Book contents
- Ibsen, Scandinavia and the Making of a World Drama
- Ibsen, Scandinavia and the Making of a World Drama
- Copyright page
- Contents
- Figures
- Acknowledgements
- Note on the Text
- Chronology
- Abbreviations
- Introduction
- 1 From Stage to Page
- 2 No Escape
- 3 Open Futures
- 4 Nora’s Exit
- 5 The Sphinx
- 6 European Breakthrough
- 7 Copyright and Circulation
- 8 The Many Ibsens
- Conclusion The Provincial World Poet
- Book part
- Archival Sources
- Bibliography
- Index
- References
Bibliography
Published online by Cambridge University Press: 13 November 2017
Book contents
- Ibsen, Scandinavia and the Making of a World Drama
- Ibsen, Scandinavia and the Making of a World Drama
- Copyright page
- Contents
- Figures
- Acknowledgements
- Note on the Text
- Chronology
- Abbreviations
- Introduction
- 1 From Stage to Page
- 2 No Escape
- 3 Open Futures
- 4 Nora’s Exit
- 5 The Sphinx
- 6 European Breakthrough
- 7 Copyright and Circulation
- 8 The Many Ibsens
- Conclusion The Provincial World Poet
- Book part
- Archival Sources
- Bibliography
- Index
- References
Summary
A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.
- Type
- Chapter
- Information
- Ibsen, Scandinavia and the Making of a World Drama , pp. 248 - 265Publisher: Cambridge University PressPrint publication year: 2017
References
Aarseth, Asbjørn, Innledning til Kejser og Galilæer: Utgivelse, www.ibsen.uio.no/DRINNL_KG%7Cintro_publication.xhtml, book ed.: HIS 6k, 244–48.Google Scholar
Aarseth, Asbjørn Innledning til Lille Eyolf: Utgivelse: Mottagelse av utgaven, www.ibsen.uio.no/DRINNL_LE%7Cintro_publication.xhtml, book ed: HIS 9k, 388–98.Google Scholar
Adorno, Theodor, ‘The Position of the Narrator in the Contemporary Novel’, Notes to Literature, ed. Tiedemann, Rolf, trans. Nicholsen, Shierry Weber, 2 vols. (New York: Columbia University Press, 1991–92), vol. 1, 30–36.Google Scholar
Agerholm, Edvard, ‘Henrik Ibsen og det kgl. Teater: Blade af Censurens Historie’, Gads danske Magasin (1910–11), 276–80.Google Scholar
Ahlström, Gunnar, Det moderna genombrottet i Nordens litteratur [1947] (Stockholm: Rabén & Sjögren, 1973).Google Scholar
Ahlström, Stellan, Strindbergs erövring av Paris: Strindberg och Frankrike 1884–1895 (Stockholm: Almqvist & Wiksell, 1956).Google Scholar
Alison, William, ‘Ghosts and the Reptile Press’, Playgoers’ Review, vol. 1, 15 April 1891, 125–32.Google Scholar
Amdam, Per, Bjørnstjerne Bjørnson: Kunstneren og samfunnsmennesket 1832–1880 (Oslo: Gyldendal, 1993).Google Scholar
Andersen, Anette Storli, ‘In the Right Place, at the Right Time: Why Ibsen Worked in the Theatre for 13 Years – and Then Left It for Good’, Ibsen Studies, vol. 11, no. 2 (2011), 84–116.CrossRefGoogle Scholar
Andersen, Per Thomas, Norsk litteraturhistorie, rev. edn (Oslo: Universitetsforlaget, 2012).Google Scholar
Anker, Øyvind, Kristiania Norske Theaters repertoire 1852–1863 (Oslo: Gyldendal, 1956).Google Scholar
Anon. ‘“Fruen fra Havet” paa det kgl. Theater i Berlin’, Aftenposten, no. 148, 9 March 1889.Google Scholar
Anon. ‘Nogle Tal’, in Gran, Festskrift, 241–45.Google Scholar
Anon. ‘Notice’, The Standard, 12 May 1891, in VAM, William Archer Collection, GB 71 THM/368/3, Box 2: Press cuttings.Google Scholar
Anon. ‘Terry’s Theatre’, Echo, [May 1891?], in VAM, William Archer Collection, GB 71 THM/368/3, Box 2: Press cuttings.Google Scholar
Archer, Charles, William Archer: Life, Work and Friendships (London: Allen & Unwin, 1931).Google Scholar
Archer, William ‘Breaking a Butterfly (A Doll’s House)’, Theatre, vol. 3, 1 April 1884, 209–14, in Egan, Ibsen, 65–72.Google Scholar
Archer, William, English Dramatists of To-day (London: Sampson Low, Marston, Searle, & Rivington, 1882).Google Scholar
Archer, William ‘General Preface’, in The Collected Works of Henrik Ibsen (London: W. Heinemann, 1908), vol. 1, vii–xv.Google Scholar
Archer, William ‘Ghosts and Gibberings’, Pall Mall Gazette, 8 April 1891, in Egan, Ibsen, 209–14.Google Scholar
Archer, William ‘Ibsen and English Criticism’, Fortnightly Review, 1 July 1889, 30–37, in Egan, Ibsen, 115–23.Google Scholar
Archer, William ‘Introduction: On the Need for an Endowed Theatre’, The Theatrical ‘World’ of 1896 (London: Scott, 1897), xi–lviii.Google Scholar
Archer, William ‘Letter’, Pall Mall Gazette, 3 February 1891, VAM, William Archer Collection, GB 71 THM/368/3, Box 2: Press cuttings.Google Scholar
Archer, William ‘Mr. Archer Protests’, The National Observer, vol. 8, 17 September 1892, 456.Google Scholar
Archer, William ‘The Censorship’, The Theatrical ‘World’ of 1895 (London: Scott, 1896), 66–73.Google Scholar
Archer, William ‘The Humour of “The Wild Duck”’, in The Theatrical ‘World’ of 1897 (London: Scott, 1898), 146–51.Google Scholar
Archer, William ‘The Mausoleum of Ibsen’, Fortnightly Review, July 1893, 77–91, in Egan, Ibsen, 304–12.Google Scholar
Archer, William, & Barker, Harley Granville, A National Theatre: Scheme & Estimates (London: Duckworth, 1907).Google Scholar
Aumont, Arthur, ‘Henrik Ibsen paa danske Teatre’, in Gran, Festskrift, 271–83.Google Scholar
Aveling, Edward, ‘“Nora” and “Breaking a Butterfly”’, To-Day, vol. 1, (Jan–Jun 1884), 473–80.Google Scholar
Bang, Herman, ‘De norske skuespil i Paris’, Nyt Tidsskrift. Ny Række (1893–94), 322–33.Google Scholar
Banham, Martin (ed.), The Cambridge Guide to Theatre (Cambridge: Cambridge University Press, 1995).Google Scholar
Barker, H.G., ‘The Coming of Ibsen’, in The Eighteen-Eighties, ed. de la Mare, Walter (Cambridge: Cambridge University Press, 1930), 159–95.Google Scholar
Barrett, Daniel ‘Play Publication, Readers, and the “Decline” of Victorian Drama’, Book History, vol. 2 (1999), 173–87.Google Scholar
