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Independent Music and Digital Technologies in the Philippines. By Monika E. Schoop. New York: Routledge, [2017] 2019. 232 pp. ISBN 978-0-367-23151-4

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Independent Music and Digital Technologies in the Philippines. By Monika E. Schoop. New York: Routledge, [2017] 2019. 232 pp. ISBN 978-0-367-23151-4

Published online by Cambridge University Press:  19 March 2021

Chris Woods
Chris Woods*
Affiliation:
University of Liverpool
*
Christopher.woods@liverpool.ac.uk
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Type
Review
Information
Popular Music , Volume 39 , Issue 3-4 , December 2020 , pp. 738 - 740
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Copyright
Copyright © The Author(s), 2021. Published by Cambridge University Press

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References

Galuszka, P. and Wyrzykowska, K.M. 2019. ‘Rethinking independence: what does “independent record label” mean today?’ in Mazierska, E., Gillon, L., and Rigg, T. (eds), Popular Music in the Postdigital Age: Politics, Economy, Culture and Technology (New York, Bloomsbury), pp. 33–50Google Scholar
Stobart, H. 2006. Music and the Poetics of Production in the Bolivian Andes (Aldershot, Ashgate)Google Scholar
Stobart, H. 2010. ‘Rampant reproduction and digital democracy: shifting landscapes of music production and “piracy” in Bolivia’, Ethnomusicology Forum, 19/1, pp. 27–5610.1080/17411911003669616CrossRefGoogle Scholar