The Age, 19th Century UK Periodicals.Google Scholar

Aggeler, Geoffrey, ‘Incest and the Artist: MF’, in Aggeler, Geoffrey (ed.), Critical Essays on Anthony Burgess (Boston: Hall, 1986), 172–85.Google Scholar

Ahnfelt, Arvid, Europas Konstnärer: Alfabetiskt Ordnade Biografier Öfver Vårt Århundrades Förnämsta Artister (Stockholm: Lamm, 1887), http://runeberg.org/eurkonst/0015.html.Google Scholar

Akenside, Mark, The Poetical Works of Mark Akenside, ed. Dix, Robin (Cranbury, NJ: Associated University Presses, 1996).Google Scholar

Alexander, Louis C., The Autobiography of Shakespeare: A Fragment (London: Headley Brothers, 1911).Google Scholar

American National Biography, ed. Garraty, John A. and Carnes, Mark C., 24 vols. (Oxford University Press, 1999).Google Scholar

A.P.H., ‘Little Talks’, Punch 10.4 (1940), 390–99.Google Scholar

Asimov, Isaac, Asimov’s Guide to Shakespeare (New York: Doubleday, 1970).Google Scholar

Asimov, Isaac, ‘The Immortal Bard’, in Earth is Room Enough (1957; rpt. St. Albans: Panther, 1960), 149–51.Google Scholar

Baker, Susan, ‘Shakespearean Authority in the Classic Detective Story’, Shakespeare Quarterly 46.4 (Winter 1995), 424–48.CrossRefGoogle Scholar

‘The Bard’ (1963), dir. Butler, David, written by Serling, Rod, The Twilight Zone: The Complete Fourth Season, DVD, CBS 2013.Google Scholar

Barker, Deborah E., and Kamps, Ivo, Shakespeare and Gender: A History (London: Verso, 1995).Google Scholar

Bate, Jonathan, Shakespearean Constitutions: Politics, Theatre, Criticism 1730–1830 (Oxford: Clarendon Press, 1989).Google Scholar

Bellier-Dumaine, Ch., Alexandre Duval et son oeuvre dramatique, Thesis Université de Rennes (Paris: Librairie Hachette, 1905).Google Scholar

Bell’s Life in London and Sporting Chronicle, 19th Century UK Periodicals.Google Scholar

Benford, Gregory, ‘Not of an Age’, in Kerr, Katharine and Greenberg, Martin H. (eds.), Weird Tales from Shakespeare (New York: Daw Books, 1994), 277–91.Google Scholar

Bertha, Csilla, ‘“They Raigne Ouer Change, and Doe Their States Maintaine”: Change, Stasis, and Postcoloniality in Frank McGuinness’s Mutabilitie’, Irish University Review 33.2 (2003), 307–21.Google Scholar

Blackadder Back & Forth, script by Richard Curtis and Ben Elton, BBC 1999, YouTube, www.youtube.com/watch?v=rzHn2H2V8N4.Google Scholar

Blakeley, John, ‘Shakespearean Relocations: The Final Scene of John Madden’s Shakespeare in Love’, Shakespeare Bulletin 27.2 (2009), 249–59.Google Scholar

Bond, Edward, Bingo: Scenes of Money and Death (London: Methuen, 1974).Google Scholar

Bonfio, Conte Giacomo Filippo (tr.), Shakespeare Innamorato (Venice: Rizzi, 1820).Google Scholar

Booth, Stephen (ed.), Shakespeare’s Sonnets (New Haven: Yale University Press, 1977).Google Scholar

Borges, Jorge Luis, Collected Fictions, tr. Hurley, Andrew (London: Penguin, 1999).Google Scholar

Boyd, Elizabeth, Don Sancho: Or the Students Whim (London: printed for the author, 1739), Eighteenth Century Collections Online, Gale.Google Scholar

Boye, Caspar Johannes, William Shakspeare: Romantisk skuespil (Copenhagen: Schultz, 1826).Google Scholar

Bradshaw, Christopher Brooke, Shakspere and Company: A Comedy in Five Acts (London: Fox, 1845).Google Scholar

Brahms, Caryl, and Simon, S.J., No Bed for Bacon (1941; new ed.; London: Black Swan, 1999).Google Scholar

Bridi, Carlo (tr.), Shakespeare Innamorato, Commedia di un atto solo di Allessandro Duval, Traduzione libera, Bibliotheca Ebdomadaria-Teatrale, Fasc. 32 (Milan: Visaj, 1829).Google Scholar

Bristol, Michael D., Shakespeare’s America, America’s Shakespeare (London: Routledge, 1990).Google Scholar

British Biographical Archive, ed. Baillie, Laureen and Sieveking, Paul (Munich: Sauer, 1984), microfiches.Google Scholar

Brodersen, D. (tr.), Shakespeare oder der beglückte Dichter, Lustspiel in einem Akt, Nach dem Französischen des Alexis Duvals (Königsberg: Haberland, 1810).Google Scholar

Brophy, John, Gentleman of Stratford (1939; New York: Harper, 1940).Google Scholar

Brown, Ivor, and Fearon, George, This Shakespeare Industry: Amazing Monument (New York: Harper, 1939).Google Scholar

Bruun, Niels Thoroup (tr.), Shakespeare som Elsker eller Prøven paa Richard den Tredie, Lystspil i een Act af Alexander Duval (Copenhagen: Brummer, 1813).Google Scholar

Burgess, Anthony, Enderby’s Dark Lady: Or No End to Enderby (New York: McGraw-Hill, 1984).Google Scholar

Burgess, Anthony, ‘Genesis and Headache’, in McCormack, Thomas (ed.), Afterwords: Novelists on Their Novels (New York: Harper and Row, 1969), 28–47.Google Scholar

Burgess, Anthony, ‘A Meeting in Valladolid’, The Devil’s Mode (London: Hutchinson, 1989), 5–21.Google Scholar

Burgess, Anthony, Nothing Like the Sun (1964; London: Vintage, 1992).Google Scholar

Burgess, Anthony, Shakespeare (London: Jonathan Cape, 1970).Google Scholar

Burgess, Anthony, You’ve Had Your Time (London: Heinemann, 1990).Google Scholar

Burrow, Colin (ed.), The Complete Sonnets and Poems, The Oxford Shakespeare (Oxford University Press, 2002).Google Scholar

Burt, Richard, ‘Shakespeare in Love and the End of the Shakespearean: Academic and Mass Culture Constructions of Literary Authorship’, in Burnett, Mark Thornton and Wray, Ramona (eds.), Shakespeare, Film, Fin de Siècle (Houndmills, Basingstoke: Macmillan, 2000), 203–31.Google Scholar

Burton, Philip, You, My Brother (New York: Random House, 1973).Google Scholar

Butterworth, Charles C., The Literary Lineage of the King James Bible: 1340–1611 (Philadelphia: University of Pennsylvania Press, 1941).CrossRefGoogle Scholar

Calder, Charles, ‘Hugh Kingsmill’, Dictionary of Literary Biography 149 (1995), 109–15.Google Scholar

Calvo, Clara, ‘Shakespeare and Cervantes in 1916: The Politics of Language’, in Lambert, Ladina Bezzola and Engler, Balz (eds.), Shifting the Scene: Shakespeare in European Culture (Cranbury, NJ: Associated University Presses, 2004), 78–94.Google Scholar

