Skip to main content Accessibility help

We use cookies to distinguish you from other users and to provide you with a better experience on our websites. Close this message to accept cookies or find out how to manage your cookie settings.

Close cookie message
×
Hostname: page-component-76fb5796d-wq484 Total loading time: 0 Render date: 2024-04-25T09:53:45.160Z Has data issue: false hasContentIssue false

The Year’s Contributions To Shakespeare Studies

Published online by Cambridge University Press:  18 September 2019

Edited by
Emma Smith
Emma Smith
Affiliation:
University of Oxford
Get access
Type
Chapter
Information
Shakespeare Survey 72 , pp. 339 - 381
Publisher: Cambridge University Press
Print publication year: 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Reviewed

Akhimie, Patricia, Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World (London, 2018)CrossRefGoogle Scholar
Barton, Anne, The Shakespearean Forest (Cambridge, 2018)Google Scholar
Clegg, Cyndia Susan, Shakespeare’s Reading Audiences: Early Modern Books and Audience Interpretation (Cambridge, 2018)Google Scholar
Corcoran, Neil, Reading Shakespeare’s Soliloquies: Text, Theatre, Film (London, 2018)Google Scholar
Fulton, Thomas, and Poole, Kristen, The Bible on the Shakespearean Stage: Cultures of Interpretation in Reformation England (Cambridge, 2018)Google Scholar
Gamboa, Brett, Shakespeare’s Double Plays: Dramatic Economy on the Early Modern Stage (Cambridge, 2018)CrossRefGoogle Scholar
Maxwell, Julie, and Rumbold, Kate, Shakespeare and Quotation (Cambridge, 2018)Google Scholar
McEachern, Claire, Believing in Shakespeare: Studies in Longing (Cambridge, 2018)CrossRefGoogle Scholar
Parker, Patricia, Shakespearean Intersections: Language, Contexts, Critical Keywords (Philadelphia, PA, 2018)CrossRefGoogle Scholar
Rutter, Tom, Shakespeare and the Admiral’s Men: Reading Across Repertories on the London Stage, 1594–1600 (Cambridge, 2018)Google Scholar
Salkeld, Duncan, Shakespeare and London (Oxford, 2018)Google Scholar
Schalkwyk, David, Shakespeare, Love and Language (Cambridge, 2018)Google Scholar
Shohet, Lauren, ed., Temporality, Genre, and Experience in the Age of Shakespeare: Forms of Time (London, 2018)CrossRefGoogle Scholar
Sokol, B. J., Shakespeare’s Artists: The Painters, Sculptors, Poets and Musicians in his Plays and Poems (London, 2018)Google Scholar
Stanivukovic, Goran, ed., Queer Shakespeare: Desire and Sexuality (London, 2018)Google Scholar

Works Reviewed

Aebischer, Pascale, Greenhalgh, Susanne and Osborne, Laurie E., eds., Shakespeare and the ‘Live’ Theatre Broadcast (London, 2018)Google Scholar
Bennett, Susan, and Massai, Sonia, eds., Ivo Van Hove: From Shakespeare to David Bowie (London, 2018)Google Scholar
Bulman, James C., ed., The Oxford Handbook of Shakespeare and Performance (Oxford, 2018)Google Scholar
Croall, Jonathan, Performing Hamlet: Actors in the Modern Age (London, 2018)Google Scholar
Goy-Blanquet, Dominique, Shakespeare in the Theatre: Patrice Chéreau (London, 2018)Google Scholar
Joseph, Paterson, Julius Caesar and Me: Exploring Shakespeare’s African Play (London, 2018)Google Scholar
Knapp, Jeffrey, Pleasing Everyone: Mass Entertainment in Renaissance London and Golden-Age Hollywood (New York, 2017)CrossRefGoogle Scholar
Oliver, Emily, Shakespeare and German Reunification: The Interface of Politics and Performance (Oxford, 2017)Google Scholar
Rawnsley, Ciara, and White, Robert, eds., The New Fortune Theatre: That Vast Open Stage (Crawley, Western Australia, 2018)Google Scholar
Rosenthal, Daniel, ed., Dramatic Exchanges: The Lives and Letters of the National Theatre (London, 2018)Google Scholar
Shaughnessy, Robert, Shakespeare in the Theatre: The National Theatre, 1963–1975: Olivier and Hall (London, 2018)Google Scholar
Shaughnessy, Robert, Shakespeare in Performance: As You Like It (Manchester, 2018)Google Scholar
Sher, Antony, Year of the Mad King: The Lear Diaries (London, 2018)Google Scholar
Thompson, Ayanna, ‘Rawnsley’ Shakespeare in the Theatre: Peter Sellars (London, 2018)Google Scholar
Tosh, Will, Playing Indoors: Staging Early Modern Drama in the Sam Wanamaker Playhouse (London, 2018)Google Scholar
White, R. S., Shakespeare’s Cinema of Love: A Study in Genre and Influence (Manchester, 2016)Google Scholar
Woodhouse, Adrian, Shakespeare by McBean (Manchester, 2018)Google Scholar

