Hostname: page-component-76fb5796d-zzh7m Total loading time: 0 Render date: 2024-04-25T16:21:38.183Z Has data issue: false hasContentIssue false

THE ROMOLA CODE: “MEN OF APPETITES” IN GEORGE ELIOT'S HISTORICAL NOVEL

Published online by Cambridge University Press:  18 May 2011

Nancy Henry*
Affiliation:
The University of Tennessee

Extract

The fifteenth-century Florentine world that George Eliot studied and recreated in Romola (Cornhill Magazine, July 1862–August 1863) was characterized by the idea of love between males and the practice of sex between males. Same sex desire took various forms from the love of the older teacher for his pupil to the illegal but common practice of penetrating adolescent boys, for which many fifteenth-century Florentine men were prosecuted, particularly under the regime of the Dominican monk Girolamo Savonarola (1494–98). The monasteries themselves constituted an intense, all-male community of voluntary celibacy. These various sexual behaviors co-existed with more visible heterosexual institutions and practices, from the often politicized arranged marriages of the wealthy elite to the casual coupling of the peasant classes.

Type
Research Article
Copyright
Copyright © Cambridge University Press 2011

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

WORKS CITED

A Century of George Eliot Criticism. Ed. Haight, Gordon S.. London: Methuen, 1966. Print.Google Scholar
Bonaparte, Felicia. The Triptych and the Cross: The Central Myths of George Eliot's Poetic Imagination. Brighton: Harvester, 1979. Print.Google Scholar
Carpenter, Mary Wilson. George Eliot and the Landscape of Time. Chapel Hill: U of North Carolina P, 1986. Print.Google Scholar
Carroll, David, ed. George Eliot: The Critical Heritage. New York: Barnes & Noble, 1971. Print.Google Scholar
Cestaro, Gary P. “Lesbian and Gay Writing.” Encyclopedia of Italian Literary Studies. Ed. Marrone, Gaetana, Puppa, Paolo, and Somigli, Luca. New York: Routledge, 2007. 1029–34. Print.Google Scholar
Craft, Christopher. Another Kind of Love: Male Homosexual Desire in English Discourse, 1850–1920. Berkeley: U of California P, 1994. Print.Google Scholar
Dall'Orto, Giovanni. “‘Socratic Love’ as a Disguise for Same-Sex Love in the Italian Renaissance.” The Pursuit of Sodomy: Male Homosexuality in Renaissance and Enlightenment Europe. Ed. Gerard, Kent and Hekma, Gert. New York: Harrington Park, 1989. 3366. Print.Google Scholar
[Alighieri], Dante. Inferno. Translated with commentary by Singleton, Charles S.. Princeton: Princeton UP, 1970. Print.Google Scholar
de Cossart, Michael. Antonio Beccadelli and the Hermaphrodite. Liverpool: Janus, 1984. Print.Google Scholar
DeLaura, David J.Romola and the Origin of the Paterian View of Life.” Nineteenth-Century Fiction 21.3 (Dec. 1966): 225–33. JSTOR. Web. 12 May 2010.CrossRefGoogle Scholar
Dellamora, Richard. Friendship's Bonds: Democracy and the Novel in Victorian England. Philadelphia: U of Pennsylvania P, 2004. Print.Google Scholar
Dowling, Linda. Hellenism and Homosexuality in Victorian Oxford. Ithaca: Cornell UP, 1994. Print.Google Scholar
Eliot, George. “Florentine Notes.” Manuscript Notebook. MS 40768. British Library, London.Google Scholar