Calvo, Clara, ‘Shakespeare, Napoleon, and Juan de Grimaldi: Cultural Politics and French Troops in Spain’, in Delabastita, Dirk et al. (eds.), Shakespeare and European Politics (Newark: University of Delaware Press, 2008), 109–23.Google Scholar

Carlyle, Thomas, On Heroes, Hero-Worship, and the Heroic in History (1841; Boston: Ginn, 1901).Google Scholar

Carrell, Jennifer Lee, Interred with Their Bones (New York: Dutton, 2007).Google Scholar

Carrington, Charles, Rudyard Kipling: His Life and Work (1955; Harmondsworth: Penguin, 1986).Google Scholar

Catalogue of the Books, Manuscripts, Works of Art, Antiquities and Relics at Present Exhibited in Shakespeare’s Birthplace (Stratford-upon-Avon: printed for the Trustees and Guardians of Shakespeare’s Birthplace, 1910), Archive.org.Google Scholar

Chancellor, Louise Beecher, The Players of London: A Tale of an Elizabethian [sic] Smart Set (New York: Dodge, 1909).Google Scholar

Chapman, Robin, Shakespeare’s Don Quixote (Np: Book Now, 2011).Google Scholar

Chedgzoy, Kate, ‘“Strange Worship”: Oscar Wilde and the Key to Shakespeare’s Sonnets’, in her Shakespeare’s Queer Children: Sexual Politics and Contemporary Culture (Manchester University Press, 1995), 135–76.Google Scholar

Cheyfitz, Eric, The Poetics of Imperialism: Translation and Colonization from The Tempest to Tarzan, expanded ed. (Philadelphia: University of Pennsylvania Press, 1997).Google Scholar

Chvátal, Emanuel (tr.), Zamilovany Shakespeare (Prague: Srp, 1887).Google Scholar

Clarke, Sandra, ‘Shakespeare on Stage’, Folio 14.1 (2007), 5–26.Google Scholar

Cleave’s Penny Gazette of Variety, 19th Century UK Periodicals.Google Scholar

Coale, Samuel, Anthony Burgess (New York: Ungar, 1981).Google Scholar

Collinson, Patrick, ‘William Shakespeare’s Religious Inheritance’, in his Elizabethan Essays (London: Hambledon Press, 1994), 219–52.Google Scholar

A Comparison between the Two Stages (London, 1702; rpt. New York: Garland, 1973).Google Scholar

Connell, Norreys [pseudonym O’Riordan, Conal], Shakespeare’s End and Other Irish Plays (Adelphi: Stephen Swift, 1912).Google Scholar

Cooke, Katharine, A.C. Bradley and His Influence in Twentieth-Century Shakespeare Criticism (Oxford: Clarendon, 1972).Google Scholar

Cooper, Susan, King of Shadows (1999; Harmondsworth: Penguin, 2000).Google Scholar

Cumberland, Richard, Memoirs of Richard Cumberland, Written by Himself (London: Lackington, Allen, and Co., 1807), Archive.org.Google Scholar

Danchin, Pierre (ed.), The Prologues and Epilogues of the Restoration, 1660–1700, 7 vols. (Nancy: Publications Université de Nancy II, 1981–88).Google Scholar

Danchin, Pierre (ed.). The Prologues and Epilogues of the Eighteenth Century: A Complete Edition, 8 vols. (Nancy: Publications Université de Nancy II, 1990–2001).Google Scholar

Dane, Clemence [pseudonym Ashton, Winifred], Will Shakespeare: An Invention in Four Acts (New York: Macmillan, 1922).Google Scholar

‘The Dark Lady Players to Perform Shakespeare in New York’, PR Newswire, 4 March 2008, Web, www.prnewswire.com/news-releases/56805312.htmlGoogle Scholar

de Armas, Frederick A., ‘Heretical Stars: The Politics of Astrology in Cervantes’, in Cruz, Anne J. (ed.), Material and Symbolic Circulation between Spain and England, 1554–1604 (Aldershot: Ashgate, 2008), 89–100.Google Scholar

de Coster, Marc, ‘Verkante keer’, Fryske Akademy 2003, Web.Google Scholar

de Grazia, Margreta, ‘The Scandal of Shakespeare’s Sonnets’, in Alexander, Catherine M.S. and Wells, Stanley (eds.), Shakespeare and Sexuality (Cambridge University Press, 2001), 146–67.Google Scholar

de Quincey, Thomas, Biographies: Shakspeare, Pope, Goethe, and Schiller, De Quincey’s Works, vol. xv (Edinburgh: Black, 1863).Google Scholar

Dean, Joan FitzPatrick, ‘Advice to the Players (and the Historians): The Metatheatricality of McGuinness’s Mutabilitie’, Irish University Review 40.1 (2010), 81–91.Google Scholar

Delabastita, Dirk, et al. (eds.), Shakespeare and European Politics (Newark: University of Delaware Press, 2008).Google Scholar

Dhondy, Farrukh, Black Swan (London: Gollancz, 1992).Google Scholar

Dictionary of American Biography, ed. Malone, Dumas, 28 vols. (New York: Scribner’s Sons, 1928–65).Google Scholar

Dictionary of National Biography, ed. Lee, Sidney (London: Smith, Elder, and Co., 1894).Google Scholar

DiPietro, Cary, ‘Sex, Lies and Videotape: Representing the Past in Shakespeare in Love, Mapping a Future for Presentism’, Shakespeare 3.1 (April 2007), 40–62.CrossRefGoogle Scholar

DiPietro, Cary, Shakespeare and Modernism (Cambridge University Press, 2006).Google Scholar

Dobson, Michael, ‘Accents Yet Unknown: Canonisation and the Claiming of Julius Caesar’, in Marsden, Jean I. (ed.), The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth (New York and London: Harvester Wheatsheaf, 1991), 11–28.Google Scholar

Dobson, Michael, ‘Bowdler and Britannia: Shakespeare and the National Libido’, Shakespeare Survey 46 (1994), 137–44.Google Scholar

Dobson, Michael, The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660–1769 (Oxford: Clarendon, 1992).Google Scholar

Dobson, Michael, and Watson, Nicola J., England’s Elizabeth: An Afterlife in Fame and Fantasy (Oxford University Press, 2002).Google Scholar

Drakakis, John, ‘Theatre, Ideology, and Institution: Shakespeare and the Roadsweepers’, in Holderness, Graham (ed.), The Shakespeare Myth (Manchester University Press, 1988), 24–41.Google Scholar

Drake, Nathan, Montchensey, in his Noontide Leisure … Including a Tale of the Days of Shakspeare, 2 vols. (London: Cadell, 1824).Google Scholar

Drake, Nathan, Shakspeare and His Times (London: Cadell and Davies, 1817).Google Scholar

Dramatisch Nieuwjaar-geschenk of tooneel-almanak voor de Hollandsche departementen, schrikkel-jaar 1812 (Amsterdam: Maaskamp, 1812).Google Scholar

Duncan-Jones, Katherine (ed.), Shakespeare’s Sonnets, The Arden Shakespeare Third Series (NP: Thomas Nelson, 1997).Google Scholar

Duncan-Jones, Katherine, Ungentle Shakespeare: Scenes from His Life (London: The Arden Shakespeare, 2001).Google Scholar

Duval, Alexandre, Shakespeare amoureux; ou, la pièce à l’étude, in Oeuvres complètes d’Alexandre Duval (Brussels: Hayez, 1824–5), vol. viii, 305–48.Google Scholar

