Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Home

Refine search

Refine search

Access:
Content type:
Publication date:
Apply
Subject: Show more
Journals Show more
Publishers: Show more
Societies Show more
Series: Show more
Collections: Show more

Actions for selected content:

Select all | Deselect all
  • View selected items
  • Export citations
  • Download PDF (zip)
  • Send to Kindle
  • Send to Dropbox
  • Send to Google Drive

Save Search

You can save your searches here and later view and run them again in "My saved searches".

Please provide a title, maximum of 40 characters.
Cancel
×

22 results

Page 1 of 2

Shakespeare for Freedom
  • Shakespeare for Freedom
  • Why the Plays Matter
  • Ewan Fernie
  • Published online: 24 March 2017
  • Print publication: 16 March 2017
  • View description
    Shakespeare for Freedom presents a powerful, plausible and political argument for Shakespeare's meaning and value. It ranges across the breadth of the Shakespeare phenomenon, offering a new interpretation not just of the characters and plays, but also of the part they have played in theatre, criticism, civic culture and politics. Its story includes a glimpse of 'Freetown' in Romeo and Juliet, which comes to life in the 1769 Stratford Jubilee; the Shakespearean careers of the Leicester Chartist, Cooper, and the Hungarian hero, Kossuth; Hegel's recognition of Shakespearean freedom as the modern breakthrough; its fatal effects in America; the disgust it inspired in Tolstoy; its rehabilitation by Ted Hughes, and its obscure centrality in the 2012 Olympics. Ultimately, it issues a positive Shakespearean prognosis for freedom as a vital (in both senses), unending struggle. Shakespeare for Freedom shows why Shakespeare has mattered for four hundred years, and why he still matters today.
  • 1 - Reclaiming Shakespearean Freedom
  • Ewan Fernie, Shakespeare Institute, University of Birmingham
  • Book: Shakespeare for Freedom
  • Published online: 24 March 2017
  • Print publication: 16 March 2017, pp 1-46
    • Chapter
      • Access
    • PDF
    • HTML
    • Export citation
  • Shakespeare and the Prospect of Presentism
  • Edited by Peter Holland, University of Notre Dame, Indiana
  • Book: Shakespeare Survey
  • Published online: 28 March 2007
  • Print publication: 03 November 2005, pp 169-184
  • View extract

    Summary

    This essay argues for the crucial importance of Shakespeare now. It reflects on presentism: a strategy of interpreting texts in relation to current affairs which challenges the dominant fashion of reading Shakespeare historically. Where new historicism emphasizes historical difference, presentism proceeds by reading the literature of the past in terms of what most ‘ringingly chimes’ with ‘the modern world’. This does not of course compel a choice between antiquarian irrelevance and self-repeating complacency. As we shall see, established new historicism is a complex practice and so – already – is presentism. But a deliberate synthesis of presentism’s commitment to ‘the now’ and historicism’s orientation to what is ‘other’ might reveal a way forward: an alternative presentism focused on, and concerned to maximize, the difference literature makes to the present. With respect to new historicism, the singularity of literature includes but also exceeds historical difference. Hamlet stands apart from its conditions of production. It also stands provocatively apart in the present. In his remarkable meditation on the play, Jacques Derrida characterizes ‘a masterpiece’ in terms of endless uncanny and effective otherness:

    A masterpiece always moves, by definition, in the manner of a ghost. The thing haunts, for example, it causes, it inhabits without residing, without ever confining itself to the numerous versions of this passage, ‘The time is out of joint’.

Page 1 of 2