This essay presents a psychological approach to understanding the creative functioning of imagination in art and religion. This approach drawn from psychoanalytic object relations theory further illuminates how the classics of art and theology engage the imagination and how distortions of the products of the creative imagination occur. Discussion of a particular innovative theme found in an artwork and related theological reflection in early Christianity exemplifies how both art and theology guide the religious imagination. Finally, various influences on the formation of personal God-imagery are assessed in the light of a case illustration, and the ongoing need for art and theology as tutors to the religious imagination is underscored.
