Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-42gr6 Total loading time: 0 Render date: 2024-04-24T13:05:27.020Z Has data issue: false hasContentIssue false

5 - Use

Published online by Cambridge University Press:  08 June 2018

Get access

Summary

Introduction

The law of copyright gives certain rights to the owner of the copyright in a work, but users of a copyright work do not themselves have rights. Rather, in accordance with the common law tradition of the public having liberties rather than rights, they can exercise certain freedoms granted to them by the law, which limit the rights of the copyright owner in various ways.

The copyright owner has the exclusive right for the limited term of copyright to do the things set out below with his or her copyright work, and to allow other people to do them (see 5.2.2). These rights are subject to the exceptions and limitations that set out the freedoms available to users (see 5.3 and 5.4) and are subject also to the rights of others (see 1.1.3). Some of these rights, known as ‘acts restricted by copyright’, are dealt with in more detail elsewhere, as shown. Carrying out any of these acts without permission and outside the scope of the exceptions and limitations is an infringement (see 5.1.9–17).

Copying

The copyright owner has the exclusive right (see 5.1.1) to copy or authorize the copying of a work of any type (but see 5.3, 5.4). This includes any form of copying including, for instance, manual transcription, tracing, photocopying, digitization and the saving of a copy within a computer (see also 2.1.3, 5.1.8). A transient copy made by a computer simply in order to display a work on screen should not infringe (but see 6.1.2), nor does a copy made by an internet service provider in innocently transmitting a work. There is no infringement by making a similar, or even identical, work independently, but if the author of the new work had access to the earlier one he or she is assumed to have copied in the absence of evidence to the contrary (see 2.1.8, 2.1.12).

The unauthorized copying of a three-dimensional work in two dimensions (and vice versa) is certainly an infringement only if it is an artistic work. It would therefore be an infringement to make a topographical model from a map.

Type
Chapter
Information
Publisher: Facet
Print publication year: 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

  • Use
  • Tim Padfield
  • Book: Copyright for Archivists and Records Managers
  • Online publication: 08 June 2018
  • Chapter DOI: https://doi.org/10.29085/9781783300921.007
Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

  • Use
  • Tim Padfield
  • Book: Copyright for Archivists and Records Managers
  • Online publication: 08 June 2018
  • Chapter DOI: https://doi.org/10.29085/9781783300921.007
Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

  • Use
  • Tim Padfield
  • Book: Copyright for Archivists and Records Managers
  • Online publication: 08 June 2018
  • Chapter DOI: https://doi.org/10.29085/9781783300921.007
Available formats
×