To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure email@example.com
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Drawing extensively on archival material, this chapter analyses Seamus Heaney’s involvement with the Field Day Theatre Company through the lens of his long friendships with two of the company’s other directors, Brian Friel (who co-founded Field Day in 1980 with actor Stephen Rea) and Seamus Deane. In addition to serving on Field Day’s board of directors, Heaney wrote two works specifically for the company: the verse pamphlet An Open Letter (1983), which protested the use of the adjective 'British' as applied to himself, and The Cure at Troy (1990), a Hiberno-English version of a late play by Sophocles. Heaney’s membership in the Field Day collective gave him a sense of camaraderie, the opportunity to address himself to his country’s urgent needs at a critical point in its history, and the challenge to do things he would not have done otherwise.
Email your librarian or administrator to recommend adding this to your organisation's collection.