Eiléan Ní Chuilleanáin

doi:10.1017/9781108333313.027

24 - Eiléan Ní Chuilleanáin

Published online by Cambridge University Press: 09 November 2017

Hugh Haughton

Edited by

Gerald Dawe

Show author details

Gerald Dawe: Affiliation:
Trinity College, Dublin

Book contents

Get access

Summary

A summary is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content.

Image of the first page of this content. For PDF version, please use the ‘Save PDF’ preceeding this image.'

Type: Chapter
Information: The Cambridge Companion to Irish Poets , pp. 322 - 334

DOI: https://doi.org/10.1017/9781108333313.027 [Opens in a new window]

Publisher: Cambridge University Press

Print publication year: 2017

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Primary Sources

Acts and Monuments (Dublin: Gallery, 1972).Google Scholar

Cork, with illustrations by Lalor, Brian (Dublin: Gallery, 1977).Google Scholar

The Second Voyage (Dublin: Gallery, 1977).Google Scholar

The Rose-Geranium (Dublin: Gallery, 1981).Google Scholar

The Second Voyage (Dublin: Gallery, 1986).Google Scholar

The Magdalene Sermon(Oldcastle: Gallery, 1989).Google Scholar

The Brazen Serpent (Oldcastle: Gallery, 1994).Google Scholar

The Water Horse: Poems in Irish by Nuala Ní Dhomhnaiill with Translations into English by Medbh McGuckian and Eiléan Ní Chuilleanáin (Oldcastle: Gallery, 1999).Google Scholar

The Girl Who Married a Reindeer (Oldcastle: Gallery, 2001).Google Scholar

Mălăncioiu, Ileana, After the Raising of Lazarus: Poems Translated from the Romanian by Eiléan Ní Chuilleanáin (Oldcastle: Gallery, 2005).Google Scholar

Selected Poems (Oldcastle: Gallery, 2008; London: Faber, 2008).Google Scholar

The Sun-Fish (Loughcrew: Gallery, 2009).Google Scholar

The Boys of Bluehill (Loughcrew: Gallery Press, 2015).Google Scholar

Secondary Sources

‘Acts and Monuments of an Unelected Nation: The Cailleach writes about the Renaissance’, Southern Review 31.3 (Summer 1995): 570–80.Google Scholar

‘Borderlands of Irish Poetry’ in Andrews, Elmer, ed., Contemporary Irish Poetry: A Collection of Critical Essays (Basingstoke: Macmillan, 1992), pp. 25–40.Google Scholar

‘Nuns: a Subject for a Woman Writer’ in Haberstroh, Patricia Boyle, My Self, My Muse (Syracuse: Syracuse University Press, 2001), pp. 18–31.Google Scholar

Haberstroh, Patricia, ‘Interview with Eiléan Ní Chuilleanáin’, Irish University Review Special Issue Eiléan Ní Chuilleanáin 37.1 (Spring/Summer 2007) 36–49.Google Scholar

Williams, Leslie, ‘The stone recalls its quarry: An Interview with Eiléan Ní Chuilleanáin’ in Shaw Sailer, Susan, ed. Representing Ireland: Gender, Class, Nationality (Gainesville: University of Florida Press, 1997).Google Scholar

Batten, Guinn, ‘Boland, McGuckian, Ní Chuilleanáin and the body of the nation’, in Campbell, Matthew, ed., Cambridge Companion to Contemporary Irish Poetry (Cambridge: Cambridge University Press, 2003), pp. 169–88.Google Scholar

Fogarty, Anne, ed. Irish University Review Special Issue Eiléan Ní Chuilleanáin 37.1 (Spring/Summer 2007).Google Scholar

Haberstroh, Patricia, Women Creating Women: Contemporary Irish Women Poets (Dublin: Attic Press, 1996).Google Scholar

Johnston, Dillon, ‘Hundred-Pocketed Time’: Eiléan Ní Chuilleanáin’s Baroque SpacesGoogle Scholar

Kerrigan, John, ‘The Hidden Ireland: Eiléan Ní Chuilleanáin and Munster Poetry’, The Critical Quarterly 40.4 (Winter 1998).Google Scholar

McCarthy, Thomas, ‘“We could be in any city”: Eiléan Ní Chuilleanáin and Cork’ in Irish University Review 37.1.Google Scholar