Skip to main content Accessibility help
×
Hostname: page-component-78c5997874-dh8gc Total loading time: 0 Render date: 2024-11-17T19:41:47.989Z Has data issue: false hasContentIssue false

Guide to Further Reading

Published online by Cambridge University Press:  15 November 2017

Roger Luckhurst
Affiliation:
Birkbeck, University of London
Get access
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Belford, Barbara. Bram Stoker: A Biography of the Author of Dracula. London: Weidenfeld and Nicolson, 1996.Google Scholar
Byron, Glennis (ed.). Dracula: New Casebook. New York: Saint Martin’s Press, 1999.Google Scholar
Dijkstra, Bram. Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture. Oxford: Oxford University Press, 1986.Google Scholar
Farson, Daniel. The Man Who Wrote Dracula: A Biography of Bram Stoker. London: Michael Joseph, 1975.Google Scholar
Gibson, Matthew. Dracula and the Eastern Question: British and French Vampire Narratives of the Nineteenth-Century Near East. Basingstoke: Palgrave, 2006.Google Scholar
Glover, David. Vampires, Mummies and Liberals: Bram Stoker and the Politics of Popular Fiction. Durham: Duke University Press, 1996.Google Scholar
Greenway, John. ‘Seward’s Folly: Dracula as a Critique of “Normal Science”’, Stanford Literature Review 3 (1986), 213–30.Google Scholar
Hughes, William. Bram Stoker’s Dracula: A Reader’s Guide. London: Continuum, 2009.Google Scholar
Hutchings, Peter. Dracula. London: I. B. Tauris, 2003.CrossRefGoogle Scholar
Kittler, Friedrich. ‘Dracula’s Legacy’, Stanford Humanities Review 1 (1989), 143–73.Google Scholar
Leatherdale, Clive (ed.). The Origins of Dracula. London: William Kimber, 1975.Google Scholar
Ludlam, Harry. A Biography of Dracula: The Life Story of Bram Stoker. London: Foulsham, 1962.Google Scholar
Miller, Elizabeth (ed.). Bram Stoker’s Dracula: A Documentary Volume. Detroit, MI: Thomson Gale, 2005.Google Scholar
Miller, Elizabeth and Eighteen-Bisang, Robert. Bram Stoker’s Notes for Dracula: A Facsimile Edition. Jefferson, NC: McFarland, 2013.Google Scholar
Murray, Paul. From the Shadow of Dracula: A Life of Bram Stoker. Rev. ed. Dublin: Fitzpress, 2016.Google Scholar
Roth, Phyllis A. Bram Stoker. Boston: Twayne, 1982.Google Scholar
Senf, Carol. Dracula: Between Tradition and Modernism. New York: Twayne, 1998.Google Scholar
Smith, Andrew and Hughes, William (eds.), Bram Stoker: History, Psychoanalysis and the Gothic. Basingstoke: Palgrave, 1998.Google Scholar
Stiles, Anne. ‘Bram Stoker’s Brother, the Brain Surgeon’, Progress in Brain Research 205 (2013), 197218.Google Scholar

Secondary Sources

Beresford, Matthew. From Demons to Dracula: The Creation of the Modern Vampire Myth. London: Reaktion, 2008.Google Scholar
Botting, Fred. ‘Dracula, Romance and Radcliffean Gothic’, Women’s Writing 1, no. 2 (1994), 181201.Google Scholar
Frayling, Christopher. Vampyres: Lord Byron to Count Dracula. London: Faber, 1991.Google Scholar
Gelder, Ken (ed.). The Horror Reader. London: Routledge, 2000.Google Scholar
Groom, Nick. Gothic: A Very Short Introduction. Oxford: Oxford University Press, 2012.Google Scholar
Halberstam, Judith. Skin Shows: Gothic Horror and the Technology of Monsters. London and Durham: Duke University Press, 1995.Google Scholar
Penzler, Otto (ed.). The Vampire Archives: The Most Complete Volume of Vampire Tales Ever Published. New York: Vintage, 2009.Google Scholar
