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166 - Coriolanus in South Africa

from Part XVII - Shakespeare as Cultural Icon

Published online by Cambridge University Press:  17 August 2019

Bruce R. Smith
Affiliation:
University of Southern California
Katherine Rowe
Affiliation:
Smith College, Massachusetts
Ton Hoenselaars
Affiliation:
Universiteit Utrecht, The Netherlands
Akiko Kusunoki
Affiliation:
Tokyo Woman’s Christian University, Japan
Andrew Murphy
Affiliation:
Trinity College Dublin
Aimara da Cunha Resende
Affiliation:
Universidade Federal de Minas Gerais, Brazil
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Publisher: Cambridge University Press
Print publication year: 2016

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References

Sources cited

Auld, Allen. “Shakespeare’s Coriolanus – a 21st Century Leader? Review of DUT production, 28 March to 3 April 2009.” Artsmart. http://news.artsmart.co.za/2009/04/coriolanus.html. Accessed 10 September 2010.Google Scholar
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Cronin, Jeremy. The End of Coriolanus. Cape Town: National Union of South African Students, 1972.Google Scholar
Gevisser, Mark. The Dream Deferred: Thabo Mbeki. Johannesburg: Jonathan Ball, 2007.Google Scholar
Gevisser, Mark. “Harold Wolpe Memorial Lecture.” 19 February 2008. http://www.wolpetrust.org.za/dialogue2008/polokwane_p.pdf. Accessed 10 September 2010.Google Scholar
Gevisser, Mark. A Legacy of Liberation: Thabo Mbeki and the Future of the South African Dream. London: Palgrave Macmillan, 2009.Google Scholar
Gillham, D. G.Coriolanus.” English Studies in Africa 20.1 (1977): 4352.Google Scholar
Habib, Adam, Cronin, Jeremy, and Gevisser, Mark. “Minutes of Discussion Following Mark Gevisser’s Harold Wolpe Lecture.” 19 February 2008. http://www.wolpetrust.org.za/dialogue2008/polokwane_t.pdf. Accessed 10 September 2010.Google Scholar
Hirson, Baruch. Year of Fire, Year of Ash. The Soweto Revolt: Roots of a Revolution? London: Zed, 1979.Google Scholar
Hunt, Albert. “Why Political Theatre?Varsity 31.3 (22 March 1972): 6.Google Scholar
Notes on Shakespeare’s “Coriolanus.” Cape Town: College of Careers, 1964.Google Scholar
Johnson, David. Shakespeare and South Africa. Oxford: Clarendon, 1996.CrossRefGoogle Scholar
Legassick, Martin. “NUSAS in the 1970s.” The Road to Democracy in South Africa. Vol. 1: (1960–1970). Ed. South African Democracy Education Trust. Cape Town: Zebra Press, 2004. 857–83.Google Scholar
Lütge, Debbie. “Debbie Lütge’s Production of William Shakespeare’s The Tragedy of Coriolanus: Establishing Fresh KwaZulu Natal Footprints.” Unpublished paper presented at the Durban University of Technology Faculty of Arts and Design Research Day, 3 June 2009.Google Scholar
Lütge, Debbie. “Director’s Note: William Shakespeare’s Coriolanus.” Program for Durban University of Technology Production, 2009.Google Scholar
O’Meara, Dan. Forty Lost Years: The Apartheid State and the Politics of the National Party, 1948–1994. Randburg: Ravan, 1996.Google Scholar
Ostrovsky, Arkady. “Shakespeare as a Founding Father of Soviet Socialist Realism: The Soviet Affair with Shakespeare.” Shakespeare in the Worlds of Communism and Socialism. Ed. Makaryk, Irena R. and Price, Joseph G.. Toronto: U of Toronto P, 2006. 5683.Google Scholar
Pearce, Brian. “Review of Coriolanus. Directed by Debbie Lütge.” Shakespeare in Southern Africa 21 (2009): 8384.Google Scholar
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Further reading

Distiller, Natasha. Shakespeare and the Coconuts. On Post-apartheid South African Culture. Johannesburg: Wits U P, 2012.CrossRefGoogle Scholar
Loomba, Ania, and Orkin, Martin, Eds. Post-Colonial Shakespeares. London: Routledge, 1998.Google Scholar
Orkin, Martin. Shakespeare Against Apartheid. Parklands: Ad Donker, 1987.Google Scholar
Pacheco, Anita. William Shakespeare “Coriolanus.” Tavistock: Northcote House, 2007.Google Scholar
Schalkwyk, David. Hamlet’s Dreams. The Robben Island Shakespeare. London: Bloomsbury, 2013.Google Scholar
Shakespeare in Southern Africa http://www.ru.ac.za/static/institutes/shake/journal.html. Accessed 10 March 2014.Google Scholar
Thurman, Chris, Ed. South African Essays on “Universal” Shakespeare. Farnham: Ashgate, 2014.Google Scholar

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