: Alfred A. Knopf, 1976. Reprinted London: Picador, 1981; New York: Vintage International, 1989.
Kirsch, Robert R. “Korean War Story Deserves To Be Classed as Great Novel.” Los Angeles Times (February 23, 1964): C14.
Kitano, Harry. Japanese Americans: The Evolution of a Subculture. Upper Saddle River, NJ: Prentice-Hall, 1969.
Kittler, Friedrich A. Discourse Networks 1800/1900. Translated by Metteer, Michael with Cullens, Chris. Stanford, CA: Stanford University Press, 1969.
Klein, Christina. Cold War Orientalism: Asia in the Middlebrow Imagination, 1945–1961. Berkeley: University of California Press, 2001.
Knadler, Stephen. “Unacquiring Negrophobia: Younghill Kang and Cosmopolitan Resistance to the Black and White Logic of Naturalization.” In Lawrence and Cheung, Recovered Legacies, 2005, 98–119.
Knopf-Newman, Marcy Jane. “Interview with Suheir Hammad.” MELUS 31.4 (Winter 2006): 71–91.
Kogawa, Joy. Obasan. Boston: David R. Godine, 1981.
Kondo, Doreen. “How Do You Make Social Change: Visions of Possibility?” Theater 31.3 (2001): 62–94.
Kono, Juliet S. Anshū: Dark Sorrow. Honolulu, HI: Bamboo Ridge Press, 2010.
Koshy, Susan. “Neoliberal Family Matters.” American Literary History 25.2 (2013): 344–80.
Koshy, Susan “The Rise of the Asian American Novel.” In The Cambridge History of the American Novel, ed. Cassuto, Leonard, Eby, Clare Virginia, and Reiss, Benjamin. Cambridge: Cambridge University Press, 2011, 1046–63.
Koshy, Susan “The Fiction of Asian American Literature.” The Yale Journal of Criticism 9.2 (1996): 315–46.
Koshy, Susan, and Radhakrishnan, R., eds. Transnational South Asians: The Making of a Neo-Diaspora. New York: Oxford University Press, 2008.
Kumar, Amitava. Passport Photos. Berkeley: University of California Press, 2000.
Kumar, Amitava, Jaffe, Harold, Shivani, Anis, and Patel, Shailja. “Forum: On Literature Post 9/11.” The Asian American Literary Review 2.1.5 (2011): 256–81.
Kumar, T. Vijay. “‘Postcolonial describes you as a negative’: An Interview with Amitav Ghosh.” Interventions 9.1 (2007): 99–105.
Kunhardt, Philip B., Jr., Kunhardt, Philip B. III, and Kunhardt, Peter W.. P.T. Barnum: America’s Greatest Showman. New York: Knopf, 1995.
Kunzru, Hari Gods without Men. New York: Vintage, 2011.
Kunzru, Hari The Impressionist. New York: Penguin, 2002.
Kurahashi, Yuko. Asian American Culture on Stage: The History of the East West Players. New York: Routledge, 1999.
Kwon, Brenda. “Hawai‘i.” In A Companion to the Regional Literatures of America, ed. Crow, Charles L.. Malden, MA: Blackwell, 2003, 458–76.
Kwong, Peter. Chinatown, NY: Labor and Politics, 1930–1950. New York: New Press, 2001.
LaCapra, Dominick. History, Politics, and the Novel. Ithaca, NY: Cornell University Press, 1987.
Lahiri, Jhumpa. The Lowland. New York: Knopf, 2013.
Lahiri, Jhumpa Unaccustomed Earth. New York: Knopf, 2008.
Lahiri, Jhumpa The Namesake. Boston: Houghton Mifflin, 2003.
Lahiri, Jhumpa Interpreter of Maladies. Boston: Houghton Mifflin, 1999.
Lai, Him Mark, Lim, Genny, and Yung, Judy, eds. Island: Poetry and History of Chinese Immigrants on Angel Island, 1910–1940. Seattle: University of Washington Press, 1991. Originally published by HOC DOI (History of Chinese Detained on Island), 1980.
Lai, Larissa. Slanting I, Imagining We: Asian Canadian Literary Production in the 1980s and 1990s. Waterloo, ON: Wilfrid Laurier University Press, 2014.
