In February 2011 the Brunel Sound Series hosted Phill Niblock at Brunel University London, a memorable visit expertly orchestrated by our late colleague Bob Gilmore.1 The occasion featured Phill's Disseminate and the premiere of his TWO LIPS aka Nameless, led by Bob. As an amateur clarinet player, in an ensemble made up of Brunel staff and students, I had the privilege of delving into the intricacies of Niblock's compositions. The event marked a significant chapter in our music department's history, with performances at Brunel University and, a day later, at London's trendiest club for hip contemporary music, Cafe OTO, in Dalston, leaving an indelible imprint on our students’ musical journey, and not just theirs.2