Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-gtxcr Total loading time: 0 Render date: 2024-04-24T15:52:03.674Z Has data issue: false hasContentIssue false

Bibliography

Published online by Cambridge University Press:  05 April 2016

Ittai Weinryb
Affiliation:
Bard Graduate Center, New York
Get access
Type
Chapter
Information
Publisher: Cambridge University Press
Print publication year: 2016

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Adam of Bremen, History of the Archbishops of Hamburg-Bremen, trans. Tschan, Francis J. (New York: Columbia University Press, 1959).Google Scholar
Magnus, Albertus, Book of Minerals, trans. Wyckoff, Dorothy (Oxford: Clarendon Press, 1967).Google Scholar
Magnus, Albertus, Opera Omnia (Monasterii Westfalorum: Aschendorff, 1968).Google Scholar
Neckham, Alexander, De Naturis Rerum Libri Duo: With the Poem of the Same Author, De Laudibus Divinae Sapientiae, ed. Wright, Thomas (Nendeln: Kraus Reprint, 1967).Google Scholar
,, MGH Scriptores rerum Germanicum (Hanover: MGH, 1895).Google Scholar
Bischoff, Bernhard, Anecdota Novissima: Texte des vierten bis sechzehnten Jahrhunderts (Stuttgart: A. Hiersemann, 1984), 226232.Google Scholar
Jean, Deshusses, and Dumas, Antoine, Liber Sacramentorum Gellonensis, Corpus christianorum. Series latina vol. 159 (Turnholti: Brepols, 1981).Google Scholar
Férotin, Marius (ed.), Le Liber Ordinum en usage dans l’église Wisigothique et Mozarabe d’Espagne du cinquième siècle (Paris: Firmin-Didot, 1904).Google Scholar
Gerald, , The History and Topography of Ireland (Harmondsworth: Penguin Books, 1982).Google Scholar
Gerbert, , The Letters of Gerbert, with His Papal Privileges as Sylvester II, trans. Lattin, Harriet Pratt (New York: Columbia University Press, 1961).Google Scholar
Gregorius, , The Marvels of Rome, trans. Osborne, John (Toronto: Pontifical Institute of Mediaeval Studies, 1987).Google Scholar
Gregory, , The History of the Franks (Harmondsworth: Penguin, 1974).Google Scholar
Gregory of Nyssa, The Soul and the Resurrection, trans. Roth, Catharine P. (Crestwood: St. Vladimir’s Seminary Press, 1993).Google Scholar
Hugo, , Didascalicon of Hugh of St. Victor: A Medieval Guide to the Arts, trans. Taylor, Jerome (New York: Columbia University Press, 1961).Google Scholar
Isidore, , The Etymologies of Isidore of Seville, trans. Barney, Stephen A. (Cambridge: Cambridge University Press, 2006).Google Scholar
Janini, José, Liber Ordinum Sacerdotal: (cod. Silos, Arch. Monástico, 3) (Silos: Abadia de Silos, 1981).Google Scholar
Liudprandus, , Antapodosis MGH Scriptores rerum Germanicarum (Hannover: MGH, 1877).Google Scholar
Lucretius, , De rerum natura, trans. Rouse, W.H.D.; rev. by Smith, Martin Ferguson (Cambridge: Harvard University Press, 1992).Google Scholar
Monumema Germaniae Historica, Scriptores Rerum Germanicum (Hannover: MGH, 1886).Google Scholar
Romanus, Morienus and al-Umawī, Khālid ibn Yazīd, A Testament of Alchemy: Being the Revelations of Morienus, Ancient Adept and Hermit of Jerusalem, to Khalid Ibn Yazid Ibn Mu’awiyya, King of the Arabs, of the Divine Secrets of the Magisterium and Accomplishment of the Alchemical Art trans. Stavenhagen, Lee (Hanover: Published for the Brandeis University Press by the University Press of New England, 1974).Google Scholar
Maimonides, Moses, The Guide for the Perplexed, trans. Friedländer, M. (London: Routledge, 1909).Google Scholar
Noble, Thomas F. X., Charlemagne and Louis the Pious: The Lives by Einhard, Notker, Ermoldus, Thegan, and the Astronomer (University Park: Pennsylvania State University Press, 2009).Google Scholar
Panofsky, Erwin, Abbot Suger on the Abbey Church of St.-Denis and Its Art Treasures.Google Scholar
Patrologiae cursus completus, Series Latina, ed. Migne, Jean-Paul (Paris, 1844–1864) (PL).Google Scholar
Damiani, Petrus, Epistolae Epp. Kaiserzeit IV, MGH, vol. 1, Epist. 28, 273.Google Scholar
Pighi, Giovanni Battista (ed.), Traslazione e miracoli di San Zeno (Verona: edizioni di “Vita Veronese,” 1977).Google Scholar
Plato, , Timaeus a Calcidio translatus commentarioque instructus, Plato Latinus 4, ed. Waszink, J. H. (London: Warburg Institute; Leiden: Brill, 1962).Google Scholar
Tarcagnota, Giovanni, Del Sito, é Lodi della Città di Napoli (Napoli, 1566).Google Scholar
Theophilus, , The Various Arts, trans. and ed. Dodwell, C. R. (London: T. Nelson, 1961).Google Scholar
Aquinas, Thomas, “Psychology of Human Acts,” in Summa Theologiae, vol. 17, trans. Gilby, Thomas (Cambridge: Black Friars, 1970).Google Scholar
Waitz, Georg (ed.), Annales Hildesheimenses, vol. 8, MGH Scriptores rerum Germanicarum (Hannover: Monumenta Germaniae Historica, 1878, rpr. 1947).Google Scholar
Strabo, Walahfrid, Walahfrid Strabo’s Libellus de Exordiis et Incrementis Quarundam in Observationibus Ecclesiasticis Rerum, ed. Harting-Correa, A. L., Mittellateinische Studien und Texte (Brill: Leiden, 1996).Google Scholar
Widukind of Corvey, Rotter, Ekkehart, and Schneidmüller, Bernd, Res Gestae Saxonicae (Stuttgart: Reclam, 1997).Google Scholar
William of Auvergne, De legibus, in Opera Omnia (Frankfurt am Main: Minerva, 1963).Google Scholar
William of Conches, A Dialogue on Natural Philosophy = Dragmaticon philosophiae, trans. Ronca, Italo and Curr, Matthew (Notre Dame: University of Notre Dame Press, 1997).Google Scholar
William of Malmesbury, Gesta regum Anglorum, eds. and trans. Mynors, R. A. B., Thomson, R. M. and Winterbottom, M. (Oxford: Clarendon Press, 1998), 1, 292.Google Scholar

Secondary Sources

Ackley, Joseph Salvatore, “Copper-alloy Substrates in Precious Metal Treasury Objects: Concealed and Yet Excessive,” Different Visions: A Journal of New Perspectives on Medieval Art, vol. 4 (2014). http://differentvisions.org/issue-four/.Google Scholar
Adler, Marcus N., The Itinerary of Benjamin of Tudela: Critical Text, Translation and Commentary (London: H. Frowde, 1907).Google Scholar
Ainsworth, Peter, “Contemporary and ‘Eyewitness’ History,” in Historiography in the Middle Ages, ed. Deliyannis, Deborah (Leiden: Brill, 2003), 249276.Google Scholar
Akbari, Suzanne Conklin, Seeing Through the Veil: Optical Theory and Medieval Allegory (Toronto: University of Toronto Press, 2004).Google Scholar
Alexander, S. M., “Medieval Recipes Describing the Use of Metals in Manuscripts,” Marsyas 12 (1964–65): 3451.Google Scholar
Algermissen, Konrad, “Die Bernwardsleuchter in ihrer ünstlerischen Formgestaltung und ihrem weltanschaulichen Gehalt,” in Bernward Und Godehard Von Hildesheim: Ihr Leben Und Wirken (Hildesheim: Lax, 1960), 88110.Google Scholar
Algermissen, Konrad, “Der Hildesheimer Hezilo-Dom und seine Kunstschätze,” Unsere Diözese in Vergangenheit und Gegenwart: Zeitschrift des Vereins für Heimatkunde in Bistum Hildesheim 32 (1963): 7289.Google Scholar
Anderson, Benjamin, “Public Clocks in Late Antique and Early Medieval Constantinople,” Jahrbuch der Österreichischen Byzantinistik 64 (2014): 2332.Google Scholar
Anderson, Gary A., “Towards a theology of the Tabernacle and its furniture,” in Text, Thought, and Practice in Qumran and Early Christianity: Proceedings of the Ninth International Symposium of the Orion Center for the Study of the Dead Sea Scrolls and Associated Literature, Jointly Sponsored by the Hebrew University Center for the Study of Christianity, 11–13 January, 2004, ed. Clements, Ruth and Schwartz, Daniel R. (Leiden: Brill, 2009), 161194.Google Scholar
Appleby, David, “Instruction and Inspiration through Images in the Carolingian Period,” in Word, Image, Number: Communication in the Middle Ages, ed. Contreni, John J. and Casciani, Santa (Florence: SISMEL-Edizioni del Galluzzo, 2002), 85111.Google Scholar
Appuhn, Horst, “Beiträge zur Geschichte des Herrschersitzes im Mittelalter, 2: Der sogenannte Krodo-Altar und der Kaiserstuhl in Goslar,” Aachener Kunstblätter 54/55 (1986/87): 6998.Google Scholar
Arenhövel, Willmuth, Der Hezilo-Radleuchter im Dom zu Hildesheim: Beiträge zur Hildesheimer Kunst des 11. Jahrhunderts unter besonderer Berücksichtigung der Ornamentik (Berlin: Mann, 1975).Google Scholar
Armstrong, Joe E., The Water Clocks of Ktesibios: Their Origins and Reconstructions, Masters Thesis (California State University at San Jose, 1977).Google Scholar
Armstrong, Joe E., and Camp, John McK. II. “Notes on a Water Clock in the Athenian Agora.” Hesperia: The Journal of the American School of Classical Studies at Athens 46:2 (1977): 147161.Google Scholar
Arnold, John H., and Goodson, Caroline, “Resounding Community: the History and Meaning of Medieval Church Bells,” Viator 43:1 (2012): 99130.Google Scholar
Arrhenius, Brigit, Merovingian Garnet Jewelry: Emergence and Social Implications (Stockholm: Almqvist & Wiksell International, 1985).Google Scholar
Ascani, Valerio, “Prede-reliquie-memorie d’oltremare e la loro ricezione nella Toscana romanica,” in Medioevo mediterraneo: l'Occidente, Bisanzio e l'Islam, ed. Quintavalle, Arturo Carlo (Milan: Electa, 2007), 637657.Google Scholar
Asmus, Bastian, Medieval Copper Smelting in the Harz Mountains, Germany (Bochum: Dt. Bergbau-Museum, 2012).Google Scholar
Assmann, Jan, Religion and Cultural Memory: Ten Studies trans. Livingstone, Rodney (Stanford: Stanford University Press, 2006).Google Scholar
Atkinson, Niall Stephen, Architecture, Anxiety, and the Fluid Topographies of Renaissance Florence, PhD Dissertation (Ithaca: Cornell, 2009).Google Scholar
Baader, Hannah, ‘Gischt: zu einer Geschichte des Meeres,’ in Das Meer, der Tausch und die Grenzen der Repräsentation, ed. Baader, Hannah and Wolf, Gerhard (Berlin: Diaphanes Verlag, 2008), 1540.Google Scholar
Baer, Eva, Metalwork in Medieval Islamic Art (Albany: State University of New York Press, 1983).Google Scholar
Baert, Barbara, Lehmann, Ann-Sophie (ed.), New Perspectives in Iconology: Visual Studies and Anthropology (Brussels: Academic and Scientific Publishing, 2011).Google Scholar
Bagnoli, Martina, ‘Ad Honorem et Reverentiam Sanctissimi Patris’: Manno Bandini’s statue of Boniface VIII, Word & Image 22:3 (2006): 238244.CrossRefGoogle Scholar
Bailey, Michael D., “From Sorcery to Witchcraft: Clerical Conceptions of Magic in the Later Middle Ages,” Speculum 76:4 (2001): 960990.Google Scholar
Baker, Malcolm, “Limewood, Chiromancy and Narratives of Making. Writing about the Materials and Processes of Sculpture,” Art History 21:4 (1998), 498530.Google Scholar
Baldwin, Carl R., “The scriptorium of the Sacramentary of Gellone (Paris, Bibl. nat., ms. latin 12048),” Scriptorium 25 (1971): 317.Google Scholar
Bandmann, Günther, “Bemerkungen zu einer Ikonologie des Materials,” Städel-Jahrbuch 2 (1969): 75100.Google Scholar
Barry, Fabio, The Natural and the Supernatural in the Middle Ages (Cambridge: Cambridge University Press, 2008).Google Scholar
Barry, Fabio, “Disecta membra: Ranieri Zeno, the Imitation of Constantinople, the Spolia Style, and Justice at San Marco,” in San Marco, Byzantium, and the Myths of Venice, ed. Maguire, Henry and Nelson, Robert (Washington DC: Dumbarton Oaks, 2010), 762.Google Scholar
Barry, Fabio, “Walking on Water: Cosmic Floors in Antiquity, Byzantium and Christendom,” Art Bulletin 89:4 (2007): 627657.CrossRefGoogle Scholar
Bartlett, Robert, Gerald of Wales, 1146–1223 (Oxford: Clarendon Press, 1982).Google Scholar
Bartlett, Robert, Gerald of Wales: A Voice of the Middle Ages (Stroud: Tempus, 2006).Google Scholar
Bartlett, Robert, The Natural and the Supernatural in the Middle Ages (Cambridge: Cambridge University Press, 2008).Google Scholar
Bartoli, Langeli A., and Zurli, Loriano, L’iscrizione in Versi Della Fontana Maggiore Di Perugia (1278) (Roma: Herder, 1996).Google Scholar
Baschet, Jérôme, “Inventivité et sérialité des images médiévales. Pour une approche iconographique élargie,” Annales, histoire, sciences sociales 51:1 (1996): 93133.Google Scholar
Bauer, Gerd, “‘Neue’ Bernward-Handschriften,” in Bernwardinische Kunst: Bericht über ein wissenschaftliches Symposium in Hildesheim vom 10.10. Bis 13.10.1984, ed. Gosebruch, Martin (Göttingen: E. Goltze, 1988), 211236.Google Scholar
Baxandall, Michael, “Hubert Gerhard and the Altar of Christoph Fugger: The Sculpture and Its Making,” Münchner Jahrbuch der bildenden Kunst 17 (1966), 127144.Google Scholar
Baxandall, Michael, The Limewood Sculptors of Renaissance Germany (New Haven: Yale University Press, 1980).Google Scholar
Bayley, Justine, “Developments in Metalworking During the Medieval Period.” In Material Culture in Medieval Europe. Vol. 7 of Papers of the ‘Medieval Europe Brugge 1997’ Conference, ed. de Boe, Guy and Verhaeghe, Frans (I. A. P. Rapporten 6. Zellink, 1997), 7376.Google Scholar
Bassett, Sarah, The Urban Image of Late Antique Constantinople (Cambridge: Cambridge University Press, 2004).Google Scholar
Bawden, Tina, Die Schwelle im Mittelalter: Bildmotiv und Bildort (Cologne: Böhlau, 2014).Google Scholar
Bedini, Silvio, “The Compartmented Cylindrical Clepsydra.” Technology and Culture 3:2 (1962), 115141.Google Scholar
Belting, Hans, The Image and Its Public in the Middle Ages: Form and Function of Early Paintings of the Passion (New Rochelle: A.D. Caratzas, 1990).Google Scholar
Belting, Hans, Likeness and Presence: A History of the Image Before the Era of Art, trans. Jephcott, Edmund (Chicago: University of Chicago Press, 1994).Google Scholar
Belting, Hans, “Image, Medium, Body: A New Approach to Iconology,” Critical Inquiry 31:2 (2005): 302319.Google Scholar
Benes, Carrie E., Urban Legends: Civic Identity and the Classical Past in Northern Italy, 1250–1350 (University Park: Pennsylvania State University Press, 2011), 115142.Google Scholar
Bennett, Jane, Vibrant Matter: A Political Ecology of Things (Durham: Duke University Press, 2010).Google Scholar
Berryman, Sylvia, “Ancient Automata and Mechanical Explanation,” Phronesis 48:4 (2003), 344369.Google Scholar
Bartels, Christoph, “Montani und Silvani im Harz. Mittelalterlicher und frühneuzeitlicher Bergbau und seine Einflüsse auf die Umwelt,” in Bergbau, Verhüttung und Waldnutzung im Mittelalter: Auswirkungen auf mensch und umwelt; Ergebnisse eines internationalen Workshops (dillenburg, 11.-15. Mai 1994, Wirtschaftshistorisches Museum “villa Grün”), ed. Jockenhövel, Albrecht (Stuttgart: Steiner, 1996), 112127.Google Scholar
Becker, Adam H., Fear of God and the Beginning of Wisdom: The School of Nisibis and Christian Scholastic Culture in Late Antique Mesopotamia (Philadelphia: University of Pennsylvania Press, 2006).Google Scholar
Becker, Adam H., Sources for the History of the School of Nisibis (Liverpool: Liverpool University Press, 2008).Google Scholar
Bedos-Rezak, Brigitte, “Form as Social Process,” in Artistic Integration in Gothic Buildings, ed. Reguin, Virginia Chieffo and Brush, Kathryn (Toronto: Toronto University Press, 1995), 236248.Google Scholar
Bedos-Rezak, Brigitte, “Medieval Identity: A Sign and a Concept,” American Historical Review 105:5 (2000): 1489–533.CrossRefGoogle Scholar
Bedos-Rezak, Brigitte, When Ego Was Imago: Signs of Identity in the Middle Ages (Leiden: Brill, 2011).Google Scholar
Berlekamp, Persis, Wonder, Image and Cosmos in Medieval Islam (New Haven: Yale University Press, 2011).Google Scholar
Berliner, Rudolf, “The Freedom of Medieval Art,” Gazette des Beaux-Arts 38 (1945): 263288.Google Scholar
Berthelot, Marcellin, and Ruelle, Charles-Emile, Collection des anciens alchimistes Grecs (Paris: G. Steinheil, 1888).Google Scholar
Beuckers, Klaus Gereon, Rex iubet - Christus imperat: Studien zu den Holztüren von St. Maria im Kapitol und zu den Herodesdarstellungen vor dem Investiturstreit (Köln: SH-Verlag, 1999).Google Scholar
Beyer, Vera and Spies, Christian (eds.), Ornament: Motiv–Modus–Bild (Paderborn: Fink, 2012).Google Scholar
Bingener, Andreas, “Meideval Metal Trade in and around the Harz Mountains – Markets and Routes of Transport,” in Aspects of Mining and Smelting in the Upper Harz Mountains (up to the 13th/14th Century) in the Early Times of a Developing European Culture and Economy, ed. Segers-Glocke, Christiane, Witthöft, Harald, and Balck, Friedrich (St. Katharinen: Scripta Mercaturae Verlag, 2000), 119143.Google Scholar
Binski, Paul Medieval Death: Ritual and Representation (Ithaca: Cornell University Press, 1996).Google Scholar
Birkan-Shear, Amy, “Does a Serpent Give Life? Understanding the Brazen Serpent According to Philo and Early Rabbinic Literature,” in The Changing Face of Judaism, Christianity, and Other Greco-Roman Religions in Antiquity, ed. Henderson, Ian H, Oegema, Gerbern S., Ricker, Sara P., and Charlesworth, James H. (Gütersloh: Gütersloher Verlagshaus, 2006), 416426.Google Scholar
Black, W. H., and Hills, G. M. (trans.), “The Hereford Municipal Records and Customs of Hereford,” Journal of the British Archaeological Association 27 (1871): 453488.Google Scholar
Blesser, Barry, and Salter, Linda-Ruth, Spaces Speak, Are You Listening? Experiencing Aural Architecture (Cambridge, MA: MIT Press, 2006).Google Scholar
Bloch, Peter, “Der siebenarmige Leuchter in Klosterneuburg,” Jahrbuch des Stiftes Klosterneuburg 2 (1962): 163173.Google Scholar
Bloch, Peter, and Schnitzler, Hermann, Die ottonische Kölner Malerschule (Düsseldorf: Schwann, 1967).Google Scholar