Edmondson, Paul, and Wells, Stanley, Shakespeare’s Sonnets, Oxford Shakespeare Topics (Oxford University Press, 2004).CrossRefGoogle Scholar

Ellis, David, That Man Shakespeare: Icon of Modern Culture (London: Helm, 2005).Google Scholar

Ellman, Richard, Oscar Wilde (London: Hamish Hamilton, 1987).Google Scholar

Engler, Balz, ‘Constructing Shakespeares in Europe’, in Pujante, Angel-Luis and Hoenselaars, Ton (eds.), Four Hundred Years of Shakespeare in Europe (Newark: Associated University Presses, 2003), 26–39.Google Scholar

Evans, Anna Laura, The Disestablishment of the Church of Ireland in 1869, PhD thesis Columbia 1928 (Lancaster, PA: Lancaster Press, 1929).Google Scholar

Evans, Malcolm, Signifying Nothing: Truth’s True Contents in Shakespeare’s Text (New York: Harvester Wheatsheaf, 1986).Google Scholar

Ewbank, Inga Stena, ‘As They Liked It: Shakespearean Comedy Goes Continental’, in Marshall, Gail and Poole, Adrian (eds.), Victorian Shakespeare Volume I: Theatre, Drama and Performance (Houndmills, Basingstoke: Palgrave MacMillan, 2003), 128–45.Google Scholar

Fagan, J. B., Shakespear v. Shaw, 1905, unpublished play, University of Birmingham, Spielmann collection.Google Scholar

Feuer, Lois, ‘Joyce the Postmodern: Shakespeare as Character in Ulysses’, in Franssen, Paul and Hoenselaars, Ton (eds.), The Author as Character: Representing Historical Writers in Western Literature (Madison: Fairleigh Dickinson University Press, 1999), 167–80.Google Scholar

Foulkes, Richard, The Shakespeare Tercentenary of 1864 (London: The Society for Theatre Research, 1984).Google Scholar

Franssen, Paul, ‘The (absent) Dutch Shakespeare Cult’, in Brooks, Douglas A. et al. (eds.), Shakespeare and the Low Countries, Shakespeare Yearbook 15 (Lewiston, Queenston, Lampeter: The Edwin Mellen Press, 2005), 211–32.Google Scholar

Franssen, Paul, ‘Fictional Treatments of Shakespeare’s Authorship’, in Edmondson, Paul and Wells, Stanley (eds.), Shakespeare Beyond Doubt: Evidence, Argument, Controversy (Cambridge University Press, 2013), 189–200.CrossRefGoogle Scholar

Franssen, Paul, ‘Half a Miracle: A Response to William Harmon’, Connotations 3.2 (1993–4), 118–22.Google Scholar

Franssen, Paul, ‘Shakespeare’s Life on Film and Television: Shakespeare in Love and A Waste of Shame’, in Minier, Márta and Pennacchia, Maddalena (eds.), Adaptation, Intermediality and the British Celebrity Biopic (Farnham: Ashgate, 2014), 101–13.Google Scholar

Franssen, Paul, and Koster, Cees, ‘Shakespeare’s Sonnets into Dutch and Flemish’, in Pfister, Manfred and Gutsch, Jürgen (eds.), William Shakespeare’s Sonnets for the First Time Globally Reprinted: A Quatercentenary Anthology (Dozwil, Switzerland: Edition SIGNAThUR, 2009), 171–80.Google Scholar

Franssen, Paul, and Hoenselaars, Ton (eds.), The Author as Character: Representing Historical Writers in Western Literature (Madison: Fairleigh Dickinson University Press, 1999).Google Scholar

Friesner, Esther M., ‘Titus!’, in Kerr, Katharine and Greenberg, Martin H. (eds.), Weird Tales from Shakespeare (New York: Daw Books, 1994), 170–91.Google Scholar

Fryer, Peter, Staying Power: The History of Black People in Britain (London: Pluto, 1984).Google Scholar

Gaiman, Neil, The Sandman 13: The Doll’s House part 4 (February 1990).Google Scholar

Gaiman, Neil, The Sandman 19: Dream Country: A Midsummer Nights Dream (September 1990).Google Scholar

Gaiman, Neil, and Vess, Charles, The Sandman 75: The Tempest (March 1996).Google Scholar

Garnett, Richard, William Shakespeare, Pedagogue and Poacher (London and New York: John Lane/The Bodley Head, 1905).Google Scholar

Garrick in the Shades (London: Southern, 1779), Eighteenth Century Collections Online, Gale.Google Scholar

Geraghty, Tom J., A Pound of Flesh, in Nicholson, Kenyon (ed.), Hollywood Plays: Twelve One-Act Plays from the Repertory of the Writers’ Club of Hollywood, California (New York: Samuel French, 1930), 105–26.Google Scholar

Gibson, William, A Cry of Players (1946), revised version (New York: Dramatists Play Service, 1968).Google Scholar

Gifford, Don, and Seidman, Robert J., Ulysses Annotated, 2nd, rev. exp. ed. (Berkeley: University of California Press, 1989).Google Scholar

Golder, John, Shakespeare for the Age of Reason: The Earliest Stage Adaptations of Jean-François Ducis 1769–1792 (Oxford: The Alden Press, 1992).Google Scholar

Good, James A., ‘A “World-Historical Idea”: The St. Louis Hegelians and the Civil War’, Journal of American Studies 34.3 (December 2000), 447–64.CrossRefGoogle Scholar

Green, Paul, The Lost Colony: A Symphonic Drama of American History (1937), ed. Avery, Laurence G. (Chapel Hill: The University of North Carolina Press, 2001).Google Scholar

Greenblatt, Stephen, Shakespearean Negotiations (Oxford: Clarendon, 1988).Google Scholar

Greenblatt, Stephen, Will in the World: How Shakespeare Became Shakespeare (London: Jonathan Cape, 2004).Google Scholar

Gregg, Tresham D., Queen Elizabeth: or the Origin of Shakespeare (London: Macintosh, 1872).Google Scholar

Gregor, Keith, ‘Shakespeare as a Character on the Spanish Stage: A Metaphysics of Bardic Presence’, in Pujante, Angel-Luis and Hoenselaars, Ton (eds.), Four Hundred Years of Shakespeare in Europe (Newark: Associated University Presses, 2003), 43–53.Google Scholar

Gregor, Keith, and Vidal, Encarna, ‘The “Other” William and the Question of Authority in Spanish Stage Depictions of Shakespeare’, SEDERI 12 (2002), 237–46.Google Scholar

Grendel, Frédéric, Beaumarchais ou la calomnie (Paris: Flammarion, 1973).Google Scholar

Grene, Nicholas, ‘Mutabilitie: In Search of Shakespeare’, Irish University Review 40.1 (2010), 92–100.Google Scholar

Grillo, Ernesto, Shakespeare and Italy (Glasgow University Press, 1949).Google Scholar

Gruner, E. Hamilton, With Golden Quill: A Cavalcade, Depicting Shakespeare’s Life and Times in Three Acts (Stratford: Shakespeare Press, 1936).Google Scholar

Gurr, Andrew, ‘Shakespeare’s First Poem: Sonnet 145’, Essays in Criticism 21 (July 1971), 221–6.Google Scholar

Habicht, Werner, ‘The Making of the Poet: Fictions of Shakespeare’s Artistic Breakthrough’, Folio 7.2 (2000), 18–29.Google Scholar