Lai, Paul. “Autoethnography Otherwise.” In Ty and Verdu, Asian Canadian Writing, 1998, 55–70.
Lao, She. Rickshaw: The Novel Lo-t’o Hsiang Tzu. Translated by James, Jean M.. Honolulu: University Press of Hawaii, 1979.
Lape, Noreen Groover. West of the Border: The Multicultural Literature of the Western American Frontiers. Athens, OH: Ohio University Press, 2000.
Larson, Doran. “Toward a Prison Poetics.” College Literature 37.3 (2010): 143–66.
Latham, Michael. The Right Kind of Revolution: Modernization, Development, and U.S. Foreign Policy from the Cold War to the Present. Ithaca, NY: Cornell University Press, 2011.
Lawrence, Keith, and Cheung, Floyd, eds. Recovered Legacies: Authority and Identity in Early Asian American Literature. Philadelphia: Temple University Press, 2005.
Lê, Linda. Tu Écriras sur le Bonheur. Paris: Presses Universitaires, 1999.
Lê, Linda The Three Fates. Translated by Palizzotti, Mark. New York: New Directions Books, 1997.
Lê, Linda Slander. Translated by Allen, Esther. Lincoln: University of Nebraska Press, 1996.
Le, Nam. The Boat. New York: Vintage, 2008.
le, thi diem thuy. “Shrapnel Shards on Blue Water.” In Asian-American Literature: An Anthology, ed. Lim, Shirley Goek-lin. Lincolnwood, IL: NTC Publishing Group, 2000, 224–9.
Lee, Chang-Rae. The Surrendered. New York: Riverhead Books, 2010.
Lee, Chang-Rae Aloft. New York: Riverhead Books, 2005.
Lee, Chang-Rae Native Speaker. New York: Riverhead Books, 1995.
Lee, C. Y. The Flower Drum Song. New York: Farrar, Straus and Cudahy, 1957. Reprinted New York: Penguin, 2002.
Lee, Christopher. The Semblance of Identity: Aesthetic Mediation in Asian American Literature. Stanford, CA: Stanford University Press, 2012.
Lee, Don. Yellow: Stories. New York: Norton, 2001.
Lee, Erika and Judy Yung. Angel Island: Immigrant Gateway to America. New York: Oxford University Press, 2010.
Lee, Esther Kim. “Asian American Women Playwrights and the Dilemma of the Identity Play: Staging Heterotopic Subjectivities.” In Contemporary Women Playwrights: Into the Twenty-first Century, ed. Farfan, Penny and Ferris, Lesely. New York: Palgrave Macmillan, 2013, 244–57.
Lee, Esther Kim A History of Asian American Theatre. Cambridge: Cambridge University Press, 2006.
Lee, Esther Kim, ed. Seven Contemporary Plays from the Korean Diaspora. Durham, NC: Duke University Press, 2012.
Lee, James Kyung-Jin. “Best-Selling Korean American: Revisiting Richard E. Kim.” Korean Culture 19.1 (1998): 30–9.
Lee, Josephine. The Japan of Pure Invention: Gilbert and Sullivan’s The Mikado. Minneapolis: University of Minnesota Press, 2010.
Lee, Josephine Performing Asian America: Race and Ethnicity on the Contemporary Stage. Philadelphia: Temple University Press, 1997.
Lee, Josephine, Eitel, Donald, and Shiomi, Rick, eds. Asian American Plays for a New Generation. Philadelphia: Temple University Press, 2011.
Lee, Rachel, ed., Routledge Companion to Asian American and Pacific Islander Literature. New York: Routledge, 2014.
Lee, Rachel. The Americas of Asian American Literature: Gendered Fictions of Nation and Transnation. Princeton, NJ: Princeton University Press, 1999.
Lee, Robert G. “The Cold War Construction of the Model Minority Myth.” In Contemporary Asian America: A Multidisciplinary Reader, ed. Zhou, Min and Gatewood, James V.. 2nd ed. New York: New York University Press, 2007, 469–84.
Lee, Robert G. Orientals: Asian Americans in Popular Culture. Philadelphia: Temple University Press, 1999.
Lee, Sue-Im. “‘We Are Not the World’: Global Village, Universalism, and Karen Tei Yamashita’s Tropic of Orange.” Modern Fiction Studies 53.3 (2007): 501–27.