Bober, Harry, “In Principio: Creation Before Time,” in De Artibus Opuscula XL: Essays in Honor of Erwin Panofsky, ed. Meiss, Millard (New York: New York University Press, 1961).Google Scholar
Borst, Arno, The Ordering of Time: From the Ancient Computus to the Modern Computer (Chicago: University of Chicago Press, 1993).Google Scholar
Bloch, Herbert, Monte Cassino in the Middle Ages (Cambridge, MA: Harvard University Press, 1986).Google Scholar
Bloch, Herbert, “Le porte bronzee di Montecassino e l’influsso della porta di Oderisio II sulle porte di San Clemente a Casauria e del duomo di Benevento,” in Le Porte di bronzo dall’antichità al secolo XIII, ed. Salomi, Salvatorino (Roma: Enciclopedia Italiana, 1990), 307324.Google Scholar
Bloch, Howard, Etymologies and Genealogies: A Literary Anthropology of the French Middle Ages (Chicago: University of Chicago Press, 1983).Google Scholar
Bloch, Marc, The Royal Touch: Sacred Monarchy and Scrofula in England and France (London: Routledge & K. Paul, 1973).Google Scholar
Blöcker, Monica, “Wetterzauber. Zu einem Glaubenskomplex des friihen Mittelalters,” Francia 9 (1981): 117131.Google Scholar
Blume, Dieter, Haffner, Mechthild and Metzger, Wolfgang. Sternbilder des Mittelalters: Der gemalte Himmel zwischen Wissenschaft und Phantasie (Berlin: Akademie Verlag, 2012).Google Scholar
Boeckler, Albert, Die Bronzetür von San Zeno (Marburg: Kunstgeschichtliches Seminar der Universität Marburg A. L., 1931).Google Scholar
Boeckler, Albert, Die Bronzetüren des Bonanus von Pisa und des Barisanus von Trani. (Berlin: Deutscher Verein für Kunstwissenschaft, 1953).Google Scholar
Bonfante, Larissa, New York, the Metropolitan Museum of Art, Corpus Speculorun Etruscorum (Rome: L’Erma di Bretschneider, 1997).Google Scholar
Bonne, Jean-Claude, “De l’ornement dans l’art médiéval: VIIe–XIIe siècle; le modèle insulaire,” in L’image : fonctions et usages des images dans l’occident Médiéval, actes du 6e “international Workshop on Medieval Societies” (centre Ettore Majorana, Erice, Sicile, 17–23 Octobre 1992), ed. Baschet, Jérôme Et Schmitt, Jean-Claude (Paris: Le Léopard D’or, 1996), 207249.Google Scholar
Bonne, Jean-Claude, “De l’ornement à l’ornementalité: la mosaïque absidiale de San Clemente de Rome,” in Le rôle de l’ornement dans la peinture murale du Moyen Âge: actes du colloque international tenu à Saint-Lizier du 1er au 4 Juin 1995, ed. Ottaway, John (Poitiers: Université de Poitiers, Centre National de la Recherche Scientifique, Centre d’Études Supérieures de Civilisation Médiévale, 1997), 103119.Google Scholar
Bonne, Jean-Claude, “Entre l’image et la matière: la choséité du sacré en Occident,” in “Les images dans les sociétés médiévales, pour une histoire comparée,” ed. Sansterre, Jean-Marie and Schmitt, Jean-Claude, special issue of Bulletin de l’Institut Historique belge de Rome 69 (1999): 77111.Google Scholar
Borg, Alan, “The Gloucester Candlestick,” Medieval Art and Architecture at Gloucester and Tewkesbury, Conference Transactions 7 (London: British Archaeological Association, 1985), 8492.Google Scholar
Born, Hermann, “Zur technologischen Erforschung von mittelalterlichen Bronze-und Messinggüssen.” in Kirchenkunst des Mittelalters. Erhalten und Erforschen: Katalog zur Ausstellung des Diözesan-Museums Hildesheim, Hildesheim, 1989, ed. Brandt, Michael (Hildesheim: Bernward, 1989), 191202.Google Scholar
Bornstein, Christine V., Portals and Politics in the Early Italian City-State: The Sculpture of Nicholaus in Context (Parma: Università degli Studi di Parma, Istituto di storia dell’arte, Centro di Studi Medievali, 1988).Google Scholar
Borsay, Peter, “Sounding the Town,” Urban History 29:1 (2002): 92102.Google Scholar
Bovini, Giovanni, “Le vicende del ‘Regisole’ statua equestre ravennate,” Felix Ravenna 36 (1963): 138150.Google Scholar
Boucheron, Patrick, and Offenstadt, Nicolas, L’espace Public au Moyen âge: débats autour de Jürgen Habermas (Paris: Presses universitaires de France, 2011).Google Scholar
Boureau, Alain, “Propositions pour une histoire restreinte des mentalités,” Annales H.S.S. 44:6 (1989): 14911504.Google Scholar
Boureau, Alain, “La compétence inductive. Un modèle d’analyse des représentations rares,” in Les formes de l’expérience. Une autre histoire sociale, ed. Lepetit, Bernard (Paris: Albin Michel, 1995), 2338.Google Scholar
Bourke, Cormac, “The handbells of the early Scottish church,” Proceedings of the Society of Antiquaries of Scotland 113 (1983): 464468.CrossRefGoogle Scholar
Bourke, Cormac, “The hand-bells of the early western church,” in Irlande et Bretagne: vingt siècles d’histoire. Actes du colloque de Rennes (29–31 mars 1993), ed. Laurent, C. and Davis, H. (Rennes 1994), 7682.Google Scholar
Brandt, Michael (ed.), Bild und Bestie: Hildesheimer Bronzen der Stauferzeit (Regensburg: Schnell & Steiner, 2008), 317319.Google Scholar
Brandt, Michael, and Eggebrecht, Arne, (eds.), Bernward von Hildesheim und das Zeitalter der Ottonen: Katalog der Ausstellung, Hildesheim 1993, 2 vols. (Hildesheim: Bernward; Mainz: von Zabern, 1993).Google Scholar
Brav, Aaron, “The Evil Eye among the Hebrews,” in The Evil Eye: A Casebook, ed. Dundes, Alan (New York: Garland Publishing, 1981), 4454.Google Scholar
Braunfels, Wolfgang, and Beumann, Helmut, Karl der Grosse: Lebenswerk und Nachleben, 3 vols. (Düsseldorf: L. Schwann, 1966).Google Scholar
Bredekamp, Horst, “Die nordspanische Hofskulptur und die Freiheit der Bildhauer,” in Studien Zur Geschichte Der Europäischen Skulptur Im 12./13. Jahrhundert, ed. Beck, Herbert, Hengevoss-Dürkop, Kerstin, and Kamp, Georg W. (Frankfurt am Main: Henrich, 1994), 263274.Google Scholar
Bredekamp, Horst, The Lure of Antiquity and the Cult of the Machine: The Kunstkammer and the Evolution of Nature, Art, and Technology (Princeton: M. Wiener Publishers, 1995).Google Scholar
Bredekamp, Horst, Thomas Hobbes visuelle Strategien: Der Leviathan: Urbild des modernen Staates; Werkillustrationen und Portraits (Berlin: Akademie-Verlag, 1999), 160162.Google Scholar
Bredekamp, Horst, “A Neglected Tradition? Art History as Bildwissenschaft,” Critical Inquiry 29:3 (2003): 418428.Google Scholar
Bredekamp, Horst, Theorie des Bildakts (Frankfurt: Suhrkamp, 2010).Google Scholar
Bredekamp, Horst, Der schwimmende Souverän: Karl der Große und die Bildpolitik des Körpers (Berlin: Wagenbach, 2014).Google Scholar
Brepohl, Erhard, Theophilus Presbyter und die mittelalterliche Goldschmiedekunst (Leipzig: Edition Leipzig: 1987).Google Scholar
Brenk, Beat, “Spolia from Constantine to Charlemagne: Aesthetics versus Ideology,” Dumbarton Oaks Papers 41 (1987): 103109.Google Scholar
Brenk, Beat, “La parete occidentale della Cappella Palatina a Palermo,” Arte Medievale 4:1 (1990): 135151.Google Scholar
Brockner, W., “Vor- und frühgeschichtliche Metallgewinnung und Metallverarbeitung in der Harzregion.” Mitteilungsblatt der Technischen Universität Clausthal 74 (1992): 2124.Google Scholar
Brown, Bill (ed.), “Things,” special issue, Critical Inquiry 28:1 (2001).Google Scholar
Brownsford, R., “Medieval metalwork: an analytical study of copper-alloy objects.” Historical Metallurgy: Journal of the Historical Metallurgy Society 38:2 (2004): 84105.Google Scholar
Bruzelius, Caroline A., “‘Ad modum franciae’: Charles of Anjou and Gothic Architecture in the Kingdom of Sicily,” The Journal of the Society of Architectural Historians 50:4 (1991): 402–20.Google Scholar
Buc, Philippe, “Conversion of Objects: Suger of Saint-Denis and Meinwerk of Paderborn,” Viator 28 (1997): 99143.Google Scholar
Buettner, Brigitte, “From Bones to Stones: Reflections on Jeweled Reliquiaries,” in Reliquiare im Mittelalter, ed. Reudenbach, Bruno and Toussaint, Gia (Berlin: Akademie, 2005), 4359.Google Scholar
Burke, Peter, “Strengths and Weaknesses in the History of Mentalities,” in Varieties of Cultural History (Cambridge: Polity Press, 1997), 162182.Google Scholar
Burnett, Charles, “Adelard of Bath and the Mappae Clavicula,” in Adelard of Bath: An English Scientist and Arabist of the Early Twelfth Century, ed. Burnett, Charles (London: Warburg Institute, University of London, 1987), 2932.Google Scholar
Burnett, Charles, “Sound and its Perception in the Middle Ages’,” in The Second Sense: Studies in Hearing and Musical Judgment from Antiquity to the Seventeenth Century, ed. Burnett, Charles, Fend, M., and Gouk, P. M (London: Warburg Institute, 1991), 4369.Google Scholar
Burnett, Charles, “The Astrologers’ Assay of the Alchemist: Early References to Alchemy in Arabic and Latin texts,” Ambix 39 (1992): 103109.Google Scholar
Burnett, Charles, “Talismans: Magic as Science? Necromancy among the Seven Liberal Arts,” in Magic and Divination in the Middle Ages (Aldershot: Variorum, 1996), 115.Google Scholar
Burnett, Charles, Ronca, Italo, et al., Adelard of Bath, Conversations with His Nephew: On the Same and the Different, Questions on Natural Science, and on Birds (Cambridge: Cambridge University Press, 1998), 132135.Google Scholar
Bynum, Caroline Walker, The Resurrection of the Body in Western Christianity, 200–1336 (New York: Columbia University Press, 1995).Google Scholar
Bynum, Caroline Walker, “Wonder,” American Historical Review 102:1 (1997): 117.Google Scholar
Bynum, Caroline Walker, Metamorphosis and Identity (New York: Zone Books, 2001).Google Scholar
Bynum, Caroline Walker, Christian Materiality: An Essay on Religion in Late Medieval Europe (New York: Zone Books, 2011).Google Scholar
Ca’aro, Adriano, Scrivere in oro: ricettari medievali e artigianato (secoli IX–XI): codici di Lucca e Ivrea (Naples: Liguori, 2003).Google Scholar
Cadei, Antonio, “Le prima committenza normanna.”; and: Vona, Fabrizio, “La porta del Mausoleo di Boemondo,” in Canosa: ricerche storiche 2003, ed. Lenoci, Liana Bertoldi (Fasano: Schena, 2003), 105112.Google Scholar
Cadei, Antonio, “La Porta del Mausoleo di Boemondo a Canosa tra Oriente e Occidente,” in Le Porte del Paradiso: arte e tecnologia Bizantina tra Italia e Mediterraneo, ed. Iacobini, Antonio (Rome: Campisano, 2009), 429470.Google Scholar
Callisen, S. A., “The Evil Eye in Italian Art,” The Art Bulletin 19 (1937): 450462.Google Scholar
Camille, Michael, The Gothic Idol: Ideology and Image-Making in Medieval Art (Cambridge: Cambridge University Press, 1989).Google Scholar
Camille, Michael, “Signs of the city. Place, power, and public fantasy in medieval Paris,” Medieval Practices of Space, ed. Hanawalt, Barbara A. and Kobialka, Michal (Minneapolis: University of Minnesota Press, 2000), 136.Google Scholar
Campanelli, Maurizio, “Monuments and Histories: Ideas and Images of Antiquity in some Descriptions of Rome,” in Rome Across Time and Space, C. 500-1400: Cultural Transmission and the Exchange of Ideas Bolgia, Claudia, McKitterick, Rosamond, and Osborne, John (New York: Cambridge University Press, 2011), 3551.Google Scholar
Campbell, Marian, An Introduction to Medieval Enamels (London: HMSO, 1983).Google Scholar
Carlettini, Iole, “Rileggendo Maestro Gregorio: continuità e mutamenti nel discorso su Roma nel XIII secolo,” Studi medievali Anno 49, Fasc. 2 (2008): 561–588.Google Scholar
Carmody, Francis J. (ed.), The Astronomical Works of Thabit b. Qurra (Berkeley: University of California Press, 1960).Google Scholar
Carpino, Alexandra A., Discs of Splendor: The Relief Mirrors of the Etruscans (Madison: University of Wisconsin Press, 2003).Google Scholar
Carruba, Anna Maria, La Lupa capitolina: un bronzo medievale (Roma: De Luca Editori d’Arte, 2006).Google Scholar
Carter, Tim, “The Sound of Silence: Models for an Urban Musicology,” Urban History 29:1 (2002): 818.Google Scholar
Cavallucci, Francesco, La Fontana Maggiore di Perugia: voci e suggestioni di una comunità medievale (Perugia: Quattroemme, 1993).Google Scholar
Chadwick, Henry, Boethius, the Consolations of Music, Logic, Theology, and Philosophy (Oxford: Clarendon Press, 1981).Google Scholar
Chapius, Alfred, and Droz, Edmond, Automata: a Historical and Technological Study, trans. Reid, Alec (Neuchatel: Editions du Griffon, 1958).Google Scholar
Chartier, Roger, “Culture as Appropriation: Popular Cultural Uses in Early Modern France,” in Understanding Popular Culture. Europe from the Middle Ages to the Nineteenth Century, ed. Kaplan, Steven L. (Berlin, New York, and Amsterdam: Mouton Publishers, 1984), 229254.Google Scholar
Chartier, Roger, Cultural History: Between Practices and Representations, trans. Cochrane, Lydia (Cambridge: Cambridge University Press, 1988).Google Scholar
Citarella, Armand O, “Merchants, Markets and Merchandise in Southern Italy in the High Middle Ages,” in Mercati e mercanti nell’alto medioevo: L’area Euroasiatica e l’area Mediterranea: 23–29 aprile 1992 (Spoleto: Prosso la Sede del Centro, 1993), 239284.Google Scholar
Cohen, Adam S., “Making Memories in a Medieval Miscellany,” Gesta 48 (2009): 135152.Google Scholar
Cohen, Adam S., and Derbes, Anne, “Bernward and Eve at Hildesheim,” Gesta 40:1 (2001): 1938.Google Scholar
Cohen, Jeremy Jerome (ed.), Animal, Vegetable, Mineral: Ethics and Objects (Washington, DC: Punctum/Oliphaunt, 2012).Google Scholar
Colbert, E. P., The Martyrs of Cordoba (Washington: Catholic University of America Press, 1962).Google Scholar
Cole, Michael, “Cellini’s Blood,” The Art Bulletin 81:2 (1999): 215235.Google Scholar
Cole, Michael, Cellini and the Principles of Sculpture (New York: Cambridge University Press, 2002).Google Scholar
Cole, Michael, “The Demonic Arts and the Origin of the Medium,” The Art Bulletin 84 (2002): 621640.Google Scholar
Cole, Michael, “Perpetual Exorcism in Sistine Rome,” in The Idol in the Age of Art: Objects, Devotions, and the Early Modern World, ed. Cole, Michael and Zorach, Rebecca (Aldershot: Ashgate, 2009), 57.Google Scholar
Cole, Michael, “The Cult of Materials,” in Revival and Invention: Sculpture Through its Material Histories, ed. Clerbois, Sébastien and Droth, Martina (Oxford: Peter Lang, 2010), 115.Google Scholar
Collomb, Pascal, “Vox clamentis in ecclesia. Contribution des sources liturgiques médiévales occidentales à une histoire du cri,” in Haro! Noël! Oyé! Pratiques du cri au Moyen Age, ed. Lett, Didier and Offenstadt, Nicolas (Paris: Publications de la Sorbonne, 2003), 117130.Google Scholar
Collins, Harry M. Tacit and Explicit Knowledge (Chicago: The University of Chicago Press, 2010).Google Scholar
Conrad, Hans G., Rothenberg, Benno, and Kroker, Werner, Antikes Kupfer Im Timna-Tal: 4000 Jahre Bergbau Und Verhüttung in Der Arabah (israel) (Bochum: Vereinigung der Freunde von Kunst und Kultur im Bergbau, 1980).Google Scholar
Conrad, Lawrence I., “The Arabs and the Colossus,” Journal of the Royal Asiatic Society 3rd Series 6:2 (1996): 165187.CrossRefGoogle Scholar
Contadini, Anna, Camber, Richard, and Northover, Peter, “Beasts that Roared: The Pisa Griffin and the New York Lion.” in Cairo to Kabul. Afghan and Islamic Studies Presented to Ralph Pinder-Wilson, ed. Ball, Warwick and Harrow, Leonard (London: Melisende, 2002), 6583.Google Scholar
Contadini, Anna, “Translocation and Transformation: Some Middle Eastern Objects in Europe.” in The Power of Things and the Flow of Cultural Transformation. Art and Culture between Europe and Asia, ed. Saurma-Jeltsch, Lieselotte and Eisenbeiss, Anja (Berlin: Deutscher Kunstverlag, 2010), 4265.Google Scholar
Cook, Barrie J., “Crimes against the Currency in Twelfth and Thirteenth Century England,” Bulletin of the John Rylands University of Manchester 83:3 (2001): 5170.Google Scholar
Connerton, Paul, How Societies Remember (Cambridge: Cambridge University Press, 1989).Google Scholar
Corsini, Matteo, Rosaio Della Vita: Trattato Morale, ed. Polidori, Filippo L. (Firenze: Società poligrafica italiana, 1845), 1516.Google Scholar
Clanchy, M. T., From Memory to Written Record: England, 1066–1307 (Cambridge: Harvard University Press, 1979).Google Scholar
Claussen, Peter Cornelius, “Goldschmiede des Mittealters. Quellen zur Struktur ihrer Werstatt,” Zeitschrift des deutschen vereins für Kunstwissenschaft 32 (1978): 4686.Google Scholar
Claussen, Peter Cornelius, “Materia und opus: mittelalterliche Kunst auf der Goldwaage,” in Ars naturam adiuvans: Festschrift für Matthias Winner zum 11. März 1996, ed. von Flemming, Victoria and Schütze, Sebastian (Mainz: von Zabern, 1996), 4049.Google Scholar
Claussen, Peter Cornelius, “Früher Künstlerstolz: mittelalterliche Signaturen als Quelle der Kunstsoziologie,” in Bauwerk und Bildwerk im Hochmittelalter: anschauliche Beiträge zur Kultur- und Sozialgeschichte, ed. Clausberg, Karl et al. (Giessen: Anabas, 1981), 734.Google Scholar
Claussen, Peter Cornelius, “Pietro di Oderisio und die Neuformulierung des italienischen Grabmals zwischen Opus romanum und opus francigenum,” in Skulptur und Grabmal des Spätmittelalters in Rom und Italien: Akten des Kongresses Scultura e monumento Sepolcrale del tardo medioevo a Roma e in Italia (Rom, 4.-6. Juli 1985) : veranstaltet vom Historischen Institut beim Österreichischen Kulturinstitut in Rom und vom Istituto della Enciclopedia Italiana, ed. Garms, Jörg and Romanini, Angiola Maria (Vienna: Verlag der Österreichischen Akademie der Wissenschaften, 1990), 173200.Google Scholar