Habicht, Werner, Shakespeare and the German Imagination, International Shakespeare Association Occasional Paper No. 5 (Hertford: Austin, 1994).Google Scholar

Hackett, Helen, Shakespeare and Elizabeth: The Meeting of Two Myths (Princeton University Press, 2009).CrossRefGoogle Scholar

Hall, Kim F., Things of Darkness: Economies of Race and Gender in Early Modern England (Ithaca: Cornell University Press, 1995).Google Scholar

Hamilton, Donna B., ‘Shakespeare and Religion’, in Elton, W. R. and Mucciolo, John M. (eds.), The Shakespearean International Yearbook: 1. Where Are We Now in Shakespearean Studies (Aldershot: Ashgate, 1999), 187–202.Google Scholar

Hamilton, Donna B., and Strier, Richard (eds.), Religion, Literature, and Politics in Post-Reformation England, 1540–1688 (Cambridge University Press, 1996).CrossRefGoogle Scholar

Sir Hamley, Edward, Shakespeare’s Funeral (1873), rpt. in Shakespeare’s Funeral and Other Papers by Sir Edward Hamley (Edinburgh: Blackwood, 1889), 1–71.Google Scholar

St. Hankin, John, The New Wing at Elsinore, Punch 120 (16 January 1901), rpt. in Mr Punch’s Dramatic Sequels (London: Bradbury, Agnew, & Co., ND), 21–36, Archive.org.Google Scholar

Hansen, Niels Bugge, ‘Something Is Rotten…’, in King, Ros and Franssen, Paul (eds.), Shakespeare and War (Houndmills, Basingstoke: Palgrave Macmillan, 2008), 153–65.Google Scholar

Harmon, William, ‘Paronomastics: The Name of the Poet from Shakespeare and Donne to Glück and Morgan’, Connotations 2.2 (1992), 115–25.Google Scholar

Harris, Frank, The Man Shakespeare and His Tragic Life Story (1909; Teddington, Middlesex: The Echo Library, 2006).Google Scholar

Harris, Frank, Shakespeare and His Love (London: Palmer, 1910).Google Scholar

Harrison, George B., Shakespeare under Elizabeth (1933), new ed. as Shakespeare at Work, 1592–1603 (Ann Arbor: University of Michigan Press, 1958).Google Scholar

Hawkes, Terence, Meaning by Shakespeare (London: Routledge, 1992).Google Scholar

Hawkes, Terence, That Shakespeherian Rag: Essays on a Critical Process (London: Methuen, 1986).Google Scholar

Helsingfors Tidningar no 55. 18 Juli 1846. http://digi.kansalliskirjasto.fi/sanomalehti/binding/384979.Google Scholar

Henderson, Diana E., ‘Othello Redux?: Scott’s Kenilworth and the Trickiness of “Race” on the Nineteenth-Century Stage’, in Marshall, Gail and Poole, Adrian (eds.), Victorian Shakespeare Volume 2: Literature and Culture (Houndmills, Basingstoke: Palgrave Macmillan, 2003), 14–29.CrossRefGoogle Scholar

Hoenselaars, Ton, ‘Frank Harris, Bardolatry and Wagnerism’, in Kennan, Patricia and Tempera, Mariangela (eds.), Metamorphosing Shakespeare: Mutual Illuminations of the Arts (Bologna: CLUEB, 2004), 163–74.Google Scholar

Höfele, Andreas, Der Spitzel (Frankfurt am Main: Suhrkamp, 1997).Google Scholar

Höfele, Andreas, ‘Portraits of Mr. W. S.: Shakespeare als Rätsel in Iris Murdochs The Black Prince und Anthony Burgess’ Enderby’s Dark Lady’, Deutsche Shakespeare Gesellschaft West Jahrbuch 1985, 117–31.Google Scholar

Holderness, Graham, ‘Bardolatry: or The Cultural Materialist’s Guide to Stratford-upon-Avon’, in Holderness, Graham, ed., The Shakespeare Myth (Manchester University Press, 1988), 2–15.Google Scholar

Holderness, Graham, Nine Lives of William Shakespeare (London: Continuum, 2011).CrossRefGoogle Scholar

Holderness, Graham, Tales from Shakespeare: Creative Collisions (Cambridge University Press, 2014).CrossRefGoogle Scholar

Holland, Peter, ‘Dramatizing the Dramatist’, Shakespeare Survey 58 (2005), 137–47.Google Scholar

Holroyd, Michael (ed.), The Best of Hugh Kingsmill (London: Gollancz, 1970).Google Scholar

Honigmann, E. A. J., Shakespeare: The ‘Lost Years’ (Manchester University Press, 1985).Google Scholar

Hotson, Leslie, Mr W. H. (London: Rupert Hart-Davis, 1964).Google Scholar

Howells, William Dean, The Seen and Unseen at Stratford-on-Avon: A Fantasy (New York: Harper and Brothers, 1914).Google Scholar

Hudson, John, The Dark Lady: The Woman Who Wrote Shakespeare, YouTube, February 2008. www.youtube.com/watch?v=tyn-3GNOd7w.Google Scholar

Hulme, Peter, Colonial Encounters: Europe and the Native Caribbean 1492–1797 (1986; London: Routledge, 1992).Google Scholar

Hulme, Peter, and Sherman, William H. (eds), The Tempest and Its Travels (London: Reaktion Books, 2000).Google Scholar

Hunt, Marvin, ‘Be Dark but Not Too Dark; Shakespeare’s Dark Lady as a Sign of Color’, in Schiffer, James (ed.), Shakespeare’s Sonnets: Critical Essays (New York: Garland, 1999), 368–89.Google Scholar

Ife, B. W., ‘Cervantes and Shakespeare: Asymmetrical Conversations’, in de Sevilla, José Manuel González Fernández (ed.), Cervantes y/and Shakespeare (Alicante: Universidad de Alicante, 2006), 21–49.Google Scholar

Inchbald, Elizabeth (ed.), The British Theatre … with Biographical and Critical Remarks by Mrs. Inchbald, 25 vols. (London: Longman, Hurst, Reese and Orme, 1806–9).Google Scholar

Irving, Washington, The Sketch Book of Geoffrey Crayon, Gent. (Boston: Dana Estes and Co., 1820), Archive.org.Google Scholar

Iyengar, Sujata, ‘Shakespeare in HeteroLove’, Film/Literature Quarterly 29 (2001), 122–7.Google Scholar

Jacquot, Jean, Shakespeare en France: Mises en scènes d’hier et d’aujourd’hui (Paris: Le temps, 1964).Google Scholar

James, Henry, ‘The Birthplace’ (1903), in his The Altar of the Dead, The Beast in the Jungle, The Birthplace and Other Tales (New York: Charles Scribner’s Sons, 1909), 131–213.Google Scholar

Jensen, Niels, Danske Litteraturpriser, www.litteraturpriser.dk.Google Scholar

Johnston, Carol, ‘Erica Jong’, Dictionary of Literary Biography 2 (1978), 252–5.Google Scholar

Jones, Peter (ed.), Shakespeare: The Sonnets. A Casebook (London: Macmillan, 1977).Google Scholar

Jong, Erica, Serenissima: A Novel of Venice (London: Bantam, 1987).Google Scholar

Joyce, James, Ulysses (1922), The Corrected Text, ed. Gabler, Hans Walter et al. (New York: Vintage Books, 1986).Google Scholar

