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On Differences Between the Rural and the Urban: Traditional Polish Peasant Dancing

Published online by Cambridge University Press:  14 February 2019

Roderyk Lange
Roderyk Lange*
Affiliation:
St. Peter, Jersey, Channel Islands
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Extract

In anthropological research one usually turns to cultures where social bonds are still closely knit, and as a result “primitive” or tribal peoples are often the centre of interest in Western anthropology. But in many areas of Europe peasant culture has retained highly integrated patterns of life with relatively little disturbance almost up to the present day. Professionally organised field work reveals astonishing features of culture unexpectedly so close at hand in neighbouring industralised Europe.

Type
Articles
Information
Yearbook of the International Folk Music Council , Volume 6 , 1974 , pp. 44 - 51
Copyright
Copyright © 1975 By the International Folk Music Council 

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References

Notes

1. Shanin, T., Peasants and Peasant Societies (Harmondsworth, 1971); B. Gunda, “Die mitteleuropäischen Bauernkulturen und die Methode der ‘Cultural Anthropology,'” VIe Congrès International des Sciences Anthropologiques et Ethnologiques, Paris, 1960, 2/1 (Paris, 1963), p. 543.Google Scholar

2. Backman, L. E., Religious Dances in the Christian Church and in Popular Medicine, trans. by E. Classen (London, 1952).Google Scholar

3. Lange, R., “The Traditional Dances of Poland,” Viltis, 29/1 (Denver, 1970), pp. 4–14; R. Lange, “Der Volkstanz in Polen,” Deutsches Jahrbuch für Volkskunde, 12 (Berlin, 1966), pp. 342-357.Google Scholar

4. Lange, R., “Tance kujawskie” [The Dances from Cuiavia], Literatura Ludowa, 4 (Warsaw, 1964), pp. 13–20.Google Scholar

5. Lange, R., Taniec ludowy w pracach Muzeum Etnograßcznego w Toruniu; Metoda pracy i kwestionariusz [Folk dance research at the Ethnographic Museum in Toruń; fieldwork methods and questionnaire] (Toruń: Muzeum Ethnograficzne, 1960); R. Lange, “Kinetography Laban (Movement Notation) and the Folk Dance Research in Poland,” Lud, 50 (Wroclaw, 1966), pp. 378–391.Google Scholar

6. J. and M. Sobiescy, “Tempo rubato u Chopina i w polskiej muzyce ludowej” [Tempo rubato as used by Chopin and as evident in Polish folk music], Muzyka, 3 (Warsaw, 1960); J. and M. Sobiescy, Polska muzyka ludowa i jej prohlemy [Selected Problems concerning Polish Folk Music] (Cracow, 1973), pp. 430–441; K. Kamieński, “Zum ‘Tempo rubato,’ “ Archiv für Musikwissenschaft, 1 (1918/19), pp. 108-126.Google Scholar