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  • Chapter 4 - Seventeenth-Century Readers of Jonson’s 1616 Works
  • from Part II - Jonson’s Early Reception
  • Edited by Martin Butler, University of Leeds, Jane Rickard, University of Leeds
  • Book: Ben Jonson and Posterity
  • Published online: 24 September 2020
  • Print publication: 08 October 2020, pp 85-104
  • View extract

    Summary

    Jonson’s folio collection, The Works of Benjamin Jonson (1616), represented an ambitious and ground-breaking attempt to preserve his plays, poems, and other writings for future generations to appreciate. Many copies of this monumental publication have indeed survived, some with extensive annotations, giving us a unique insight into Jonson’s early reception and early modern reading practices more broadly. Drawing on the remarkable collection of copies at the Huntington Library, this essay explores in detail a number that were extensively annotated in the 17th century. The investigation highlights how Jonson’s early readers ranged from university students to classical scholars to literary enthusiasts. It examines how these different kinds of engagement with Jonson’s Works relate both to his conceptions of the reader and to the attempts of his early admirers to shape his posthumous reputation. It shows how quickly and widely Jonson’s collection was recognised as a significant literary publication, and how unpredictable and diverse were the ways in which it would be read.

Ben Jonson and Posterity
  • Ben Jonson and Posterity
  • Reception, Reputation, Legacy
  • Edited by Martin Butler, Jane Rickard
  • Published online: 24 September 2020
  • Print publication: 08 October 2020
  • View description
    Bringing together leading Jonson scholars, Ben Jonson and Posterity provides new insights into this remarkable writer's reception and legacy over four centuries. Jonson was recognised as the outstanding English writer of his day and has had a powerful influence on later generations, yet his reputation is one of the most multifaceted and conflicted for any writer of the early modern period. The volume brings together multiple critical perspectives, addressing book history, the practice of reading, theatrical influence and adaptation, the history of performance, cultural representation in portraiture, film, fiction, and anecdotes to interrogate Jonson's 'myth'. The collection will be of great interest to all Jonson scholars, as well as having a wider appeal among early modern literary scholars, theatre historians, and scholars interested in intertextuality and reception from the Renaissance to the present day.

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