Punter, David. The Literature of Terror: A History of Gothic Fictions from 1765 to the Present Day. London: Longmans, 1980.Google Scholar
Punter, David (ed.). A Companion to the Gothic. Oxford: Blackwell, 2001.Google Scholar
Williamson, Milly. The Lure of the Vampire: Gender, Fiction and Fandom from Bram Stoker to Buffy. London: Wallflower, 2005.Google Scholar
Arata, Stephen D.The Occidental Tourist: Dracula and the Anxiety of Reverse Colonization’, Victorian Studies 33, no. 4 (1990), 621–45.Google Scholar
Backus, Gayle. The Gothic Family Romance: Heterosexuality, Child Sacrifice, and the Anglo-Irish Colonial Order. Durham: Duke University Press, 1999.Google Scholar
Barber, Paul. Vampires, Burial and Death: Folklore and Reality. New Haven: Yale University Press, 1988.Google Scholar
Bentley, C. F.The Monster in the Bedroom: Sexual Symbolism in Bram Stoker’s Dracula’, Literature and Psychology 22, no. 1 (1972), 2734.Google Scholar
Bräunlein, Peter J.The Frightening Borderlands of Enlightenment: The Vampire Problem’, Studies in History and Philosophy of Biological and Biomedical Sciences 43, no. 3 (2012), 710–19.CrossRefGoogle ScholarPubMed
Case, Alison. ‘Tasting the Original Apple: Gender and the Struggle for Narrative Authority in Dracula’, Narrative 1 (1993), 223–43.Google Scholar
Chez, Keridiana. ‘“You Can’t Trust Wolves No More Nor Women”: Canines, Women, and Deceptive Docility in Bram Stoker’s Dracula’, Victorian Review: An Interdisciplinary Journal of Victorian Studies 38 (2012), 7792.CrossRefGoogle Scholar
Dijkstra, Bram. Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle Culture. Oxford: Oxford University Press, 1986.Google Scholar
Funke, Jana. ‘“We Cannot Be Greek Now”: Age Difference, Corruption of Youth and the Making of Sexual Inversion’, English Studies 94, no. 2 (2013), 139–53.CrossRefGoogle ScholarPubMed
Galvan, Jill. ‘Occult Networks and the Legacy of the Indian Rebellion in Bram Stoker’s Dracula’, History of Religions 54, no. 4 (2015), 434–58.CrossRefGoogle Scholar
Gelder, Ken. Reading the Vampire. London: Routledge, 1994.Google Scholar
Gelder, Ken. New Vampire Cinema. London: Palgrave/British Film Institute, 2012.Google Scholar
George, Sam and Hughes, Bill (eds.). Open Graves: Open Minds: Representations of Vampires and the Undead from the Enlightenment to the Present Day. Manchester: Manchester University Press, 2013.Google Scholar
Gibson, Matthew. Dracula and the Eastern Question: British and French Vampire Narratives of the Nineteenth Century Near East. Basingstoke: Palgrave, 2006.Google Scholar
Glover, David. Literature, Immigration, and Diaspora in Fin-de-Siècle England: A Cultural History of the 1905 Aliens Act. Cambridge: Cambridge University Press, 2012.Google Scholar
Haggerty, George E. Queer Gothic. Urbana: University of Illinois Press, 2006.Google Scholar
Herbert, Christopher. ‘Vampire Religion’, Representations 79 (2002), 100–27.Google Scholar
Kreuter, P. M.The Name of the Vampire: Some Reflections on Current Linguistic Theories on the Etymology of the Word Vampire’, in Day, P. (ed.), Vampires: Myths and Metaphors of Enduring Evil (Amsterdam: Rodopi, 2006), pp. 5764.Google Scholar
Ledger, Sally. The New Woman: Fiction and Feminism at the Fin de Siècle. Manchester: Manchester University Press, 1997.Google Scholar