Works Reviewed

Ash, C. K., Pérez Díez, José A. and Smith, Emma, eds., Reanimating Playbooks: Editing for Performance, Performance for Editing, special issue of Shakespeare Bulletin 34 (2016), 1–127CrossRefGoogle Scholar
Bate, Jonathan, ed., Titus Andronicus, rev. edn (London, 2018)Google Scholar
Depledge, Emma, Shakespeare’s Rise to Cultural Prominence: Politics, Print and Alteration, 1640–1700 (Cambridge, 2018)CrossRefGoogle Scholar
Ioppolo, Grace, ed., A Midsummer Night’s Dream (New York, 2018)Google Scholar
Kamaralli, Anna, ed., Much Ado About Nothing (London, 2018)Google Scholar
Lander, Jesse M., and Tobin, J. J. M., eds., King John (London, 2018)Google Scholar
Mahood, M. M., ed., The Merchant of Venice, 3rd edn (Cambridge, 2018)Google Scholar
McMullan, Gordon, ed., Romeo and Juliet (New York, 2017)Google Scholar
Menzer, Paul, ed., Romeo and Juliet (London, 2017)Google Scholar
Pechter, Edward, ed., Othello, 2nd edn (New York, 2017)Google Scholar
Prescott, Paul, ed., Othello (London, 2018)Google Scholar
Rokison-Woodall, Abigail, ed., Hamlet (London, 2017)Google Scholar
Rokison-Woodall, Abigail, ed., A Midsummer Night’s Dream (London, 2017)Google Scholar
Salzman, Paul, Editors Construct the Renaissance Canon, 1825–1915 (Basingstoke, 2018)Google Scholar
Sanders, Norman, ed., Othello, 3rd edn (Cambridge, 2018)Google Scholar
Werstine, Paul, ed., special issue of Shakespeare Quarterly 68. 1 (2017), 1–92Google Scholar

Save book to Kindle

To save this book to your Kindle, first ensure coreplatform@cambridge.org is added to your Approved Personal Document E-mail List under your Personal Document Settings on the Manage Your Content and Devices page of your Amazon account. Then enter the ‘name’ part of your Kindle email address below. Find out more about saving to your Kindle.

Note you can select to save to either the @free.kindle.com or @kindle.com variations. ‘@free.kindle.com’ emails are free but can only be saved to your device when it is connected to wi-fi. ‘@kindle.com’ emails can be delivered even when you are not connected to wi-fi, but note that service fees apply.

Find out more about the Kindle Personal Document Service.

Available formats
×

Save book to Dropbox

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Dropbox.

Available formats
×

Save book to Google Drive

To save content items to your account, please confirm that you agree to abide by our usage policies. If this is the first time you use this feature, you will be asked to authorise Cambridge Core to connect with your account. Find out more about saving content to Google Drive.

Available formats
×