Manuscripts can be studied, first, and most obviously, as objects of material
culture. Such study may provide valuable information concerning the parchment,
the arrangement of quires, the type of script, the letter forms, the decoration,
and so on. Manuscripts can also be studied as witnesses to the
intellectual preoccupations of the scholars who compiled and copied them:
such preoccupations are most apparent in the selection and glossing of the
texts which manuscripts from various periods transmit. There is yet a third
class of information to be gleaned, from some manuscripts at least, by a combined
study of both their physical appearance and of the texts they contain:
this information pertains to the time when, the place where, and the reasons
why a collection of texts (which is preserved only in a later book) was first put
together. Cambridge, Corpus Christi College 57 is a manuscript which invites
such an approach. The book, its physical appearance (including its numerous
later additions), the texts it presents, and the way it was used in late Anglo-Saxon
England have been thoroughly and competently studied, and such studies
are invaluable for what I shall attempt to do here: to uncover the ambience
in which the ultimate exemplar of Corpus 57 was compiled and used, and to
uncover the reason why this exemplar was copied into Corpus 57 and why it
was copied in the fashion in which it appears there.