Cremonini-Berretta, M., “Il significato politico della statua offerta dai bolognesi a Bonifacio VIII,” Studi di storia dedicati a P. C. Falletti (Bologna: Zanichelli, 1915), 421431.Google Scholar
Crisciani, Chiara, “Opus and Sermo: The Relationship between Alchemy and Prophecy (12th-14th Centuries),” Early Science and Medicine 13:1 (2008): 424.CrossRefGoogle Scholar
Crow, Thomas E., Painters and Public Life in 18th Century Paris (New Haven: Yale University Press, 1986).Google Scholar
Cuccini, Gustavo, Arnolfo Di Cambio E La Fontana Di Perugia “pedis Platee”: (percorsi Umbri Del Maestro Di Colle Val D’elsa) (Perugia: Guerra Edizioni, 1989).Google Scholar
Cüppers, Heinz, “Der Pinienzapfen im Münster zu Aachen,” Aachener Kunstblätter 19/20 (1960/61), 9093.Google Scholar
Curschmann, Michael, “Hören – Lesen – Sehen. Buch und Schriftlichkeit im Selbstverständnis der volkssprachlichen literarischen Kultur Deutschlands um 1200,” Beiträge zur Geschichte der deutschen Sprache und Literatur 106 (1984): 218257.Google Scholar
Cutler, Anthony, “Reuse or Use? Theoretical and Practical Attitudes toward Objects in the Early Middle Ages,” in Ideologie e pratiche del reimpiego nell’Alto Medioevo, Settimane di Studio del Centro Italiano di Studi sull’Alto Medioevo 46 (Spoleto: Centro Italiano di Studi sull’Alto Medioevo, 1999), 2: 10551079.Google Scholar
Dahl, Ellert, “Heavenly Images: The Statue of St. Foy of Conques and the Signification of the Medieval ‘Cult Image’ in the West,” Acta ad archaeologiam et artium historiam pertinentia 3 (1978): 175191.Google Scholar
Dalché, Patrick Gautier, “Maps in Words: the Descriptive Logic of Medieval Geography. From the Eighth to the Twelfth Century,” in The Hereford World Map: Medieval World Maps and their Context, ed. Harvey, P.D.A. (London: British Library, 2006), 223242.Google Scholar
Dale, Thomas E. A., “The Individual, the Resurrected Body, and Romanesque Portraiture: The Tomb of Rudolf von Schwaben in Merseburg,” Speculum 77:3 (2002): 707743.Google Scholar
Dale, Thomas E. A., “Romanesque Sculpted Portraits: Convention, Vision and Real Presence,” Gesta 46:2 (2007): 101119.Google Scholar
Damian-Grint, Peter, The New Historians of the Twelfth-Century Renaissance: Inventing Vernacular Authority (Woodbridge: Boydell Press, 1999).Google Scholar
Dandridge, Pete, “Exquisite Objects, Prodigious Technique: Aquamanilia, Vessels of the Middle Ages,” in Lions, Dragons, and Other Beasts: Aquamanilia of the Middle Ages, Vessels for Church and Table, ed. Barnet, Peter and Dandridge, Pete (New Haven: Yale University Press, 2006), 3456.Google Scholar
Dandridge, Pete, “Gegossene Phantasien. Mittelalterliche Aquamanilien und ihre Herstellung,” in Bild und Bestie: hildesheimer Bronzen der Stauferzeit, ed. Brandt, Michael (Regensburg: Schnell & Steiner, 2008), 77102.Google Scholar
Daim, Falko, “Byzantine Belt Ornaments of the 7th and 8th Centuries in Avar Contexts,” in Intelligible Beauty: Recent Research on Byzantine Jewellery, ed. Entwistle, Christopher and Adams, Noël (London: British Museum, 2010), 6171.Google Scholar
D’Alverny, Marie-Thérèse, “Translations and Translators,” in Renaissance and Renewal in the Twelfth Century, ed. Benson, Robert L. and Constable, Giles (Cambridge: Cambridge University Press, 1982), 421462.Google Scholar
Daston, Lorraine, “Preternatural Philosophy,” in Biographies of Scientific Objects, ed. Daston, Lorraine (Chicago: University of Chicago Press, 2000), 1541.Google Scholar
Daston, Lorraine, (ed.), Things That Talk: Object Lessons from Art and Science (New York: Zone Books, 2004).Google Scholar
Daston, Lorraine, and Park, Katharine, Wonders and the Order of Nature, 1150–1750 (New York: Zone Books, 1998).Google Scholar
Dauterman Maguire, Eunice, Maguire, Henry P., and Duncan-Flowers, Maggie J., Art and Holy Powers in the Early Christian House (Urbana: University of Illinoi University Press, 1989), 197220.Google Scholar
Day, Joan, “Brass and Zinc in Europe from the Middle Ages until the 19th Century,” in 2000 Years of Zinc and Brass, ed P.T. Craddock, British Museum Occasional Paper 5 (1990), 123–150.Google Scholar
dell’Aqua, Francesca, “Constantinople 1453: the Patriarch Gennadios, Mehmet the II and the Serpent Column in the Hippodrome,” in Synergies in Visual Culture =: Bildkulturen im Dialog: Festschrift für Gerhard Wolf, ed. Manuela, De Georgi, Hoffmann, Annette et al. (Munich: Wilhelm Fink, 2013), 325338.Google Scholar
Deimling, Barbara, “Das mittelalterliche Kirchenportal in seiner rechtsgeschlichtlichen Bedeutung,” in Die Kunst der Romanik: Architektur, Skulptur, Malerei, ed. Toman, Rolf and Bednorz, Achim (Köln: Könemann, 1996), 324327.Google Scholar
DeMeo, Michelle and Pennell, Sara (eds.), Reading and Writing Recipe Books 1550 – 1800 (Manchester and New York: Manchester University Press, 2013).Google Scholar
Deusen, Nancy van, The Cultural Context of Medieval Music (Santa Barbara: Praeger, 2011).Google Scholar
DeVun, Leah, Prophecy, Alchemy, and the End of Time: John of Rupecissa in the Late Middle Ages (New York: Columbia University Press, 2009).Google Scholar
Dickie, Matthew W.The Fathers of the Church and the Evil Eye,” in Byzantine Magic, ed. Maguire, Henry (Washington DC: Dumbarton Oaks Research Library and Collection, 1995), 934.Google Scholar
Dickie, Matthew W., “Who Practiced Love-Magic in Antiquity and in the Late Roman World?The Classical Quarterly 50 (2000): 563583.Google Scholar
Diehl, Ursula, Die Darstellung der Ehernen Schlange,von ihren Anfängen bis zum Ende des Mittelalters (unpublished dissertation, Munich 1956).Google Scholar
Diehl, Ursula, “Eherne Schlange,” in Reallexikon zur deutschen Kunstgeschichte, ed. Schmitt, Otto (Stuttgart: J. B. Metzler, 1958), Bd. 4, 811830.Google Scholar
Dietl, Albert, “In arte peritus: zur Topik mittelalterlicher Künstlerinschriften in Italien bis zur Zeit Giovanni Pisanos,” Römische historische Mitteilungen 29 (1987): 75125.Google Scholar
Dietl, Albert, ‘Italienische Bildhauerinschriften: Selbstdarstellung und Schriftlichkeit mittelalterlicher Künstler,’ in Inschriften bis 1300: Probleme und Aufgaben ihrer Erforschung, ed. Giersiepen, Helga (Opladen: Westdeutscher Verlag, 1995), 175211.Google Scholar
Dietl, Albert, Die Sprache der Signatur: Die mittelalterlichen Künstlerinschriften Italiens (Berlin: Deutscher Kunstverlag, 2009).Google Scholar
Dillon, Emma, The Sense of Sound: Musical Meaning in France, 1260–1330 (New York: Oxford University Press, 2012).Google Scholar
Dodds, J. D., Al-Andalus. The Art of Islamic Spain (New York: Metropolitan Museum of Art, 1992), 216218.Google Scholar
D’Onofrio, Mario, Roma e Aquisgrana (Rome: Nantes, 1983).Google Scholar
Drescher, Hans, “Die Glocken der karolingerzeitlichen Stiftskirche in Vreden, Kreis Ahaus,” 799 – Kunst und Kultur der Karolingierzeit, 3, 356364.Google Scholar
Drescher, Hans, “Bronzegrabplatten aus dem Hildesheimer Dom,” in Kirchenkunst des Mittelalters: Erhalten und Erforschen; Katalog zur Ausstellung des Diözesan-Museums Hildesheim, Hildesheim, 1989, ed. Brandt, Michael (Hildesheim: Bernward, 1989), 205238.Google Scholar
Drescher, Hans, “Zur Technik bernwardinischer Silber- und Bronzegüsse,” in Bernward von Hildesheim und das Zeitalter der Ottonen: Katalog der Ausstellung, Hildesheim 1993, ed. Brandt, Michael, and Eggebrecht, Arne (Hildesheim: Bernward Verlag, 1993), 337354.Google Scholar
Drescher, Hans, “Zur Herstellungstechnik mittelalterlicher Bronzen aus Goslar der Marktbrunnen, der neugefundene Bronze-Vogel-Greif vom Kaiserhaus und der Kaiserstuhl,” in Goslar: Bergstadt-Kaiserstadt in Geschichte und Kunst, ed. Steigerwald, Frank (Göttingen: Goltze, 1993), 251301.Google Scholar
Dronke, Peter, The Spell of Calcidius: Platonic Concepts and Images in the Medieval West (Impruneta: SISMEL, Edizioni del Galluzzo, 2008), 2529.Google Scholar
Drover, C. B., “A Medieval Monastic Water Clock.” Antiquarian Horology 12 (1980): 165169.Google Scholar
Dubs, Homer H., The Beginnings of Alchemy, Isis 38:1/2 (1947): 6286.Google Scholar
Els, Ad van, “A Flexible Unity: Ademar of Chabannes and the Production and Usage of Ms Leiden, Universiteitsbibliotheek, Vossianus Latinus Octavo 15,” Scriptorium 65 (2011): 2166.Google Scholar
Dutton, Paul Edward, “Medieval Approaches to Calcidius,” in Plato’s Timaeus as Cultural Icon, ed. Reydams-Schils, Gretchen J. (Notre Dame: University of Notre Dame Press, 2003), 183205.Google Scholar
Effenberger, Arne, “Die Wiederwendung römischer, spätantiker und byzantinischer Kunstwerke in der Karolingerzeit,” in 799, Kunst Und Kultur Der Karolingerzeit: Karl Der Grosse Und Papst Leo III. in Paderborn: Katalog Der Ausstellung (Paderborn 1999), ed. Stiegemann, Christoph and Wemhoff, Matthias (Mainz: P. von Zabern, 1999), 643661.Google Scholar
d’Elia, Pina Belli, “Le porte della cattedrale di Troia,” In: Le porte di bronzo dall’antichità al secolo XIII (1990): 341–355.Google Scholar
d’Elia, Pina Belli, “Una scultura “romanica” del Settecento nella cattedrale di Troia,” in Hadriatica: attorno a Venezia e al medioevo tra arti, storia e storiogafia; scritti in onore di Wladimiro Dorigo, ed. Concina, Ennio, Trovabene, Giordana, and Agazzi, Michela (Padova: Il Poligrafo, 2002): 7177.Google Scholar
Elsner, Jaś, “Structuring ‘Greece’: Pausanias’s Periegesis as a Literary Construct,” in Pausanias: Travel and Memory in Roman Greece, ed. Alcock, Susan, Cherry, John F., and Elsner, Jaś (Oxford: Oxford University Press, 2001): 320.Google Scholar
Epstein, Ann Wharton, “The Date and Significance of the Cathedral of Canosa in Apulia, South Italy,” Dumbarton Oaks Papers 37 (1983): 7990.Google Scholar
Epstein, Steven, The Medieval Discovery of Nature (Cambridge: Cambridge University Press, 2012), 78112.Google Scholar
Engen, John van, Theophilus Presbyter and Rupert of Deutz: The Manual Arts and Benedictine Theology in the Early Twelfth Century, Viator 11 (1980): 160162.Google Scholar
Esch, Arnold, “La lupa romana nelle selve germaniche,” Strenna dei Romanisti 66 (2005): 301313.Google Scholar
Evans, Gillian R., and Peden, Alison M., “Natural Science and the Liberal Arts in Abbo of Fleury’s Commentary on the Calculus of Victorius of Aquitaine,” Viator 16 (1985): 109–27.Google Scholar
Euw, Anton von, (ed.), Vor dem Jahr 1000: abendländische Buchkunst zur Zeit der Kaiserin Theophanu (Cologne: Das Museum, 1991).Google Scholar
Euw, Anton von, (ed.), “Majestas-Domini-Bilder der ottonischen Kölner Malerschule im Lichts des platonischen Weltbilds: Codex 192 der Kölner Dombibliothek,” in von Euw and Schreiner, Kaiserin Theophanu, vol. 1 (1991): 379–398.Google Scholar
Fabian, Johannes, Time and the Other: How Anthropology Makes Its Object (New York: Columbia University Press, 1983).Google Scholar
Falla, Marina, “Il Mausoleo di Boemondo a Canosa,” in I Normanni popolo d’Europa 1030–1200, ed. D’Onofrio, Mario (Venice: Marsillo, 1994), 327330.Google Scholar
Falke, Otto von, “Romanisches Bronzegerät aus Verona,” Pantheon 9 (1932): 165167.Google Scholar
Fanfani, Tommaso, and Sonetti, Alessandro. The Leaning Tower of Pisa: Ten Years of Restoration (Pisa: Edizioni Plus, Universtià di Pisa, 2003).Google Scholar
Faraone, Christopher A., Talismans and Trojan Horses: Guardian Statues in Ancient Greek Myth and Ritual (New York, 1992).Google Scholar
Faraone, Christopher A., “Hermes but No Marrow: Another Look at a Puzzling Magical Spell,”Zeitschrift für Papyrologie und Epigraphik 72 (1988): 279286.Google Scholar
Farmer, Sharon, “Aristocratic Power and the ‘Natural’ Landscape: The Garden Park at Hesdin, c. 1291–1302,” Speculum 88:3 (2013): 644680.Google Scholar
Farmer, Sharon, “La Zisa/Gloriette: Cultural Interaction and the Architecture of Repose in Medieval Sicily, France, and Britain,” Journal of the British Archaeological Association 166 (2013): 99123.Google Scholar
Fasanari, Raffaele, I bronzi del portale di San Zeno (Verona: Edizioni di “Vita veronese,” 1961).Google Scholar
Fehrenbach, Frank, Compendia Mundi: Gianlorenzo Berninis Fontana dei Quattro Fiumi (1648–51) und Nicola Salvis Fontana di Trevi (1732–62) (München: Deutscher Kunstverlag, 2008).Google Scholar
Férotin, Marius, Le Liber Ordinum: En usage dans l’église wisigothique et mozarabe d’espagne du cinquième au onzième siècle (Paris: Firmin-Didot et Cie, 1904).Google Scholar
Fliegel, Stephen N., “The Cleveland Table Fountain and Gothic Automata,” Cleveland Studies in the History of Art 7 (2002): 649.Google Scholar
Flint, Valerie, “The Career of Honorius Augustodunensis,” in Ideas in the Medieval West: Texts and their Contexts (Aldershot: Variorum, 1988), 6486.Google Scholar
Flint, Valerie, The Rise of Magic in Early Medieval Europe (Princeton: Princeton University Press, 1991).Google Scholar
Flood, Finbarr B., The Great Mosque of Damascus: Studies on the Makings of an Umayyad Visual Culture (Leiden: Brill, 2001).Google Scholar
Flood, Finbarr Barry, “Image against Nature: Spolia as Apotropaia in Byzantium and the Dar al-Islam,” in Mapping the Gaze—Vision and Visuality in Classical Arab Civilization, a special issue of The Medieval History Journal 9.1 (2006): 143166.Google Scholar
Flood, Finbarr Barry, Objects of Translation: Material Culture and Medieval “Hindu-Muslim” Encounter (Princeton: Princeton University Press, 2009).Google Scholar
Flood, Finbarr Barry, “Lost Histories of a Licit Figural Art,” International Journal of Middle East Studies 45:3 (2013): 566569.Google Scholar
Flood, Finbarr Barry, “Bodies and Becoming: Mimesis, Mediation and the Ingestion of the Sacred in Christianity and Islam,” in Sensational Religion: Sensory Cultures in Material Practice, ed. Promey, Sally M. (New Haven: Yale University Press, 2014), 459493.Google Scholar
Flick, Claudia, “Die Kathedrale San Sabino in Canosa di Puglia. Versuch einer neuen zeitlichen Einordnung,” Jahrbuch für Antike und Christentum 41 (1998): 193205.Google Scholar
Fontaine, Jacques, “La culture carolingienne dans les abbayes normandes: l’exemple de Saint-Wandrille,” in Aspects du monachisme en Normandie (IVe - XVIIIe siècles). Actes du Colloque scientifique de l’"Année des abbayes normandes", Caen, 18–20 octobre 1979, ed. Musset, Lucien (Paris: Vrin, 1982), 3154.Google Scholar
Folkerts, Menso, “Die älteste mathematische Aufgabensammlung in lateinischer Sprache: Dia Alkuin zugeschriebenen. Propositiones ad acuendos iuvenes. Überlieferung, Inhalt, Kritische Edition,” in Essays on Early Medieval Mathematics: The Latin Tradition (Aldershot, Hampshire: Ashgate/Variorum, 2003), V (1478).Google Scholar
Folkerts, Menso, “The Propositiones ad acuendos iuvenes Ascribed to Alcuin,” in Essays on Early Medieval Mathematics: The Latin Tradition (Aldershot, Hampshire: Ashgate/Variorum, 2003), IV (19).Google Scholar
Fichtenau, Heinrich, Living in the Tenth Century: Mentalities and Social Orders, trans. Geary, Patrick J. (Chicago: University of Chicago Press, 1991).Google Scholar
Frank, Georgia, “The Pilgrim’s Gaze in the Age Before Icons,” in Visuality Before and Beyond the Renaissance: Seeing As Others Saw, ed. Robert S. Nelson (Cambridge: Cambridge University Press, 2000), 98–115.Google Scholar
Frankfurter, David, “The Binding of Antelopes: A Coptic Frieze and its Egyptian Religious Context,” Journal of Near Eastern Studies 63:2 (2004): 97109.Google Scholar
Franz, Adolf, Die Kirchlichen Benediktionen Im Mittelalter (Graz: Akademische Druck- u. Verlagsanstalt, 1960).Google Scholar
Frati, Marco, “La definizione e la tutela dell’ambiente urbano nella costruzione delle città medievali, fra bene comune e proprietà privata,” Città e Storia 1:2 (2006): 553566.Google Scholar
Frazer, Margaret English, “Church Doors and the Gates of Paradise: Byzantine Bronze Doors in Italy,” Dumbarton Oaks Papers 27 (1973): 145162.Google Scholar
Frazer, James G, The Golden Bough: A Study in Magic and Religion (Oxford: Oxford University Press, 1998).Google Scholar
Frojmovic, Eva, “Giotto’s Circumspection,” The Art Bulletin 89:2 (2007): 195210.Google Scholar
Fricke, Beate, “Schaumgeburten: zur Topologie der Creatio ex nihilo bei Albrecht Dürer und ihrer Vorgeschichte,” in Das Meer, der Tausch und die Grenzen der Repräsentation, ed. Baader, Hannah and Wolf, Gerhard (Berlin: Diaphanes Verlag, 2008), 4166.Google Scholar
Fricke, Beate, “A Liquid History. Blood and Animation in Late Medieval Art,” in: Wet/Dry, ed. by Pellizi, Francesco and Wood, Christopher S., Res. Journal of Anthropology and Aesthetics 63 (2013): 5269.Google Scholar
Fricke, Beate, Fallen Idols, Risen Saints: Sainte Foy of Conques and the Revival of Monumental Sculpture in Medieval Art (Turnhout: Brepols, 2015).Google Scholar
Frugoni, Chiara, “La Porta di Bronzo della chiesa di San Zeno a Verona,” in Il Veneto nel medioevo: dai comuni cittadini al predominio scaligero nella Marca, ed. Castagnetti, Andrea and Varanini, Gian Maria (Verona: Banca popolare di Verona, 1991): 163208.Google Scholar
Gaborit-Chopin, Danielle, “Les dessins d’Adémar de Chabannes,” Bulletin archéologique du Comité des travaux historiques et scientifiques 3 (1967): 163225.Google Scholar
Gadolin, Anitra R., “Prince Bohemund’s death and apotheosis in the Church of San Sabino, Canosa di Puglia,” Byzantion 52 (1982): 124153.Google Scholar
