Most cited
This page lists all time most cited articles for this title. Please use the publication date filters on the left if you would like to restrict this list to recently published content, for example to articles published in the last three years. The number of times each article was cited is displayed to the right of its title and can be clicked to access a list of all titles this article has been cited by.
- Cited by 1
Art Music and Transterritoriality: Reflections on Cuban Migrations to Europe during the 1990s
-
- Published online by Cambridge University Press:
- 08 October 2020, pp. 291-309
-
- Article
- Export citation
- Cited by 1
Musical Spectra, l'espace sensible and Contemporary Opera
-
- Published online by Cambridge University Press:
- 26 April 2018, pp. 103-124
-
- Article
- Export citation
- Cited by 1
Laptop Composition at the Turn of the Millennium: Repetition and Noise in the Music of Oval, Merzbow, and Kid606
-
- Published online by Cambridge University Press:
- 04 August 2011, pp. 91-115
-
- Article
- Export citation
- Cited by 1
Ontological Appropriation: Boulez and Artaud
-
- Published online by Cambridge University Press:
- 30 April 2021, pp. 281-310
-
- Article
-
- You have access
- Open access
- HTML
- Export citation
- Cited by 1
In the Beginning of Penderecki's Paradise Lost
-
- Published online by Cambridge University Press:
- 12 August 2013, pp. 231-248
-
- Article
- Export citation
- Cited by 1
Matrices of ‘Love and Theft’: Joan Baez Imitates Bob Dylan
-
- Published online by Cambridge University Press:
- 30 April 2021, pp. 249-279
-
- Article
-
- You have access
- Open access
- HTML
- Export citation
- Cited by 1
Jazzing a Classic: Hylton and Stravinsky's Mavra at the Paris Opéra
-
- Published online by Cambridge University Press:
- 13 April 2011, pp. 155-182
-
- Article
-
- You have access
- HTML
- Export citation
- Cited by 1
Straightening the Record: Morton Feldman's Return to Graph Music
-
- Published online by Cambridge University Press:
- 27 March 2013, pp. 59-90
-
- Article
- Export citation
- Cited by 1
Music for International Solidarity: Performances of Race and Otherness in the German Democratic Republic
-
- Published online by Cambridge University Press:
- 15 March 2019, pp. 123-139
-
- Article
- Export citation
- Cited by 1
Anthony Pople, 1955–2003: an Appreciation
-
- Published online by Cambridge University Press:
- 22 April 2005, pp. 277-283
-
- Article
- Export citation
- Cited by 1
Shadows of the Past: Akhmatova’s Poem Without a Hero and Lourié’s Incantations
-
- Published online by Cambridge University Press:
- 01 March 2008, pp. 79-108
-
- Article
- Export citation
- Cited by 1
Reading the Musical Surreal through Poulenc's Fifth Relations
-
- Published online by Cambridge University Press:
- 09 March 2020, pp. 127-160
-
- Article
- Export citation
- Cited by 1
Introduction to the Special Issue on Global Musical Modernisms
-
- Published online by Cambridge University Press:
- 04 October 2023, pp. 274-291
-
- Article
-
- You have access
- HTML
- Export citation
- Cited by 1
Virals, Memes, and the Lick's Circulation through Online Jazz Communities
-
- Published online by Cambridge University Press:
- 28 November 2022, pp. 393-410
-
- Article
- Export citation
- Cited by 1
‘There is Music in It, But It is Not Music’: A Reception History of Musique Concrète in Britain
-
- Published online by Cambridge University Press:
- 15 August 2018, pp. 211-230
-
- Article
- Export citation
- Cited by 1
‘They Fell Like Meteorites’: Avatars of the Andean Sound and Their Reception by Italian Music Groups (1973–1996)
-
- Published online by Cambridge University Press:
- 08 October 2020, pp. 381-399
-
- Article
- Export citation
- Cited by 1
Kyle Gann, Music Downtown: Writings from the Village Voice (Berkeley, Los Angeles, and London: University of California Press, 2006), ISBN: 978-0-520-22981-5 (hb), 978-0-520-22982-2 (pb)
-
- Published online by Cambridge University Press:
- 04 August 2011, pp. 127-130
-
- Article
- Export citation
- Cited by 1
Hybrid in Form, Socialist in Content: The Formal Politics of Chŏlga in the North Korean Revolutionary Opera Sea of Blood
-
- Published online by Cambridge University Press:
- 21 December 2021, pp. 419-445
-
- Article
- Export citation
- Cited by 1
Pierre Schaeffer, In Search of a Concrete Music, trans. Christine North and John Dack (Berkeley: University of California Press, 2012), ISBN: 978-0-520-26573-8 (hb), ISBN: 978-0-520-26574-5 (pb). - Brian Kane, Sound Unseen: Acousmatic Sound in Theory and Practice (New York: Oxford University Press, 2014), ISBN: 978-0-19-934784-1 (hb).
-
- Published online by Cambridge University Press:
- 26 August 2015, pp. 285-290
-
- Article
- Export citation
- Cited by 1
Tim Rutherford-Johnson, Music After the Fall: Modern Composition and Culture Since 1989 (Oakland: University of California Press, 2017), ISBN 978-0-52028-314-5 (hb), 978-0-52028-315-2 (pb).
-
- Published online by Cambridge University Press:
- 26 April 2018, pp. 131-136
-
- Article
- Export citation