Search

Our systems are now restored following recent technical disruption, and we’re working hard to catch up on publishing. We apologise for the inconvenience caused. Find out more: https://www.cambridge.org/universitypress/about-us/news-and-blogs/cambridge-university-press-publishing-update-following-technical-disruption

Skip to main content Accessibility help

Home
Search

Only show content I have access to (0)

Chapters (1)

Last 3 years (1)

From year:

To year:

Apply

Music (1)

martín y soler

Cambridge University Press (1)

View selected items
Save to my bookmarks
Export citations
Download PDF (zip)
Save to Kindle
Save to Dropbox
Save to Google Drive
Save content to
To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to .

To save content items to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Please be advised that item(s) you selected are not available.
You are about to save
Your Kindle email address

Please provide your Kindle email.

@free.kindle.com @kindle.com (service fees apply)

By using this service, you agree that you will only keep content for personal use, and will not openly distribute them via Dropbox, Google Drive or other file sharing services

1 results

5 - Dance Arrangements from the Viennese Stage
Erica Buurman, San José State University, California
Book:

The Viennese Ballroom in the Age of Beethoven

Published online:

25 November 2021

Print publication:

02 December 2021, pp 92-120
- Chapter
- - Get access
    
    Check if you have access via personal or institutional login
    
    Log in Register
- Export citation
Summary

Viennese dance composers in the decades around 1800 frequently used melodies from current operatic repertoire as the basis of their dance compositions. This practice belonged to a wider culture of arranging popular repertoire for other mediums. However, the transfer of music from the stage to the ballroom also has much to reveal about the overlap between these two areas of Viennese cultural life, and about operatic reception history. A reciprocal effect existed between an opera’s popularity and its arrangement for the ballroom, wherein success in the theatre contributed to success in the ballroom context and vice versa. Operas that contained an abundance of dance-like melodies therefore held an advantage both in the theatre and the ballroom context. This has particular relevance for the respective reception histories of Mozart’s Le nozze di Figaro and Martín y Soler’s Una cosa rara, and for the notorious Rossini craze of the 1810s and 1820s.

Search Results

Refine search

Refine search

Actions for selected content:

1 results

5 - Dance Arrangements from the Viennese Stage

Summary

Search Results

Refine search

Refine search

Actions for selected content:

Save Search

1 results

5 - Dance Arrangements from the Viennese Stage

Summary