Gager, John G., Curse Tablets and Binding Spells from the Ancient World (New York: Oxford University Press, 1992).Google Scholar
Galison, Peter, “Aufbau/Bauhaus: Logical Positivism and Architectural Modernism,” Critical Inquiry 16:4 (1990): 709–52.Google Scholar
Gallistl, Bernhard, “Der alchemistische Codex des Bischofs Bernward,” Die Diözese Hildesheim in Vergangenheit und Gegenwart 57 (1989): 716.Google Scholar
Gamboni, Dario, Potential Images: Ambiguity and Indeterminacy in Modern Art (London: Reaktion, 2002).Google Scholar
Ganz, David, and Lentes, Thomas, (eds.), Ästhetik des Unsichtbaren: Bildtheorie und Bildgebrauch in der Vormoderne (Berlin: Reimer, 2004).Google Scholar
Gardner, Julian, “Boniface VIII as a Patron of Sculpture,” in Roma anno 1300, ed. Romanini, Anna I’vlaria (Roma: L'Erma di Bretschneider, 1983), 513521.Google Scholar
Garrow, Duncan, and Gosden, Chris, Technologies of Enchantment?: Exploring Celtic Art: 400 Bc to Ad 100 (Oxford: Oxford University Press, 2012).Google Scholar
Garrioch, David, “Sounds of the City: the Soundscape of Early Modern European Towns,” Urban History 30 (2003): 525.Google Scholar
Gearhart, Heidi C. “Theophilus’ On Diverse Arts: The Persona of the Artist and the Production of Art in the Twelfth Century” (PhD diss., University of Michigan, 2010).Google Scholar
Gell, Alfred, “Technology and Magic,” Anthropology Today 4:2 (1988): 69.Google Scholar
Gell, Alfred, “The Technology of Enchantment and the Enchantment of Technology,” Anthropology, Art, and Aesthetics, ed. Coote, Jeremy and Shelton, Anthony (Oxford: Clarendon Press, 1992), 4066.Google Scholar
Gell, Alfred, Art and Agency: An Anthropological Theory (Oxford: Oxford University Press, 1998).Google Scholar
Gem, Richard D.H., “Staged timber spires in Carolingian north-east France and late Anglo-Saxon England,” Journal of the British Archaeological Association 148 (1995): 2954.Google Scholar
Gersh, Stephen, Middle Platonism and Neoplatonism: The Latin Tradition 2 vols. (Notre Dame: University of Notre Dame Press, 1986), 1:421–33.Google Scholar
Giannichedda, Enrico, “Metal Production in Late Antiquity: From Continuity of Knowledge to Changes in Consumption,” in Technology in Transition: AD 300–650, Lavan, Luke, Zanini, Enrico, and Sarantis, Alexander C. ed. (Leiden: Brill, 2007), 187209.Google Scholar
Gibson, Margaret, “The Study of the Timaeus in the Eleventh and Twelfth Centuries,” Pensamiento 25 (1969): 183194.Google Scholar
Gibson, Margaret, “Adelard of Bath,” in Adelard of Bath: an English Scientist and Arabist of the Early Twelfth Century, ed. Burnett, Charles, (London: The Warburg Institute, 1987), 716.Google Scholar
Giglioli, G.Q., “Il regisole di Pavia,” Bullettino del Museo dell’Impero Romano vol. 2 (1940): 5766.Google Scholar
Ginzburg, Carlo, “Représentation: le mot, l’idée, la choseAnnales. Economies Sociétés Civilisations 46/6 (1991): 12191234.Google Scholar
Giovanni, Marilisa di, “Il serpente di bronzo della Basilica di S. Ambrogio,” Arte Lombarda 11:1 (1966): 35.Google Scholar
Glass, Dorothy F., “In principio: The Creation in the Middle Ages,” in Approaches to Nature in the Middle Ages: Papers of the Tenth Annual Conference of the Center for Medieval and Early Renaissance Studies, ed. Roberts, Lawrence D. (Binghamton, NY: Center for Medieval and Early Renaissance Studies, 1982), 67104.Google Scholar
Goltz, Dietlinde, Mittelalterliche Pharmazie und Medizin: Dargestellt an Geschichte und Inhalt des Antidotariums Nicolai (Stuttgart: Wissenschaftliche Verlagsgesellschaft, 1976).Google Scholar
Gombrich, E. H., Review of David Freedberg, “The Power of Images: Studies in the History and Theory of Response,” New York Review of Books 15 (1990): 69.Google Scholar
Gosden, Chris, “Technologies of Routine and of Enchantment,”in Distributed Objects: Meaning and Mattering After Alfred Gell, ed. Chua, Liana and Elliott, Mark (New York: Berghahn, 2013), 3957.Google Scholar
Götz, Ute, Die Bildprogramme der Kirchentüren des 11. und 12. Jahrhunderts (Bamberg: Bamberger Fotodruck, 1971).Google Scholar
Goff, Jacques Le, “The Wilderness in the Medieval West,” in The Medieval Imagination, trans. Goldhammer, Arthur (Chicago: University of Chicago Press, 1988), 4759.Google Scholar
Grabar, Oleg, The Mediation of Ornament (Princeton: Princeton University Press, 1992).Google Scholar
Graepler-Diehl, Ursula, “Eine Zeichnung des 11. Jahrhunderts im Codex Sangallensis 342,” in Studien zur Buchmalerei und Goldschmiedekunst des Mittelalters: Festschrift für Karl Hermann Usener zum 60. Geburtstag am 19. August 1965, ed. Dettweiler, Frieda, Köllner, Herbert, and Riedl, Peter Anselm (Marburg: Verlag des Kunstgeschichtliches Seminar, 1967), 167180.Google Scholar
Gramaccini, Norberto, “Die karolingischen Grossbronzen. Brüche und Kontinuität in der Werkstoffikonographie,” Anzeiger des Germanischen Nationalmuseums (1995): 130–140.Google Scholar
Greenhalgh, Michael, Marble Past, Monumental Present: Building with Antiquities in the Mediaeval Mediterranean (Leiden: Brill, 2009).Google Scholar
Grier, James, The Musical World of a Medieval Monk: Adémar De Chabannes in Eleventh-Century Aquitaine (Cambridge: Cambridge University Press, 2006).Google Scholar
Grierson, P, “The Roman Law of Counterfeiting.” in Essays in Roman Coinage Presented to Harold Mattingly, ed. Carson, R. A. G. and Sutherland, C. H. V.. (Oxford: Oxford University Press, 1956).Google Scholar
Guidoboni, Emanuela, and Comastri, Alberto, “The ‘Exceptional’ Earthquake of 3 January 1117 in the Verona Area (Northern Italy): A Critical Time Review and Detection of Two Lost Earthquakes (Lower Germany and Tuscany),” Journal of Geophysical Research 110 (2005).Google Scholar
Gumbrecht, Hans Ulrich, Production of Presence: What Meaning Cannot Convey (Stanford: Stanford University Press, 2004).Google Scholar
Hack, Achim T., Abul Abaz: Zur Biographie eines Elefanten (Badenweiler: Wissenschaft Verlag Bachmann, 2011).Google Scholar
Hadley, John, and Singmaster, David, “Problems to Sharpen the Young,” The Mathematical Gazette 76:475 (1992): 102126.Google Scholar
Hahn, CynthiaVisio Dei: Changes in Medieval Visuality,” in Visuality Before and Beyond the Renaissance: Seeing as Others Saw, ed. Nelson, Robert S. (Cambridge: Cambridge University Press, 2000), 169196.Google Scholar
Hahn, Cynthia, “Vision,” in A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, ed. Rudolph, Conrad (Oxford: Blackwell, 2006), 4464.Google Scholar
Hahn, Cynthia, Strange Beauty: Issues in the Making and Meaning of Reliquaries, 400–circa 1204 (University Park: Pennsylvania State University Press, 2012).Google Scholar
Haldon, John, and Ward-Perkins, Bryan, “Evidence from Rome for the Image of Christ on the Chalke Gate in Constantinople,” Byzantine and Modern Greek Studies 23:1 (1999): 286296.Google Scholar
Hallett, Christopher H., “Technological Advance and Artistic Decline? A History of Bronze-working in the Roman Period. Review of Lahusen Götz und Formigli Edilberto Römische Bildnisse aus Bronze. Kunst und Technik,” Journal of Roman Archaeology 17 (2004): 487501.Google Scholar
Halleux, Robert, “L’affinage de l’or, de Cre´sus aux premiers alchimistes,” Janus: Revue international de l’histoire des sciences, de la me´decine, de la pharmacie et de la technique 62 (1975): 79102.Google Scholar
Halleux, Robert, “Techniques et croyances dans les recettes antiques et médiévales de sidérurgie,” in Les Mines et la métallurgie en Gaule et dans les provinces voisines, Actes du colloque – Caesarodunum XXII, Université de Tours, les 26 et 27 avril 1986 (Paris: Édition Errance, 1987), 114128.Google Scholar
Halleux, Robert, “Recettes d’artisan, recettes d’alchimiste,” Artes mechanicae en Europe médiévale: Actes du colloque du 15 Octobre 1987 = Artes mechanicae in middeleeuws Europa : Handelingen van het colloquium van 15 Oktober 1987, ed. Jansen-Sieben, R. (Bruxelles: Archives et bibliothèques de Belgique, 1989), 2549.Google Scholar
Halleux, Robert, “The Reception of Arabic Alchemy in the West,” in Rashed, R. and Morelon, R. (eds), Encyclopedia of the History of Arabic Science (London: Routledge, 1996), 886902.Google Scholar
Halleux, Robert, and Saffrey, Henri-Dominique, Les Alchimistes Grecs: vol. 1. Papyrus de Leyde, Papyrus de Stockholm, fragments de recettes (Paris: les Belles lettres, 1981).Google Scholar
Halleux, Robert, and Meyvaert, Paul, Les origines de la Mappae Clavicula (Paris: Librairie Philosophique J. Vrin, 1988).Google Scholar
Hannick, Christian, “Die Bedeutung der Glocken in byzantinischen und slavischen Klöstern und Städten,” in Information, Kommunikation und Selbstdarstellung in mittelalterlichen Gemeinden, ed. Haverkamp, Alfred (Munich: Oldenburg, 1998), 123.Google Scholar
Heller-Roazen, Daniel, “The Matter of Language: Guilhem de Peitieus and the Platonic Tradition,” MLN 113:4 (1998): 851880.Google Scholar
Heller-Roazen, Daniel, The Fifth Hammer: Pythagoras and the Disharmony of the World (New York: Zone Books, 2011).Google Scholar
Hamburger, Jeffrey F., Nuns as Artists: The Visual Culture of a Medieval Convent (Berkeley: University of California Press, 1997).Google Scholar
Hamburger, Jeffrey F., St. John the Divine: The Deified Evangelist in Medieval Art and Theology (Berkeley: University of California Press, 2002).Google Scholar
Hamburger, Jeffrey F., “The Hand of God and the Hand of the Scribe: Craft and Collaboration at Arnstein,” in Die Bibliothek des Mittelalters als dynamischer Prozess, ed. Embach, Michael, Moulin, Claudine, and Rapp, Andrea (Wiesbaden: Reichert, 2012), 5380.Google Scholar
Hammerstein, Reinhold, Macht und Klang: Tönende Automaten als Realität und Fiktion in der alten und mittelalterlichen Welt (Bern: Francke Verlag, 1986).Google Scholar
Hamilton, Bernard, “The Impact of the Crusades on Western Geographical Knowledge,” in Eastward Bound: Travels and Travellers, 1050–150, ed. Allen, Rosamund (Manchester: Manchester University Press, 2004), 1534.Google Scholar
Hansloser, Hans R., “Urkunden zur Bedeutung des Türings,” in Festschrift für Erich Meyer zum sechzigsten Geburtstag, 29. Oktober 1957: Studien zu Werken in den Sammlungen des Museums für Kunst und Gewerbe, Hamburg, ed. Gramberg, Werner et al. (Hamburg: E. Hauswedell, 1959), 125146.Google Scholar
Harari, Youval Noah, “Eyewitnessing in accounts of the First Crusades: The Gesta Francorum and Other Contamporary Narratives,” Crusades 3 (2004): 7799.Google Scholar
Haraway, Donna J., Crystals, Fabrics, and Fields: Metaphors That Shape Embryos (Berkeley: North Atlantic Books, 2004).Google Scholar
Haraway, Donna J., When Species Meet (Minneapolis: University of Minnesota Press, 2008).Google Scholar
Harting–Correa, Alice L., Walahfrid Strabo’s Libellus de exordiis et incrementis quarundam in observationibus ecclesiasticis rerum (Leiden: Brill, 1996), 7879.Google Scholar
Häuptli, Bruno W., “Hezilo (Hizzil Hildensemensis), Bischof von Hildesheim,” in Biographisch-Bibliographisches Kirchenlexikon, ed. Bautz, Friedrich Wilhelm (Nordhausen: Bautz, 2006), 26, 712–718.Google Scholar
Halbwachs, Maurice, On Collective Memory trans. Coser, Lewis A. (Chicago: University of Chicago Press, 1992).Google Scholar
Hauschild, Thomas, Power and Magic in Italy, trans. Gaines, Jeremy (New York: Berghahn Books, 2011).Google Scholar
Hedfors, Hjalmar, Compositiones Ad Tingenda Musiva (Uppsala: Almqvist & Wiksell, 1932).Google Scholar
Heinrich-Tamaska, Orsolya, “Avar Age Metalworking Technologies in the Carpathian Basin (Sixth to Eighth Century),” in The Other Europe in the Middle Ages: Avars, Bulgars, Khazars, and Cumans, ed. Curta, Florin and Kovalev, Roman (Leiden: Brill, 2008), 237262.Google Scholar
Heinz, Andreas, “Die Bedeutung der Glock im Licht des mittelalterlichen Ritus der Glockenweihe,” Information, Kommunikation und Selbstdarstellung in mittelalterlichen Gemeinden, ed. Haverkamp, A., Schriften des Historischen Kollegs, Kolloquien 40 (Munich: R. Oldenbourg, 1998), 4169.Google Scholar
Helmut, Roth, “The Silver-Inlaid Iron Belt Fittings in the Morgan Collection,” in From Attila to Charlemagne: Arts of the Early Medieval Period in the Metropolitan Museum of Art, ed. Brown, Katharine R, Kidd, Dafydd, and Little, Charles T. (New York: Metropolitan Museum of Art, 2000), 292307.Google Scholar
Helmreich, Stefan, Alien Ocean: Anthropological Voyages in Microbial Seas (Berkeley: University of California Press, 2009).Google Scholar
Hen, Yitzhak, The Royal Patronage of Liturgy in Frankish Gaul to the Death of Charles the Bald (877) (London: Boydell Press, 2001).Google Scholar
Hen, Yitzhak, “Charlemagne’s Jihad,” Viator 37 (2006): 3351.Google Scholar
Hersey, George, Falling in Love with Statues (Chicago: Chicago University Press, 2009).Google Scholar
Herklotz, Ingo, “Der Campus Lateranensis im Mittelalter,” Römisches Jahrbuch für Kunstgeschichte 22 (1985): 143.Google Scholar
Herren, Michael, “The ‘De imagine Tetrici’ of Walahfrid Strabo: Edition and Translation,” Journal of Medieval Latin 1 (1991): 118139.Google Scholar
Herren, Michael W., “Walahfrid Strabo’s De Imagine Tetrici: an interpretation,” in Latin Culture and Medieval Germanic Europe: Proceedings of the First Germania Latina Conference Held at the University of Groningen, May 26, 1989, ed. North, Richard and Hofstra, Tette (Groningen: E. Forsten, 1992), 2541.Google Scholar
Heydenreich, Ludwig H., “Marc Aurel und Regisole,” in Festschrift für Erich Meyer zum sechzigsten Geburtstag, 29. Oktober 1957: Studien zu Werken in den Sammlungen des Museums für Kunst und Gewerbe, Hamburg, ed. Gramberg, Werner (Hamburg: E. Hauswedell, 1959), 146159.Google Scholar
Hildburgh, W. L., “Aeolipiles as Fire-blowers,” Archaeologia or Miscellaneous Tracts relating to Antiquity 94 (1951): 2756.Google Scholar
Hill, Donald, “Arabic Mechanical Engineering: Survey of the Historical sources,” Arabic Sciences and Philosophy 1:2 (1991): 167186.Google Scholar
Hill, Donald Routledge (ed. and trans.), On the construction of water-clocks: Kitāb Arshimīdas fi amal al-binkamāt (London: Turner & Devereux, 1976).Google Scholar
Hillebrand, W.Von den Anfangen des Erzbergbaus am Rammelsberg bei Goslar,” Niedersächsisches Jahrbuch für Landesgeschichte 39 (1967): 93111.Google Scholar
Hilsdale, Cecily J., Byzantine Art and Diplomacy in an Age of Decline (Cambridge: Cambridge University Press, 2014).Google Scholar
Hodges, Richard, and Mitchell, John, San Vincenzo Al Volturno: The Archaeology, Art, and Territory of an Early Medieval Monastery (Oxford: B.A.R, 1985).Google Scholar
Hoffmann, Eva R., “Pathways of Portability: Islamic and Christian interchange from the tenth through the twelfth century,” Art History 24:1 (2001): 1750.Google Scholar
Hoffmann, Hartmut, “Die Aachener Theoderichstatue,” in Das Erste Jahrtausend: Kultur und Kunst im Werdenden Abendland an Rhein und Ruhr, ed. Elbern, Victor H. (Düsseldorf: L. Schwann, 1962), 318335.Google Scholar
Hoffmann, Konrad, “Sugers ‘Anagogisches Fenster’ in St. Denis,” Wallraf-Richartz-Jahrbuch 30 (1968): 5788.Google Scholar
Hoffmann-Curtius, Kathrin, Das Programm der Fontana Maggiore in Perugia (Düsseldorf: Rheinland-Verlag, 1968).Google Scholar
Höh, Marc von der, Erinnerungskultur und frühe Kommune: Formen und Funktionen des Umgangs mit der Vergangenheit im hochmittelalterlichen Pisa (1050–1150) (Berlin: Akademie-Verlag, 2006), 378385.Google Scholar
Höschele, Regina, “The Traveling Reader: Journeys through Ancient Epigram Books,” Transactions of the American Philological Association 137:2 (2007): 333369.Google Scholar
Hülsen-Esch, Andrea von, Romanische Skulptur in Oberitalien als Reflex der kommunalen Entwicklung im 12. Jahrhundert: Untersuchungen zu Mailand und Verona (Berlin: Akademie Verlag, 1994).Google Scholar
Hunt, Leslie Bernard, “The Oldest Metallurgical Handbook: Recipes of a Fourth Century Goldsmith,” Gold Bulletin 9 (1976): 2431.Google Scholar
Hunt, Leslie Bernard, “The Long History of Lost Wax Casting: Over Five Thousand Years of Art and Craftsmanship.” Gold Bulletin 13–14 (1980–81): 6379.Google Scholar
Hurlbut, Jesse D., “The Sound of Civic Spectacle: Noise in Burgundian Ceremonial Entries,” in Material Culture and Medieval Drama, ed. Davidson, Clifford (Kalamazoo: Medieval Institute Publications, 1999) 127140.Google Scholar
Iacobini, Antonio (ed.), Le Porte del Paradiso: Arte e Tecnologia Bizantina tra Italia e Mediterraneo, (Rome: Campisano, 2009).Google Scholar
Iacobini, Antonio (ed.), “Le porte bronzee medievali del Laterano,” in Le Porte di bronzo dall’antichità al secolo XIII (1990): 7195.Google Scholar
Iacobini, Antonio (ed.), “‘Barisanus… me fecit.’ Nuovi documenti sull’officina di Barisano da Trani,” in Medioevo: Le Officine: Atti del Convegno Internazionale di Studi, Parma, 22–27 Settembre 2009. ed. Quintavalle, Arturo C. (Milano: Electa, 2010), 190206.Google Scholar
Ingold, Tim, “Materials against Materiality,” Archaeological Dialogues 14:1 (2007): 116.Google Scholar
Jacoff, Michael, The Horses of San Marco and the Quadriga of the Lord (Princeton: Princeton University Press, 1993).Google Scholar
