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Tape Leaders: A Compendium of Early British Electronic Music Composers by Ian Helliwell . Sound On Sound, 2016. £29.00

Published online by Cambridge University Press:  03 March 2017

James Gardner
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BOOKS
Information
Tempo , Volume 71 , Issue 280 , April 2017 , pp. 95 - 97
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Copyright © Cambridge University Press 2017 

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References

1 Logan, Nick and Woffinden, Bob, eds, The Illustrated New Musical Express Encyclopedia of Rock (London: Littlehampton Book Services, 1976)Google Scholar.

2 See Richard Littler's work at http://scarfolk.blogspot.co.nz.

3 Davies, Hugh, Répertoire International des Musiques Electroacoustiques/International Electronic Music Catalog (Paris: Groupe de Recherches Musicales de l'O.R.T.F.; and New York: The Independent Electronic Music Center, Inc., 1968)Google Scholar.

4 Excerpts of Cooper's mid-sixties work with students from Adwick Comprehensive School, near Doncaster, were released on Oram, Daphne, Oramics (Pogus PD21, 2007)Google Scholar.

5 For useful surveys of some aspects of this scene see: Piekut, Benjamin, ‘Indeterminacy, Free Improvisation, and the Mixed Avant-Garde: Experimental Music in London, 1965–1975’, Journal of the American Musicological Society 67 (2014), pp. 769–824 CrossRefGoogle Scholar; and Leonardo Music Journal, Vol. 11 (2001): ‘Not Necessarily “English Music”: Britain's Second Golden Age’, with an accompanying CD.

6 Most notably Niebur, Louis: Special Sound: The Creation and Legacy of the BBC Radiophonic Workshop (Oxford: Oxford University Press, 2010)CrossRefGoogle Scholar.