Barstow, Susan Torrey, ‘“Hedda Is All of Us”: Late-Victorian Women at the Matinee’, Victorian Studies, vol. 43, no. 3 (Spring 2001), 387–411.Google Scholar
Beecroft, Alexander, ‘World Literature without a Hyphen: Towards a Typology of Literary Systems’, New Left Review no. 54 (2008), 87–100.Google Scholar
Bentley, Eric, The Playwright as Thinker, [1946] (Minneapolis: University of Minnesota Press, 2010).Google Scholar
Berg, Thoralf, Debatten om et norsk scenespråk i Christiania 1848–1853 med hovedvekt på Knud Knudsen og hans arbeid for et norsk scenespråk ved Den norske dramatiske Skoles Theater i sesongene 1852/53. Unpublished dissertation (Trondheim: Universitetet i Trondheim, NLHT, 1977).Google Scholar
Berg, Thoralf ‘Teater og underholdning i Tromsø, Hammerfest og Vadsø’, in Rosenqvist, Claes (ed.): Artister i norr: bottnisk och nordnorsk teater och underhållning på 1800-talet (Umeå: Kungl. Skytteanska Samfundet, 2008), 303–443.Google Scholar
Bergsøe, Vilhelm, Rom under Pius den niende: Skizzer og skildringer (Copenhagen: Gyldendal, 1877).Google Scholar
Bjørnson, Bjørnstjerne, Artikler og taler, ed. Collin, Chr. & Eitrem, H., 2 vols. (Kristiania: Gyldendal, 1912–13), vol. 2.Google Scholar
Bjørnson, Bjørnstjerne, Brevveksling med danske 1854–1874, ed. Anker, Øyvind, Bull, Francis & Nielsen, Torben, 3 vols. (Copenhagen: Gyldendal, 1970–74), vol. 2.Google Scholar
Bjørnson, Bjørnstjerne, Brevveksling med svenske 1858–1909, ed. Anker, Øyvind, Bull, Francis & Lindberger, Örjan, 3 vols. (Oslo: Gyldendal, 1960–61), vol. 2.Google Scholar
Bjørnson, Bjørnstjerne, Gro-tid: Brev fra årene 1857–1870, ed. Koht, Halvdan, 2 vols. (Kristiania: Gyldendal, 1912–13).Google Scholar
Blanc, Tharald, Henrik Ibsen og Christiania Theater 1850–1899 (Christiania: J. Dybwad, 1906).Google Scholar
Bourdieu, Pierre, ‘The Field of Cultural Production’, in Finkelstein & McCleery, Book History Reader, 99–120.Google Scholar
Bourdieu, Pierre, The Rules of Art: Genesis and Structure of the Literary Field, trans. Emanuel, Susan (Stanford: Stanford University Press, 1996).Google Scholar
Brahm, Otto, Kritische Schriften, ed. Schlenther, Paul, 2 vols. (Berlin: S. Fischer, 1915), vol. 1.Google Scholar
Brandes, Edvard, ‘Henrik Ibsen: “En Folkefjende”: Skuespil i fem Akter’, Morgenbladet (Copenhagen), no. 285, 7 December 1882.Google Scholar
Brandes, Edvard and Brandes, Georg, Georg and Edv. Brandes brevveksling med nordiske forfattere og videnskabsmænd, ed. Borup, Morten, 8 vols. (Copenhagen: Gyldendal, 1939–42), vols. 1–3 and 6.Google Scholar
Brandes, Georg, Breve til Forældrene 1872–1904, ed. Borup, Morten & Nielsen, Torben, 3 vols. (Copenhagen: Reitzel, 1978–94). Correspondance de Georg Brandes: Lettres choisies et annotee, ed. Paul Krüger, 3 vols. (Copenhagen: Rosenkilde & Bagger, 1952–66), vol. 2: L’Angleterre et la Russie and vol. 3: L’Allemagne.Google Scholar
Brandes, Georg ‘“Et Dukkehjem” i Berlin’, Udvalgte skrifter, ed. Kristensen, Sven Møller, 9 vols. (Copenhagen: Tiderne Skifter, 1984–87), vol. 8, 24–30.Google Scholar
Brandes, Georg, Hovedstrømninger i det 19de Aarhundredes Litteratur (Copenhagen: Gyldendal, 1872).Google Scholar
Brandes, Georg ‘Literatur: Bjørnstjerne Bjørnson: “En Fallit” og “Redaktøren”’, Det nittende Aarhundrede (1875), 241.Google Scholar
Brandes, Georg ‘World literature (1899)’, in D’haen, Domínguez & Thomsen, World Literature, 23–27.Google Scholar
Brandon, Ruth, The New Women and the Old Men: Love, Sex and the Woman Question (London: Secker & Warburg, 1990).Google Scholar
Bratton, Jacky, et al. (ed.), Melodrama: Stage, Picture, Screen (London: BFI Publishing, 1994).Google Scholar
Brauneck, Manfred, Die Welt als Bühne: Geschichte des europäischen Theaters, 6 vols. (Stuttgart: Metzler, 1993–2007), vol. 3.Google Scholar
Bredsdorff, Elias (ed.), Sir Edmund Gosse’s Correspondence with Scandinavian Writers (Copenhagen: Gyldendal, 1960).Google Scholar
Breve fra og til Holger Drachmann, ed. Borup, Morten, 4 vols. (Copenhagen: Gyldendal 1968–1970), vol. 1.Google Scholar
Britain, Ian, ‘A Transplanted Doll’s House: Ibsenism, Feminism and Socialism in Late-Victorian and Edwardian England’, in Donaldson, Ian (ed.), Transformations in Modern European Drama (London: Macmillan, 1983), 14–54.Google Scholar
Buchanan, Robert, ‘The Dismal Throng’, in The Complete Poetical Works, 2 vols. (London: Chatto &Windus, 1901), vol. 2, 399–401.Google Scholar
Burckhard, Max, ‘Begegnungen mit Ibsen’, Neue Freie Presse, no. 15007, 3 June 1906, 12–13.Google Scholar
Byrnes, Robert F., ‘The French Publishing Industry and Its Crisis in the 1890s’, The Journal of Modern History, vol. 23, no. 3 (1951), 232–42.CrossRefGoogle Scholar
Cancik, Hubert & Cancik-Lindemayer, Hildegard, ‘“Was ich brauche, sind Fakta” (Ibsen): Die antiken Quellen zu Leben und Werk des Imperator Julian Augustus’, in Faber, Richard & Høibraaten, Helge (eds.), Ibsens “Kaiser und Galiläer”: Quellen – Interpretationen – Rezeptionen (Würzburg: Königshausen & Meumann, 2011), 39–64.Google Scholar
Casanova, Pascale, The World Republic of Letters, trans. DeBevoise, M.B. (Cambridge, MA: Harvard University Press, 2004).Google Scholar
Charle, Christophe, ‘Le champ de la production littéraire’, in Martin, Henri-Jean & Chartier, Roger (eds.), Histoire de l’édition francaise (Paris: Fayard/Cercle de la Librairie, 1985), vol. 3, 137–75.Google Scholar
Chothia, Jean, English Drama of the Early Modern Period, 1890–1940 (London: Longman, 1996).Google Scholar
Cima, Gay Gibson, Performing Women: Female Characters, Male Playwrights, and the Modern Stage (London: Cornell University Press, 1993).Google Scholar
Clark, Barrett H. (ed.), World Drama: Ancient Greece, Rome, India, China, Japan, Medieval Europe, and England (New York: Dover, 1933).Google Scholar
Coetzee, J.M., Giving Offense: Essays on Censorship (Chicago: Chicago University Press, 1996).Google Scholar
Colin, René Pierre, ‘Un éditeur naturaliste. Albert Savine (1859–1927)’, Les Cahiers naturalistes, vol. 46, no. 74 (2000), 263–70.Google Scholar
Crystal, David, English as a Global Language (Cambridge: Cambridge University Press, 1997).Google Scholar
Daae, Ludvig, Politiske dagbøker og minner, 5 vols. (Oslo: Grøndahl, 1934–59), vol. 1: 1859–1871.Google Scholar
Daae, Ludvig [Ludvigsen], Professor, Dr. Ludvig Daaes erindringer og opptegnelser om sin samtid, ed. Knudtzon, Nic (Oslo: Novus, 2003).Google Scholar
Dahl, Per, ‘Georg Brandes’ fire indtryk’, in Johansen, Jørgen Dines, Kittang, Atle & Sæther, Astrid (eds.), Ibsen og Brandes: Studier i et forhold (Oslo: Gyldendal, 2006), 39–62.Google Scholar
Dahl, Per Kristian Heggelund, Streiflys: Fem Ibsen-studier (Oslo: Ibsen-museet, 2001).Google Scholar
Damrosch, David, What Is World Literature? (Princeton: Princeton University Press, 2003).Google Scholar
Davis, Tracy C. ‘Ibsen’s Victorian Audience’, Essays in Theatre, vol. 4 (1985), 21–38.Google Scholar
Davis, Tracy C. ‘Spoofing “The Master”’, Nineteenth Century Theatre Research, vol. 13, no. 2 (1985), 87–102.Google Scholar
D’haen, Theo, Domínguez, Cesar & Thomsen, Mads Rosendahl (eds.), World Literature: A Reader (London: Routledge, 2013).Google Scholar
d’Amico, Giuliano, Domesticating Ibsen for Italy: Enrico and Icilio Polese’s Ibsen Campaign, Biblioteca dello spettacolo nordico, Studi 6 (Bari: Edizioni di Pagina, 2013).Google Scholar
Dingstad, Ståle, Den smilende Ibsen: Henrik Ibsens forfatterskap – stykkevis og delt, Ibseniana, Acta IX (Oslo: Centre for Ibsen Studies/Akademika, 2013).Google Scholar
Dingstad, Ståle ‘Ibsen and the Modern Breakthrough – The Earliest Productions of The Pillars of Society, A Doll’s House, and Ghosts’, Ibsen Studies, vol. 16, no. 2 (2016), 103–40.Google Scholar
Dingstad, Ståle ‘Mytene etableres: De første Ibsen-biografiene’, in Sæther, Astrid et al. (eds.), Den biografiske Ibsen, Ibseniana, Acta VI (Oslo: Centre for Ibsen Studies/Unipub, 2010), 79–101.Google Scholar
Dostoevsky, Fyodor, Notes from the Underground, trans. Magarshack, David, in Great Short Works of Fyodor Dostoevsky (New York: Harper & Row, 1968).Google Scholar
Dostoevsky, Fyodor, Selected Letters of Fyodor Dostoyevsky, trans. MacAndrew, Andrew R., ed. Frank, Joseph & Goldstein, David I. (London: Rutgers University Press, 1987).Google Scholar
Due, Chr., Erindringer fra Henrik Ibsens Ungdomsaar (Copenhagen: Græbes bogtrykkeri, 1909).Google Scholar
Eagleton, Terry, ‘An Octopus at the Window’, London Review of Books, vol. 33, no. 10 (2011), 23–4.Google Scholar
Edel, Leon, ‘Foreword’, The Complete Plays of Henry James (Philadelphia: Lippincott, 1949), 9–11.Google Scholar
Egan, Michael (ed.), Ibsen: The Critical Heritage (London: Routledge & Kegan Paul, 1972).Google Scholar
Eide, Elisabeth S., Bøker i Norge: Boksamlinger, leseselskap og bibliotek på 1800-tallet (Oslo: Pax, 2013).Google Scholar
Eliot, Simon, Some Patterns and Trends in British Publishing 1800–1919, Occasional Papers, no. 8 (London: The Bibliographical Society, 1994).Google Scholar
Ellis, Havelock, ‘Preface’, in Ibsen, , The Pillars of Society, and Other Plays, ed. Ellis, Havelock (London: Scott, 1888), vii–xxx.Google Scholar
Elton, Oliver [‘O.E’], ‘The Master Builder’, in The Manchester Stage, 1880–1900 (London: Constable, 1900), 197.Google Scholar
Eriksen, Anne, Minner fra Den evige stad: Skandinavers reiser til Roma 1850–1900 (Oslo: Pax, 1997).Google Scholar
Ewbank, Inga-Stina, ‘The Last Plays’, in McFarlane, Companion, 126–54.Google Scholar
Ewbank, Inga-Stina, Lausund, Olav & Tysdahl, Bjørn (eds.), Anglo-Scandinavian Cross-Currents (Norwich: Norvik Press, 1999).Google Scholar
Farfan, Penny, ‘From “Hedda Gabler” to “Votes for Women”: Elizabeth Robins’s Early Feminist Critique of Ibsen’, Theatre Journal, vol. 48 (March 1996), 59–78.Google Scholar
Fay, Frank J., Towards a National Theatre: The Dramatic Criticism of Frank J. Fay, ed. Hogan, Robert (Dublin: Dolmen P., 1970).Google Scholar
Felski, Rita, ‘Introduction’, in Felski, Rita (ed.), Rethinking Tragedy (Baltimore: Johns Hopkins University Press, 2008), 1–25.Google Scholar
Finkelstein, David & McCleery, Alistair (eds.), The Book History Reader [2002] rev. edn (London: Routledge, 2006).Google Scholar
Fischer, S., ‘Der Verleger und der Büchermarkt’, in S.F.V. Das XXVte Jahr (Berlin: S. Fischer, 1911), 24–33.Google Scholar
Fischer-Lichte, Erika, History of European Drama and Theatre, trans. Riley, Jo (London and New York: Routledge, 2002).Google Scholar
Flaubert, Gustave, Correspondance 1871–1877, in Œuvres complètes de Gustave Flaubert (Paris: Club de l’Honnête Homme, 1975), vol. 15.Google Scholar
Fleischhacker, Sabine, ‘Ibsen im Lichte der Münchener Presse (1876–1891)’, Ibsenårbok 1983/84, 113–31.Google Scholar
Fontane, Theodor, Sämtliche Werke, 23 vols. (München: Nymphenburger Verlagshandlung, 1959–70), vol. 22.Google Scholar
Foucault, Michel, ‘What Is an Author?’, in Finkelstein & McCleery, Book History Reader, 281–91.Google Scholar
Friedell, Egon, Vår tids kulturhistorie [Cultural History of the Modern Age; orig. German edn 1927–31], 3 vols. (Oslo: Aschehoug, 1933–34), vol. 3.Google Scholar
Friedrich, Werner P., ‘On the Integrity of Our Planning (1960)’, in D’haen, Domínguez & Thomsen, World Literature, 74–82.Google Scholar
Frye, Northrop, Anatomy of Criticism [1957] (Princeton: Princeton University Press, 1971).Google Scholar
Fulsås, Narve (ed.), Biografisk leksikon til Ibsens brev – med tidstavle, Ibseniana, Acta X (Oslo: Centre for Ibsen Studies, 2013).Google Scholar
Fulsås, Narve, Historie og nasjon: Ernst Sars og striden om norsk kultur (Oslo: Universitetsforlaget, 1999).Google Scholar