Lee, Yan Phou. “The Chinese Must Stay.” North American Review 148 (1889): 476–83.
Lee, Yan Phou When I Was a Boy in China. Boston: D. Lothrop Company, 1887.
Lee, Yoon Sun. Modern Minority: Asian American Literature and Everyday Life. Oxford: Oxford University Press, 2012.
Lei, Daphne. “The Production and Consumption of Chinese Theatre in Nineteenth-Century California.” Theatre Research International 28.3 (2003): 289–302.
Lejeune, Phillippe. “The Autobiographical Pact,” translated by Katherine Leary. In On Autobiography, ed. Eakin, Paul John. Minneapolis: University of Minnesota Press, 1989, 3–30.
Leong, Russell. “Poetry within Earshot: Notes on an Asian American Generation 1968–1978.” Ameriasia Journal 15.1 (1989): 165–93.
Lew, Janey. What Do We Have in Canon? Chinese Canadian Anthologies and the Posit(ion)ing of an Ethno-National Literary Canon and Its Contexts. Master’s Thesis. Vancouver: University of British Columbia, 2006.
Lew, Walter K. “Grafts, Transplants, Translation.” In Modernism, Inc.: Body, Memory, Capital, ed. Scandura, Jani and Thurston, Michael. New York: New York University Press, 2001, 171–90.
Lewis, David H. Flower Drum Songs: The Story of Two Musicals. Jefferson, NC: McFarland and Co., 2006.
Li, David Leiwei. Imagining the Nation: Asian American Literature and Cultural Consent. Stanford, CA: Stanford University Press, 1998.
Li, David Leiwei “Race, Gender, Class and Asian American Literary Theory.” Race, Gender and Class 4.3 (1997): 40–53.
Liao, Pei-Chen. “Post”-9/11 South Asian Diasporic Fiction: Uncanny Terror. New York: Palgrave MacMillan, 2013.
Lico, Gerard. Edifice Complex: Power, Myth, and Marcos State Architecture. Manila, Philippines: Ateneo de Manila Press, 2003.
Lim, Shirley Geok-lin. “Reading Back, Looking Forward: A Retrospective Interview with Maxine Hong Kingston.” MELUS 33.1 (2008): 157–70.
Lim, Shirley Geok-lin “Sibling Hybridities: The Case of Edith Eaton/Sui Sin Far and Winnifred Eaton/Onoto Watanna.” Life Writing 4.1 (2007): 81–99.
Lim, Shirley Geok-lin “The Tradition of Chinese American Women’s Life Stories: Thematics of Race and Gender in Jade Snow Wong’s Fifth Chinese Daughter and Maxine Hong Kingston’s The Woman Warrior.” In American Women’s Autobiography: Fea(s)ts of Memory, ed. Culley, Margo. Madison: University of Wisconsin Press, 1992, 252–67.
Lim, Shirley Geok-lin “Japanese American Women’s Life Stories: Maternality in Moncia Sone’s Nisei Daughter and Joy Kogawa’s Obasan.” Feminist Studies 16.2 (1990): 288–312.
Lim, Shirley Geok-lin, and Ling, Amy, eds. Reading the Literatures of Asian America. Philadelphia: Temple University Press, 1992.
Lim, Shirley Geok-lin, Tsutakawa, Mayumi, and Donnelly, Margarita, eds. The Forbidden Stitch: An Asian American Women’s Anthology. Corvallis, OR: Calyx Books, 1989.
Lin, Patricia. “Clashing Constructs of Reality: Reading Maxine Hong Kingston’s Tripmaster Monkey: His Fake Book as Indigenous Ethnography.” In Lim and Ling, Reading the Literatures of Asian America, 1992, 333–48.
Lin, Tao. Taipei. New York: Vintage Books, 2013.
Ling, Amy. Between Worlds: Women Writers of Chinese Ancestry. New York: Pergamon, 1990.
Ling, Amy “Winnifred Eaton: Ethnic Chameleon and Popular Success.” MELUS 2.3 (1984): 5–15.
Ling, Amy “Edith Eaton: Pioneer Chinamerican Writer and Feminist.” American Literary Realism 16 (1983): 287–98.
Ling, Amy, and White-Parks, Annette. “Introduction.” In E. Eaton, Mrs. Spring Fragrance and Other Writings, 1995, 1–8.