Kemp, Sandra, Kipling’s Hidden Narratives (Oxford: Blackwell, 1988).Google Scholar

Kingsmill, Hugh, The Return of William Shakespeare (Indianapolis: Bobbs-Merrill, 1929).Google Scholar

Kipling, Rudyard, ‘Proofs of Holy Writ’, in Mrs Bathurst and Other Stories, ed. Lewis, Lisa, Introduction by Bayley, John, The World’s Classics (Oxford University Press, 1991), 251–63.Google Scholar

Kipling, Rudyard, ‘Shakespeare and The Tempest’ (1898), in The Collected Works of Rudyard Kipling, XXIII, Uncollected Prose (1941; New York: AMS Press, 1970), 401–5.Google Scholar

Kipling, Rudyard, The Works of Rudyard Kipling (Ware: Wordsworth Editions, 1994).Google Scholar

Koch, Frederick Henry, Raleigh: The Shepherd of the Ocean: A Pageant-Drama (Raleigh, NC: Edwards and Broughton, 1920).Google Scholar

Koch, Frederick Henry et al., The Book of Shakespeare, the Playmaker (Grand Forks, ND: The University of North Dakota, 1916).Google Scholar

Kuyper, Amanda, ‘Ilja Reijngoud over Shakespeare en jazz’, NRC-Handelsblad (9 February 2009), 8.Google Scholar

Landor, Walter Savage, Citation and Examination of William Shakspeare … before the Worshipful Sir Thomas Lucy Knight Touching Deer-Stealing (London: Saunders and Otley, 1834).Google Scholar

Lanier, Douglas, Shakespeare and Modern Popular Culture (Oxford University Press, 2002).CrossRefGoogle Scholar

Lanier, Douglas, ‘Shakespeare^TM: Myth and Biographical Fiction’, in Shaughnessy, Robert (ed.), The Cambridge Companion to Shakespeare and Popular Culture (Cambridge University Press, 2007), 93–113.CrossRefGoogle Scholar

Lanier, Douglas, ‘William Shakespeare, Filmmaker’, in Cartmell, Deborah and Whelehan, Imelda (eds.), The Cambridge Companion to Literature on Screen (Cambridge University Press, 2007), 61–74.CrossRefGoogle Scholar

Laroche, Rebecca, ‘The Sonnets on Trial: Reconsidering The Portrait of Mr. W.H. ’, in Schiffer, James (ed.), Shakespeare’s Sonnets: Critical Essays (New York: Garland, 1999), 391–409.Google Scholar

‘The Latest Word’, Steamshovel, www.umsl.edu/~thomaskp/sbible.htm.Google Scholar

[Lawrence, Herbert]. The Life and Adventures of Common Sense: An Historical Allegory (1769), 3rd ed. (Dublin: Moncrieffe, 1771).Google Scholar

Lebrün, Carl, Shakespeare: Ein Spiel in Versen (Mainz: Kupferberg, 1818).Google Scholar

Lehmann, Courtney, ‘Shakespeare in Love: Romancing the Author, Mastering the Body’, in Lehmann, Courtney and Starks, Lisa S. (eds.), Spectacular Shakespeare: Critical Theory and Popular Cinema (Madison: Fairleigh Dickinson University Press, 2002), 125–45.Google Scholar

Lenz, Jakob Michael Reinhold, Werke und Schriften, 2 vols., ed. Titel, Britta & Haug, Hellmut (Stuttgart: Goverts, 1966–7).Google Scholar

Levenson, Jill L., ‘Shakespeare in Drama since 1990: Vanishing Act’, Shakespeare Survey 58 (2005), 148–59.Google Scholar

Levine, Lawrence W., Highbrow / Lowbrow: The Emergence of Cultural Hierarchy in America (Cambridge, MA: Harvard University Press, 1988).Google Scholar

Lojek, Helen Heusner, ‘Playing Together: William Shakespeare and Frank McGuinness’, in Clare, Janet and O’Neill, Stephen (eds.), Shakespeare and the Irish Writer (Dublin: University College Dublin Press, 2010), 179–94.Google Scholar

Longhurst, Derek, ‘“You Base Football Player!”: Shakespeare in Contemporary Popular Culture’, in Holderness, Graham (ed.), The Shakespeare Myth (Manchester University Press, 1988), 59–73.Google Scholar

Longworth de Chambrun, Clara, My Shakespeare, Rise! (London: Lippincott, 1935).Google Scholar

Loring, E. Bertrand, ‘The Man Who Wrote Shakespeare’, The Magazine of Fantasy and Science Fiction 72.1 (January 1987), 127–34.Google Scholar

Malone, Edmund, Historical Account of the Rise and Progress of the English Stage (Basil: Tourneisen, 1799).Google Scholar

Márkus, Zoltán, ‘Der Merchant von Velence: The Merchant of Venice in London, Berlin, and Budapest during World War II’, in Delabastita, Dirk et al. (eds.), Shakespeare and European Politics (Newark: University of Delaware Press, 2008), 143–57.Google Scholar

Marrapodi, Michele, Hoenselaars, A. J. et al. (eds.), Shakespeare’s Italy: Functions of Italian Locations in Renaissance Drama (Manchester University Press, 1993).Google Scholar

Mayo, Sarah, ‘“A Shakespeare for the People”? Negotiating the Popular in Shakespeare in Love and Michael Hoffman’s A Midsummer Night’s Dream’, Textual Practice 17.2 (2003), 295–315.CrossRefGoogle Scholar

McGuinness, Frank, ‘Foreword’, in Burnett, Mark Thornton and Wray, Ramona (eds.), Shakespeare and Ireland: History, Politics, Culture (London: Macmillan, 1997), xi–xii.Google Scholar

McGuinness, Frank, Mutabilitie (London: Faber and Faber, 1997).CrossRefGoogle Scholar

McMahon, Joseph H., ‘Ducis: Unkindest Cutter?’, Yale French Studies 33 (1964), 14–25.CrossRefGoogle Scholar

McPherson, David C., Shakespeare, Jonson, and the Myth of Venice (Newark: University of Delaware Press, 1990).Google Scholar

Memoirs of the Shakespear’s-Head in Covent-Garden. By the Ghost of Shakespear, 2 vols. (London: Noble, 1755), Eighteenth Century Collections Online, Gale.Google Scholar

Miguel y William, dir. París, Inés, 2007, DVD, Warner 2007.Google Scholar

Moody, Jane, Illegitimate Theatre in London, 1770–1840 (Cambridge University Press, 2000).Google Scholar

Mortimer, John, Will Shakespeare: The Untold Story (New York: Dell, 1977).Google Scholar

Munk, Kaj, ‘Kaj Munk taler med Shakespeare’, Forum, Tidsskrift for Musik og Teater 3 (March 1935), 8–10.Google Scholar

Murphy, Andrew, Shakespeare for the People: Working Class Readers, 1800–1900 (Cambridge University Press, 2008).Google Scholar

Newey, Katherine, ‘Reform on the London Stage’, in Burns, Arthur and Innes, Joanna (eds.), Rethinking the Age of Reform: Britain 1780–1850 (Cambridge University Press, 2003), 238–53.Google Scholar

Nichols, James W., ‘Shakespeare as a Character in Drama: 1679–1899’, Educational Theatre Journal 15.1 (March 1963), 24–32.CrossRefGoogle Scholar