Jäggi, Carola, “Stifter, Schreiber oder Heiliger? Überlegungen zum Dedikationsbild der Bernward-Bible,” in Für irdischen Ruhm und himmlischen Lohn: Stifter und Auftraggeber in der mittelalterlichen Kunst, ed. Meier, Hans-Rudolf, Jäggi, Carola, and Büttner, Philippe (Berlin: Reiner, 1995), 6575.Google Scholar
Jaeger, Stephen C., The Envy of Angels: Cathedral Schools and Social Ideals in Medieval Europe, 950–1200 (Philadelphia: University of Pennsylvania Press, 1994).Google Scholar
Jenkins, M., “New Evidence for the Possible Provenance and Fate of the so-called Pisa Griffin,” Islamic Archaeological Studies 1 (1978): 7985.Google Scholar
Johns, Jeremy, Arabic Administration in Norman Sicily: The Royal Dīwān (Cambridge: Cambridge University Press, 2002).Google Scholar
Johns, Jeremy, “Lastra con iscrizione trilingue dalla clessidra di re Ruggero,” in Andaloro, Maria (ed.), Nobiles Officinae: Perle, Filigrane E Trame Di Seta Dal Palazzo Reale Di Palermo 2 vols. (Catania: G. Maimone, 2006), vol. 1, 512513 and 772–773.Google Scholar
Johns, Jeremy, “Iscrizioni arabe nella Cappella Palatina,” in La Cappella Palatina a Palermo, Mirabilia Italiae 15, 4 vols. ed. Brenk, Beat, (Modena: Franco Cosimo Panini, 2010), vol. 3, 382383.Google Scholar
Johnson, Cuthbert and Ward, Anthony, “The Hispanic liturgy and Dom Marius Férotin,” Ephemerides liturgicae 110:3 (1996): 252256.Google Scholar
Johnson, Geraldine A., “The lion on the Piazza: Patrician Politics and Public Statuary in Central Florence,” in Secular Sculpture 1300–1550, ed. Lindley, Phillip and Frangenberg, Thomas (Stamford: Shaun Tyas 2000), 5473.Google Scholar
Jones, Peter Murray, “Image, Word, and Medicine in the Middle Ages,” in Visualizing Medieval Medicine and Natural History, 1200 - 1550, eds. Givens, Jean A., Reeds, Karen M., and Touwaide, Alain (Aldershot: Ashgate, 2006), 124.Google Scholar
Jourdan, Jean-Pierre, “Le perron de chevalerie à la fin du Moyen Age: aspects d’un symbole,” in Seigneurs et Seigneuries au Moyen-Âge: Actes du 117e Congrès National des Sociétés Savantes, Clermont-Ferrand, 1992, Section d’histoire médiévale et de philologie (Paris: Éditions du C.T.H.S, 1993), 581598.Google Scholar
Jucker, Ines, Der Gestus des Aposkopein: Ein Beitrag zur Gebärdensprache in der antiken Kunst (Zurich: Juris-Verlag, 1956).Google Scholar
Jucker, Ines, Der Feueranbläser von Aventicum, Zeitschrift für schweizerische Archäologie und Kunstgeschichte 21:2 (1961): 4956Google Scholar
Jung, Jacqueline E., The Gothic Screen: Space, Sculpture, and Community in the Cathedrals of France and Germany, Ca. 1200–1400 (Cambridge: Cambridge University Press, 2012).Google Scholar
Kacunko, Slavko, Spiegel, Medium, Kunst: Zur Geschichte des Spiegels im Zeitalter des Bildes (München: W. Fink, 2010).Google Scholar
Kahsnitz, Rainer, “Ein Bildnis der Theophanu? zur Tradition der Münz- und Medaillon-Bildnisse in der karolingischen und ottonischen Buchmalerei,” in Kaiserin Theophanu: Begegnung des Ostens und Westens um die Wende des ersten Jahrtausends, ed. von Euw, Anton and Schreiner, Peter (Cologne: Das Museum, 1991), 2:101–34.Google Scholar
Kahsnitz, Rainer, “Thronlehnen,” in Canossa 1077: Erschütterung der Welt, ed. Stiegemann, Christoph and Wemhoff, Matthias (Munich: Hirmer, 2006), 1921.Google Scholar
Kain, Evelyn, “An analysis of the marble reliefs on the façade of S. Zeno, Verona,” The Art Bulletin 63 (1981), 358374.Google Scholar
Kang, Minsoo, Sublime Dream of Living Machines (Cambridge: Cambridge University Press 2011).Google Scholar
Kantorowicz, Ernst E., The King’s Two Bodies: A Study in Mediaeval Political Theology (Princeton: Princeton University Press, 1957), 4286.Google Scholar
Kaspersen, Søren, “Cotton-Genesis, die Toursbibeln und die Bronzetüren - Vorlage und Aktualität,” in Bernwardinische Kunst, ed. Gosebruch, Martin and Steigerwald, Frank Neidhart (Göttingen: Goltze, 1988), 79103.Google Scholar
Kessler, Herbert L., “The Function of Vitrum Vestitum and the use of Materia Saphirorum in Suger’s St. Denis,” in L’image: fonctions et usages des images dans l’Occident médiéval, eds. Baschet, Jérôme and Schmitt, Jean-Claude (Paris: Le Léopard d’Or, 1996), 179203.Google Scholar
Kessler, Herbert L., Seeing Medieval Art (Peterborough: Broadview, 2004).Google Scholar
Kessler, Herbert L., “‘Hoc visibile imaginatum figurat illud invisibile verum’: Imagining God in Pictures of Christ,” in Seeing the Invisible in Late Antiquity and the Early Middle Ages: Papers from “Verbal and Pictorial Imaging, Representing and Accessing Experience of the Invisible, 400–1000,” ed. de Nie, Giselle, Morrison, Karl F., and Mostert, Marco (Turnhout: Brepols, 2005), 291325.Google Scholar
Kessler, Herbert L., “Evil eye(ing): Romanesque Art as a Shield of Faith,” in Romanesque Art and Thought in the Twelfth Century: Essays in Honor of Walter Cahn, ed. Hourihane, Colum (Princeton: Princeton University Press, 2008), 107135.Google Scholar
Kessler, Herbert L., “Christ the Magic Dragon,” Gesta 48:2 (2009): 119134.Google Scholar
Kessler, Herbert L., “Sanctifying Serpent: Crucifixion as Cure,” in Studies on Medieval Empathies, ed. Morrison, Karl F and Bell, Rudolph M. (Turnhout: Brepols, 2013), 161188.Google Scholar
Klappauf, Lothar, Bartels, Christoph, Linke, Friedrich-Albert and Asmus, Bastian, “Das Montanwesen am Rammelsberg und im Westharz: Historiche und archäologische Quellen zum 12. Und 13. Jahrhundert,” in Bild und Bestie: Hildesheimer Bronzen der Stauferzeit: eine Ausstellung des Dom-Museums Hildesheim Vom 31. Mai Bis 5. Oktober 2008, ed. Brandt, Michael (Regensburg: Schnell & Steiner, 2008), 6576.Google Scholar
Klauser, Theodor, Schöllgen, Georg, and Dölger, Franz J.. Reallexikon für Antike und Christentum: Sachwörterbuch zur Auseinandersetzung des Christentums mit der antiken Welt (Stuttgart: A. Hiersemann, 1950).Google Scholar
Klemm, Elisabeth, “Artes liberales und antike Autoren in der Aldersbacher Sammelhandschrift Clm 2599,” Zeitschrift für Kunstgeschichte 41:1 (1978): 115.Google Scholar
Kingsley, Jennifer P., “To Touch the Image: Embodying Christ in the Bernward Gospels,” Peregrinations 3:1 (2010): 138–73, http://peregrinations.kenyon.edu/vol3_1/current/Kingsley_Peregrinations_article.pdf.Google Scholar
Kingsley, Jennifer P., “VT CERNIS and the Materiality of Bernwardian Art.” In 1000 Jahre St. Michael in Hildesheim: Kirche-Kloster-Stifter, Internationales Symposium des Hornemann Instituts, September 16–18, 2010, ed. Lutz, Gerhard and Weyer, Angela (Hildesheim: Michael Himhof Verlag, 2012), 171–84.Google Scholar
Kingsley, Jennifer P., The Bernward Gospels: Art, Memory, and the Episcopate in Medieval Germany (University Park: The Pennsylvania State University Press, 2014).Google Scholar
Kinney, Dale, “Rape or Restitution of the Past? Interpreting ‘Spolia,’” in The Art of In- terpreting, ed. Scott, Susan C. (University Park: Pennsylvania State University Press, 1995), 5267.Google Scholar
Kitzinger, Ernst, “The Threshold of the Holy Shrine: Observations on Floor Mosaics at Antioch and Bethlehem,” in Kyriakon: Festschrift Johannes Quasten. ed. Granfield, Patrick and Jungmann, J.A (Münster: Aschendorff, 1970), 639647.Google Scholar
Kitzinger, Ernst, “The Gregorian Reform and the Visual Arts: A Problem of Method,” Transactions of the Royal Historical Society 22 (1972): 87102.Google Scholar
Kitzinger, Ernst, “Interlace and Icons: Form and Function in Early Insular Art,” in Spearman, R. Michael and Higgitt, John, eds., The Age of Migrating Ideas: Early Medieval Art in Northern Britain and Ireland (Edinburgh: National Museums of Scotland, 1993), 315.Google Scholar
Knapp, Ulrich, Buch und Bild im Mittelalter (Hildesheim: Dom-Museum and Gerstenberg, 1999), 6066.Google Scholar
Kotansky, Roy, “A Silver Phylactery for Pain,” The J. Paul Getty Museum Journal 11 (1983): 169178.Google Scholar
Kostick, Conor, The Social Structure of the First Crusade (Leiden: Brill, 2008).Google Scholar
Krabath, Stefan, Lammers, Dieter, Rehren, Thilo, and Schneider, Jens, “Die Herstellung und Verarbeitung von Buntmetall im karolingerzeitlichen Westfalen,” in 799. Kunst und Kultur der Karolingerzeit. Karl der Groβe und Papst Leo III. in Paderborn, vol. 3, ed. Stiegemann, Christoph and Wemhoff, Matthias (Mainz: Verlag Philipp von Zabern, 1999), 430437.Google Scholar
Kraume, Emil, “Eroffnung des Bergbaus im Ausbib der Rammelsberger Lager- stiitte und die Otto-Adelheid-Pfennige,” Zeitschrift für Erzbergbau und Metallhiittenwesen 10:1 (1958): 2933.Google Scholar
Kraume, Emil, “Silberanalysen deutscher Mtinzen des 10. Jahrhunderts,” Hamburger Beitrage zur Numismatik 21 (1967): 3538.Google Scholar
Kraume, Emil and Hatz, Vera, “Die Otto-Adelheid-Pfennige und ihre Nachpragungen,” Hamburger Beitrage zur Numismatik 5:15 (1961): 1323.Google Scholar
Krauss, Rosalind, “Sculpture in the Expanded Field,” October 8 (1979): 30–44.Google Scholar
Krautheimer-Hess, Trude, “The Original Porta dei Mesi at Ferrara and the art of Niccolò,” The Art Bulletin 26 (1944): 152–74.Google Scholar
Kris, Ernst and Kurz, Otto, Legend, Myth, and Magic in the Image of the Artist: A Historical Experiment (New Haven: Yale University Press, 1979).Google Scholar
Krüger, Klaus, Das Bild als Schleier des Unsichtbaren: ästhetische Illusion in der Kunst der frühen Neuzeit in Italien (Munich: Fink, 2001).Google Scholar
Kühnel, Bianca, The End of Time in the Order of Things: Science and Eschatology in Early Medieval Art (Regensburg: Schnell + Steiner, 2003).Google Scholar
Kuijpers, Maikel Henricus, “The Sound of Fire, Taste of Copper, Feel of Bronze, and Colours of the Cast: Sensory Aspects of Metalworking Technology,” in Embodied Knowledge: Perspectives on Belief and Technology, ed. Sørensen, Marie L. S and Rebay-Salisbury, Katharina (Oxford: Oxbow Book, 2013), 137150.Google Scholar
Kumler, Aden, “Imitatio Rerum: Sacred Objects in the St. Giles’s Hospital Processional,” Journal of Medieval and Early Modern Studies 44:3 (2014): 470502.Google Scholar
Künzl, Ernst, Die antike Bärin im Dom zu Aachen (Mainz: Verlag des Römisch-Germanisches Zentralmuseum, 2003).Google Scholar
Kupfer, Marcia, “Medieval World Maps: Embeded Images, Interpretive Frames,” Word and Image 10 (1994): 262288.Google Scholar
Kyll, Nikolaus, “Die Glocke im Wetterglauben und Wetterbrauch des Trierer Landes,” Rheinisches Jahrbuch fur Volkskunde 9 (1958): 130193.Google Scholar
Landes, Richard A., Relics, Apocalypse, and the Deceits of History: Ademar of Chabannes, 989-1034 (Cambridge: Harvard University Press, 1995).Google Scholar
Lahusen, Götz, and Formigli, Edilberto, Römische Bildnisse aus Bronze (Munich: Hirmer Verlag, 2002), 331333.Google Scholar
Landa, Manuel De, A Thousand Years of Nonlinear History (New York: Zone Books, 1997), 11103.Google Scholar
Ladner, Gerhardt, Die Papstbildnisse des Altertums und des Mittelalters. II. Innocenz II zu Benedikt XI (Vatican City: Pontificio Istituto di Archeologia Cristiana, 1970).Google Scholar
Láng, Benedek, Unlocked Books: Manuscripts of Learned Magic in the Medieval Libraries of Central Europe (University Park: Pennsylvania State University Press, 2008).Google Scholar
Lapina, Elizabeth, “‘Nec signis nec testibus creditur…’: The Problem of Eyewitnesses in the Chronicles of the First Crusade,” Viator 38:1 (2007): 117139.Google Scholar
Lasko, Peter E., “Der Krodo-Altar und der Kaiserstuhl in Goslar,” in Steigerwald, Frank (ed), Goslar: Bergstadt - Kaiserstadt in Geschichte Und Kunst: Bericht Über Ein Wissenschaftliches Symposion in Goslar Vom 5. Bis 8. Oktober 1989 (Göttingen: Goltze, 1993), 115118.Google Scholar
Lasko, Peter, “Roger of Helmarshausen Author and Craftsman: Life, Sources of Style and Iconography,” in Objects, Images, and the Word: Art in the Service of the Liturgy, ed. Hourihane, Colum (Princeton: Princeton University Press, 2003), 180201.Google Scholar
Latini, Brunetto, La Rettorica, ed. Maggini, Francesco and Segre, Cesare (Firenze: Le Monnier, 1968).Google Scholar
Latour, Bruno, Reassembling the Social: An Introduction to Actor-Network-Theory (Oxford: Oxford University Press, 2005).Google Scholar
Lauwers, Michel, “Des vases et des lieux. Res ecclesie, hiérarchie et spatialisation du sacré dans l’Occident médiéval,” in Le Sacré Dans Tous Ses États: Catégories Du Vocabulaire Religieux Et Sociétés, De L’antiquité À Nos Jours, ed. Souza, Manuel, Peters-Custot, Annick, Romanacce, François-Xavier, and Iogna-Prat, Dominique (Saint-Étienne: Publications de l’Université de Saint-Étienne, 2012), 259279.Google Scholar
Lawn, Brian, The Salernitan Questions: An Introduction to the History of Medieval and Renaissance Problem Literature (Oxford: Clarendon Press, 1963).Google Scholar
Lawn, Brian, Prose Salernitan Questions Edited from a Bodleian Manuscript (Auct. F. 3. 10): An Anonymous Collection Dealing with Science and Medicine Written by an Englishman c. 1200, ed. Lawn, Brian (London: Oxford University Press, 1979).Google Scholar
Leclercq-Marx, Jacqueline, “Entre anges et démons. Les Vents dans l’iconographie médiévale,” Annales d’Histoire de l’Art et d’Archéologie. Université Libre de Bruxelles 12 (1990): 3742.Google Scholar
Leclercq-Marx, Jacqueline, “Vox Dei clamat in tempestate: À propos de l’iconographie des vents et d’un groupe d’inscriptions campanaires (IXe–XIIIe siècles),” Cahiers de civilisation médiévale 42 (1999): 179187.Google Scholar
Legler, Rolf, Tempel des Wassers: Brunnen und Brunnenhäuser in den Klöstern Europas (Stuttgart: Belser, 2005).Google Scholar
Le Goff, Jacques, “Les Mentalités, une histoire ambiguë,” in Faire de l’histoire, vol. 3, ed. Le Goff, Jacques and Nora, Pierre (Paris: Gallimard, 1974), 7694.Google Scholar
Le Goff, Jacques, Time, Work, and Culture in the Middle Ages, trans. Goldhammer, A. (Chicago: University of Chicago Press, 1980).Google Scholar
Le Goff, Jacques, “The Marvelous” in The Medieval Imagination, trans. Goldhammer, Arthur (Chicago: University of Chicago Press, 1988), 2746.Google Scholar
Legner, Anton, Der Artifex: Künstler im Mittelalter und ihre Selbstdarstellung (Cologne: Greven, 2009), 126–66.Google Scholar
Leong, Elaine and Rankin, Alisha, eds., Secrets and Knowledge in Medicine and Science, 1500 – 1800 (Farnham: Ashgate, 2011).Google Scholar
Lepie, Herta, Pala D’oro der Goldaltar im Aachener Dom: Ottonische Wandmalereien im Aachener Dom (Aachen: Thouet, 2002).Google Scholar
Lesky, Erna, Die Zeugungs-und Vererbungslehren der Antike und ihr Nachwirken (Mainz: Verlag der Akademie der Wissenschaften und der Literatur, 1951).Google Scholar
Lev, Efraim, and Amar, Zohar, Practical Materia Medica of the Medieval Eastern Mediterranean According to the Cairo Genizah (Leiden: Brill, 2008).Google Scholar
Liedke, Volker Die Augsburger Sepulkralskulptur der Spätgotik: Gesammelte Beiträge zur Kunst, Geschichte, Volkskunde und Denkmalpflege in Bayern und in den Angrenzenden Bundesländern (München: Weber, 1979).Google Scholar
Lindberg, David C., Theories of Vision from al-Kindi to Kepler (Chicago: University of Chicago Press, 1981).Google Scholar
Lindberg, David C., Roger Bacon’s Philosophy of Nature: A Critical Edition, with English Translation, Introduction, and Notes, of De Multiplicatione Specierum and De Speculis Comburentibus (Oxford: Clarendon Press, 1983).Google Scholar
Lindberg, David C., The Beginnings of Western Science: the European Scientific Tradition in Philosophical, Religious, and Institutional Context, Prehistory to A.D. 1450 (Chicago: University of Chicago Press, 2007).Google Scholar
Llave, Ricardo Córdoba de la, Craft Treatises and Handbooks: The Dissemination of Technical Knowledge in the Middle Ages (Turnhout: Brepols, 2013).Google Scholar
Lloyd, G E. R., Demystifying Mentalities (Cambridge: Cambridge University Press, 1990).Google Scholar
Long, Pamela O., Openness, Secrecy, Authorship: Technical Arts and the Culture of Knowledge from Antiquity to the Renaissance (Baltimore: Johns Hopkins University Press, 2001).Google Scholar
Long, Pamela O., “The Craft of Premodern History of Technology: Past and Future Practice,” Technology and Culture 51: 3 (2010): 698718.Google Scholar
Löw, Martina, “The Constitution of Space: The Structuration of Spaces through the Simultaneity of Effects and Perception,” European Journal of Social Theory 11:1 (2008): 2549.Google Scholar
Loewenthal, L. J. A., “Amulets in Medieval Sculpture: I. General Outline,” Folklore 89:1 (1978): 312.Google Scholar
Longhi, DavideLa statua equestre di Teodorico e la raffigurazione del “Palatium” in Sant’Apollinare Nuovo,” Felix Ravenna 157/160 (2010): 189200.Google Scholar
Ludlow, Morwenna, “Science and Theology in Gregory of Nyssa’s de anima et resurrectione: Astronomy and Automata,” Journal of Theological Studies 60:2 (2009): 468489.Google Scholar
Lugt, Maaike van der, Le ver, le démon et la vierge: les théories médiévales de la génération extraordinaire; une étude sur les rapports entre théologie, philosophie naturelle et médecine (Paris: Belles Lettres, 2004).Google Scholar
Lyons, John D., and Nichols, Stephen G., eds., Mimesis: From Mirror to Method, Augustine to Descartes (Hanover, NH: University Press of New England for Dartmouth College, 1982).Google Scholar
Mack, John, The Sea: A Cultural History (London: Reaktion Books, 2011).Google Scholar
