Hostname: page-component-7c8c6479df-nwzlb Total loading time: 0 Render date: 2024-03-28T20:57:22.172Z Has data issue: false hasContentIssue false

On Bakhtin, Philosophy, and Philology: Two Essays

Published online by Cambridge University Press:  23 October 2020

Extract

Mikhail Leonovich Gasparov (1935-2005) was one of the greatest and most prolific russian literary scholars of the twentieth century.

Though associated with the Moscow-Tartu school of semiotics, Gasparov's writings were so diverse and multifaceted—and his scholarly personality so distinct—as to elude categorization.

Gasparov's accomplishments are all the more remarkable when measured against the rigid Marxist-Leninist paradigms that ruled humanities education and scholarship in the Soviet Union. A philologist with a special interest in verse form, he managed to sidestep the procrustean bed of Soviet ideology, building instead on the barely tolerated work of the Russian formalists and structuralists. He embraced and developed their goal of turning literary study into an exact science by applying statistical analysis and probability theory to poetics. Gasparov's scholarship was based on unprecedented amounts of data, which he painstakingly compiled in the precomputer era. However, he was never satisfied with the data as such; he used them to reach profound and unexpected conclusions.

Type
Criticism in Translation
Copyright
Copyright © Modern Language Association of America, 2015

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Emerson, Caryl. “In Honor of Mikhail Gasparov's Quarter-Century of Not Liking Bakhtin: Pro and Contra.” Poetics, Self, Place: Essays in Honor of Anna Lisa Crone. Ed. O'Neil, Catherine, Boudreau, Nicole, and Krive, Sarah. Columbus: Slavica, 2007. 2649. Print.Google Scholar
Gasparov, M. L. “.” Gasparov, 309–14.Google Scholar
Gasparov, M. : . Moscow: NLO, 2004. Print.Google Scholar
Gasparov, M. . Moscow: NLO, 2000. Print.Google Scholar
Gasparov, M. . Moscow: Nauka, 1989. Print.Google Scholar
Gasparov, M. . Moscow: Nauka, 1984. Print.Google Scholar
Gasparov, M..” Gasparov, 329–32.Google Scholar
Gasparov, M..” Gasparov, 7779.Google Scholar
Gračeva, G. G., Ju. B. Orlickij, and A. B. Ustinov, comps. , 1935-2005. Moscow: Nauka, 2012. Print.Google Scholar
Holquist, Michael. “Why We Should Remember Philology.” Profession 2002: 72-79. Print.Google Scholar
Pollock, Sheldon. “Future Philology? The Fate of a Soft Science in a Hard World.” Critical Inquiry 35.4 (2009): 931–61. Print.Google Scholar
Šumilova, Elena, comp. . Moscow: Novoe izdatel'stvo, 2008. Print.Google Scholar

Works Cited

Bakhtin, Mikhail. The Dialogic Imagination: Four Essays. Trans. Emerson, Caryl and Holquist, Michael. Austin: U of Texas P, 1981. Print.Google Scholar
Bakhtin, Mikhail. “The Problem of the Text in Linguistics, Philology, and the Human Sciences.” Bakhtin, “Speech Genres” 103–31.Google Scholar
Bakhtin, Mikhail. Problems of Dostoevsky's Poetics. 1929. Trans. Emerson, Caryl. Minneapolis: U of Minnesota P, 1984. Print.CrossRefGoogle Scholar
Bakhtin, Mikhail. Rabelais and His World. 1965. Trans. Iswolsky, Helene. Cambridge: MIT P, 1968. Print.Google Scholar
Bakhtin, Mikhail. “Response to a Question from the Novy Mir Editorial Staff.” Bakhtin, “Speech Genres” 19.Google Scholar
Bakhtin, Mikhail. . Vol. 6. Moscow: Iazyki slavianskoj kul'tury, 2002. Print.Google Scholar
Bakhtin, Mikhail. “Speech Genres” and Other Late Essays. Trans. McGee, Vern W. Austin: U of Texas P, 1986. Print.Google Scholar
Bakina, M. A. . Moscow: Nauka, 1973. Print.Google Scholar
Bilinkis, Ia. “.” 1 (1979): 3436. Print.CrossRefGoogle Scholar
Brandist, Craig. The Bakhtin Circle: Philosophy, Culture, and Politics. London: Pluto, 2002. Print.Google Scholar
Branham, R. Bracht, ed. Bakhtin and the Classics. Evanston: Northwestern UP, 2002. Print.Google Scholar
Branham, R. Bracht. Introduction. Bakhtin and the Classics. Branham, Bakhtin xiii-xxvii.Google Scholar
Clark, Katerina, and Holquist, Michael. Mikhail Bakhtin. Cambridge: Harvard UP, 1984. Print.Google Scholar
Emerson, Caryl. “Coming to Terms with Bakhtin's Carnival: Ancient, Modern, sub Specie Aeternitatis.” Branham, Bakhtin 526.Google Scholar
Emerson, Caryl. “Plenitude as a Form of Hope.” Afterword. Bakhtin and Religion: A Feeling for Faith. Ed. Felch, Susan M. and Contino, Paul J. Evanston: Northwestern UP, 2001. 177–92. Print.Google Scholar
Fedorov, V. 1 (1979): 3738. Print.CrossRefGoogle Scholar
Fleishman, Lazar, Safran, Gabriella, and Wachtel, Michael, eds. Word, Music, History: A Festschrift for Caryl Emerson. 2 vols. Stanford: Stanford Slavic Studies, 2005. Print.Google Scholar
Gasparov, M. . Moscow: NLO, 2000. Print.Google Scholar
Gasparov, M. . 3 vols. Moscow: Iazyki russkoj kul'tury, 1997. Print.Google Scholar
Gasparov, M. . 9 vols. Moscow: Nauka, 1983-94. Print.Google Scholar
Gasparov, M.” Gasparov, 1: 303–12.Google Scholar
Gasparov, M..” Gasparov, 7375.Google Scholar
Gasparov, M..” Gasparov, 2: 449–53.Google Scholar
Gasparov, M..” 10 (1979): 2627. Print.CrossRefGoogle Scholar
Gasparov, M. L., and Avtonomova, N. S..” Gasparov, 2: 105–20.Google Scholar
Girshman, M. 4 (1979): 2627. Print.CrossRefGoogle Scholar
Grigor'ev, V. XX . Vol. 1. Moscow: Iazyki russkoj kul'tury, 2001. Print.Google Scholar
Grigor'ev, V..” 4 (1979): 2728. Print.Google Scholar
Housman, A. E.Luciliana (1).” Classical Quarterly 1.1 (1907): 5374. Print.CrossRefGoogle Scholar
Iudina, Mariia. . Moscow: Universitetskaja kniga, 1999. Print.Google Scholar
Ivanova, N. N. apce- XVIII- XX . Moscow: AST, 2004. Print.Google Scholar
Jakobson, Roman. Language in Literature. