To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure email@example.com
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
This chapter is shorter than the others and takes the form of a postscript devoted to the state and organisation of music in Wales at the time of the book’s publication. It is shaped around the coincidental but simultaneous occurrence of two key historical moments: the devolution of many segments of administrative authority from the UK government to Wales and the establishment of a Welsh Parliament (Y Senedd), and the ubiquitous adoption of digitisation in the service of cultural communication and creativity. This latter development was not, of course, a uniquely Welsh phenomenon, but in Wales, because of the country’s geography and bilingualism, it had an especially important impact. Digitisation facilitated the ambition of Wales’s devolved governments to express the country’s cultural distinctiveness within the UK and globally. Devolution had the ancillary effect of elevating the importance of the creative industries, including those devoted to or including music. Additionally, the legal framework that underlined devolution led to an increased protection of the Welsh language and consequently the music cultures which had flourished within it. The chapter deals with the consequences for Welsh music of two decades of devolution and its impact on traditional and the modern agencies and institutions concerned with Welsh music: music education, performance, the curation of Welsh historical materials and the associated scholarship.
Email your librarian or administrator to recommend adding this to your organisation's collection.