Nichols, James W., ‘William Shakespeare on the Stage: An Historical and Critical Study of the Figure of William Shakespeare in British and American Drama’, Unpublished MA Thesis Birmingham, 1951, Birmingham University Library.Google Scholar

Norman, Marc, and Stoppard, Tom, Shakespeare in Love [screenplay] (London: Faber and Faber, 1999).Google Scholar

Novy, Marianne (ed.), Women’s Re-Visions of Shakespeare (Urbana: University of Illinois Press, 1990).Google Scholar

Nye, Robert, Mrs Shakespeare: The Complete Works (London: Sinclair-Stevenson, 1993).Google Scholar

O’Sullivan, Maurice J. (ed.), Shakespeare’s Other Lives: An Anthology of Fictional Depictions of the Bard (Jefferson, NC: McFarland, 1997).Google Scholar

O’Sullivan, Maurice J., ‘Shakespeare’s Other Lives’, Shakespeare Quarterly 38.2 (Summer 1987), 133–50.Google Scholar

The Oxford Companion to Irish History, ed. Connolly, S. J. (Oxford University Press, 1990).Google Scholar

Oya, Reiko, ‘“Talk to Him”: Wilde, His Friends, and Shakespeare’s Sonnets’, Critical Survey 21.3 (2009), 22–40.CrossRefGoogle Scholar

Pennacchia, Maddalena, Shakespeare e il Sogno di un’Estate (Rome: Edizioni Lapis, 2009).Google Scholar

The Penny Satirist, 19th Century UK Periodicals.Google Scholar

Pequigney, Joseph, Such Is My Love: A Study of Shakespeare’s Sonnets (Chicago: The University of Chicago Press, 1985).Google Scholar

Peterson, Richard F., and Phillips, Gary, ‘W. B. Yeats and Norreys Connell’, Yeats Annual 2 (1983), 46–58.Google Scholar

Pownall, David, The Catalogue of Men (London: Picador, 1999).Google Scholar

Praz, Mario, ‘Shakespeare’s Italy’, Shakespeare Survey 7 (1954), 95–106.Google Scholar

Pronzini, Bill, and Malzberg, Barry N., ‘Shakespeare MCMLXXXV’, The Magazine of Fantasy and Science Fiction 63.5 (November 1982), 65–9.Google Scholar

Pujante, Angel-Luis, ‘Spanish and European Shakespeares’, Folio 6.2 (1999), 18–40.Google Scholar

Pujante, Angel-Luis, and Vera, Noemí, ‘Shakespeare as Character in Two Works by José Carlos Somoza’, Critical Survey 25.1 (2013), 49–58.CrossRefGoogle Scholar

Pujante, Angel-Luis, The Queen’s Command, unpublished Ms., BL Add. Ms 42947, Lord Chamberlain’s Plays, May-July 1838, No. 22, Ff. 844–61b.Google Scholar

Ramirez, Frank, ‘The Merchant of Stratford’, Isaac Asimov’s Science Fiction Magazine 3.7 (July 1979), 125–33.Google Scholar

‘Repertoaret ved Det Norske Theater’, Universitetsbibliotheket in Bergen, website, www.ub.uib.no/fag/hf-fag/teater/0DNTrepertoar1.pdf.Google Scholar

Répertoire du théâtre français à Berlin 280 (Berlin: Schlesinger, 1843).Google Scholar

Report from the Select Committee on Dramatic Literature, with the Minutes of Evidence, 1832, Selection of Reports and Papers of the House of Commons, vol. xxxii, Literary and Scientific (1836), Google Books.Google Scholar

Revue d’histoire littéraire de la France (Paris: Colin, 1894–).Google Scholar

Rollins, Hyder Edward (ed.), A New Variorum Edition of Shakespeare: The Sonnets (Philadelphia: J.B. Lippincott, 1944).Google Scholar

Roobol, Cornelis J. (tr.), Shakspeare terug in zijn geboorteplaats (Amsterdam: Hassels, 1857).Google Scholar

Roobol, Cornelis J.(tr.), William Shakspeare, of de roeping (Amsterdam: Van Kesteren, 1840).Google Scholar

Rooke, Leon, Shakespeare’s Dog (New York: Alfred A. Knopf, 1983).Google Scholar

Rosenbaum, Ron, ‘Shakespeare in Rewrite’, The New Yorker, 13 May 2002, 72.Google Scholar

Rosenthal, Laura J., ‘The Author as Ghost in the Eighteenth Century’, 1650–1850: Ideas, Aesthetics, and Inquiries in the Early Modern Era 3 (1997), 29–56.Google Scholar

Rowell, George, Queen Victoria Goes to the Theatre (London: Paul Elek, 1978).Google Scholar

Rubinstein, H. F., and Bax, Clifford, Shakespeare: A Play in Five Episodes (London: Benn Brothers, 1921).Google Scholar

Rudkin, David, Will’s Way (Halford, Shipston-on-Stour: The Celandine Press, 1993).Google Scholar

Rush, Christopher, Will (London: Beautiful Books, 2007).Google Scholar

Rylance, Mark, ‘The Big Secret Live! “I am Shakespeare” Webcam Daytime Chat-room Show!!!’, 2007, unpublished typescript.Google Scholar

Sand, George, Le roi attend: Prologue (1848), in Théatre complet, i (Paris: Lévy, 1876), 125–42.Google Scholar

The Satirist; or, the Censor of the Times, 19th Century UK Periodicals.Google Scholar

Scheil, Katherine, ‘The Second Best Bed and the Legacy of Anne Hathaway’, Critical Survey 21.3 (2009), 59–71.CrossRefGoogle Scholar

Scheil, Katherine, ‘The Shakespeare Courtship in the Millennium’, Critical Survey 25.1 (2013), 6–18.CrossRefGoogle Scholar

Schiller, Friedrich, Schillers Werke: Nationalausgabe, ed. Oellers, Norbert (Weimar: Hermann Böhlaus Nachfolger, 1983).Google Scholar

Schink, Johann Friedrich, Shakespeare in der Klemme (1780), in Müller-Schwefe, Gerhard (ed.), Shakespeare im Narrenhaus: Deutschsprachige Shakespeare-Parodien aus zwei Jahrhunderten (Tübingen: Francke Verlag, 1990), 126–34.Google Scholar

Schoch, Richard W., Shakespeare’s Victorian Stage: Performing History in the Theatre of Charles Kean (Cambridge University Press, 1998).Google Scholar

Schoenbaum, Samuel, Shakespeare’s Lives (Oxford: Clarendon Press, 1970).Google Scholar

Schoenbaum, Samuel, Shakespeare’s Lives, new rev. ed. (Oxford University Press, 1993). References are to the revised edition, unless otherwise indicated.Google Scholar

Schoenbaum, Samuel, William Shakespeare: A Compact Documentary Life (1977; rev. ed. Oxford University Press, 1987).Google Scholar

Schubert, Berit Bettina, [Enter Shakespeare] Der Dramatiker als Figur im modernen Drama, Diss. Munich 2002 (Frankfurt am Main: Peter Lang, 2003).Google Scholar

Schutte, William M., Joyce and Shakespeare: A Study in the Meaning of Ulysses (New Haven: Yale University Press, 1957).Google Scholar