Eliot, George. “A George Eliot Holograph Notebook: An Edition; (MS Don. G 8) Held at the Bodleian Library, Oxford.” Ed. Thompson, Andrew. George Eliot - G. H. Lewes Studies 50–51 (September 2006): 1109. Print.Google Scholar
Eliot, George. The George Eliot Letters. Ed. Haight, Gordon S.. 9 vols. 1954–78. New Haven: Yale UP, 1978. Print.Google Scholar
Eliot, George. The Journals of George Eliot. Ed. Harris, Margaret and Johnston, Judith. Cambridge: Cambridge UP, 1998. Print.Google Scholar
Eliot, George. Middlemarch. 1871–72. Ed. Carroll, David. Oxford: Oxford UP, 1997. Print.Google Scholar
Eliot, George. Romola. 1862–63. Ed. Brown, Andrew. Oxford: Oxford UP, 1994. Print.Google Scholar
Eliot, George. Some George Eliot Notebooks. An Edition of the Carl H. Pforzheimer Library's George Eliot Holograph Notebooks. Vol. 2. MSS 709. Ed. Baker, William. Salzburg: Institut Fur Anglistik und Amerikanistik. Universitat Salzburg, 1984. Print.Google Scholar
Fraser, Hilary. The Victorians and Renaissance Italy. Oxford: Blackwell, 1992. Print.Google Scholar
Gilson, Simon A. “Marsilio Ficino.” Encyclopedia of Italian Literary Studies. Ed. Marrone, Gaetana, Puppa, Paolo, and Somigli, Luca. New York: Routledge, 2007: 721. Print.Google Scholar
Godman, Peter. From Poliziano to Machiavelli: Florentine Humanism in the High Renaissance. Princeton: Princeton UP, 1998. Print.Google Scholar
Gordon, Lesley. “Greek Scholarship and Renaissance Florence in George Eliot's Romola.” George Eliot and Europe. Ed. Rignall, John. Warwick Studies in the European Humanities. Aldershot: Scolar, 1997. Print.Google Scholar
Gouws, Dennis. “George Eliot's enthusiastic bachelors: topical fictional accounts of nineteenth-century homoerotic Christian masculinities and the manhood question.” Forum on Public Policy: A Journal of the Oxford Round Table 2 (2008): 116. Web. 17 May 2010.Google Scholar
Gray, Beryl. “Power and Persuasion: Voices of Influence in Romola.” From Author to Text: Re-reading George Eliot's Romola. Ed. Levine, Caroline and Turner, Mark W.. Brookfied: Ashgate, 1998. Print.Google Scholar
Halperin, David M.How to Do the History of Homosexuality. Chicago: U of Chicago P, 2002. Print.Google Scholar
Henry, Nancy. “George Eliot, G. H. Lewes and Comparative Anatomy.” George Eliot and Europe. Ed. Rignall, John. Warwick Studies in the European Humanities. Aldershot: Scolar, 1997. 4463. Print.Google Scholar
Hill, Donald. “Pater's Debt to Romola.” Nineteenth-Century Fiction 22.4 (March 1968): 361–77. JSTOR. Web. 13 May 2010.CrossRefGoogle Scholar
Jenkyns, Richard. The Victorians and Ancient Greeks. Cambridge: Harvard UP, 1980. Print.Google Scholar
Jovius, Paulus (Paolo Giorio). Elogia Virorum litteris illustrious. 1546. Translated as An Italian Portrait Gallery. Boston: Chapman and Grimes. Trans. Gragg, F. A., 1935. www.elfinspell.com. Web. 14 May 2010.Google Scholar
Kestner, Joseph A.Masculinities in Victorian Painting. Aldershot: Scolar, 1995. Print.Google Scholar
Malley, Shawn. “‘The Listening Look’: Visual and Verbal Metaphor in Frederic Leighton's Illustrations of George Eliot's Romola.” Nineteenth-Century Contexts 19.3 (1996): 259–84. Print.CrossRefGoogle Scholar
McCormack, Kathleen. George Eliot's English Travels: Composite Characters and Coded Communication. New York: Routledge, 2005. Print.CrossRefGoogle Scholar
