Theatre, at mid-twentieth century, finds itself in a position of “change or die.” The rapid development of television and cinema have been to it what photography was to representational painting: they can do many of the same things better and more simply. The only means of survival clearly lies in making the very most of the unique quality of theatre—the relationship between a live audience and live performers.
Traditional theatre, with its reliance on “real” props and staging, contributes to audience-performer separation by constantly defining physical limits of size, scale, and distance. The theatre of the future will have to provide an environment which permits the spectator to do more than merely look. He should experience a direct and, as nearly as possible, total involvement, both individually and in relation to the actors.