Fulsås, Narve ‘Ibsen Misrepresented: Canonization, Oblivion, and the Need for History’, Ibsen Studies, vol. 9, no. 1 (2011), 3–20.Google Scholar
Fulsås, Narve Innledning til brevene, www.ibsen.uio.no/brevinnledninger.xhtml, book ed.: HIS 12k–15k.Google Scholar
Fulsås, Narve ‘The De-Dramatization of History and the Prose of Bourgeois Life’, Nordlit, no. 34 (2015), 83–93.Google Scholar
Fulsås, Narve & Dingstad, Ståle, Innledning til brevene. Bosteder. Dresden 1868–1875, www.ibsen.uio.no/BRINNL_brevInnledning_3.xhtml, book ed.: HIS 13k, 70–76.Google Scholar
Fulsås, Narve & Dingstad, Ståle Innledning til brevene. Eksil, forfatterrett og oversettelser – 1870-årene. Deutsche Genossenschaft Dramatischer Autoren und Componisten, www.ibsen.uio.no/BRINNL_brevInnledning_7.xhtml, book ed.: HIS 13k, 107–10.Google Scholar
Garff, Joakim, Søren Kierkegaard: A Biography, trans. Kirmmse, Bruce H. (Princeton: Princeton University Press, 2013 [2007]).Google Scholar
Gates, Joanne E., ‘Elizabeth Robins and the 1891 Production of Hedda Gabler’, Modern Drama, vol. 28, no. 4 (December 1985), 611–19.Google Scholar
Gates, Joanne E. ‘The Theatrical Politics of Elizabeth Robins and Bernard Shaw’, Shaw, vol. 14 (1994), 43–53.Google Scholar
Gatland, Jan Olav, Repertoaret ved Det Norske Theater 1850–1863 (Bergen: Universitetsbiblioteket i Bergen, 2000).Google Scholar
Gedin, David, Fältets herrar: Framväxten av en modern författarroll: Artonhundratalet (Stockholm: Brutus Östling, 2004).Google Scholar
Gjervan, Ellen Karoline, ‘Ibsen Staging Ibsen: Henrik Ibsen’s Culturally Embedded Staging Practice in Bergen’, Ibsen Studies, vol. 11, no. 2 (2011), 117–44.Google Scholar
Goethe, Johann Wolfgang (von), ‘On World Literature (1827)’, in D’haen, Domínguez & Thomsen, World Literature, 9–15.Google Scholar
Goldman, Harvey, Politics, Death, and the Devil: Self and Power in Max Weber and Thomas Mann (Berkeley: University of California Press, 1992).Google Scholar
Gosse, Edmund, ‘Bibliographical Note’ in The Master Builder, New [second] edition (London: Heinemann, 1892), xi.Google Scholar
Gosse, Edmund ‘Ibsen, the Norwegian Satirist’, Fortnightly Review, vol. 19 (January 1–June 1 1873), 74–88.Google Scholar
Gosse, Edmund ‘Ibsen’s Social Dramas’, Fortnightly Review, vol. 45, 1 January 1889, 107–21, in Egan, Ibsen, 77–93.Google Scholar
Gross, John, The Rise and Fall of the Man of Letters (London: Weidenfeld and Nicolson, 1969).Google Scholar
Grube, Max, Geschichte der Meininger (Berlin: Deutsche Verlags-Anstalt Stuttgart, 1926).Google Scholar
Grundy, Sydney, The Play of the Future by a Playwright of the Past (London: French, 1914).Google Scholar
Guttormsson, Loftur, ‘The Development of Popular Religious Literacy in the Seventeenth and Eighteenth Centuries’, Scandinavian Journal of History, vol. 15 (1990), 7–35.Google Scholar
Guy, Josephine M. & Small, Ian, Oscar Wilde’s Profession: Writing and the Culture Industry in the Late Nineteenth Century (Oxford: Oxford University Press, 2000).Google Scholar
Hagen, Erik Bjerck, ‘Brand-resepsjonen 1866–1955’, in Hagen, Erik Bjerck (ed.), Ibsens Brand: Resepsjon – tolkning – kontekst (Oslo: Vidarforlaget, 2010), 11–32.Google Scholar
Halvorsen, J.B., ‘Ibsen, Henrik Johan’, Norsk Forfatter-Lexikon 1814–1880 (Kristiania: Den norske Forlagsforening, 1892), vol. 3, 1–89.Google Scholar
Hamsun, Knut, ‘Mot overvurdering av diktere og diktning’, Samlede verker, ed. Larsen, Lars Frode (Oslo: Gyldendal 2009), vol. 25, 144–56.Google Scholar
Hamsun, Knut, Paa turné: Tre foredrag om litteratur, ed. Hamsun, Tore (Oslo: Gyldendal, 1971).Google Scholar
Hansen, Johan Irgens, ‘Det literære Reportervæsen’, Dagbladet, no. 405, 18 November 1884.Google Scholar
Hansen, Johan Irgens ‘Ibsen i Tyskland IV’, Dagbladet, no. 95, 28 March 1888.Google Scholar
Hardy, Thomas, The Collected Letters of Thomas Hardy, ed. Purdy, Richard Little and Millgate, Michael, 7 vols. (Oxford: Clarendon, 1978–88), vol. 1.Google Scholar
Haugan, Jørgen, Dommedag og djevlepakt: Henrik Ibsens forfatterskap – fullt og helt (Oslo: Gyldendal, 2014).Google Scholar
Heinemann, William, Letter, Pall Mall Gazette, 24 January 1891, VAM, William Archer Collection, GB 71 THM/368/3, Box 2: Press cuttings.Google Scholar
Helland, Frode, Melankoliens spill: En studie i Henrik Ibsens siste dramaer (Oslo: Universitetsforlaget, 2000).Google Scholar
Hemmer, Bjørn ‘Ibsen and the Realistic Problem Drama’, in McFarlane, Companion, 68–88.Google Scholar
Hemmings, F.W.J., The Theatre Industry in Nineteenth-Century France (Cambridge: Cambridge University Press, 1993).Google Scholar
Henderson, Archibald, George Bernard Shaw: His Life and Works: A Critical Biography (London: Hurst & Blackett, 1911).Google Scholar
Henderson, Archibald, The Changing Drama: Contributions and Tendencies (New York: Henry Holt and Co., 1914).Google Scholar
HIS = Henrik Ibsens skrifter, ed. Vigdis Ystad [et al.], 16 vols. (Oslo: Aschehoug, 2005–10).Google Scholar
Historisk statistikk 1968 (Oslo: Statistisk sentralbyrå, 1969).Google Scholar
Hoare, Eileen, ‘A Doll House in Australia’, The Ibsen Society of America, www.ibsensociety.liu.edu/conferencepapers/adollhouse.pdf.Google Scholar
Holledge, Julie, Bollen, Jonathan, Helland, Frode & Tompkins, Joanne, A Global Doll’s House: Ibsen and Distant Visions (London: Palgrave, 2016).Google Scholar
Ibsen, Henrik, ‘A Doll’s House and An Enemy of the People’, in A Doll’s House and Other Plays, trans. Dawkin, Deborah & Skuggevik, Erik, ed. Rem, Tore (London: Penguin, 2016).Google Scholar
Ibsen, Henrik, From Ibsen’s Workshop: Notes, Scenarios and Drafts of the Modern Plays, trans. Chater, A.G. and ed. Archer, William, in The Collected Works, 12 vols. (London: Heinemann, 1912), vol. 12.Google Scholar
