Found only in a restricted area of north-west Australia, the Australian boab (Adansonia gregorii) is recognisable by its massive, bottle-shaped trunk, and is an economically important species for Indigenous Australians, with the pith, seeds and young roots all eaten. Many of these trees are also culturally significant and are sometimes carved with images and symbols. The authors discuss the history of research into carved boabs in Australia, and present a recent survey to locate and record these trees in the remote Tanami Desert. Their results provide insight into the archaeological and anthropological significance of dendroglyphs in this region and add to a growing corpus of information on culturally modified trees globally.

Enhanced by recent survey, the authors define new kinds of rock art along the Lennard and Fitzroy rivers in Western Australia—black pigment and scratch-work images featuring anthropomorphic figures with elaborate head-dresses. These are shown to belong to the Contact period and represent the response of Indigenous artists to European land-taking by recalling and restating traditional themes from earlier times.

Why did Palaeolithic people wear shells, and why was the practice so widespread in the world? The authors' own researches in Western Australia show that specific marine shells were targeted, subject to special processes of manufacture into beads and that some had travelled hundreds of kilometres from their source. Whether they were brought in land by the manufacturers, or by specially ornamented people, these beads provided a symbolic language that somehow kept the early peoples of Australia in touch with the sea.

Going into a cave or shelter, one walks where one can stand upright or has to crouch less. That affects which zones objects are trampled on, which zones they may be kicked out of, which zones they may be kicked into. And those effects interact with the usual spatial order–with its activity zones and drop zones–that develops through occupation of the enclosed cave or shelter.