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Politeness serves to manage social relations or is wielded as an instrument of power. Through good manners, people demonstrate their educational background and social rank. This is the first book to bring together the most recent scholarship on politeness and impoliteness in Ancient Greek and Latin, signalling both its universal and its culture-specific traits. Leading scholars analyse texts by canonical classical authors (including Plato, Cicero, Euripides, and Plautus), as well as non-literary sources, to provide glimpses into the courtesy and rudeness of Greek and Latin speakers. A wide range of interdisciplinary approaches is adopted, namely pragmatics, conversation analysis, and computational linguistics. With its extensive introduction, the volume introduces readers to one of the most dynamic fields of Linguistics, while demonstrating that it can serve as an innovative tool in philological readings of classical texts.
Im/Politeness Research is already a well stablished research field which offers interesting insights for the analysis of Ancient Greek and Latin texts, and the interpersonal dynamics of the societies that spoke those languages throughout time. This chapter gives a broad and accesible overview of the history of Im/Politeness Research, including its origins, the main stages of its development, its key concepts and methods and the current research trends. It also discusses the tools of Conversation Analysis and their possible contribution to our understanding of im/politeness, includuing the ways this methodology can help to extend the scope of study. Special emphasis is also given to the particular problems faced by classicists when examining im/politeness phenomena in ancient languages, and the ways to overcome those issues with the help of suitable methodologies. Finally, the chapter presents the structure and contents of the rest of the volume.
The chapter uses the dialogues of Roman comedy (Plautus, Terence) to examine the correlation between the characters’ perception of im/politeness and the practice of interrupting. By adopting the methods of Conversation Analysis, the study sets out criteria to distinguish interruptions from other non-hostile or non-salient types of interventions in a dramatic text without explicit stage directions. According to the main argument, proper interruptions – just like impolite behaviour – are constructed interactionally and their identification depends on how the affected party reacts to someone invading their speaking turn. The analysis of face work in various types of turn-taking incidents, either collaborative or disruptive and antagonistic, helps to justify why given talk is not handled as an interruption. After comparing some qualitative and quantitative data, the chapter shows that there are many examples of face-threatening and hostile interventions in the comedy corpus that cannot be analysed as interruptions but rather should be associated with the type of interaction (e.g. conflictual talk) or the speaker’s dominant position within.