Ibsen, Henrik, Ibsen’s Poems, in versions by Northam, John (Oslo: Norwegian University Press, 1986).Google Scholar
Ibsen, Henrik, Letters and Speeches, ed. Sprinchorn, Evert (London: MacGibbon & Kee, 1965).Google Scholar
Ibsen, Henrik, Letters of Henrik Ibsen, trans. Laurvik, John Nilsen & Morison, Mary (New York: Duffield & Comp., 1908).Google Scholar
Ibsen, Henrik, ‘Rosmersholm’, in An Enemy of the People, The Wild Duck, Rosmersholm, trans. McFarlane, James W. (Oxford: Oxford University Press, 1999).Google Scholar
Ibsen, Henrik, Samlede verker, Hundreårsutgave, eds. Bull, Francis, Koht, Halvdan & Seip, Didrik Arup, 21 vols. (Oslo: Gyldendal, 1928–57), vol. 15: Artikler og taler and vol. 16: Brev 1844–1871.Google Scholar
Ibsen, Henrik The Master Builder, in The Master Builder and Other Plays, trans. Haveland, Barbara J. & Stanton-Ife, Anne-Marie, ed. Rem, Tore (London: Penguin, 2014).Google Scholar
Ibsen, Henrik, The Oxford Ibsen, ed. McFarlane, James W., 8 vols. (London: Oxford University Press, 1960–77), vols. 1–5.Google Scholar
Innes, Christopher, ‘Preface’, in Innes, Cambridge Companion to Shaw, xvii–xviii.Google Scholar
Innes, Christopher (ed.), The Cambridge Companion to George Bernard Shaw (Cambridge: Cambridge University Press, 1998).Google Scholar
Jackson, Holbrook, ‘The Higher Drama’, The Eighteen Nineties: A Review of Art and Ideas at the Close of the Nineteenth Century [1913] (Brighton: Harvester P., 1976).Google Scholar
Jakobsen, Kjetil, Kritikk av den reine autonomi: Ibsen, verden og de norske intellektuelle. Dr.art. dissertation (Oslo: University of Oslo, 2004).Google Scholar
James, Henry, Henry James: Letters, ed. Edel, Leon, 4 vols. (London: Macmillan, 1980), vol. 3.Google Scholar
James, Henry ‘On the Occasion of “Hedda Gabler”’, in Egan, Ibsen, 234–44.Google Scholar
James, Henry[Review of John Gabriel Borkman], Harper’s Weekly, 6 February 1897, in Egan, Ibsen, 363–65.Google Scholar
Jan, Sara, ‘Naturalism in the Theatre: Ibsen’s Ghosts in 1890s England’, in Ewbank, Lausund & Tysdahl, Anglo-Scandinavian, 159–73.Google Scholar
Jelavich, Peter, Munich and Theatrical Modernism: Politics, Playwriting, and Performance 1890–1914 (Cambridge, MA.: Harvard University Press, 1985).Google Scholar
Jenkins, Anthony, The Making of Victorian Drama (Cambridge: Cambridge University Press, 1991).Google Scholar
Jerome, Jerome K. [‘A Dramatist’], Playwriting: A Handbook for Would-Be Dramatic Authors (London: The Stage Office, 1888).Google Scholar
Johnston, Brian, ‘Introduction’ to Ibsen’s Selected Plays (London: Norton, 2004), xi–xxi.Google Scholar
Johnston, Brian, Text and Supertext in Ibsen’s Drama (London: Pennsylvania State University Press, 1989).Google Scholar
Jongh, Nicholas de, Politics, Prudery & Perversions: The Censoring of the English Stage 1901–1968 (London: Methuen, 2000).Google Scholar
Joyce, James, ‘Ibsen’s New Drama’, Fortnightly Review, 1 April 1900, in Egan, Ibsen, 385–91.Google Scholar
Joyce, James, Letters of James Joyce, ed. Gilbert, Stuart & Ellmann, Richard, 3 vols. (London: Faber and Faber, 1957–66), vol. 1.Google Scholar
Joyce, James, Selected Letters of James Joyce, ed. Ellmann, Richard (London: Faber & Faber, 1975).Google Scholar
Jæger, Henrik ‘Henrik Jægers opptegnelser fra samtaler med Ibsen’, in Midtbøe, Hans, Streiflys over Ibsen og andre studier (Oslo: Gyldendal, 1960), 141–64.Google Scholar
Kafka, Franz, Diaries, 1910–1923, ed. Brod, Max, trans. Kresh, Joseph, Greenberg, Martin & Arendt, Hannah (New York: Schocken Books, 1976).Google Scholar
Kaplan, Joel H. & Stowell, Sheila, Theatre and Fashion (Cambridge: Cambridge University Press, 1994).Google Scholar
Karpantschof, René & Mikkelsen, Flemming, ‘Folkelige protestbølger og demokrati i Danmark seet i et internationalt perspektiv 1700–2000’, in Langeland, Nils Rune (ed.), Politisk kompetanse: Grunnlovas borgar 1814–2014 (Oslo: Pax, 2014), 105–39.Google Scholar
Keating, Peter, The Haunted Study: A Social History of the English Novel 1875–1914 (London: Secker & Warburg, 1989).Google Scholar
Keel, Aldo, ‘Reclam und der Norden. Autoren, Titel, Auflagen 1869–1943’, in Reclam. 125 Jahre Universalbibliothek 1867–1992, ed. Bode, Dietrich (Stuttgart: Philipp Reclam jun., 1992), 132–47.Google Scholar
Kelly, Katherine E., ‘Imprinting the Stage: Shaw and the Publishing Trade, 1883–1903’, in Innes, Cambridge Companion to Shaw, 25–54.Google Scholar
Kielland, Alexander L., Brev 1869–1906, ed. Lunde, Johs., 4 vols. (Oslo: Gyldendal, 1978), vol. 2.Google Scholar
Kittang, Atle, Ibsens heroisme: Frå Brand til Når vi døde vågner (Oslo: Gyldendal, 2002).Google Scholar
Koht, Halvdan, Life of Ibsen, trans. and ed. Haugen, Einar & Santaniello, A.E. (New York: Blom, 1971).Google Scholar
Knudsen, Jørgen, Georg Brandes: I modsigelsernes tegn: Berlin 1877–83 (Copenhagen: Gyldendal, 1988).Google Scholar
Knudsen, Jørgen, Georg Brandes: Symbolet og manden: 1883–1895 (Copenhagen: Gyldendal, 1994).Google Scholar
Kristensen, Sven Møller, Digteren og samfundet i Danmark i det 19. århundrede, 2 vols. [1942–45] (Copenhagen: Munksgaard, 1970), vol. 2: Naturalismen.Google Scholar
Lange, Sven, ‘Henrik Ibsen og det unge Europa: Spredte Indtryk’, in Gran, Festskrift, 225–33.Google Scholar
Larsen, Lars Frode, Tilværelsens Udlænding: Hamsun ved gjennombruddet (1891–1893) (Oslo: Schibsted, 2002).Google Scholar
Larsen, Peter, Ibsen og fotografene: 1800-tallets visuelle kultur (Oslo: Universitetsforlaget, 2013).Google Scholar
Lausund, Olav, ‘Edmund Gosse: Ibsen’s First Prophet to English Readers’, in Ewbank, Lausund & Tysdahl, Anglo-Scandinavian, 139–58.Google Scholar
Leary, Patrick & Nash, Andrew, ‘Authorship’, in The Cambridge History of the Book in Britain (Cambridge: Cambridge University Press, 1999–), vol. 6, 172–213.Google Scholar
