To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure email@example.com
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
It has recently been suggested that the Grafton edition of 1559 was not only the first of that year, but that it was printed even before Parliament sat. But the book not only quotes the Act of Supremacy accurately but its preliminaries also include the whole Act of Uniformity verbatim—and there are several other improbabilities and mistakes in that argument. This chapter also reveals that although every sheet of the 1552 book was duly reprinted in 1559 with the required revisions (each of which is discussed), Grafton had kept a large number of unused sheets from his last edition of 1552. Each of the surviving copies of his Elizabethan edition contains between one and twenty-three sheets recycled from his last Edwardian edition.
After the four folio editions (intended mainly for the use of the clergy), the printers produced some smaller editions for more general sale. They have survived less well than the larger volumes, and while one octavo is known from a complete copy, neither of the quartos is complete and the other octavo is known only from a small fragment. As in Edward’s reign, the small-format editions were accompanied by a psalter, and the quarto psalters reveal a conflict of ‘copyrights’. The stationer William Seres, a former household servant of Sir William Cecil (Elizabeth’s Principal Secretary) had managed in July to acquire a patent that ostensibly gave him a monopoly of psalters, and the two surviving quarto copies were printed for him rather than the Queen’s Printers. That unintended conflict, however, was soon rectified, and by the time the extant octavo was printed the conflict had been resolved.
Briefly recounts the parliamentary history of the 1552 Act of Uniformity, the revision of the communion service, and some common misconceptions about the so-called ‘Black Rubric’. Shows that this time it was Edward Whitchurch who began printing from the manuscript copy while Richard Grafton reprinted the text from Whitchurch’s sheets. Explains that each printer once again subcontracted parts of some of his subsequent editions to other printers, and how each reduced the size of his reprints to reduce his costs once the official limits had been imposed on the retail price.
Email your librarian or administrator to recommend adding this to your organisation's collection.