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2 - The language of tragedy

Published online by Cambridge University Press:  28 May 2006

Claire McEachern
Affiliation:
University of California, Los Angeles
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Summary

In the middle of The Second Part of King Henry the Fourth, during the long nocturnal tavern scene, Shakespeare abruptly alters the elegiac mood by introducing a new character – Pistol. Significantly, his entrance is announced in advance: as soon as his name is mentioned Doll Tearsheet denounces him as 'a swaggering rascal' and 'the foul-mouthed'st rogue in England'. Her complaint instantly identifies his essential attribute, for like so many secondary characters in the second tetralogy, Pistol speaks a distinctive language.

PISTOL What, shall we have incision? Shall we imbrue?

[Snatches up his sword.]

Then Death rock me asleep, abridge my doleful days!

Why then, let grievous ghastly gaping wounds

Untwind the sisters three; come, Atropos, I say!

HOSTESS Here’s goodly stuff toward!

(2.4. 157–61)

‘Stuff’ indeed. Attempting to pass himself off as a valiant warrior, the coward has filched the rhetoric of a hero, and we need look no further for the source of his grandiloquent speech than the Elizabethan playhouse.

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Publisher: Cambridge University Press
Print publication year: 2003

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