Ledger, Sally, ‘Eleanor Marx and Henrik Ibsen’, in Stokes, John (ed.), Eleanor Marx (1855–1898) (Aldershot: Ashgate, 2000), 53–68.Google Scholar
Lie, Jonas, Brev 1851–1908, ed. Holm-Olsen, Anne Grete, 3 vols. (Oslo: Novus, 2009), vol. 1.Google Scholar
Lindberg, Per, August Lindberg: Skådespelaren och Människan (Stockholm: Natur och kultur, 1943).Google Scholar
Lindberger, Örjan, ‘Ibsen och två svenska teaterchefer’, Nordisk tidskrift för vetenskap, konst och industri, vol. 40, no.6 (1964), 376–86.Google Scholar
Lindau, Paul, Nur Erinnerungen, 2 vols. (Stuttgart & Berlin: Cotta, 1916–1917), vol. 2.Google Scholar
Listov, A., Ordsamling fra den norske æsthetiske Literatur siden Aaret 1842, alfabetisk ordnet og forklaret (København: Gyldendal, 1866).Google Scholar
Lord, H.F., ‘Life of Henrik Ibsen’, in Nora: A Play (London: Griffith and Farran, 1882), vii–xxiv.Google Scholar
Loué, Thomas, ‘Un modèle matriciel: les revues de culture générale’, in Pluet-Despatin, Leymarie & Mollier, Belle Époque, 57–68.Google Scholar
Lyons, Charles S., Henrik Ibsen: The Divided Consciousness (Carbondale & Edwardsville: Southern Illinois University Press, 1972).Google Scholar
Lyons, Martyn, A History of Reading and Writing in the Western World (Basingstoke: Palgrave Macmillan 2010).Google Scholar
Lyons, Martyn, Le Triomphe du livre: Une histoire sociologique de la lecture dans la France du XIXe siècle (Paris: Promodis, 1987).Google Scholar
MacCarthy, Desmond, The Court Theatre 1904–1907: A Commentary and Criticism (London: Bullen, 1907).Google Scholar
McFarlane, James W., ‘Berlin and the Rise of Modernism’, in Bradbury, Malcolm & McFarlane, James W. (eds.), Modernism: 1890–1930 (London: Penguin, 1991), 105–19.Google Scholar
McFarlane, James W. (ed.), The Cambridge Companion to Ibsen (Cambridge: Cambridge University Press, 1994)Google Scholar
Matlaw, Myron (ed.), Modern World Drama: An Encyclopedia (London: Secker & Warburg, 1972).Google Scholar
Marker, Frederick J. & Marker, Lise-Lone, The Scandinavian Theatre: A Short History (Oxford: Basil Blackwell, 1975).Google Scholar
Marshall, Gail, Actresses on the Victorian Stage (Cambridge: Cambridge University Press, 1998).Google Scholar
Marx, Karl & Engels, Friedrich, ‘The Communist Manifesto (1848)’, in D’haen, Domínguez & Thomsen, World Literature, 16–17.Google Scholar
Mendelssohn, Peter de, S. Fischer und sein Verlag (Frankfurt am Main: S. Fischer, 1970).Google Scholar
Miller, Anna, The Independent Theatre in Europe 1887 to the Present (New York: Blom, 1966).Google Scholar
Mix, Katherine Lyon, A Study in Yellow: The Yellow Book and Its Contributors (London: Constable, 1960).Google Scholar
Moi, Toril, Ibsen and the Birth of Modernism: Art, Theatre, Philosophy (Oxford: Oxford University Press, 2006).Google Scholar
Moisy, Sigrid von, Paul Heyse: Münchener Dichterfürst im bürgerlichen Zeitalter (München: C.H. Beck, 1981).Google Scholar
Mollier, Jean-Yves, ‘La revue dans le système éditorial’, in Pluet-Despatin, Leymarie & Mollier, Belle Époque, 43–56.Google Scholar
Moore, George, ‘Our Dramatists and Their Literature’, Fortnightly Review, vol. 52 (November 1889), 620–32.Google Scholar
Neue deutsche Biographie (Berlin: Duncker & Humblot, 1953–).Google Scholar
Nissen, Martinus, ‘Statistisk Udsigt over den Norske Litteratur fra 1814 til 1847’, Norsk Tidsskrift for Videnskab og Literatur (1849), 177–207.Google Scholar
Nygaard, Jon, ‘ … af stort est du kommen’: Henrik Ibsen og Skien, Ibseniana, Acta VIII (Oslo: Centre for Ibsen Studies/Akademika, 2013).Google Scholar
Nygård, Stefan & Strang, Johan, ‘Facing Asymmetry: Nordic Intellectuals and Center-Periphery Dynamics in European Cultural Space’, Journal of the History of Ideas, vol. 77, no. 1 (2016), 75–97.Google Scholar
Nyholm, Kela, ‘Henrik Ibsen paa den franske scene’, Ibsenårbok 1957–59, 7–78.Google Scholar
Næss, Trine, Christiania Theater forteller sin historie 1877–1899 (Oslo: Novus, 2005).Google Scholar
Papazian, Eric, ‘Språkreformatoren Knud Knudsen’, Språknytt, vol. 40, no. 2 (2012), 19–22.Google Scholar
Pasche, Wolfgang, Skandinavische Dramatik in Deutschland: Björnstjerne Björnson, Henrik Ibsen, August Strindberg auf der deutschen Bühne 1867–1932. Beiträge zur nordischen Philologie, herausgegeben von der Schweizerischen Gesellschaft für skandinavische Studien, 9 (Basel: Helbing & Lichtenhahn, 1979).Google Scholar
Paulus, Gretchen, ‘Beerbohm Tree and “The New Drama,”’ University of Toronto Quarterly, vol. 27 (1957), 103–15.Google Scholar
Pettersen, Hjalmar, Skrifter af Henrik Ibsen, Bibliographia Ibseniana (Kristiania: [Det Mallingske Bogtrykkeri] 1922), vol. 2.Google Scholar
Pfäfflin, Friedrich & Kussmaul, Ingrid, S. Fischer, Verlag, von der Gründung bis zur Rückkehr aus dem Exil: Eine Ausstellung des Deutschen Literaturarchivs im Schiller-Nationalmuseum Marbach am Neckar, 1985, Marbacher Kataloge, no. 40 (Marbach: Deutsche Schillergesellschaft, 1985).Google Scholar
Pluet-Despatin, Jacqueline, Leymarie, Michel & Mollier, Jean Yves (eds.), La Belle Époque des revues 1880 1914 (Paris: Éditions de L’Imec, 2002).Google Scholar
Powell, Kerry, Oscar Wilde and the Theatre of the 1890s (Cambridge: Cambridge University Press, 1990).Google Scholar
Puchner, Martin, ‘Goethe, Marx, Ibsen and the Creation of World Literature’, Ibsen Studies, vol. 13, no. 1 (2013), 28–46.Google Scholar
Puchner, Martin, Stage Fright: Modernism, Anti-Theatricality, and Drama (London: Johns Hopkins University Press, 2002).Google Scholar
Qvistgaard, Magnus, Pioneering Ibsen’s Drama: Agents, Markets and Reception 1852–1893. Unpublished dissertation (Florence: European University Institute, 2015).Google Scholar