Ling, Jinqi. Narrating Nationalisms: Ideology and Form in Asian American Literature. Oxford: Oxford University Press, 1998.
Ling, Jinqi “Race, Power, and Cultural Politics in John Okada’s No-No Boy.” American Literature 67.2 (1995): 359–81.
Linmark, R. Zamora. Leche. Minneapolis, MN: Coffee House, 2011.
Linmark, R. Zamora Rolling the R’s. New York: Kaya, 1995.
Liu, Michael, Geron, Kim, and Lai, Tracy. The Snake Dance of Asian American Activism: Community, Vision, and Power. Lanham, MD: Lexington Books, 2008.
Louie, Steve, and Omatsu, Glenn K., eds. Asian Americans: The Movement and The Moment. Los Angeles: UCLA Asian American Studies Center Press, 2001.
Lowe, Lisa. “The Intimacies of Four Continents.” In Haunted by Empire: Geographies of Intimacy in North American History, ed. Stoler, Ann Laura. Durham, NC: Duke University Press, 2006, 191–212.
Lowe, Lisa Immigrant Acts: On Asian American Cultural Politics. Durham, NC: Duke University Press, 1996.
Lowe, Lisa “Heterogeneity, Hybridity, Multiplicity: Marking Asian American Differences.” Diaspora: A Journal of Transnational Studies 1.1 (1991): 24–44.
Lukács, Georg. The Theory of the Novel. Translated by Bostock, Anna. Cambridge, MA: MIT Press, 1971.
Lukin, Josh. “Introduction: Genre Poaching in Contemporary Fiction.” Genre 42.3–4 (2009): 1–3.
Lui, Mary Ting Yi. The Chinatown Trunk Mystery: Murder, Miscegenation, and Other Dangerous Encounters in Turn-of-the-Century New York City. Princeton, NJ: Princeton University Press, 2005.
Loung, Ung. First They Killed My Father: A Daughter of Cambodia Remembers. New York: HarperCollins, 2000.
Lum, Wing Tek. The Nanjing Massacre: Poems. Honolulu, HI: Bamboo Ridge Press, 2012.
Lye, Colleen. “Racial Form.” Representations 104.1 (2008): 92–101.
Lye, Colleen America’s Asia: Racial Form and American Literature, 1893–1945. Princeton, NJ: Princeton University Press, 2005.
Mabalon, Dawn Bohulano. Little Manila Is in the Heart: The Making of the Filipina/o American Community in Stockton, California. Durham, NC: Duke University Press, 2013.
Maeda, Daryl Joji. Rethinking the Asian American Movement. New York: Routledge, 2012.
Maeda, Daryl Joji Chains of Babylon: The Rise of Asian America. Minneapolis: University of Minnesota Press, 2009.
Maeda, Daryl Joji “The Asian American Movement.” In Speaking Out: Activism and Protest in the 1960s and 1970s, ed. Thompson, Heather Ann. New York: Prentice Hall, 2009.
Maira, Sunaina. Missing: Youth, Citizenship, and Empire after 9/11. Durham, NC: Duke University Press, 2009.
Maira, Sunaina Desis in the House: Indian American Youth Culture in New York City. Philadelphia: Temple University Press, 2002.
Malpede, John. “How Do You Make Social Change: Recreating Imbalance?” Theater 31.3 (2001): 62–94.
Mamdani, Mahmood. Good Muslim, Bad Muslim: America, the Cold War, and the Roots of Terror. New York: Pantheon Books, 2004.
Mandal, Somdatta. “The City of the Mind or Return to the Roots? Representations of Calcutta in the Fiction of Diasporic Bengali Women Writers.” In Indias Abroad: The Empire Writes Back, ed. Chetty, Rajendra and Piciucco, Pier Paolo. Johannesburg: STE, 2004, 127–42.
Mangaoang, Gil. “From the 1970s to the 1990s: Perspective of a Gay Filipino American Activist.” In Asian American Sexualities: Dimensions of the Gay and Lesbian Experience, ed. Leong, Russell. New York: Routledge Press, 1996, 101–12.
Mani, Bakirathi. Aspiring to Home: South Asians in America. Stanford, CA: Stanford University Press, 2012.
Mannur, Anita. Culinary Fictions: Food in South Asian Diasporic Culture. Philadelphia: Temple University Press, 2010.
