Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
  1. Home
  2. Search

Refine search

Refine search

Access:
Content type:
Publication date:
Apply   From and To filters
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Save to Kindle
  • Save to Dropbox
  • Save to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

1 results

  • 36 - Undiplomatic Relations: Modernism and the Essay

  • from Part IV - Fractured Selves, Fragmented Worlds
  • Edited by Denise Gigante, Stanford University, California, Jason Childs
  • Book:
    The Cambridge History of the British Essay
    Published online:
    31 October 2024
    Print publication:
    04 July 2024, pp 540-554

  • Summary

    Why would a literary scholar say that he would ‘take it as a reproach’ if his work was called essayism? There is a good chance that we may understand this comment too easily, or not at all. The polemical postures of modernism (and the critical fashions of the academy) often seem remote from, or even opposed to, the essay in its casual, elegant, personal, speculative modes. This chapter traces not a reconciliation between the two stances but various forms of entanglement. Looking at work by Virginia Woolf, Marianne Moore, T.S. Eliot, H.D., and Ezra Pound, this chapter asks what happens when modernist rigour needs the conceptual flexibility of the essay; when poetry cannot do without prose; when the imaginary is seen as the fiercest form of the real; when the objective correlative, without becoming subjective, encounters more shades of meaning than anyone thought it could manage.