MacDermott, M., “The Kells Crozier,” Archaeologia 96 (1955): 59113.Google Scholar
Madden, Thomas, “The Serpent Column of Delphi in Constantinople: Placement, Purposes, and Mutilations,” Byzantine and Modern Greek Studies 16 (1992): 111–45.Google Scholar
Madison, Bryan Francis Scott, and Kent, Alan, “An Early Medieval Water Clock,” Antiquarian Horology 3 (1962): 348353.Google Scholar
Maguire, Henry, “Magic and Geometry in Early Christian Floor Mosaics and Textiles,” Jahrbuch der osterreichischen Byzantinistik 44 (1994): 265–74, esp. 265–74.Google Scholar
Maguire, Henry, “Magic and the Christian Image,” in Byzantine Magic, ed. Maguire, Henry (Washington, DC: Dumbarton Oaks Research Library and Collection, 1995).Google Scholar
Maguire, Henry, “Magic and Money in the Early Middle Ages,” Speculum 72:4 (1997): 10371054.Google Scholar
Magnusson, Roberta J., Water Technology in the Middle Ages: Cities, Monasteries, and Waterworks after the Roman Empire (Baltimore: The Johns Hopkins University Press, 2001), 53115.Google Scholar
Mango, Cyril (ed. and trans.), The Art of the Byzantine Empire 312-1453, Sources and Documents (Englewood Cliffs, Prentice Hall, 1972).Google Scholar
Mango, C. A., “The Columns of Justinian and his Successors,” in Studies on Constantinople (Aldershot, 1993), X, 1-20.Google Scholar
Mannoni, Tiziano, “The Transmission of Craft Techniques According to the Principles of Material Culture: Continuity and Rupture,” in Technology in Transition: AD 300–650, ed. Lavan, Luke, Zanini, Enrico, and Sarantis, Alexander C. (Leiden: Brill, 2007), xli-lv.Google Scholar
Masschaele, James, “The public space of the marketplace in medieval England,” Speculum 77:2 (2002): 383421.Google Scholar
Matthiae, Guglielmo, Le porte bronzee bizantine in Italia (Rome: Officina, 1971).Google Scholar
Mayr-Harting, Henry, Ottonian Book Illumination: An Historical Study (London: Harvey Miller, 1999).Google Scholar
McCormick, Michael, Origins of the European Economy: Communications and Commerce, A.D. 300–900 (Cambridge: Cambridge University Press, 2001).Google Scholar
McKitterick, Rosamond, Charlemagne: The Formation of a European Identity (Cambridge: Cambridge University Press, 2008).Google Scholar
Meier, Hans-Rudolf, “Ton, Stein und Stuck: Materialaspekte in der Bilderfrage des Früh- und Hochmittelalters,” Marburger Jahrbuch für Kunstwissenschaft 30 (2003): 3552.Google Scholar
Melve, Leidulf, Inventing the Public Sphere: The Public Debate During the Investiture Contest (c. 1030–1122) (Leiden: Brill, 2007).Google Scholar
Melchior-Bonnet, Sabine, The Mirror: A History (New York: Routledge, 2001).Google Scholar
Melczer, William, La porta di bronzo di Barisano da Trani a Ravello: Iconografia e stile (Cava de’ Tirreni: De Rosa et Memoli, 1984).Google Scholar
Melczer, William, La porta di Bonanno a Monreale. Teologia e poesia (Palermo: Novecento, 1987).Google Scholar
Melczer, William, La porta di Bonanno nel duomo di Pisa. Teologia ed immagine (Pisa: Pacini, 1988).Google Scholar
Melikian-Chirvani, A. S., “Le griffon iranien de Pise: matériaux pour un corpus de l’argenterie et du bronze iraniens, III,” in Kunst des Orients 5 (1968): 6886.Google Scholar
Mende, Ursula, Die Türzieher des Mittelalters (Berlin: Deutscher Verlag für Kunstwissenschaft, 1981).Google Scholar
Mende, Ursula, Die Bronzetüren des Mittelalters, 800-1200 (München: Hirmer, 1983).Google Scholar
Mende, Ursula, “Zur Topographie sächsischer Bronzewerkstätten im welfischen Einfluβbereich,” in Heinrich der Löwe und seine Zeit: Herrschaft und Repräsentation der Welfen 1125–1235, ed. Luckhardt, Jochen, 2 vols. (Munich: Hirmer, 1995), 427439.Google Scholar
Mende, Ursula, “Romanische Bronzen: Hildesheim und sein Umkreis,” in Abglanz des Himmels: Romanik in Hildesheim, ed. Brandt, Michael (Regensburg: Schnell and Steiner, 2001), 199228.Google Scholar
Mende, Ursula, “Reliquienschrein,” in Canossa 1077: Erschütterung der Welt; Geschichte, Kunst und Kultur am Aufgang der Romanik, ed. Stiegemann, Christoph and Wernhoff, Matthias 2 vols. (Munich: Hirmer, 2006), 2, 443–44.Google Scholar
Mende, Ursula, “‘Was das Feuer nahm, das Erz hat es wiedergegeben:’ Das Bronzeportal am Dom zu Mainz” in Nichtweiß, Barbara, Bratner, Luzie and Janson, Felicitas, Basilica Nova Moguntina: 1000 Jahre Willigis-Dom St. Martin in Mainz (Mainz: Bischöfliches Ordinariat Mainz, 2010), 79104.Google Scholar
Michaud, Eric, Histoire de l’art, une discipline à ses frontières (Paris: Hazan, 2005).Google Scholar
DaCosta Kaufmann, Thomas, Toward a Geography of Art (Chicago: University of Chicago Press, 2004).Google Scholar
Mitchell, W J. T., Iconology: Image, Text, Ideology (Chicago: University of Chicago Press, 1986).Google Scholar
Montagu, Jennifer, Roman Baroque Sculpture: The Industry of Art (New Haven: Yale University Press, 1989).Google Scholar
Moritz, Arne, with Stammkötter, Franz-Bernhard, eds., Ars imitatur naturam: Transformationen eines Paradigmas menschlicher Kreativität im Übergang vom Mittelalter zur Neuzeit (Münster: Aschendorff, 2010).Google Scholar
Moos, Peter von, ‘Öffentlich’ und ‘privat’ im Mittelalter: zu einem Problem historischer Begriffsbildung (Heidelberg: Universitätsverlag Winter GMBH, 2004).Google Scholar
Morris, Robert M., Gerald of Wales (Cardiff: University of Wales, 1987).Google Scholar
Moskowitz, Anita Fiderer, “The Framework of Andrea Pisano’s Bronze Doors: Some possible non-Tuscan Sources,” Source 2 (1983): 14.Google Scholar
Müller-Wille, Staffan, and Rheinberger, Hans-Jörg, A Cultural History of Heredity (Chicago: University of Chicago Press, 2012).Google Scholar
Müller, Kathrin, Visuelle Weltaneignung: astronomische und kosmologische Diagramme in Handschriften des Mittelalters (Göttingen: Vandenhoeck & Ruprecht, 2008).Google Scholar
Müller, Rebecca, Sic hostes Ianua frangit: Spolien und Trophäen im mittelalterlichen Genua (Weimar: VDG, 2002).Google Scholar
Müller, Rebecca, “Antike im frühen Mittelalter. Erbe und Innovation,” in Geschichte der bildenden Kunst in Deutschland. Bd. 1: Karolingische und Ottonische Kunst, ed. Bruno Reudenbach (München: Deutscher Taschenbuchverlag, 2009), 190–237.Google Scholar
Müller, Werner, Die Heilige Stadt: Roma Quadrata, Himmlisches Jerusalem und die Mythe vom Weltnabel (Stuttgart: W. Kohlhammer, 1961), 69111.Google Scholar
Münxelhaus, Barbara, Pythagoras Musicus: Zur Rezeption der Pythagoreischen Musiktheorie als Quadrivialer Wissenschaft im Lateinischen Mittelalter (Bonn-Bad Godesberg: Verlag für Systematische Musikwissenschaft, 1976).Google Scholar
Murphy, Susan, “Heron of Alexandria’s On Automaton-Making.” History of Technology 17 (1996): 145.Google Scholar
Musil, Robert, Posthumous Papers of a Living Author, trans. Wortsman, Peter (Brooklyn: Archipelago Books, 2006).Google Scholar
Mutz, Alfred, “Die Gallus-glocke in technologischer Sicht,” Jahrbuch des Vorarlberger Landesmuseumsvereins (1978–1979): 19–39.Google Scholar
Nahmer, Dieter von der, “Die Inschrift auf der Bernwardstür in Hildesheim im Rahmen Bernwardinischer Texte,” in Bernwardinische Kunst, ed. Gosebruch, Martin and Steigerwald, Frank Neidhart (Göttingen: Goltze, 1988), 5170.Google Scholar
Nardella, Christina, Il fascino di Roma nel Medioevo. Le « Meraviglie di Roma » di maestro Gregorio (Rome: Viella, 1997).Google Scholar
Neer, Richard T., The Emergence of the Classical Style in Greek Sculpture (Chicago: The University of Chicago Press, 2010).Google Scholar
Nelson, Janet L. Aachen as a Place of Power,” in Topographies of Power in the Early Middle Ages, ed. Theuws, Frans, de Jong, Mayke B., and Van Rhijn, Carine (Leiden: Brill, 2001), 218241.Google Scholar
Nelson, Robert S., “To Say and to See: Ekphrasis and Vision in Byzantium,” in Visuality Before and Beyond the Renaissance: Seeing as Others Saw, ed. Nelson, Robert S. (Cambridge: Cambridge University Press, 2000), 143168.Google Scholar
Neri, Elisabetta, De Campanis Fundendis: La produzione di campane nel Medioevo tra fonti scritte ed evidenze archeologiche (Milano: V&P, 2006), 2224Google Scholar
Newman, Richard, “Materials and techniques of the medieval metalworker,” in Metalwork: Catalogue of Medieval Objects, ed. Netzer, Nancy (Boston: Northeastern University Press, 1991), 1844Google Scholar
Newman, William R., Promethean Ambitions: Alchemy and the Quest to Perfect Nature (Chicago: University of Chicago Press, 2004).Google Scholar
Newman, William R., “What Have We Learned from the Recent Historiography of Alchemy?Isis 102:2 (2011): 313321.Google Scholar
Newman, William R., and Principe, Lawrence M., “Alchemy vs. Chemistry: The Etymological Origins of a Historiographic Mistake,” Early Science and Medicine 3:1 (1998): 3265.Google Scholar
Noble, Thomas F. X., Images, Iconoclasm, and the Carolingians (Philadelphia: University of Pennsylvania Press, 2009), 297342.Google Scholar
Nichols, Stephen G., Romanesque Signs: Early Medieval Narrative and Iconography (New Haven: Yale University Press, 1983).Google Scholar
Nitzsche, Jane Chance, The Genius Figure in Antiquity and the Middle Ages (New York: Columbia University Press, 1975).Google Scholar
Nummedal, Tara E., Alchemy and Authority in the Holy Roman Empire (Chicago: University of Chicago Press, 2007).Google Scholar
Nummedal, Tara E., “Words and Works in the History of Alchemy,” Isis 102:2 (2011): 330337.Google Scholar
Obrist, Barbara, Les Débuts De L'imagerie Alchimique: Xive-xve Siècles (Paris: Le Sycomore, 1982).Google Scholar
Oddy, W. A., La Niece, Susan, and Stratford, Neil, Romanesque Metalwork: Copper Alloys and their Decoration (London: British Museum of Art, 1986).Google Scholar
O’Driscoll, Joshua, “Visual Vortex: An Epigraphic Image from an Ottonian Gospel Book,” Word & Image 27:3 (2011): 309321.Google Scholar
Ohly, Friedrich, Sensus Spiritualis: Studies in Medieval Significs and the Philology of Culture, ed. Jaffe, Samuel P. (Chicago: University of Chicago Press, 2005).Google Scholar
Oliver, Andrew, “Some Classical elements in Migration Period Jewelry,” in From Attila to Charlemagne: Arts of the Early Medieval Period in the Metropolitan Museum of Art, ed. Brown, Katharine R., Kidd, Dafydd, and Little, Charles T. (New York: Metropolitan Museum of Art, 2000), 5057.Google Scholar
Opsomer, Carmélia et Robert Halleux, “L’alchimie de Théophile et l’abbaye de Stavelot,” in Comprendre et maîtriser la nature au Moyen Âge, Mélanges d’histoire des sciences offerts à Guy Beaujouan, ed. Jacquart, Danielle (Genève: Droz, 1994), 437459.Google Scholar
Orlowski, Tomasz H., “La Statue équestre de Limoges et le sacre de Charles l’Enfant. Contribution à l’étude de l’iconographie politique carolingienne,” Cahiers de Civilisation Médiévale 30 (1987): 131144.Google Scholar
Otter, Monika, Inventiones: Fiction and Referentiality in Twelfth-Century Historical Writing (Chapel Hill: University of North Carolina Press, 1996).Google Scholar
Pace, Valentino, “Le sculture di facciata di San Giovanni in Venere: una diramazione veronese in Abruzzo e il loro problematico contesto,” in Medioevo: arte Lombarda, ed. Quintavalle, Arturo Carlo (Milan: Electa, 2004), 476487.Google Scholar
Palazzo, Eric, A History of Liturgical Books from the Beginning to the Thirteenth Century (Collegeville: Liturgical Press, 1998).Google Scholar
Palazzo, Eric, L’évêque et son image: L’illustration du Pontifical au Moyen Age (Turnhout: Brepols, 1999).Google Scholar
Panofsky, Erwin, Gothic Architecture and Scholasticism (New York: World Publishing, 1957).Google Scholar
Panofsky, Erwin, Studies in Iconology: Humanistic Themes in the Art of the Renaissance (New York: Harper & Row, 1962).Google Scholar
Papapetros, Spyros, On the Animation of the Inorganic: Art, Architecture, and the Extension of Life (Chicago: University of Chicago Press, 2012).Google Scholar
Papathanassiou, Maria K..Metallurgy and Metalworking Techniques,” in The Economic History of Byzantium: From the Seventh Through the Fifteenth Century, ed. Laiou, Angeliki E. and Bouras, Charalampos (Washington: Dumbarton Oaks Research Library and Collection, 2002), 122127.Google Scholar
Pannuti, Ulrico, “Intorno alla cosiddetta ‘Testa Carafa’ del Museo Nazionale di Napoli,” Mitteilungen des Deutschen Archäologischen Instituts, Römische Abteilung 95 (1988): 129157.Google Scholar
Park, Katherine, “Observation in the Margins: 500-1500,” in Histories of Scientific Observation, ed. Daston, Lorraine (Chicago: University of Chicago Press, 2011), 1544.Google Scholar
Parker Johnson, Rozelle, “Some manuscripts of the Mappae Clavicula,” Speculum 10 (1935): 7281.Google Scholar
Parker Johnson, Rozelle, Compositiones variae, from Codex 490, Biblioteca Capitolare, Lucca, Italy, an Introductory Study (Urbana: University of Illinois Press, 1939).Google Scholar
Pawelec, Katharina, Aachener Bronzegitter: Studien zur Karolingischen Ornamentik um 800 (Köln: Rheinland-Verlag, 1990).Google Scholar
Pawlik, Anna, Das Bildwerk Als Reliquiar?: Funktionen Früher Grossplastik Im 9. Bis 11. Jahrhundert (Petersberg: Imhof, 2013).Google Scholar
Petrucci, Armando, Public Lettering: Script, Power, and Culture (Chicago: University of Chicago Press, 1993).Google Scholar
Pfisterer, Ulrich, Donatello und die Entdeckung der Stile 1430–1445 (München: Hirmer, 2002).Google Scholar
Phillipps, Thomas, “A Transcript of a Manuscript Treatise on the Preparation of Pigments, and on Various Processes of the Decorative Arts Practised during the Middle Ages, Written in the Twelfth Century, and entitled Mappae Clavicula,” Archaeologia, or, Miscellaneous tracts relating to Antiquity 32 (1847): 183244.Google Scholar
Piazza, Simone, “La campana di Canino al Museo Pio Cristiano: cronologia, modalità tecnico-esecutive, provenienza, attribuzione; appendice paleografica,” Studi romani 52:3 (2004): 426439.Google Scholar
Pinkus, Assaf, Sculpting Simulacra in Medieval Germany, 1250–1380 (Farnham: Ashgate, 2014).Google Scholar
Pogo, Alexander, Egyptian water clocks (Bruges: Saint Catherine Press, 1936).Google Scholar
Polanyi, Michael, The Tacit Dimension (Garden City, N.Y: Doubleday, 1966).Google Scholar
Potro, Betsabé Caunedo del, “Three Castilian Manuscripts on Mercantile Arithmetic and their Problems of Alloys,” Imago Temporis. Medium Aevum 3 (2009): 171188.Google Scholar
Potts, Alex, The Sculptural Imagination: Figurative, Modernist, Minimalist (New Haven: Yale University Press, 2000), 123.Google Scholar
Price, Derek De Solla, “Mechanical Water Clocks of the 14th Century in Fez, Morocco,” Congrès international d'histoire des sciences (Paris: Hermann, 1964), 599–602Google Scholar
Price, Percival, Bells and Man (Oxford: Oxford University Press, 1983).Google Scholar
Priester, Ann, “The Italian Campanile: Where Did It Come From?Pratum Romanum: Richard Krautheimer zum 100. Geburtstag, ed. Colella, Renata (Weisbaden: L. Reichert, 1997), 259270.Google Scholar
Principe, Lawrence M. The Secrets of Alchemy (Chicago: University of Chicago press, 2013).Google Scholar
Purpura, Gianfranco, “Il Colosso de Barletta ed il Codice di Teodosio II,” in Atti dell'Accademia Romanistica Costantiniana, IX Convegno Internazionale (Napoli : Edizioni scientifiche italiane, 1993), 457480.Google Scholar
Putney, Richard H., “Creatio et Redemptio: The Genesis Monogram of the St. Hubert Bible” (PhD diss., University of Delaware, 1985).Google Scholar
Quast, Dieter, “‘Christliche Amulette’ Bemerkungen zu Glöckchen aus merowingerzeitliehen Gräbern,” in Festschrift Für Hermann Dannheimer Zum 80. Geburtstag, ed. Gebhard, Rupert et. al.(München: Beck, 2010), 169177.Google Scholar
Quintavalle, Arturo Carlo, ‘Le origini di Nicholaus e l’immagine della riforma fra secolo XI e secolo XII nella ‘Lombardia,’ in Medioevo: immagine e racconto, ed. Quintavalle, Arturo Carlo (Milano: Electa, 2003), 213–36.Google Scholar
Quintavalle, Arturo Carlo, ‘Nicholaus, la chevalerie e l’idea di crociata,’ Medioevo mediterraneo: l’Occidente, Bisanzio e l’Islam, ed. Quintavalle, Arturo Carlo (Milano: Electa, 2007), 546–68.Google Scholar
Quiviger, François, The Sensory World of Italian Renaissance Art (London: Reaktion Books, 2010).Google Scholar
Raby, Julian, “Mehmed the Conqueror and the Equestrian Statue of the Augustaion,” Illinois Classical Studies 12:2 (1987): 305313.Google Scholar
Rädl, Fidel, “Calcidius und Paulus begründen ein Vermächtnis: zu Bernwards Dotationsurkunde für St. Michael in Hildesheim,” in Latin Culture in the Eleventh Century: Proceedings of the Third International Conference on Medieval Latin Studies, Cambridge, September 9–12, 1998, ed. Herren, Michael W., McDonough, C. J., and Arthur, Ross G. 2 vols. (Turnhout: Brepols, 2002), vol. 2, 328–49.Google Scholar
Raff, Thomas, Die Sprache der Materialien: Anleitung zu einer Ikonologie der Werkstoffe (Munich: Waxmann, 1994).Google Scholar
Raffles, Hugh, Insectopedia (New York: Pantheon Books, 2010).Google Scholar
Ramelli, Ilaria L., “Linee introduttive a Barhadbeshabba di Halwan, Causa della fondazione delle scuole. Filosofia e storia della filosofia greca e cristiana in Barhadbeshabba,” ’Ilu: revista de ciencias de las religiones 9 (2004): 127181.Google Scholar
Ramelli, Ilaria L., “Barhadbeshabba di Halwan, Causa della fondazione delle scuole: traduzione e note essenziali,” ’Ilu: revista de ciencias de las religiones 10 (2005): 127170.Google Scholar