Schwartz-Gastine, Isabelle, ‘Shakespeare on the French Stage: A Historical Survey’, in Pujante, Angel-Luis and Hoenselaars, Ton (eds.), Four Hundred Years of Shakespeare in Europe (Newark: Associated University Presses, 2003), 223–40.Google Scholar

Scott, Walter, Kenilworth, 3 vols. (Edinburgh: Constable, 1821).Google Scholar

Shakespeare and Burbage or Royal Precedence: A Burletta in One Act, unpublished Ms., BL Add. Ms 42947, Lord Chamberlain’s Plays, May–July 1838, No. 23, Ff. 862–86b.Google Scholar

‘The Shakespeare Code’, 2007, Doctor Who, written by Davies, Russell T. and Roberts, Gareth, Series 3, Volume 1, DVD, BBC 2007.Google Scholar

Shakespeare in Love, dir. Madden, John, screenplay Norman, Marc and Stoppard, Tom, DVD, Miramax 1998.Google Scholar

Shakespeare Kär. Komedi uti En Akt. Af Alexander Duval. Öfversättning [af Joh. Imnelius, handwritten remark] (Stockholm: Wennlundska Boktryckeriet, 1826).Google Scholar

‘The Shakespeare Sketch’, written by Curtis, Richard and Elton, Ben, Blackadder Hall 1989, www.blackadderhall.com/?page_id=258.Google Scholar

‘Shakespeare’s Ghost’, Gentleman’s Magazine 73 (1803), 664.Google Scholar

Shand, Alexander I., The Life of General Sir Edward Bruce Hamley, K.C.B., K.C.M.G., 2 vols. (Edinburgh: Blackwood, 1895).Google Scholar

Shapiro, James, Contested Will: Who Wrote Shakespeare? (London: Faber and Faber, 2010).Google Scholar

Shaw, George Bernard, Misalliance, The Dark Lady of the Sonnets, Fanny’s First Play (London: Constable, 1930).Google Scholar

Shewan, Rodney, Oscar Wilde: Art and Egotism (London: Macmillan, 1977).Google Scholar

Shuger, Deborah K., Habits of Thought in the English Renaissance: Religion, Politics, and the Dominant Culture (Berkeley: University of California Press, 1990).Google Scholar

Sinfield, Alan, ‘Making Space: Appropriation and Confrontation in Recent British Plays’, in Holderness, Graham (ed.), The Shakespeare Myth (Manchester University Press, 1988), 128–44.Google Scholar

Smith, D. Nichol (ed.), Eighteenth Century Essays on Shakespeare, 2nd ed. (Oxford: Clarendon Press, 1963).Google Scholar

Smith, Gretchen E., ‘Aurore Dupin Dudevant and Jean-Baptiste Poquelin: George Sand Reconstructs Molière’, in Franssen, Paul and Hoenselaars, Ton (eds.), The Author as Character: Representing Historical Writers in Western Literature (Madison: Fairleigh Dickinson University Press, 1999), 141–56.Google Scholar

Smith, Kay H., ‘Will! or Shakespeare in Hollywood: Anthony Burgess’s Cinematic Presentation of Shakespearean Biography’, in Aebischer, Pascale et al. (eds.), Remaking Shakespeare: Performance across Media, Genres and Cultures (Houndmills, Basingstoke: Palgrave MacMillan, 2003), 134–50.Google Scholar

Smith, Richard Penn, Shakespeare in Love, in The Sentinels and Other Plays by Richard Penn Smith, ed. Ware, Ralph H. and Schoenberger, H. W. (1940; Bloomington: Indiana University Press, 1965), 101–14.Google Scholar

Smith, Sarah, Chasing Shakespeares (New York: Washington Square Press, 2003).Google Scholar

Snider, Denton Jaques, The Rise of Young Shakespeare: A Biographic Novel (Saint Louis: William Harvey Miner Co, 1925).Google Scholar

Snider, Denton Jaques, The Shakespeariad: A Dramatic Epos (St. Louis: Sigma Publishing, [1916?]).Google Scholar

Somerset, Charles A., Shakspeare’s Early Days: A Historical Play, in Two Acts (London: Cumberland, [1829]).Google Scholar

Somoza, José, ‘Una conversación del otro mundo, entre el español Cervantes y el inglés Shakespeare’ (1838), in Pujante, Angel-Luis and Arnaiz, Laura Campillo (eds.), Shakespeare en España: textos 1764–1916 (Granada y Murcia: Universidad de Granada y Universidad de Murcia, 2007), 111–13.Google Scholar

Soyinka, Wole, ‘Shakespeare and the Living Dramatist’, Shakespeare Survey 36 (1983), 1–10.Google Scholar

Spielmann, Marion H., ‘Shakespeare’s Ghost’, Times Literary Supplement, 27 October 1921, 698–9.Google Scholar

Spielmann, Marion H., ‘Shakespeare Treads the Boards [I]’, Times Literary Supplement, 1 December 1921, 788.Google Scholar

Spielmann, Marion H., ‘Shakespeare Treads the Boards [II]’, Times Literary Supplement, 2 February 1922, 76.Google Scholar

Spielmann, Marion H., ‘“Shakespeare Treads the Boards” with the Earl of Essex’, Times Literary Supplement, 22 June 1933, 428.Google Scholar

Spielmann, Percy, ‘Shakespeare: A Character in the Play’, unpublished bibliography, Birmingham University Library, Spielmann collection.Google Scholar

Stein, Karl, Shakespeares Bestimmung, in Deutsches Theater von Karl Stein (Berlin: Stuhr, 1820), 40–92.Google Scholar

Stephens, John Russell, ‘Moncrieff, William Gibbs Thomas (1794–1857)’, Oxford Dictionary of National Biography (Oxford University Press, 2004), www.oxforddnb.com.Google Scholar

Sterling, Sara Hawks, Shake-speare’s Sweetheart (Philadelphia: George W. Jacobs, 1905).Google Scholar

Stewart, David H., ‘Kipling’s Portrait of the Artist’, English Literature in Transition 31 (1988), 265–83.Google Scholar

Stinson, John J., Anthony Burgess Revisited (Boston: Twayne, 1991).Google Scholar

Stinson, John J., ‘“Nothing Like the Sun”: The Faces in Bella Cohen’s Mirror’, Journal of Modern Literature 5.1 (February 1976), 131–47.Google Scholar

Sturgess, Kim C., Shakespeare and the American Nation (Cambridge University Press, 2004).CrossRefGoogle Scholar

Sweigart-Gallagher, Angela, ‘The Promise of Democracy: Imagining National Community in Paul Green’s The Lost Colony’, Theatre Symposium 17 (2009), 97–112.CrossRefGoogle Scholar

Taylor, Gary, ‘Forms of Opposition: Shakespeare and Middleton’, English Literary Renaissance 24 (1994), 283–314.CrossRefGoogle Scholar

Taylor, Gary, Reinventing Shakespeare: A Cultural History from the Restoration to the Present (London: Hogarth Press, 1990).Google Scholar

‘Théâtre français à l’étranger au XIXe’, Colloque, Calenda, 15 April 2002, http://calenda.org/187129.Google Scholar

Tieck, Ludwig, Dichterleben (1826–29), in Novellen (Darmstadt: Wissenschaftliche Buchgesellschaft, 1965), 301–549.Google Scholar

Tieck, Ludwig, ‘Die Sommernacht: Ein dramatisches Fragment’ (1789), in Ludwig Tieck’s nachgelassene Schriften: Auswahl und Nachlese, ed. Köpke, Rudolf, vol. i (Leipzig: Brockhaus, 1855; rpt. Berlin: De Gruyter, 1974), 4–20.Google Scholar

