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The King's Buttons: The Language of Law in Billy Budd

Published online by Cambridge University Press:  30 July 2009

Joyce A. Rowe
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Extract

Revolution and law are joined in Billy Budd — and were from its inception. According to the Genetic Text editors, Herman Melville's last work began as a headnote to a ballad about a condemned naval mutineer. Gradually, this kernel evolved into a prose narrative set in 1797, the year of seemingly contagious British naval mutinies — notably Spithead and “The Great Mutiny” at the Nore — that threatened the prosecution of England's naval war against the regicidal French revolutionary forces. By the time Melville had fixed upon these emblematic, modern political events for his scene, the mutineer of the ballad, an older and probably guilty man, had become a very different figure (Hayford and Sealts, 2). Billy Budd's extraordinary qualities now speak to the injustice of his capital sentence, whereas Captain Vere's judgment speaks to the imperative of necessity. This conflict is reflected not only in the doubts of the drumhead court that sentences Billy, but in the arguments of generations of critics and the midrash of commentary the novel has engendered.

Type
Research Article
Information
Prospects , Volume 27 , October 2002 , pp. 271 - 301
Copyright
Copyright © Cambridge University Press 2002

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