The chapter surveys critiques of glory. We begin with the argument that cultures of honor are deadly. This argument gives rise to theories which explain the early rise of capitalism as an attempt to swap the pursuit of fame with the (safer) pursuit of money. We also review the argument that it is grotesque to speak of glorious fighting or glorious death in the age of industrial warfare. Other critiques of glory touch on the nature of asymmetrical warfare, the actual attitudes soldiers display towards each other in battle, and the rise of drone warfare. How is it that in spite of all of these powerful critiques, the idea of glory still permeates public discourse? We suggest that the key to thinking about this puzzle might be a tendency to run together the Achillean (personal) and Periclean (political) varieties of glory.

The Yorkshire novelist Storm Jameson wrote that her work tended to ‘sag beneath my great ideas’, as she fought to reconcile her own frustrations with a world of isms and inconsistencies. This chapter explores In the Second Year (1936) Storm Jameson’s dystopian vision of fascist Britain and what this might look like. Like many of her other novels is waterlogged with dialogues and monologues which seek to unpack and explore the great ideas of the age - modernity; capitalism; materialism; individualism - and the ways in which they inform and underpin the attractions of a particularly British fascism, one fashioned in a crucible of class prejudices, the public school system and growing inequality.

The conclusion of Money, Value, and the State reflects on the rise of a neoliberal government of value. The architecture of political economy for postcolonial Kenya, Tanzania, and Uganda—their currency management, agrarian credit, export monopolies, and price controls—was similar to how many other nation-states managed capitalism, exerted sovereignty, and cultivated citizenship in the postwar decades. And like many other parts of the world, by the late-1970s, the government of value in East Africa was challenged by new models of determining worth. The neoliberal proviso to “get prices right” targeted the legitimacy of the moneychanger state: instead of controlling the conversion between currencies and managing exchange rates, central banks would delegate power to commercial firms. It was likewise a call to eliminate state monopolies on the valuation of export crops and other commodities in favor of merchants’ power to set prices. Yet, instead of merely being a project of marketisation, neoliberalism was always a theory of state power and the ethos of citizenship. As structural adjustment was imposed—haltingly, imperfectly—by international creditors and their East African partners, the problematic of price continued to imply far more than the value of a commodity. It was a call to revalue the relationship among people and between citizens and states. As a result, the state government of value has not disappeared--it has been disavowed by central banks and bureaucracies that dismiss popular claims-making in favor of serving the sovereignty of capital.

The epilogue critically assesses how successful the ruling elites were in their republican project of turning peasants, laborers, and day laborers into modern citizens through consumption and economic integration. This critique proceeds by emphasizing the tensions between plebeian and elite attitudes toward consumption and citizenship by the end of the nineteenth century and the beginning of the twentieth. It also invites global historians and historians of Latin America to ask new questions about capitalism and globalization “in the margins” by studying consumption from below, so as to interrogate the entrenched narratives of underdevelopment and dependency that still permeate our historical interpretations about Latin America today.

We introduce the subjects beginning with the early works of Hegel, followed by a description of the emphases provided by Levins and Lewontin in their volume. Then we elaborate on the particularities that become involved in the application to the issues of food and agriculture more generally, and specifically to agroecology. We end the chapter with a discussion of the meaning of agroecology as both a field of intellectual inquiry and a platform for political action.

Guitar shop showrooms are museums of design. As visitors walk by rows of instruments, they encounter a tactile history of popular music. However, shoppers may notice that the majority of electric guitars available in the modern marketplace are strikingly similar. While there are certainly instances of radically new styles, they are outnumbered by instruments that resemble mid-twentieth century designs, such as the Fender Stratocaster and the Gibson Les Paul. This chapter explores moments in electric guitar design history that speak to marketplace tensions between historical consciousness and innovation. There is a widespread belief that the electric guitar was perfected half a century ago. Therefore, new design choices must be in conversation with the past. Success stories—such as Fender’s Custom Shop series—rely upon such historical nods. Design flops—such as Gibson’s “G-Force” automatic tuner—fail because they innovate beyond what buyers are willing to accept. So, is the electric guitar dead, as some commentators have proclaimed? I argue that the instrument is in a persistent state of rebirth as new models move forwards by looking backwards.