Raven, James et al. (eds.), The Practice and Representation of Reading in England (Cambridge: Cambridge University Press, 1996).Google Scholar
Ray, Catherine, ‘Henrik Ibsen’, in The Emperor and Galilean: A Drama in Two Parts, trans. Ray, Catherine (London: Samuel Tinsley, 1876), iii–xiv.Google Scholar
Rem, Tore, ‘Bjørnson, bønder og lesning: Om gotiske meningsdannelser’, Edda, vol. 92, no. 3 (2005), 243–58.Google Scholar
Rem, Tore ‘“Cheerfully Dark”: Punchian Parodies of Ibsen in the Early 1890s’, in Ewbank, Lausund & Tysdahl, Anglo-Scandinavian, 215–30.Google Scholar
Rem, Tore, Forfatterens strategier: Alexander Kielland og hans krets (Oslo: Universitetsforlaget, 2002).Google Scholar
Rem, Tore, Født til frihet: En biografi om Jens Bjørneboe (Oslo: Cappelen Damm, 2010).Google Scholar
Rem, Tore ‘Hot Property: Reading Ibsen in the British Fin de Siécle’, http://ibsen.nb.no/id/98024.Google Scholar
Rem, Tore ‘Nationalism or Internationalism? The Early Irish Reception of Ibsen’, Ibsen Studies, vol. 7, no. 2 (2007), 188–202.Google Scholar
Repertoardatabase, http://ibsen.nb.no/id/1998.0 (accessed in 2014; transferred to https://ibsenstage.hf.uio.no in 2017)Google Scholar
Report from the Select Committee on Theatres and Places of Entertainment (London: Eyre & Spottiswoode, 1892).Google Scholar
Rhys, Ernest (ed.), Malory’s History of King Arthur and the Quest for the Holy Grail [Morte D’Arthur] (London: Walter Scott, 1886).Google Scholar
Riley, Denise, ‘Am I That Name?’: Feminism and the Category of ‘Women’ in History (Houndmills & London: Macmillan, 1988).Google Scholar
Ringdal, Nils Johan, By, bok og borger: Deichmanske bibliotek gjennom 200 år (Oslo: Aschehoug, 1985).Google Scholar
Roberts, Chalmer, William Heinemann: May 18th, 1863–October 5th, 1920: An Appreciation (London: Privately printed, 1920).Google Scholar
Rowell, George and Jackson, Anthony, The Repertory Movement (Cambridge: Cambridge University Press, 1984).Google Scholar
Russell, Edward, Ibsen: A Lecture Delivered at University College, Liverpool (London: Simpkin, Marshall & Co., 1894).Google Scholar
Rønning, Helge, Den umulige friheten: Henrik Ibsen og moderniteten (Oslo: Gyldendal, 2006).Google Scholar
St Clair, William, The Reading Nation in the Romantic Period (Cambridge: Cambridge University Press, 2004).Google Scholar
St John, John, William Heinemann: A Century of Publishing 1890–1990 (London: Heinemann, 1990).Google Scholar
Salmonsens Konversationsleksikon, 2nd ed., 25 vols. (Copenhagen: J.H. Schultz, 1915–28), vol. 2.Google Scholar
Sangerfestkomiteen, Beretning om den femte store Sangerfest afholdt i Bergen 14–18 Juni 1863, Udg. ved Sangerfestkomiteen (Kristiania: Joh. D. Behrens, 1963).Google Scholar
Sapiro, Gisèle, ‘Autonomy Revisited: The Question of Mediations and Its Methodological Implications’, Paragraph, vol. 35, no. 1 (2012), 30–48.Google Scholar
Sapiro, Gisèle ‘Translation and the Field of Publishing: A Commentary on Pierre Bourdieu’s “A Conservative Revolution in Publishing”’, Translation Studies, vol. 1, no. 2 (2008), 154–66.Google Scholar
Sars, Ernst, Norges Politiske Historie 1815–1885 (Kristiania: Oscar Andersens Bogtrykkeri, 1904).Google Scholar
Schoonderwoerd, N.H.G., J.T. Grein: Ambassador of the Theatre 1862–1935: A Study in Anglo-Continental Relations (Assen: Van Gorcum, 1963).Google Scholar
Schreiner, Olive, Olive Schreiner: Letters 1871–9, ed. Rive, Richard (Oxford: Oxford University Press, 1987).Google Scholar
Schwartz, Fritz, ‘Die Ausdehnung des internationalen Urheberrechtsschutzes’, Vorbericht. IV. Internationaler Verleger-Kongress zu Leipzig vom 10.–13. Juni 1901 (Leipzig: Brockhaus, 1901), 63–66.Google Scholar
Scott, Clement, Editorial Comment on Ghosts, Daily Telegraph, 14 March 1891, in Egan, Ibsen, 189–93.Google Scholar
Scott, Clement, The Drama of Yesterday & To-day, 2 vols. (London: Macmillan, 1899), vol. 1.Google Scholar
Scott, Joan Wallach, Only Paradoxes to Offer: French Feminists and the Rights of Man (Cambridge, Mass.: Harvard University Press, 1996).Google Scholar
Setterquist, Jan, Ibsen and the Beginnings of Anglo-Irish Drama (Uppsala: Lundequistska Bokhandeln, 1951).Google Scholar
Shaw, George Bernard, ‘An Aside’, in McCarthy, Lillah, Myself and My Friends – A Life on the Stage (London: T. Butterworth, 1933), 3.Google Scholar
Shaw, George Bernard, Bernard Shaw: Collected Letters, ed. Laurence, Dan H., 4 vols. (New York: Dodd Mead, 1965–88), vol. 1.Google Scholar
Shaw, George Bernard, Plays: Pleasant and Unpleasant, 2 vols. (London: Grant Richards, 1898), vol. 1.Google Scholar
Shaw, George Bernard ‘The New Ibsen Play’, Dramatic Opinions and Essays, 2 vols. (London: Constable, 1907), vol. 2, 154–62.Google Scholar
Shepherd-Barr, Kirsten, Ibsen and Early Modernist Theatre, 1890–1900 (Westport, Conn.: Greenwood Press 1997).Google Scholar
Shepherd-Barr, Kirsten ‘Ibsen in France from Breakthrough to Renewal’, Ibsen Studies, vol. 12, no. 1 (2012), 56–80.Google Scholar
Shepherd-Barr, Kirsten ‘The Development of Norway’s National Theatres’, in Wilmer, S.E. (ed.), National Theatres in a Changing Europe (Houndmills: Palgrave Macmillan, 2008), 85–98.Google Scholar
Smidt, Kristian, Silent Creditors: Henrik Ibsen’s Debt to English Literature (Oslo: Aschehoug, 2004).Google Scholar
Solstad, Dag, ‘Kierkegaard og Ibsen’, in Cappelørn, Niels Jørgen et al. (eds.), Kierkegaard, Ibsen og det moderne (Oslo: Universitetsforlaget, 2010), 25–35.Google Scholar
Steen, Ellisiv, Den lange strid: Camilla Collett og hennes senere forfatterskap (Oslo: Gyldendal, 1954).Google Scholar
Stephens, John Russel, The Censorship of English Drama, 1824–1901 (Cambridge: Cambridge University Press, 1980).Google Scholar
Stråth, Bo, Union og demokrati: Dei sameinte rika Noreg-Sverige 1814–1905 (Oslo: Pax, 2005).Google Scholar