Muscau, Francesca. “From artificial art to dissolute beauty: The Renaissance in George Eliot and Walter Pater.” Diss. State University of New York at Buffalo, 2005. Print.Google Scholar
O'Connor, Eugene. Introduction. Hermaphroditus. By Antonio Panormita. Trans. O'Connor, Eugene. New York: Lexington Books, 2001. 115. Print.Google Scholar
Ormond, Leonee. “Angels and Archangels: Romola and the Paintings of Florence.” From Author to Text: Re-reading George Eliot's Romola. Ed. Levine, Caroline and Turner, Mark W.. Brookfield: Ashgate, 1998. Print.Google Scholar
Pequigney, Joseph. “Sodomy in Dante's Inferno and Purgatorio.” Representations 36 (Autumn 1991): 2242. JSTOR. Web. 14 May 2010.CrossRefGoogle Scholar
Poliziano, Angelo. “Orfeo.” Trans. Symonds, John Addington. Sketches and Studies in Southern Europe. Vol. 1. New York: Harper and Brothers, 1880. Print.Google Scholar
Rocke, Michael. Forbidden Friendships: Homosexuality and Male Culture in Renaissance Florence. New York: Oxford UP, 1996. Print.CrossRefGoogle Scholar
Saslow, James M.Ganymede in the Renaissance: Homosexuality in Art and Society. New Haven: Yale UP, 1986. Print.Google Scholar
Savonarola, Girolamo. Selected Writings of Girolamo Savonarola: Religion and Politics, 1490–1498. Trans. and ed. Donald Beebe, Borelli, Anne and Passaro, Maria Pastore. New Haven: Yale UP, 2006. Print.CrossRefGoogle Scholar
Sedgwick, Eve Kosofsky. Between Men: English Literature and Male Homosocial Desire. New York: Columbia UP, 1985. Print.CrossRefGoogle Scholar
Smith, Alan K. “Fraudomy: Reading Sexuality and Politics in Burchiello.” Queering the Renaissance. Ed. Goldberg, Jonathan. Durham: Duke UP, 1994. 84106. Print.CrossRefGoogle Scholar
Symonds, John Addington. “Politian.” Encyclopaedia Britannica. 9th ed. 1885. The John Addington Symonds Pages. 1997. Ed. Norton, Rictor. Web. 21 May 2010.Google Scholar
Symonds, John Addington. “Poliziano's Italian Poetry.” Fortnightly Review 14.80 (August 1873): 163. Print.Google Scholar
Symonds, John Addington. The Revival of Learning. 1877. and Popular Secular Poetry. 1881. Vols. 2 and 4 of The Renaissance in Italy. 1875–86. 7 Vols. New York: Georg Olms Verlag, 1972. Print.Google Scholar
Symonds, John Addington. Sketches and Studies in Italy. London: Smith, Elder, 1879. Print.Google Scholar
Thompson, Andrew. George Eliot and Italy: Literary, Cultural and Political Influences from Dante to the Risorgimento. New York: St. Martin's, 1998. Print.CrossRefGoogle Scholar
Turner, Mark W. “George Eliot v. Frederic Leighton: Whose Text is it Anyway?” From Author to Text: Re-reading George Eliot's Romola. Ed. Levine, Caroline and Turner, Mark W.. Brookfield: Ashgate, 1998. Print.Google Scholar
Upchurch, Charles. Before Wilde: Sex Between Men in Britain in the Age of Reform. Berkeley: U of California P, 2009. Print.Google Scholar
Villari, Pasquale. The Life and Times of Girolamo Savonarola 1859. Trans. Villari, Linda. New York: Charles Scribner's Sons, 1888. Print.Google Scholar
Walton, Brad. “Poliziano.” glbtq: An Encyclopedia of Gay, Lesbian, Bisexual, Transgender, and Queer Culture. 2002. glbtq, Inc. Web. 14 May 2010.Google Scholar
Witemeyer, Hugh. George Eliot and the Visual Arts. New Haven: Yale UP, 1975. Print.Google Scholar