Linneman, Laura. ‘The Fear of Castration and Male Dread of Female Sexuality: The Theme of the “Vagina Dentata” in Dracula’, Journal of Dracula Studies 12 (2010), 1128.Google Scholar
Luckhurst, Roger. The Invention of Telepathy, 1870–1901. Oxford: Oxford University Press, 2002.Google Scholar
McDonald, Peter. British Literary Culture and Publishing Practice, 1880–1914. Cambridge, Cambridge University Press, 1997.Google Scholar
Moretti, Franco. ‘The Dialectic of Fear’, in Signs Taken for Wonders: Essays on the Sociology of Literary Forms. London: Verso, 1983.Google Scholar
Olmstead, John Charles. The Victorian Art of Fiction: Essays on the Novel in British Periodicals 1870–1900. New York and London: Garland, 1979.Google Scholar
Palmer, Paulina. Lesbian Gothic: Transgressive Fictions. New York: Continuum, 1999.Google Scholar
Piatti-Farnell, Lorna. The Vampire in Contemporary Popular Literature. London: Routledge, 2013.CrossRefGoogle Scholar
Pick, Daniel. Faces of Degeneration: A European Disorder c.1848–c.1918. Cambridge: Cambridge University Press, 1989.CrossRefGoogle Scholar
Reyes, Xavier Aldana, ‘“Who Ordered the Hamburger with AIDS?” Haematophilic Semiotics in Tru(e) Blood’, Gothic Studies 15, no. 1 (2013), 5565.CrossRefGoogle Scholar
Schaffer, Talia. ‘“A Wilde Desire Took Me”: The Homoerotic History of Dracula’, ELH 61, no. 2 (1994), 381425.Google Scholar
Senf, Carol, ‘Stoker’s Response to the New Woman’, Victorian Studies 26 (1982), 3349.Google Scholar
Showalter, Elaine. Sexual Anarchy: Gender and Culture at the Fin de Siècle. London: Bloomsbury, 1991.Google Scholar
Simmons, Clare A.Fables of continuity: Bram Stoker and Medievalism’, in Bram Stoker: History, Psychoanalysis and the Gothic, ed. Smith, Andrew and Hughes, William. Basingstoke: Palgrave, 1998, pp. 2946.CrossRefGoogle Scholar
Sparks, Tabitha. ‘Medical Gothic and the Return of the Contagious Diseases Acts in Stoker and Machen’, Nineteenth-Century Feminisms 6 (2002), 87102.Google Scholar
Stevenson, John Allen. ‘A Vampire in the Mirror: The Sexuality of Dracula’, PMLA 103, no. 2 (1988), 139–49.Google Scholar
Summers, Montague. The Vampire (1928; London: Studio Editions, 1995).Google Scholar
Twitchell, James. The Living Dead: A Study of the Vampire in Romantic Literature. Durham: Duke University Press, 1986.Google Scholar
Wicke, Jennifer. ‘Vampiric Typewriting: Dracula and its Media’, ELH 59, no. 2 (1992), 467–93.CrossRefGoogle Scholar
Zanger, Jules. ‘A Sympathetic Vibration: Dracula and the Jews’, English Literature in Transition 34, no. 1 (1991), 3344.Google Scholar
Byron, Glennis (ed.). Globalgothic. Manchester: Manchester University Press, 2013.Google Scholar
Case, Sue-Ellen. ‘Tracking the Vampire’, Differences 3 (1991), 120.Google Scholar
Craft, Christopher, ‘“Kiss Me with Those Red Lips”: Gender and Inversion in Bram Stoker’s Dracula’, Representations 8 (1984), 107–33.Google Scholar
Fisher, Mark. The Weird and the Eerie. London: Repeater Books, 2016.Google Scholar
Glover, David. Literature, Immigration and Diaspora in Fin-de-Siècle England: A Cultural History of the 1905 Aliens Act. Cambridge: Cambridge University Press, 2012).Google Scholar
Hughes, William and Smith, Andrew (eds.). Ecogothic. Manchester: Manchester University Press, 2016.Google Scholar
Morton, Timothy. Dark Ecology: For a Logic of Coexistence. New York: Columbia University Press, 2016.CrossRefGoogle Scholar