This chapter offers an account of postmodernism. It begins by drawing a distinction between two broad approaches to the postmodern: one that outlines the contours of a new historical period (postmodernity), and another that places emphasis on finding new ways of understanding modern practices of knowledge and politics (postmodernism). The second part of the chapter examines how postmodern ideas entered international relations scholarship, and how ensuing contributions continue to reveal important insights up to the present day. Defining postmodernism is no easy task. Postmodern scholarship is characterised more by diversity than by a common set of beliefs. Add to this that the postmodern has become a very contentious label, which is used less by its advocates and more by polemical critics who fear that embracing postmodern values would throw us into a dangerous nihilist void. But while the contours of the postmodern will always remain elusive and contested, the substantial issues that the respective debates have brought to the fore are important enough to warrant attention.

This chapter introduces students to the rich and controversial legacy of Marxism and one of its major offshoots in the twentieth century, Critical Theory. The chapter is presented in two parts. The first part touches on the historical and intellectual context that ‘created’ Marxism, Marx’s notion of historical materialism and the issue of how Marx’s ideas have been received in IR. The second part concentrates on the two strands of Critical Theory that have emerged within IR: one derived from the so-called Frankfurt School and the other from Italian thinker Antonio Gramsci.

This chapter presents a fleeting history of key changes in global trade and finance in the post-war period, organised around the themes of crisis and cooperation. The first section of the chapter discusses the key themes. The second section considers the emergence of the post-World War II Bretton Woods regime. The third section outlines the rise of private capital in the 1970s through to the debt crisis of the 1980s. The fourth section considers discussions of global financial architecture in the 1990s to the 2000s. The fifth section discusses changes in the last fifteen years, focusing on how the trade regime has stalled and the financial regime has been partially rolled back. Finally, the concluding section reflects on the ever-present need to foster cooperation in the global financial and trade architecture.

This chapter gives an overview of the theory and practice of global climate politics. First, it provides a brief history of the politics of climate change as they play out in the international negotiations on the issue overseen by the United Nations . Second, it looks at the formal organisational and institutional structures that exist to manage the international community’s response to climate change. Third, it reviews the ways in which different theories of International Relations have been applied to climate change, assessing both their potential and their limitations. Finally, the conclusion offers some thoughts on the evolving nature of the ‘global’ governance of climate change.

The nature of modern economies, and their ideological dimensions. The cultural challenges of capitalist economies and their “socialist” alternatives.

This chapter examines the relationship between poems and the commodities that structure both our intimate lives and the vast social geographies of the globe. If the content of a poem must often be discovered through interpretative work, reading between the lines of its figurative expressions and other such devices, the commodity, too, is a form of appearance which conceals its origins in labor and the exploitation of that labor. Beginning with this correspondence, and analyzing examples by Bernadette Mayer, Claude McKay, Keston Sutherland, and others, the chapter maps out several ways in which poems both present and negate the commodity. It discusses the poetic representation of labor itself as a commodity, of nonremunerative care work, of the factory and global commodity chains, and of the circulation of commodities through colonial networks. In conclusion, the chapter argues that learning to read the poem is inseparable from learning to read the commodity, for in both cases, the reader's success lies in the ability to re-suture the text to, rather than rescue it from, its worldly net.

The chapter explains the context of writing the Grundgesetz (the German Constitution). It introduces Article 15 which allows to ‘socialise’ land (and housing) and turn it into democratically managed commons. It also shows how the notion of ‘misuse of economic power’, an important context in which Article 15 was written into the Grundgesetz, gains a new meaning today.

“’Flung out of Space’: Class and Sexuality in American Literary History" explores the relationship between class and queer sexuality in American literary history, suggesting how neither of these histories can be understood without accounting for the other. Reading literary texts such as Patricia Highsmith’s The Price of Salt and Richard Bruce Nugent’s “Smoke, Lilies and Jade” alongside queer theory and LGBTQ history, Lecklider suggests how class structures queer literature throughout American history, particularly since the 19th century. Particularly emphasizing how labor structures desire, this chapter argues that working-class sexualities – and their intersections with race and gender – must be taken seriously in order to fully appreciate both the contributions of queer literature and the legibility of labor in American history.