To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure firstname.lastname@example.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
Introduces the main argument, that much about the instrumental music of the later eighteenth century can be grasped with reference to the concept of sociability. The concept is defined and placed alongside other rubrics such as expression, language and behaviour. Sociability is separated into affective and technical spheres. Haydn, a market leader both critically and commercially, is the central figure for the study. The modern reception of later eighteenth-century style is discussed with particular reference to Haydn and Mozart, noting the critical tendency to occupy a moral high ground above the image of a ‘shallow sociability’, and concluding with the challenge ‘When else … in Western music history has a whole style been so often understood negatively, as a problem in need of a solution?’. Then I investigate the listener-friendliness of the style: the pronounced orientation of this music towards a listening subject was historically novel. This music both challenges listeners and puts them at their ease.
Email your librarian or administrator to recommend adding this to your organisation's collection.