Skip to main content Accessibility help
×
Hostname: page-component-8448b6f56d-dnltx Total loading time: 0 Render date: 2024-04-24T19:26:25.603Z Has data issue: false hasContentIssue false

Print and Electronic Editions Inspired by the New Variorum Hamlet Project

Published online by Cambridge University Press:  28 March 2007

Peter Holland
Affiliation:
University of Notre Dame, Indiana
Get access

Summary

THE THREE-TEXT HAMLET: PARALLEL TEXTS OF THE FIRST AND SECOND QUARTOS AND FIRST FOLIO

At the beginning, there was the Modern Language Association’s New Variorum Hamlet project. The original team, which began working before 1990, included Paul Bertram as text editor. Almost immediately, he and I realized that having the three early texts of Hamlet in front of us in a compact and legible form would be useful for textual collations as well as commentary notes based on textual variants – the material we were collecting for the variorum edition. Encouraged by the many vital works that AMS Press had made available through its reprints, we approached Gabriel Hornstein, President of AMS, with a plan for publishing a Three-Text Hamlet, which he readily accepted. Though the idea of electronic versions of our new variorum work was very much a part of my original planning, Paul Bertram and I also felt that we needed a book to place by our computers for easy consulting. The flow between paper and electrons is a hallmark of our efforts in all our texts.

The first edition of The Three-Text Hamlet appeared in 1991 and was useful beyond our expectations not only to us but to the many scholars, students, and theatre practitioners who wrote to tell us how much they valued it. Though many of the users had facsimiles of the First Quarto (q1), the Second Quarto (q2) and the First Folio (f1), our book simplified comparing the three texts through the parallel columns in which we arranged them. If we had chosen to model our work on the example of Michael Warren’s excellent Lear books, we might have xeroxed the facsimiles and cut them up to produce the parallel texts, but given the technology available at that time we would not have been able to generate electronic texts from facsimiles.

Type
Chapter
Information
Shakespeare Survey , pp. 157 - 167
Publisher: Cambridge University Press
Print publication year: 2006

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×