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The Metaphysics of Pornography in The Ring and The Book

Published online by Cambridge University Press:  28 November 2008

Extract

Guido's marriage to Pompilia was a mismatch by age, class, education, and temperament. The disparity, however, runs much deeper than any of these elements. The rift between them is a disparity in the very quality of their souls and is the source of Guido's surpassing hatred and gratuitous malevolence toward his wife. The public, however, seems uninterested in the mysterious subtleties of this couple's spiritual drama. Though Count Guido Franceschini is on trial for murder, the issue is the virtue of his victim. Pompilia Comparini is on trial as an erring wife, a violator of husbandly honor. Because Guido's spiritual quality is reflected in society, that society has no problem supporting him in his defense of such an overt, cowardly, and heinous crime. The sympathetic bond between the nobleman and his auditors is the base for his brash, swaggering bravado about the murder by himself and four armed men of an old man, an old woman, and a seventeen-year-old girl recovering from childbirth. Hardly the stuff of heroism, yet Guido speaks from an eminence of security with the swagger of cheap heroics.

Type
Research Article
Copyright
Copyright © Cambridge University Press 1985

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References

NOTES

1. The Ring and the Book, ed. Altick, Richard D. (New Haven: Yale University Press, 1981), v, 426–30. All quotations will be taken from this edition and will be given in parentheses in the text.Google Scholar

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8. Gaius, , The Institutes of Gaius, 1, in Scott, S.P., pp. 97. For feminist com-ment on the great number of books and treatises written about women by men, see Christine de Pizan, The Book of the City of Ladies (1405), Earl Jeffrey Richards, trans. (New York: Persea Books, 1982), p. 364; and Virginia Woolf, A Room of One's Own (New York and London: Harcourt Brace Jovanovich, 1929), Ch. 2Google Scholar

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10. Current scholarship questions the authorship of two of the Pauline passages cited here. Though the authorship of Galatians and First Corinthians is thought to be indisputably Paul's, First Timothy is widely considered the work of a first-century disciple of the Apostle, and to this disciple also are attributed verses 34 and 35 of Chapter 14 of Paul's First Epistle to the Corinthians. The official canon of Pauline epistles, however, is the same now as in Browning's time, and the poet, as well as the seventeenth-century Roman Church considered all the Pauline epistles as the direct teaching of the Apostle.

Cf. Conzelmann, Hans, I Corinthians: A Commentary on the First Epistle to the Corinthians, trans. Leitch, James W. (Philadelphia: Fortress Press, 1975).Google Scholar Hans Dieter Betz, Calatians: A Commentary on Paul's Letter to the Churches in Galatia (Philadelphia: Fortress Press, 1979). Martin Dibelius and Hans Conzelman, The Pastoral Epistle: A Commentary on the Pastoral Epistles, trans. Philip Buttolph and Adela Yarbro (Philadelphia: Fortress Press, 1972).

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18. For a good examination of the Guido/God analogy, see Altick, Richard D. and Loucks, James F., Browning's Roman Murder Story (Chicago: Chicago University Press, 1968).Google Scholar

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22. Griffin, Susan, Pornography and Silence (London: The Women's Press, 1981), p. 44. See also Andrea Dworkin, Pornography: Men Possessing Women (London: The Women's Press, 1981), especially ch. 6, “Pornography” and ch. 7, “Whores.”Google Scholar

23. The cynical irony of the church court that assigned Caponsacchi to exile in Civita for alleged adultery is not lost on the priest as he notes his penal assignment: to produce a travesty translation of De Raptu Helenae, a Greek poem about the rape of Helen written about 500 A.D. in Egypt.Google Scholar