Tieck, Ludwig, The Life of Poets (Leipsic: Fleischer, 1830).Google Scholar

Tieck, Ludwig, Prinz Zerbino oder Die Reise nach dem guten Geschmack (1796), in Ludwig Tiecks Schriften, vol. x (Berlin: Reimer, 1828).Google Scholar

Time Flies (1944), dir. Forde, Walter, Screenplay Kavanagh, Ten and Orton, J. O. C., Gainsborough Pictures, DVD Armand Movies, nd.Google Scholar

Tompkins, Cynthia, ‘Erica Jong’, in Dictionary of Literary Biography 152 (1995), 99–106.Google Scholar

Tronch-Pérez, Jesús, ‘Breaking Shakespeare’s Image in Late Spanish Drama and Film’, in Burnett, Mark Thornton and Streete, Adrian (eds.), Filming and Performing Renaissance History (Basingstoke: Palgrave Macmillan, 2011), 33–49.CrossRefGoogle Scholar

Turtledove, Harry, Ruled Britannia (London: Penguin, 2002).Google Scholar

Twain, Mark, Is Shakespeare Dead? (New York: Harper, 1909).Google Scholar

van der H[oop], A. Jr, ‘De Schim van Shakespear’, De Nederlandsche Mercurius 26 (4 March 1829), 409–10.Google Scholar

van der Vijver, C. (tr.), Shakespeare Minnaar, Blijspel; naar het Fransch van Alexander Duval (Amsterdam: Van Esveldt-Holtrop, 1810).Google Scholar

van Emde Boas, Coenraad, Shakespeare’s Sonnetten en hun verband met de travesti-double spelen: Een medisch-psychologische studie, Diss. Amsterdam, 1951 (Amsterdam: Wereldbibliotheek, n.d.).Google Scholar

van Kampen, N. G., ‘Redevoering over William Shakespear, … Voorgelezen … den 9 December 1814’, in Mnemosyne: Mengelingen voor Wetenschappen en Fraaije Letteren, ed. Tydeman, H. W. and van Kampen, N. G., vol. i (Dordrecht: Blussé, 1815), 61–119.Google Scholar

Vaughan, Alden T., and Vaughan, Virginia Mason, Shakespeare’s Caliban: A Cultural History (Cambridge University Press, 1991).Google Scholar

Vaughan, Alden T. (eds.), Shakespeare in American Life (Washington, DC: Folger Shakespeare Library, 2007).Google Scholar

Vera, Noemí, ‘Inés París’ Miguel y William: Shakespeare’s Spanish Shipwreck’, unpublished paper.Google Scholar

The Visitation; or an Interview between the Ghost of Shakespear and D–v–d G–rr–ck, Esq. (1755), in O’Sullivan, Maurice J. (ed.), Shakespeare’s Other Lives (Jefferson, NC: McFarland, 1997), 205–9.Google Scholar

Vitaliani, C. (tr.), Shakespeare Innamorato. Commedia. Ridotta del francese, Bound with Scalvini, A., I sogni di Ettore, Florilegio Drammatico, vols. 106–7 (Milan: Libreria Editrice, 1876).Google Scholar

[Vogt, Niklas], Schakespear’s Beruf und Triumpf (Mainz: Fischer, 1792).Google Scholar

von Holtei, Carl, Shakspere in der Heimath, oder: Die Freunde, in Theater von Carl von Holtei (Breslau: Schulz, 1845), 439–64.Google Scholar

von Kurländer, Franz August (tr.), Shakspeare als Liebhaber: Lustspiel in einem Act. Nach Duval frey bearbeitet, in Almanach Dramatischer Spiele (Vienna: Wallishauser, 1818), 1–44.Google Scholar

Waller, Gary (ed.), Shakespeare’s Comedies (London: Longman, 1991).Google Scholar

A Waste of Shame: A Drama Exploring the Story behind Shakespeare’s Love Sonnets, dir. Mackay, John, screenplay by Boyd, William, broadcast BBC 2005, DVD, BBC/The Open University, 2005.Google Scholar

Watson, Nicola J., ‘Kemble, Scott, and the Mantle of the Bard’, in Marsden, Jean I. (ed.), The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth (London: Harvester Wheatsheaf, 1991), 73–92.Google Scholar

Wayne, Valerie, ‘Don Quixote and Shakespeare’s Collaborative Turn to Romance’, in Carnegie, David and Taylor, Gary (eds.), The Quest for Cardenio: Shakespeare, Fletcher, Cervantes, and the Lost Play (Oxford University Press, 2012), 217–38.Google Scholar

Whelan, Peter, The School of Night (London: Warner Chappell Plays, 1992).Google Scholar

Wilde, Oscar, Intentions (New York: Brentano’s, 1905).Google Scholar

Wilde, Oscar, The Picture of Dorian Gray (1891), ed. Ackroyd, Peter (Harmondsworth: Penguin, 1985).Google Scholar

Wilde, Oscar, ‘The Portrait of Mr. W. H.’ (1889), in Small, Ian (ed.), Oscar Wilde: Complete Short Fiction (Harmondsworth: Penguin, 1994), 47–79.Google Scholar

Wilde, Oscar, The Portrait of Mr. W. H.: The Greatly Enlarged Version Prepared by the Author after the Appearance of the Story in 1889 but not Published, ed. Holland, Vyvyan (London: Methuen, 1921; rpt. 1958).Google Scholar

‘William Boyd Talks to Stuart Jeffries About Writing for Film’, www.buzzle.com/editorials/1-20-2006-86890.asp. 20 January 2006.Google Scholar

Williams, Robert Folkestone, The Secret Passion (1844; New York: Stringer and Townsend, 1847).Google Scholar

Will Shakespeare, dir. Cullingham, Mark, Knights, Robert and Wood, Peter, script by Mortimer, John, ITV 1978, DVD Granada 2009.Google Scholar

Wilson, Angus, The Strange Ride of Rudyard Kipling: His Life and Works (New York: Viking, 1977).Google Scholar

Wilson, Edwin (ed.), Shaw on Shakespeare: An Anthology of Bernard Shaw’s Writings on the Plays and Production of Shakespeare (1961; London: Cassell, 1962).Google Scholar

Wilson, Richard, ‘“Like the Old Robin Hood”: As You Like It and the Enclosure Riots’, Shakespeare Quarterly 43.1 (Spring 1992), 1–19.CrossRefGoogle Scholar

Wilson, Snoo, More Light: A Play about the Heretic Giordano Bruno (Oxford: Mandrake, 1990).Google Scholar

Wood, Michael, In Search of Shakespeare (2003; London: BBC Books, 2005).Google Scholar

Woodward, George M., ‘Familiar Verses from the Ghost of Willy Shakspeare to Sammy Ireland’, in O’Sullivan, Maurice J. (ed.), Shakespeare’s Other Lives (Jefferson, NC: McFarland, 1997), 210–13.Google Scholar

Worp, Jacob A., Geschiedenis van het drama en van het tooneel in Nederland (Groningen: Wolters, 1908).Google Scholar

Zogry, Michael J., ‘Lost in Conflation: Visual Culture and Constructions of the Category of Religion’, American Indian Quarterly 35.1 (Winter 2011), 1–55.CrossRefGoogle ScholarPubMed