Palmer, Paulina. The Queer Uncanny: New Perspectives on the Gothic. Cardiff: University of Wales Press, 2012.Google Scholar
Schopp, Andrew. ‘Cruising the Alternatives: Homoeroticism and the Contemporary Vampire’, The Journal of Popular Culture 30, no. 4 (1997), 231–43.Google Scholar
Thacker, Eugene. In the Dust of This Planet: Horror of Philosophy I. Winchester: Zero Books, 2011).Google Scholar
Viragh, Attila. ‘Can the Vampire Speak? Dracula as Discourse on Cultural Extinction’, English Literature in Transition 56, no. 2 (2013), 231–45.Google Scholar
Abbott, Stacey. Celluloid Vampires: Life After Death in the Modern World. Austin: University of Texas Press, 2007).Google Scholar
Deane, Hamilton and Balderston, John. Dracula: The Ultimate Illustrated Edition of the World-Famous Vampire Play, ed. Skal, David J.. New York: St. Martin’s Press, 1993.Google Scholar
Forshaw, Barry. British Gothic Cinema. Basingstoke: Palgrave, 2013.Google Scholar
Gelder, Ken. New Vampire Cinema. London: BFI, 2012.Google Scholar
Hutchings, Peter. The Horror Film. Harlow: Longman, 2004.Google Scholar
Jowett, Lorna and Abbott, Stacey. TV Horror: The Dark Side of the Small Screen. London and New York: I. B. Tauris, 2013.Google Scholar
Pirie, David. A New Heritage of Horror: The English Gothic Cinema. London and New York: I. B. Tauris, 2009.Google Scholar
Rhodes, Gary D. Tod Browning’s Dracula. Sheffield: Tomahawk, 2014.Google Scholar
Rigby, Jonathan. English Gothic: Classic Horror Cinema, 1897–2015. Cambridge: Signum, 2015).Google Scholar
Skal, David J. Hollywood Gothic: The Tangled Web of Dracula From Novel to Stage to Screen. New York: Faber & Faber, 2004.Google Scholar
Tudor, Andrew. Monsters and Mad Scientists: A Cultural History of the Horror Movie. London: Routledge, 1989.Google Scholar
Waller, Gregory A. The Living and the Undead: Slaying Vampires, Exterminating Zombies. Urbana, Chicago and Springfield: University of Illinois Press, 2010.Google Scholar
Weaver, Tom, Brunas, Michael, and Brunas, John. Universal Horrors: The Studio’s Classic Films, 1931–1946. 2nd edn. Jefferson, NC: McFarland, 2007.Google Scholar
Wheatley, Helen. Gothic Television. Manchester and New York: Manchester University Press, 2006.Google Scholar
Wynne, Catherine. Bram Stoker, Dracula and the Victorian Gothic Stage. Basingstoke: Palgrave, 2013.CrossRefGoogle Scholar
Wynne, Catherine (ed.). Bram Stoker and the Stage: Reviews, Reminiscences, Essays and Fiction. 2 vols. London: Pickering and Chatto, 2012.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Guide to Further Reading
  • Edited by Roger Luckhurst, Birkbeck, University of London
  • Book: The Cambridge Companion to <I>Dracula</I>
  • Online publication: 15 November 2017
  • Chapter DOI: https://doi.org/10.1017/9781316597217.019
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Guide to Further Reading
  • Edited by Roger Luckhurst, Birkbeck, University of London
  • Book: The Cambridge Companion to <I>Dracula</I>
  • Online publication: 15 November 2017
  • Chapter DOI: https://doi.org/10.1017/9781316597217.019
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Guide to Further Reading
  • Edited by Roger Luckhurst, Birkbeck, University of London
  • Book: The Cambridge Companion to <I>Dracula</I>
  • Online publication: 15 November 2017
  • Chapter DOI: https://doi.org/10.1017/9781316597217.019
Available formats
×