Ramírez-Weaver, Eric, “Islamic Silver for Carolingian Reforms and the Buddha–Image of Helgo: Rethinking Carolingian Connections with the East, 790–820,” Cultural Crossings: China and Beyond in the Medieval Period, ed. Wong, Dorothy and Heldt, Gustav (Singapore: Institute of Southeast Asian Studies, 2013), 171186Google Scholar
Rancière, Jacques, The Emancipated Spectator, trans. Elliott, Gregory (London: Verso, 2009).Google Scholar
Rancière, Jacques, Dissensus: On Politics and Aesthetics, trans. Corcoran, Steve (London: Continuum, 2010).Google Scholar
Randolp Joines, Karen, “The Bronze Serpent in the Israelite Cult,” Journal of Biblical Literature 87:3 (1968): 245256.Google Scholar
Rash, Nancy, “Boniface VIII and Honorific Portraiture: Observations on the half-length Image in the Vatican,” Gesta 26:1 (1987): 4758.Google Scholar
Rau, Susanne, and Schwerhoff, Gerd, Zwischen Gotteshaus und Taverne: Öffentliche Räume in Spätmittelalter und Früher Neuzeit (Köln: Böhlau, 2004).Google Scholar
Reinle, Adolf, “Zum Programm des Brunnens von Arnolfo di Cambio in Perugia 1281,” Jahrbuch der Berliner Museen 22 (1980): 121151.Google Scholar
Reudenbach, Bruno, Das Taufbecken des Reiner von Huy in Lüttich (Wiesbaden: Reichert, 1984).Google Scholar
Reudenbach, Bruno, “‘Ornatus materialis domus Dei:’ die theologische Legitimation handwerklicher Künste bei Theophilus,” in Studien zur Geschichte der europäischen Skulptur im 12./13. Jahrhundert, ed. Beck, Herbert, (Frankfurt a.M.: Henrich, 1994), 116.Google Scholar
Reudenbach, Bruno, “Ornatus materialis domus Dei”: die theologische Legitimation handwerklicher Künste bei Theophilus, Studien zur Geschichte der europäischen Skulptur im 12./1, Jahrhundert, ed. Beck, Herbert and Hengevoss-Dürkop, Kerstin (Frankfurt: Henrich, 1994), 116.Google Scholar
Reudenbach, Bruno, “‘Gold ist Schlamm’: Anmerkungen zur Materialbewertungim Mittelalter,” in Material in Kunst undAlltag, ed. Wagner, Monika and Rübel, Dietmar (Berlin: Akademie, 2002), 112.Google Scholar
Reudenbach, Bruno, “Praxisorientierung und Theologie: die Neubewertung der Werkkünste in De diversis artibus des Theophilus Presbyter,” Helmarshausen: Buchkultur und Goldschmiedekunst im Hochmittelalter, ed. Baumgärtner, Ingrid (Kassel: Euregioverlag, 2003), 199218.Google Scholar
Reudenbach, Bruno, “Werkkünste und Künstlerkonzept in der ‘Schedula’ des Theophilus,” in Schatzkunst am Aufgang der Romanik: der Paderborner Dom-Tragaltar und sein Umkreis, ed. Stiegemann, Christoph and Westermann-Angerhausen, Hiltrud (Munich: Hirmer, 2006), 243248.Google Scholar
Reudenbach, Bruno, “Wie Gott anfängt: der Genesis-Beginn als Formgelegenheit,” in Bilder, Räume, Betrachter: Festschrift für Wolfgang Kemp zum 60. Geburtstag, ed. Bogen, Steffen, Brassat, Wolfgang, and Ganz, David (Berlin: Reimer, 2006), 1633.Google Scholar
Reudenbach, Bruno, “Observations on Body-Part Reliquaries,” in Romanesque Art and Thought in the Twelfth Century: Essays in Honor of Walter Cahn, ed. Hourihane, Colum (Princeton: Index of Christian Art, Dept. of Art and Archaeology, in association with Penn State University Press, 2008), 95106.Google Scholar
Robb, David M., “Niccolò: A north Italian sculptor of the twelfth century,” The Art Bulletin 12 (1930): 374420.Google Scholar
Romanini, Angiola Maria, (ed.), Nicholaus e l’arte del suo tempo; (atti del seminario tenutosi a Ferrara dal 21 al 24 settembre 1981) (Ferrara: Corbo, 1985).Google Scholar
Riccioni, Stefano, Il mosaico absidale di S. Clemente a Roma: exemplum della chiesa riformata (Spoleto: Fondazione Centro Italiano di Studi sull’Alto Medioevo, 2006).Google Scholar
Riegl, Alois, “The Modern Cult of Monuments: Its Character and Its Origin,” trans. Forster, Kurt and Ghirardo, Diane, Oppositions 25 (1982): 621651.Google Scholar
Rippmann, Dorothee, Schmid, Wolfgang, and Simon-Muscheid, Katharina. Brunnen in der Europäischen stadtgeschichte: –zum allgemeinen statt nutzen: referate der tagung des Schweizerischen arbeitskreises für stadtgeschichte, Bern, 1. bis 2. April 2005 (Trier: Kliomedia, 2008).Google Scholar
Rivard, Derek A., Blessing the World: Ritual and Lay Piety in Medieval Religion (Washington, D.C: Catholic University of America Press, 2009).Google Scholar
Rommevaux, SabineLa constitution d’un vocabulaire mathématique dans les traductions des Eléments d’Euclide du XIIe siècle,” in Sciences et Langues au Moyen Age: Actes de L’atelier Franco-Allemand, Paris, 27–30 Janvier 2009 = Wissenschaften und Sprachen im Mittelalter, ed. Ducos, Joëlle (Heidelberg: Winter, 2012), 3344.Google Scholar
Roosen-Runge, Heinz, Farbgebung und Technik Frühmittelalterlicher Buchmalerei: Studien zu den Traktaten “mappae Clavicula” und “Heraclius,” (München: Deutscher Kunstverlag, 1967).Google Scholar
Rosemann, Philipp W., Omne Agens Agit Sibi Simile: A “Repetition” of Scholastic Metaphysics (Leuven: Leuven University Press, 1996).Google Scholar
Rothenberg, Beno and Lupu, Alexandru, “Excavations in the Early Iron Age Copper Industry at Timna (Wadi Arabah, Israel), May 1964 (Preliminary archaeological report),” Zeitschrift des Deutschen Palästina-Vereins 82:2 (1966): 125135.Google Scholar
Rothenberg, Benno, and Bachmann, H G., The Egyptian Mining Temple at Timna (London: Institute for Archaeo-Metallurgical Studies and Institute of Archaeology, University College, London, 1988).Google Scholar
Rudolph, Conrad, “In the Beginning: Theories and Images of Creation in Northern Europe in the Twelfth Century,” Art History 22 (1999): 355.Google Scholar
Russel, James, “The Archaeological Context of Magic in the Early Byzantine Period,” in Byzantine Magic, ed. Maguire, Henry (Washington: Dumbarton Oaks, 1995), 42.Google Scholar
Rydberg, Viktor, The Magic of the Middle Ages (New York: H. Holt and Co, 1879).Google Scholar
Saba, Matthew D., “Abbasid Lusterware and the Aesthetics of ʿAjab,” Muqarnas 29 (2012): 187212.Google Scholar
Saletti, Cesare, Il Regisole di Pavia (Como: Edizioni New Press, 1997).Google Scholar
Salomi, Salvatorino. Le porte di bronzo dall’antichità al secolo XIII (Roma: Istituto della Enciclopedia italiana, 1990).Google Scholar
Sapin, Christian, Avant-nefs & Espaces D’accueil Dans L’église Entre Le IVe et Le XIIe Siècle (Paris: Edition du CTHS, 2002).Google Scholar
Sauer, Joseph, Symbolik des Kirchengebäudes und Seiner Ausstattung in der Auffassung des Mittelalters: mit Berücksichtigung von Honorius Augustodunesis Sicardus und Durandus (Münster: Mehren u. Hobbeling, 1964).Google Scholar
Schäfke, W., Mittelalter in Köln: Eine Auswahl aus den Beständen des Kölnischen Stadtmuseums (Cologne 2010).Google Scholar
Scheller, Robert Welter Hans Peter, Exemplum: Model-book Drawings and the Practice of Artistic Transmission in the Middle Ages - ca. 900-Ca. 1470 (Amsterdam: Amsterdam University Press, 1995).Google Scholar
Schiaparelli, Luigi, Il codice 490 della Biblioteca capitolare di Lucca (Roma: Sansavini, 1924).Google Scholar
Schlegel, Silvia, Mittelalterliche Taufgefäße: Funktion Und Ausstattung (Köln: Böhlau, 2011).Google Scholar
Schlink, Wilhelm, “Die Sockelskulpturen der beiden Säulen am Markusplatz von Venedig,” in Intuition und Darstellung: Erich Hubala zum 24. März 1985, ed. Büttner, Frank, and Lenz, Christian (München: Nymphenburger, 1985), 3344.Google Scholar
Schmitt, Jean-Claude, Ghosts in the Middle Ages: The Living and the Dead in Medieval Society (Chicago: University of Chicago Press, 1998).Google Scholar
Schmitt, Jean-Claude, Ghosts in the Middle Ages: The Living and the Dead in Medieval Society (Chicago: University of Chicago Press, 1998).Google Scholar
Schmitt, Jean-Claude, Le Corps, les Rites, les Rêves, le Temps: Essais d’anthropologie Médiévale (Paris: Gallimard, 2001).Google Scholar
Schmitt, Jean-Claude, Le Corps des Images: Essais sur la culture visuelle au Moyen Âge (Paris: Gallimard, 2002).Google Scholar
Scott, David A., “Religion, Folklore, and Society in the Medieval West,” in Debating the Middle Ages: Issues and Readings, ed. Little, Lester K. and Rosenwein, Barbara, (Malden: Blackwell Publishers, 1998), 376–87.Google Scholar
Schmitt, Jean-Claude, Copper and Bronze in Art: Corrosion, Colorants, Conservation (Los Angeles: Getty Publications, 2002).Google Scholar
Schmitt, Marilyn, “‘Random’ Reliefs and ‘Primitive’ Friezes,” Viator 11 (1980): 123145.Google Scholar
Schmid, Wolfgang, “Brunnen und Gemeinschaften im Mittelalter,” Historische Zeitschrift 267:3 (1998): 561586.Google Scholar
Schnitzler, Hermann. Der Goldaltar von Aachen (Mönchengladbach: Kühlen, 1965).Google Scholar
Schramm, Percy Ernst, Herrschaftszeichen und Staatssymbolik, Schriften der Monumenta Germaniae Historica 13/2 (Stuttgart: Hiersemann, 1955).Google Scholar
Schulze, Ulrich Brunnen im Mittelalter: Politische Ikonographie der Kommunen in Italien (Frankfurt-am-Main: Peter Lang, 1994).Google Scholar
Schulz-Mons, Christoph, Das Michaeliskloster in Hildesheim: Untersuchungen zur Gründung durch Bischof Bernward (993-1022) (Hildesheim: Gerstenberg, 2010).Google Scholar
Segers-Glocke, Christiane and Witthöft, Harald, eds., Aspects of Mining and Smelting in the Upper Harz Mountains (up to the 13th/14th Century) in the Early Times of a Developing European Culture and Economy (St. Katharinen: Scripta Mercaturae, 2000).Google Scholar
Sezgin, Fuat, and Neubauer, Eckhard. Science and Technology in Islam (Frankfurt am Main: Institut für Geschichte der Arabisch-Islamischen Wissenschaften an der Johann Wolfgang Goethe-Universität, 2011).Google Scholar
Shalem, Avinoam, Islam Christianized: Islamic Portable Objects in the Medieval Church Treasuries of the Latin West (Frankfurt: Peter Lang, 1998).Google Scholar
Shalem, Avinoam, “Hybride und Assemblagen in mittelalterlichen Schatzkammern: neue ästhetische Paradigmata im Hinblick auf die ‘Andersheit’,” in Le Trésor au Moyen Âge: Discours, pratiques et objets, ed. Burkart, Lucas (Firenze: Sismel Edizioni del Galluzzo, 2010), 297313.Google Scholar
Shalev, Zur, “Benjamin of Tudela, Spanish explorer,” Mediterranean Historical Review 25:1 (2010): 1733.Google Scholar
Shrady, Nicholas, Tilt: A Skewed History of the Tower of Pisa (New York: Simon & Schuster, 2003).Google Scholar
Siebers, Tobin, The Mirror of Medusa (Berkeley: University of California Press, 1983).Google Scholar
Somfai, Anna, “The Eleventh-Century Shift in the Reception of Plato’s Timaeus and Calcidius’s Commentary,” Journal of the Warburg and Courtauld Institutes 65 (2002): 121.Google Scholar
Somfai, Anna, “The Nature of Daemons: A Theological Application of the Concept of Geometrical Proportion in Calcidius’ Commentary to Plato’s Timaeus (40d–41a),” in Ancient Approaches to Plato’s Timaeus, ed. Sharples, Robert W. and Sheppard, Anne (London: Institute of Classical Studies, School of Advanced Study, University of London, 2003), 129–42.Google Scholar
Somfai, Anna, “Calcidius’s Commentary to Plato’s Timaeus and Its Place in the Commentary Tradition: The Concept of Analogia in Text and Diagrams,” in Philosophy, Science and Exegesis in Greek, Arabic and Latin Commentaries, ed. Adamson, Peter, Baltussen, Han, and Stone, M. W. F. (London: Institute of Classical Studies, School of Advanced Study, University of London, 2004), vol.1, 203220.Google Scholar
Soriga, Romano, “La tradizione romana di Pavia e la statua del Regisole,” Atti e memorie del primo congresso storico Lombardo: Como 21–22 Maggio, Varese 23 Maggio 1936 (Milano: Cordani, 1937).Google Scholar
Singer, Charles, From Magic to Science: Essays on the Scientific Twilight (New York: Dover Publications, 1958).Google Scholar
Singmaster, David, “Some Early Sources in Recreational Mathematics,” Mathematics from Manuscript to Print, (1300–1600), ed. Hay, Cynthia (Oxford: Clarendon Press, 1988), 95120.Google Scholar
Skemer, Don C., Binding Words: Textual Amulets in the Middle Ages (University Park: Pennsylvania State University Press, 2006), 185187.Google Scholar
Sleeswyk, Andre Wegener, “The 13th Century ‘King Hezekiah’ Water Clock,” Antiquarian Horology 11 (1979): 488494.Google Scholar
Smith, Bruce R., The Acoustic World of Early Modern England: Attending to the O-Factor (Chicago: University of Chicago Press, 1999).Google Scholar
Smith, Cyril Stanley, “Art, Technology, and Science: Notes on Their Historical Interaction,” Technology and Culture 11:4 (1970): 493549.Google Scholar
Smith, Cyril Stanley, “Metallurgical Footnotes to the History of Art,” Proceedings of the American Philosophical Society 116:2 (1972): 97135Google Scholar
Smith, Cyril Stanley, “On Art, Invention and Technology,” Leonardo 10:2 (1977): 144147.Google Scholar
Smith, Cyril Stanley and Hawthorne, John G., Mappae Clavicula: A Little Key to the World of Medieval Techniques (Philadelphia: American Philosophical Society, 1974).Google Scholar
Smith, Pamela H. The Body of the Artisan: Art and Experience in the Scientific Revolution (Chicago: University of Chicago Press, 2004).Google Scholar
Smith, Pamela H., “Art, Science and Visual Culture in Early Modern Europe,” Isis 97 (2006): 83100.Google Scholar
Smith, Pamela H., “Vermilion, Mercury, Blood, and Lizards: Matter and Meaning in Metalworking,” in Materials and Expertise in Early Modern Europe: Between Market and Laboratory, ed. Klein, Ursula and Spary, Emma (Chicago: University of Chicago Press, 2010), 2949.Google Scholar
Smith, Pamela H., “The Matter of Ideas in the Working of Metals in Early Modern Europe,” in The Matter of Art: Materials, Practices, Cultural Logics, c. 1250–1750, ed. Anderson, Christy, Dunlop, Anne, and Smith, Pamela H. (Manchester: Manchester University Press, 2014), 4267.Google Scholar
Smith, Pamela H., and Beentjes, Tonny, “Nature and Art, Making and Knowing: Reconstructing Sixteenth-Century Life Casting TechniquesRenaissance Quarterly 63 (2010): 128179.Google Scholar
Smith, Pamela H., Meyers, Amy R. W., and Cook, Harold J.. Ways of Making and Knowing: The Material Culture of Empirical Knowledge (Ann Arbor: Michigan University Press, 2014).Google Scholar
Salomon, Richard, Heimann, Adelheid, and Krautheimer, Richard, Opicinus de Canistris: Weltbild und Bekenntnisse eines avignonesischen Klerikers des 14. Jahrhunderts (London: Warburg Institute, 1936).Google Scholar
Sonne de Torrens, Harriet M and Torrens, Miguel A., The Visual Culture of Baptism in the Middle Ages: Essays on Medieval Fonts (Farnham: Ashgate, 2013).Google Scholar
Sommer, Clemens, Die Anklage der Idolatrie gegen Papst Bonifaz VIII und seine Porträtstatuen (Freiburg i.Br: Kuenzer, 1920).Google Scholar
Spargo, John Webster, Virgil the Necromancer: Studies in Virgilian Legends (Cambridge: Harvard University Press: 1934).Google Scholar
Späth, Markus, Verflechtung von Erinnerung: Bildproduktion und Geschichtsschreibung im Kloster San Clemente a Casauria während des 12. Jahrhunderts (Berlin: Akademie-Verlag, 2007).Google Scholar
Speer, Andreas, Zwischen Kunsthandwerk und Kunst: die “schedula diversarum artium” (Berlin: de Gruyter, 2014).Google Scholar
Sproviero, Filippo, La Fontana Maggiore di Perugia: Immagini di un Restauro (Perugia: Guerra, 1999).Google Scholar
Stracke, Wolfgang, St. Maria im Kapitol Köln: die romanische Bildertür (Köln: Wienand, 1994).Google Scholar
Staden, Heinrich von, “Body and Machine: Interactions between Medicine, Mechanics, and Philosophy in Early Alexandria,” in Alexandria and Alexandrianism: Papers Delivered at a Symposium; Held at the Museum, April 22 - 25, 1993, ed. Hamma, Kenneth (Malibu: The Getty, 1996), 85106.Google Scholar
Stahl, Harvey, “Eve’s Reach: A Note on Dramatic Elements in the Hildesheim Doors,” in Reading Medieval Images: the Art Historian and the Object, ed. Sears, Elizabeth and Thomas, Thelma K. (Ann Arbor: University of Michigan Press, 2002), 163176.Google Scholar
Stavenhagen, Lee, “The Original Text of the Latin Morienus,” Ambix 17 (1970): 112.Google Scholar
Staubach, Nikolaus, and Johanterwage, Vera. Aussen und Innen: Räume und ihre Symbolik im Mittelalter (Frankfurt am Main: Peter Lang, 2007).Google Scholar
Stedman Sheard, Wendy, “Verrocchio’s Medici Tomb and the Language of Materials: With a Postscript on his Legacy in Venice,” in Verrocchio and Late Quattrocento Italian Sculpture: Acts of Two Conferences Commemorating the Fifth Centenary of Verrocchio’s Death, ed. Bule, Steven, Darr, Alan Phipps, and Gioffredi, Fiorella Superbi (Florence: Le Lettere, 1992), 6390.Google Scholar
Steenbock, Frauke, Der kirchliche Prachteinband im frühen Mittelalter: von den Anfängen bis zum Beginn der Gotik (Berlin: Deutscher Verlag für Kunstwissenschaft, 1965).Google Scholar
Stock, Brian, The Implications of Literacy: Written Language and Models of Interpretation in the Eleventh and Twelfth Centuries (Princeton: Princeton University Press, 1983).Google Scholar
Storm, Ursula Die Bronzetüren Bernwards zu Hildesheim (Berlin: Ernst-Reuter-Gesellschaft, 1969).Google Scholar
Stiegemann, Christoph, and Wemhoff, Matthias (ed.), Canossa 1077: Erschütterung der Welt: Geschichte, Kunst und Kultur am Aufgang der Romanik (München: Hirmer, 2006), vol. 2, 1921.Google Scholar
