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Vida Lahey: Beyond Monday Morning

Published online by Cambridge University Press:  26 February 2016

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Extract

Some of the guests at the opening of the Queensland Art Gallery's exhibition Vida Lahey: Colour and Modernism on 16 October 2010 expressed their consternation when Lahey's most famous work, Monday Morning, was not included. Despite it being one of the icons of the Gallery's collection, it remained on display in the permanent collection galleries – a choice that was quite deliberate.

Type
Research Article
Copyright
Copyright © Cambridge University Press 

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References

Notes

1 Sun, Four o'clock, 19 October 1912.Google Scholar

2 MacArthur, Lilian, ‘Vida Lahey’, The Society of Women Writers of NSW Literary Competition, 1969, typescript Fryer Library, University of Queensland, 9.Google Scholar

3 Art Notes: Miss F.V. Lahey's Paintings’, The Age, Melbourne, 22 May 1923: 14.Google Scholar

4 Lahey, Vida, Art for All (Brisbane: Queensland National Art Gallery for the Combined Art Committee of Queensland, c. 1946).Google Scholar

5 Unidentified press cutting, Georges Gallery Exhibition, Melbourne c. 17 June 1947.Google Scholar

6 Moore, William, ‘Art and Artists’, The Brisbane Courier, 25 October 1930: 20.Google Scholar

7 Argus, 17 August 1932, quoted in Christopher Wray, Arthur Streeton: Painter of Light (Brisbane: Jacaranda, 1993), 172–73.Google Scholar

8 Arthur Streeton, ‘Miss Vida Lahey's Art: Oils and Water-Colours: Distinguished Flower Painting’, Argus, 19 October 1932: 5.Google Scholar

9 Professor C.G. Cooper, ‘Interest Varies in Art Show’, Courier-Mail (Brisbane), 21 April 1949.Google Scholar