Mansoor, Asma. “Post 9/11 Identity Crisis in H.M. Naqvi’s Home Boy.” Pakistaniaat: A Journal of Pakistan Studies 4.2 (2012): 8–44.
Manuud, Antonio, ed. Brown Heritage: Essays on Philippine Cultural Tradition and Literature. Quezon City, Philippines: Ateneo de Manila University Press, 1967.
Martin, Wallace. Recent Theories of Narrative. Ithaca, NY: Cornell University Press, 1986.
Matsukawa, Yuko. “Cross-Dressing and Cross-Naming: Decoding Onoto Watanna.” In Tricksterism in Turn-of-the-Century American Literature: A Multicultural Perspective, ed. Ammons, Elizabeth and White-Parks, Annette. Hanover, NH: University Press of New England, 1994, 106–25.
Matthews, Fred H. The Quest for an American Sociology: Robert E. Park and the Chicago School. Montreal: McGill-Queen’s University Press, 1977.
Maxey, Ruth. South Asian Atlantic Literature, 1970–2010. Edinburgh: Edinburgh University Press, 2012.
Maxey, Ruth “Mother-Weights and Lost Fathers: Parents in South Asian American Literature.” Wasafiri 27.1 (2012): 25–31.
Mbembe, Achille. On the Postcolony. Berkeley: University of California Press, 2001.
McDaniel, Nicole. “‘The Remnant Is the Whole’: Collage, Serial Self-Representation, and Recovering Fragments in Theresa Hak Kyung Cha’s Dictée.” ARIEL: A Review of International English Literature 40.4 (2009): 69–88.
McKinney, Chris. Boi No Good: A Novel of Family, Crime, and Betrayal in a Hawai‘i of Turmoil. Honolulu, HI: Mutual Publishing, 2012.
McPherson, Tara. “Why Are the Digital Humanities So White? Or Thinking the Histories of Race and Computation.” In Debates in the Digital Humanities, ed. Gold, Matthew K.. Minneapolis: University of Minnesota Press, 2012, 139–60. Online resource: http://dhdebates.gc.cuny.edu/debates/text/29. Accessed February 1, 2012.
Mehta, Brinda J. Diasporic (Dis)locations: Indo-Caribbean Women Writers Negotiate the “Kala Pani.” Kingston, Jamiaca: The University of the West Indies Press, 2004.
Melamed, Jodi. “Reading Tehran in Lolita: Making Racialized and Gendered Difference Work for Neoliberal Multiculturalism.” In Hong and Ferguson, Strange Affinities, 2011, 76–112.
Melamed, Jodi Represent and Destroy: Rationalizing Violence in the New Racial Capitalism. Minneapolis: University of Minnesota Press, 2011.
Mendoza, Victor. “Little Brown Students and the Homoerotics of ‘White Love.’” Genre 39.4 (2006): 65–83.
Metzger, Sean. “Charles Parsloe’s Chinese Fetish: An Example of Yellowface Performance in Nineteenth-Century American Melodrama.” Theatre Journal 56 (2004): 627–51.
Miki, Roy. “Asiancy: Making Space for Asian Canadian Writing,” Broken Entries: Race Subjectivity Writing. Toronto: Mercury Press, 1998, 101–24.
Mills, Charles W. The Racial Contract. Ithaca, NY: Cornell University Press, 1997.
Mirikitani, Janice, and Third World Communications, eds. Time to Greez! Incantations from the Third World. San Francisco: Glide Publications, 1975.
Mishra, Pankaj. From the Ruins of Empire: The Intellectuals Who Remade Asia. New York: Farrar, Straus and Giroux, 2012.
The Modern Girl Around the World Research Group, Weinbaum, Alys Eve, Thomas, Lynn M., Ramamurthy, Priti, Poiger, Uta G., and Dong, Madeleine Yue, eds. The Modern Girl Around the World: Consumption, Modernity, and Globalization. Durham, NC: Duke University Press, 2008.
Mondal, Anshuman A. Amitav Ghosh. Manchester, UK: Manchester University Press, 2007.
Monrayo, Angeles. Tomorrow’s Memories: A Diary, 1924–1928. Honolulu: University of Hawai‘i Press, 2003.
Moon, Krystyn “Paper Butterflies: Japanese Acr