Stirnemann, Patricia, “L’illustration du commentaire d’Haymon sur Ezéchiel. Paris, B.N., lat. 12302,” in L’école carlingienne d’Auxerre de Muretach à Remi, 830–908, ed. Iogna-Prat, Dominique, Jeudy, Colette and Lobrichon, Guy (Paris, 1991), 93117.Google Scholar
Story, Joanna et al., “Charlemagne’s Black Marble: the Origin of the Epitaph of Pope Hadrian I,” Papers of the British School at Rome 73 (2005): 157190.Google Scholar
Strootman, Rolf, “The Serpent Column: The Persistent Meanings of a Pagan Relic in Christian and Islamic Constantinople,” Material Religion: The Journal of Objects, Art and Belief 10:4 (2014): 432445.Google Scholar
Stroumsa, Sarah, Maimonides in His World: Portrait of a Mediterranean Thinker (Princeton: Princeton University Press, 2009).Google Scholar
Strubbe, J. H. M., “Cursed be he that Moves my Bones,” in Magika Hiera: Ancient Greek Magic and Religion, ed. Faraone, Christopher A and Obbink, Dirk(New York: Oxford University Press, 1997), 3359, esp. 41–45.Google Scholar
Suckale-Redlefsen, Gude, and Schemmel, Bernhard, Die Bamberger Apokalypse (Luzern: Faksimile Verlag, 2000).Google Scholar
Svennung, Josef, Compositiones Lucenses: Studien zum Inhalt, zur Textkritik und Sprache (Uppsala: Lundequistska, 1941).Google Scholar
Swift, Ellen, Regionality in Dress Accessories in the Late Roman West (Montagnac: M. Mergoil: Diffusion, Librairie Archéologique, 2000).Google Scholar
Symes, Carol, A Common Stage: Theater and Public Life in Medieval Arras (Ithaca: Cornell University Press, 2007), 138144Google Scholar
Symes, Carol, “Out in the Open, in Arras: Sightlines, Soundscapes, and the Shaping of a Medieval Public Sphere,” in Cities, Texts and Social Networks 400-1500, ed. Goodson, Caroline, Lester, Anne E. and Symes, Carol (Aldershot: Ashgate, 2010), 279302.Google Scholar
Tambiah, Stanley J., Magic, Science, Religion, and the Scope of Rationality (Cambridge: Cambridge University Press, 1990).Google Scholar
Taylor, Rabun, The Moral Mirror of Roman Art (New York: Cambridge University Press, 2008).Google Scholar
Taussig, Michael Mimesis and Alterity: A Particular History of the Senses (New York: Routledge, 1993).Google Scholar
Taussig, Michael, “The Corn-Wolf: Writing Apotropaic Texts,” Critical Inquiry 37:1 (2010): 2633.Google Scholar
Tcherikover, Anat, “The fall of Nebuchadnezzar in Romanesque Sculpture: (Airvault, Moissac, Bourg-Argental, Foussais),” Zeitschrift für Kunstgeschichte 49 (1986): 288300.Google Scholar
Testini, Pasquale, “La statua di bronzo o ‘colosso’ di Barletta, Vetera Christianorum 10 (1973):127152.Google Scholar
Thorndike, Lynn, History of Magic and Experimental Science (New York: Columbia University Press, 1959).Google Scholar
Thorndike, Lynn, Michael Scot (London: Nelson, 1965).Google Scholar
Thorndike, Lynn, The Place of Magic in the Intellectual History of Europe (New York: AMS Press, 1967).Google Scholar
Thunø, Erik, “The Golden Altar of Sant’Ambrogio in Milan: Image and Materiality,” in Decorating the Lord’s Table: On the Dynamics between Image and Altar in the Middle Ages, ed. Kaspersen, Søren and Thunø, Erik (Copenhagen: Museum Tusculanum Press, University of Copenhagen, 2006), 6378.Google Scholar
Thürlemann, Félix, “Die Bedeutung der Aachener Theoderich-Statue fü Karl den Grossen (801) und bei Walahfrid Strabo (829): Materialien zu einer Semiotik visueller Objekte im frühen Mittelalter,” Archiv für Kulturgeschichte 1 (1977): 2565.Google Scholar
Tigler, Guido, “Intorno alle colonne di Piazza San Marco,” Atti dell’Istituto Veneto di scienze, lettere ed arti, Classe di scienze morali, lettere ed arti 158:1 (1999–2000): 145.Google Scholar
Tilley, Christopher Y., and Bennett, Wayne, The Materiality of Stone: vol. 1 (Oxford: Berg, 2004).Google Scholar
Tomlin, R. S. O., Tabellae Sulis: Roman Inscribed Tablets of Tin and Lead from the Sacred Spring at Bath (Oxford: Oxford University Committee for Archaeology, 1988).Google Scholar
Toubert, Hélène, Un art dirigé: réforme grégorienne et iconographie (Paris: Cerf, 1990).Google Scholar
Trivelone, Alessia, “Têtes, lions et attributs sexuels: survivances et évolutions de l’usage apotropaïque des images de l’antiquité au moyen âge,” Les Cahiers de Saint-Michel de Cuxa 39 (2008): 209221.Google Scholar
Trnek, Renate, “Die Darstellung der vier Elemente in cod. 12600 der Österreichischen Nationalbibliothek in Wien. Ein Beitrag zum Problem der Antikenrezeption in der “Kunst um 1200”,” Jahrbuch der Kunsthistorischen Sammlungen in Wien 75 (1979): 756Google Scholar
Tronzo, William, “The Hildesheim Doors: An Iconographic Source and Its Implications,” Zeitschrift für Kunstgeschichte, 46:4 (1983): 357366.Google Scholar
Tronzo, William, The Cultures of his Kingdom: Roger II and the Cappella Palatina in Palermo (Princeton: Princeton University Press, 1997).Google Scholar
Tronzo, William, “On the Role of Antiquity in Medieval Art,” in Ideologie e pratiche del reimpiego nell’alto Medioevo (Spoleto: Centro Italiano di Studi sull’Alto Medioevo, 1999), 2:1085–111.Google Scholar
Trilling, JamesDaedalus and the Nightingale: Art and Technology in the Myth of the Byzantine Court,” in Byzantine Court Culture from 829 to 1204, ed. Maguire, Henry (Washington: Dumbarton Oaks Research Library and Collection, 1997), 217230.Google Scholar
Trilling, James, Ornament: A Modern Perspective (Seattle: University of Washington Press, 2003).Google Scholar
Trilling, James, The Language of Ornament (New York: Thames and Hudson, 2001).Google Scholar
Truitt, E. R., “‘Trei poëte, sages dotors, qui mout sorent di nigromance’: Knowledge and Automata in Twelfth-Century French Literature.” Configurations 12:2 (2004): 167193.Google Scholar
Truitt, E.R., “Celestial Divination and Arabic Science in Twelfth-Century England: The History of Gerbert of Aurillac’s Talking Head,” The Journal of the History of Ideas 73:2 (2012): 201222Google Scholar
Truitt, E.R., Medieval Robots: Mechanism, Magic, Nature, and Art (Philadelphia: University of Pennsylvania Press, 2015).Google Scholar
Yablon, Nick, “Echoes of the City: Spacing Sound, Sounding Space, 1888–1916,” American Literary History 19 (2007): 629–60.Google Scholar
Youngs, Susan and Craddock, P. T.. The Work of Angels: Masterpieces of Celtic Metalwork, 6th-9th Centuries AD (Austin: University of Texas Press, 1990).Google Scholar
Untermann, Matthias, “‘Opere mirabile constructa’. Die Aachener ‘Residenz’ Karls des Grossen.” in: 799. Karl der Grosse und Papst Leo III in Paderborn. Kunst und Kultur der Karolingerzeit, Beiträge zum Katalog der Ausstellung (Paderborn, 1999), 152–64.Google Scholar
Valenzano, Giovanna, La Basilica di San Zeno in Verona: problemi architettonici (Vicenza: Neri Pozza, 1993).Google Scholar
Valenzano, Giovanna, ‘Dall’ellenismo al medioevo: alcune considerazioni a margine di Nicholaus,’ in Memor fui dierum antiquorum: studi in memoria di Luigi De Biasio, ed. Zorattini, Pier Cesare Ioly and Caproni, Attilio Mauro (Udine: Campanotto, 1995), 447–61.Google Scholar
Valenzano, Giovanna, ‘Uso, riuso, abuso: Nicholaus e le citazioni dagli antichi,’ in Medioevo: il tempo degli antichi, ed. Quintavalle, Arturo Carlo (Milano: Electa, 2006), 441–50.Google Scholar
Vaux, Carra de, Le Livre des appareils pneumatiques et des machines hydrauliques par Philon de Byzance. Édité D’après Les Versions Arabes D’oxford et de Constantinople (Paris: C. Klincksieck,1903).Google Scholar
Verdier, Philippe, “La Colonne de la Colonia Aelia Capitolina et l’imago Clipeata du Christ Helios,” Cahiers Archeologiques 23 (1974): 1740.Google Scholar
Verzár Bornstein, Christine, Portals and Politics in the Early Italian City-State: The Sculpture of Nicholaus in Context (Parma: Università degli Studi di Parma, Istituto di storia dell’arte, Centro di studi medievali, 1988).Google Scholar
Vin, J. P. A., Travellers to Greece and Constantinople: Ancient Monuments and Old Traditions in Medieval Travellers’ Tales, 2 vols. (Brill: Leiden, 1980).Google Scholar
Vinciguerra, Antony, “The Ars alchemie: The First Latin Text on Practical Alchemy, Ambix 56 (2009): 5767.Google Scholar
Vikan, Gary, “Ruminations on Edible Icons: Originals and Copies in the Art of Byzantium,” in Retaining the Original: Multiple Originals, Copies and Reproductions, Studies in the History of Art 20(1989): 4759.Google Scholar
Vogel, Cyrille, Medieval Liturgy: An Introduction to the Sources (Washington: Pastoral Press, 1986), 7576.Google Scholar
Vogel, Kurt, “Byzantine Science,” in The Cambridge Medieval History 4:2 (Cambridge: Cambridge University Press, 1967).Google Scholar
Volgger, Ewald, “Theologie der Glocke aus Weiheliturgie und Liturgieerklärungen des Mittelalters,” in Der Kirchturm von Niederlana. Ein Bau- und Klangdenkmal (Bozen: Athesia, 2008), 627.Google Scholar
Vona, Fabrizio, “Le Porte di Monte Sant’Angelo e di Canosa: tecnologie a confront,” Le Porte Del Paradiso: arte e Tecnologia Bizantina tra Italia e Mediterraneo, ed. Iacobini, Antonio (Rome: Campisano, 2009), 375398.Google Scholar
Voskuhl, Aelheid, “Producing Objects, Producing Texts: Accounts of Android Automata in Late 18th-century Europe,” Studies in History and Philosophy of Science 38 (2007): 422444.Google Scholar
Voskuhl, Aelheid, Androids in the Enlightenment: Mechanics, Artisans, and Cultures of the Self (Chicago: University of Chicago Press, 2013).Google Scholar
Wagner, Monika, Rübel, Dietmar, and Hackenschmidt, Sebastian, eds., Lexikon des künstlerischen Materials: Werkstoffe der modernen Kunst von Abfall bis Zinn (Munich: Beck, 2010).Google Scholar
Wallace, Patrick F., and O’Floinn, Raghnall, Treasures of the National Museum of Ireland: Irish Antiquities (Dublin: Gill & Macmillan in association with the Boyne Valley Honey Co, 2002).Google Scholar
Walsh, David A., “The Iconography of the Bronze Doors of Barisanus of Trani,” Gesta 21:2 (1982): 91106.Google Scholar
Walker, Alicia, ‘Meaningful Mingling: Classicizing Imagery and Islamicizing Script in a Byzantine Bowl,’ The Art Bulletin 110:1 (2008): 3253.Google Scholar
Weber, Thomas, “Ein friihchristliches Grab mit Glockenketten zu Gadara in der Syrischen Dekapolis,” Jahrbuch der osterreichischen Byzantinistik 42 (1992): 249–85.Google Scholar
Wells, David, “The Medieval Nebuchadnezzar: the Exegetical Tradition of Daniel IV and Its Significance for the Ywain Romances and for German Vernacular Literature,” Frühmittelalterliche Studien 16 (1982): 380432.Google Scholar
Welter, Jean-Marie, “The Zinc Content of Brass: a Chronological Indicator?Techne 18 (2003): 2836.Google Scholar
Werner, Otto, “Analysen mittelalterlicher Bronzen und Messinge I,” Archäologie und Naturwissenschaften 1 (1977): 144–22.Google Scholar
van Winden, J. C. M., Calcidius on Matter: His Doctrine and Sources; A Chapter in the History of Platonism (Leiden: Brill, 1965).Google Scholar
Wolters, Joachim, “Schriftquellen zum Wachsausschemelzverfahren,” in Bild und Bestie: Hildesheimer Bronzen der Stauferzeit, ed. Brandt, Michael (Regensburg: Schnell & Steiner, 2008), 4264.Google Scholar
Weinryb, Ittai, “Under Western Eyes: Bronze and Sculpture at San Zeno in Verona” (PhD diss., Johns Hopkins University, 2010).Google Scholar
Weinryb, Ittai, “The Inscribed Image: Negotiating Sculpture on the Coast of the Adriatic Sea,” Word & Image 27:3 (2011): 322333.Google Scholar
Weinryb, Ittai, “Living Matter: Materiality, Maker, and Ornament in the Middle Ages,” Gesta, 52:2 (2013): 113132.Google Scholar
Weinryb, Ittai, “Beyond Representation: Things, Human and Nonhuman,” in Cultural Histories of the Material World, ed. Miller, Peter N. (Ann Arbor: University of Michigan Press, 2013), 172186.Google Scholar
Weitzmann, Kurt, “The Greek Sources of Islamic Scientific Illustrations,” in Archaeologica orientalia in memoriam Ernst Herzfeld (New York: Augustin, 1952), 244266.Google Scholar
Wesenberg, Rudolf, Bernwardinische Plastik; zur ottonischen Kunst unter Bischof Bernward von Hildesheim (Berlin: Deutscher Verein für Kunstwissenschaft, 1955).Google Scholar
West, Stephanie, “Cultural Interchange over a Water Clock,” The Classical Quarterly 23:1 (1973): 6164.Google Scholar
White, John, “The Reconstruction of Nicola Pisano’s Perugia Fountain,” Journal of the Warburg and Courtauld Institutes 33 (1970): 7083.Google Scholar
White, John, “The Bronze Doors of Bonanus and the Development of Dramatic Narrative,” Art History 11 (1988): 158194.Google Scholar
White, Lynn T., Medieval Technology and Social Change (Oxford: Clarendon Press, 1962).Google Scholar
Whittington, Karl, Body-worlds: Opicinus De Canistris and the Medieval Cartographic Imagination (Toronto: Pontifical Institute of Mediaeval Studies, 2014).Google Scholar
Wiedemann, E., and Hauser, F.. “Uhr des Archimedes und zwei andere Vorrichtungen.” Nova Acta. Abh. Der Kaiserl. Leop. Carol Deutschen Akademie der Naturforscher 103:2 (1918), 162202.Google Scholar
Wiegartz, Veronika, Antike Bildwerke im Urteil Mittelalterlicher Zeitgenossen (Weimar: VDG, Verlag und Datenbank für Geisteswissenschaften, 2004).Google Scholar
Willard, Henry M., Abbot Desiderius and the Ties Between Montecassino and Amalfi in the Eleventh Century (Montecassino: Badia di Montecassino, 1973).Google Scholar
Williams, Edward V., The Bells of Russia: History and Technology (Princeton: Princeton University Press, 1985).Google Scholar
Williams, Steven J., “Public Stage and Private Space: the Court as a Venue for the Discussion, Display, and Demonstration of Science and Technology in the Later Middle Ages,” Micrologus 16 (2008): 459486.Google Scholar
Williamson, Paul (ed.), The Medieval Treasury (London: V&A Publications, 1998).Google Scholar
Williamson, Beth, “Sensory Experience in Medieval Devotion: Sound and Vision,” Invisibility and Silence, Speculum 88:1 (2013): 143.Google Scholar
Wipfler, Esther P., Fons: Studien Zur Quell Und Brunnenmetaphorik in Der Europäischen Kunst (Regensburg: Schnell & Steiner, 2014).Google Scholar
Wolff, Étienne, “Un voyageur à Rome au XIIe-XIIIe siècle: Magister Gregorius,” Bulletin de l’Association Guillaume Budé 1 (2005): 162171.Google Scholar
Wolf, Gerhard, Schleier und Spiegel: Traditionen des Christusbildes und die Bildkonzepte der Renaissance (Munich: Fink, 2002).Google Scholar
Wood, Christopher S., Forgery, Replica, Fiction: Temporalities of German Renaissance Art (Chicago: University of Chicago Press, 2008).Google Scholar
Worm, Andrea, “Das illuminierte Wort: Bildprogramme und Erzählstrukturen historisierter Initialen zur Genesis,” in Mittelalterliche Weltdeutung in Text und Bild, ed. Ehrich, Susanne and Ricker, Julia (Weimar: VDG, 2008), 99132.Google Scholar
Wordsworth, Christopher, “Two Yorkshire Charms or Amulets: Exorcisms and Adjurations,” Yorkshire Archaeological Journal 17 (1903):401404.Google Scholar
Wu Hung, , Monumentality in Early Chinese Art and Architecture (Stanford: Stanford University Press, 1995).Google Scholar
Wu Hung, , “Monumentality of Time: Giant Clocks, the Drum Tower, the Clock Tower,” in Monuments and Memory: Made and Unmade, ed. Nelson, Robert S. and Olin, Margaret (Chicago: University of Chicago Press, 2003), 107132.Google Scholar
Wulf, Christine, and Rieckenberg, Hans J., Die Inschriften der Stadt Hildesheim (Wiesbaden: Reichert, 2003).Google Scholar
Wyckoff, Dorothy, “Albertus Magnus on Ore Deposits,” Isis 49:2 (1958): 109122.Google Scholar
Zahlten, Johannes, Creatio Mundi: Darstellungen der Sechs Schöpfungstage und Naturwissenschaftliches Weltbild im Mittelalter (Stuttgart: Klett-Cotta, 1979).Google Scholar
Zahlten, Johannes, “Die Erschaffung von Raum und Zeit in Darstellungen zum Schöpfungsbericht von Genesis 1,” in Raum und Raumvorstellungen im Mittelalter, ed. Aertsen, Jan A. and Speer, Andreas (Berlin: De Gruyter, 1997), 615–27.Google Scholar
Zchomelidse, Nino, “Das Bild im Busch: zu Theorie und Ikonographie der alttestamentlichen Gottesvision im Mittelalter,” in Die Sichtbarkeit des Unsichtbaren: zur Korrelation von Text und Bild im Wirkungskreis der Bibel; Tübinger Symposion, ed. Janowski, Bernd and Zchomelidse, Nino (Stuttgart: Deutsche Bibelgesellschaft, 2003), 165189.Google Scholar
Ziolkowski, Jan M., and Putnam, Michael C. J., (The Virgilian tradition the first fifteen hundred years. New Haven: Yale University Press, 2008).Google Scholar
Zuliani, Fulvio, “La porta bronzea di S. Zeno a Verona,” in Le Porte di bronzo, dall’antichità al secolo XIII, ed. Salomi, Salvatorino (Roma: Istituto della Enciclopedia italiana, 1990): 407–20.Google Scholar
Zycha, Adolf, “Montani et Silvani. Zur älteren Bergwerksverfassung von Goslar,” Deutsches Archiv für Erforschung des Mittelalters 3 (1939): 175210.Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Bibliography
  • Ittai Weinryb
  • Book: The Bronze Object in the Middle Ages
  • Online publication: 05 April 2016
  • Chapter DOI: https://doi.org/10.1017/CBO9781316402429.009
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Bibliography
  • Ittai Weinryb
  • Book: The Bronze Object in the Middle Ages
  • Online publication: 05 April 2016
  • Chapter DOI: https://doi.org/10.1017/CBO9781316402429.009
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Bibliography
  • Ittai Weinryb
  • Book: The Bronze Object in the Middle Ages
  • Online publication: 05 April 2016
  • Chapter DOI: https://doi.org/10.1017/CBO9781316402429.009
Available formats
×