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Published online by Cambridge University Press: 04 February 2010
What follows is a purely personal account of my speculations about composition today, in relation to a study of Stravinsky's work. Under three main headings I shall try to show the contemporary relevance of certain features of Stravinsky's musical style which have not been very frequently discussed.
page 22 note 1 The Language of Modern Music (Faber), p. 117
page 23 note 1 Anton von Webern: Perspectives (University of Washington Press), p. 10
2 Aristotle, Ars Poetica. All quotations are taken from the Penguin edition, translated by T. S. Dorsch