Published online by Cambridge University Press: 20 January 2017
In the Soviet cultural geography of the early 1930s, the Kara-Kum desert of Turkmenistan–the setting of Andrei Platonov's novella Dzhan–represented an environmental challenge to Soviet technological utopianism, just as its nomadic inhabitants challenged Stalinist narratives of political development. In this article, I offer new contexts for reading Dzhan, locating it within Russian and Soviet discourses of natural and national development and within the context of Platonov's second profession as a meliorator (land reclamation engineer). I argue that Dzhan offers a vision of vernacular socialism, first, in its attention to the specific ecology of the desert and its inhabitants, and second, in its resistance to two totalizing Soviet master narratives forming in the early 1930s: in the political domain, new Stalinist doctrine on modes of production, and in the literary domain, the socialist realist plot.
1. A. G. Gael', “Otbrosif nazad chernye peski Kara-Kuma,” Pravda, 25 September 1933. Turkmenistan was the last of the five Central Asian republics to be brought under full Soviet political control; only in early 1933, the year of the Moscow-Kara-Kum-Moscow rally, was the Turkmen leader of the “basmachi,” Dzhunaid Khan, driven from the Soviet Union.
2. Among the many works published on the Kara-Kum expedition were poet Mikhail Loskutov's Trinadtsatyi karavan: Zapiski o pustyne Karakum (Moscow, 1933) and his children's book, Rasskazy o dorogakh (Moscow, 1935); S. Urnis's children's book Kara-Kum:Rasskaz o probege (Moscow, 1934); and El'-Registan and L. Brontman's Moskva-Kara- Kum-Moskva (Moscow, 1934). Roman Karmen and Eduard Tisse's film of the expedition is Avtoprobeg Moskva-Karakumy-Moskva (1933).
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5. Rozhentseva, Elena, “Opyt dokumentirovaniia Turkmenskikh poezdok A. P. Platonova,“ in Arkhiv A. P. Platonova, ed. Kornienko, N. V., vol. 1 (Moscow, 2009), 400 Google Scholar. One of Platonov's colleagues on the 1934 writers’ expedition to Turkmenistan had already written a novel plotted around the reversal of the Amu Dar'ia. Petr Pavlenko, a minor Russian writer whose literary works primarily focused on Soviet Turkmenistan, published Pustynia (Leningrad, 1931) to mixed reviews. Natal'ia Kornienko discusses the antagonism between Pavlenko and Platonov and argues convincingly that in Dzhan Platonov polemicizes with Pavlenko's vision of Turkmenistan's development. See Kornienko, Natal'ia V., “Andrei Platonov: ‘Turkmeniia—strana ironii.’ Obraz Turkmenii v sovetskoi i russkoi literature 30-kh godov,” in Alieva, S. U. et al., Natsiia, lichnost', literatura, pt. 1 (Moscow, 1996), 108–9.Google Scholar
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59. Ibid., 500.
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87. Ibid.
88. Ibid., 505. Bais, in Central Asia, referred to rich peasants, i.e., kulaks.
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93. Ibid., 171.I am grateful to Alexander Nakhimovsky for a helpful discussion on Platonov's meaning in this passage.
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103. Platonov, Zapisnye knizhki, 137.
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108. Platonov, “Dzhan,” 467