Introduction
To stand beneath the towering steel- and- glass edifices of Sydney's latest commercial development, Barangaroo, is to witness – and feel – the smoothed- out, friction- free flows promised by contemporary financial capitalism. Formally known as East Darling Harbour and situated on the unceded lands of the Gadigal people of the Eora nation, Barangaroo is a key pillar of the Global Sydney project, built with the intent of attracting the interests of capital and shaping the future of Sydney's landscape accordingly (Baker and Ruming, 2015; Harris, 2018). Spanning 22 hectares of previously industrial land to the west of the Harbour Bridge, Barangaroo is the largest urban redevelopment project in Sydney since the 2000 Olympics and was announced by the then New South Wales premier, Bob Carr, as a ‘historic opportunity to return a substantial part of Sydney's foreshore back to the people’ (NSW Government, 2005). However, as the development reaches its final phase, Barangaroo is increasingly proving to be a ‘placed’ landscape, built for – and by – the ‘progressive’ and ‘virtuous’ allure of finance. Populated by premium financial firms, a scandal- plagued casino and the homogenized blur of white faces, dark suits and crisp shirts, Barangaroo stands as an isolated cluster removed from the surrounding areas. Like so many urban regeneration projects, Barangaroo is designed to create a space that transforms its host city into a key strategic hub of global financial exchange (Harris, 2018; Burns, 2019). Walk along the slicken wooden promenade, the stains of labour and history have been removed, instead the curated presence of manicured waterfront eateries, designer shops and financial institutions, all swarmed by beaming faces, slip into and become one to imbue this space with the affective atmosphere of place and, with it, belonging.
If place making is about creating and sustaining an imaginary, giving form to a non- representable idea (Ranciere, 2007) or, more precisely, giving ‘figurative shape to presence’ (Abraham and Torok, 1972: 128), then affective atmospheres describe the impact such force of presence has on the bodies who occupy (or are excluded from) space (Bohme, 1993; Brand, 2023). The affective atmospheres of finance, in other words, bring into sharp focus the dynamic, productive and felt interplay between spatiality, affect and assembling of bodies, emotion, discourse, materiality and technology (Brand, 2023).