Tanum, Johan Grundt & Schetelig, Sverre, Den norske bokhandlerforening: 1851 – 10. januar – 1926 (Oslo: Foreningen, 1926).Google Scholar
Templeton, Joan, ‘Antoine versus Lugné-Poë: The Battle for Ibsen on the French Stage’, in Deppermann, Maria et al. (eds.), Ibsen im europäischen Spannungsfeld zwischen Naturalismus und Symbolismus, Kongressakten der 8. Internationalen Ibsen-Konferenz, Gossensass, 23.–28.6.1997 (Frankfurt aM: Peter Lang 1998), 71–82.Google Scholar
The Incorporated Stage Society: Ten Years 1899 to 1909 (London: Chiswick Press, 1909).Google Scholar
Thwaite, Ann, Edmund Gosse: A Literary Landscape, 1849–1928 (London: Secker & Warburg, 1984).Google Scholar
Tocqueville, Alexis de, Democracy in America, trans. Reeve, Henry, rev. Bowen, Francis and Bradley, Phillips (New York: Alfred A. Knopf, 1972).Google Scholar
III Todd, William Mills, ‘The Ruse of the Russian Novel’, in Moretti, Franco (ed.), The Novel (Princeton, NJ: Princeton University Press, 2006), vol. 1, 401–23.Google Scholar
Torsslow, Stig, Ibsens brevväxling med Dramatiska teatern (Stockholm: [Kungliga dramatiska teatern], 1973).Google Scholar
Trüper, Henning, Topography of a Method: Francois Louis Ganshof and the Writing of History (Tübingen: Mohr Siebeck, 2014).Google Scholar
Turner, John R., A History of the Walter Scott Publishing House. Unpublished dissertation (Aberystwyth: University of Wales, 1995).Google Scholar
Turner, John R. ‘The Camelot Series, Everyman’s Library, and Ernest Rhys’, Publishing History, vol. 31 (1992), 27–46.Google Scholar
Turner, John R., The Walter Scott Publishing Company: A Bibliography (Pittsburgh, Pa: University of Pittsburgh Press, 1997).Google Scholar
Tveterås, Harald L., Bokens kulturhistorie: Formet av forfattere, forleggere, bokhandlere og lesere, 1850–1900. Den norske bokhandels historie (Oslo: Cappelen, 1986 ), vol. 3.Google Scholar
Tveterås, Harald L., Norske forfattere på danske forlag, 1850–1890. Den norske bokhandels historie (Oslo: Cappelen, 1964), vol. 2.Google Scholar
Vestheim, Geir, ‘(…) der er Gift paa Pennen hans’: Kampen i Stortinget om diktargasjane 1863–1962 (Oslo: Unipub, 2005).Google Scholar
Vibe, Johan, ‘Henrik Ibsen som Forfatter af Nutidsdramaer’, Vidar: Tidsskrift for Videnskab, Literatur og Politik (1887), 481–502.Google Scholar
von Vegesack, Thomas, ‘Sweden’, in Jones, Derek (ed.), Censorship: A World Encyclopedia, 4 vols. (London: Fitzroy Dearborn, 2001), vol. 4, 2353–56.Google Scholar
Wagner, Hans, 200 Jahre Münchener Theaterchronik 1750–1950 (München: Wissenschaftlicher Verlag Robert Lerche, 1958).Google Scholar
Walkley, Arthur Bingham, ‘A Doll’s House: Henrik Ibsen in English – Miss Janet Achurch as Nora’, The Star, 8 June 1889.Google Scholar
Walkley, Arthur Bingham, [‘Spectator’], ‘The Lady from the Sea’, The Star, [May 1891?], VAM, William Archer Collection, GB 71 THM/368/3, Box 2: Press cuttings.Google Scholar
Ward, T.H., ‘Review of Studies in the Literature of Northern Europe’, The Academy, vol. 15, 10 May 1879, 294.Google Scholar
Weber, Max, ‘Politics as a Vocation’, Max Weber’s Complete Writings on Academic and Political Vocations, trans. Wells, Gordon C., ed. Dreijmanis, John (New York: Algora Publishing, 2007), 155–207.Google Scholar
White, Hayden, ‘Against Historical Realism: A Reading of “War and Peace”’, New Left Review, no. 46 (July–August 2007), 89–110.Google Scholar
Wilfert-Portal, Blaise, ‘Au temps du «cosmopolitisme»?: Les revues parisienne et la litterature etrangere, 1890–1900’, in Stead, Evanghelia and Védrine, Hélène (eds.), L’Europe des Revues: Réseaux et circulations des modèles (Paris: Presse Universitaires de Paris Sorbonne, 2017), vol. 2, 257–75, in press.Google Scholar
Wilfert-Portal, Blaise ‘Une nouvelle géopolitique intellectuelle. Entre nationalisme et cosmopolitisme’, in La Vie intellectuelle en France, ed. Charle, Christophe and Jeanpierre, Laurent (Paris: Le Seuil, 2016), vol. 1, 560–91.Google Scholar
Williams, Simon, ‘Ibsen and the Theatre 1877–1900’, in McFarlane, Companion, 165–82.Google Scholar
Wilson, William, ‘Preface’, in Brand: A Drama, trans. Wilson, William [1891] (London: Methuen, 1894), v–xv.Google Scholar
Wirsén, Carl David af, ‘Henrik Ibsen: En Folkefiende: Skuespil i fem akter’, Post-och Inrikes Tidningar, nos. 289 and 290, 12 and 13 December 1882.Google Scholar
Wirsén, Carl David af ‘Literatur: Henrik Ibsen: Gengangere’, Post-och Inrikes Tidningar, no. 1, 2 January 1882.Google Scholar
Wittmann, Reinhard, Buchmarkt und Lektüre im 18. und 19. Jahrhundert: Beiträge zum literarischen Leben 1750–1880 (Tübingen: Max Niemeyer, 1982).Google Scholar
Worthen, W.B., Print and Poetics and Modern Drama (Cambridge: Cambridge University Press, 2005).Google Scholar
Young, Robin, ‘Ibsen and Comedy’, in McFarlane, Companion, 58–67.Google Scholar
Ystad, Vigdis, Innledning til Catilina: Bakgrunn, www.ibsen.uio.no/DRINNL_C1%7Cintro_background.xhtml, book ed.: HIS 1k, 13–42.Google Scholar
Ystad, Vigdis, Innledning til De unges Forbund: Utgivelse: Mottagelse av utgaven, www.ibsen.uio.no/DRINNL_UF%7Cintro_publication.xhtml, book ed.: HIS 6k, 31–39.Google Scholar
Ystad, Vigdis, Innledning til Et Dukkehjem: Bakgrunn, www.ibsen.uio.no/DRINNL_Du%7Cintro_background.xhtml, book ed.: HIS 7k, 191–210.Google Scholar
Ystad, Vigdis, Innledning til [Olaf Liljekrans] [1877/78]: Tilblivelse, www.ibsen.uio.no/DRINNL_O3%7Cintro_creation.xhtml, book ed. HIS 2k, 670–72.Google Scholar
Zola, Émile, ‘From Naturalism in the Theatre’ [1878], in Bentley, Eric (ed.), The Theory of the Modern Stage: An Introduction to Modern Theatre and Drama [1968] (Harmondsworth: Penguin, 1976), 351–72.Google Scholar
Østvedt, Einar, Fra 1814 til ca. 1870: Skiens historie (Skien: Skien kommune, 1958), vol. 2.Google Scholar