We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.
To save content items to your account,
please confirm that you agree to abide by our usage policies.
If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account.
Find out more about saving content to .
To save content items to your Kindle, first ensure coreplatform@cambridge.org
is added to your Approved Personal Document E-mail List under your Personal Document Settings
on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part
of your Kindle email address below.
Find out more about saving to your Kindle.
Note you can select to save to either the @free.kindle.com or @kindle.com variations.
‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi.
‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.
I first encountered the writings of James Baldwin in the fall of 1967, in the aftermath of the Detroit Rebellion, when I entered Western Michigan University as a freshman. Because I was only seventeen years old and conflicted by the eruption of civil unrest in my hometown, it was a difficult and contentious period. James Baldwin’s book The Fire Next Time (1963) answered unspoken questions and thoughts that I had about reaching adulthood as a black person pursuing writing. In many ways, Baldwin is responsible for my becoming a writer during a volatile political period that resulted in a rich literary movement that nurtured and challenged me as a writer. Hence, it was affirming to present a paper at “‘A Language to Dwell In’: James Baldwin, Paris and International Visions,” a commemorative conference held at the American University of Paris in 2016.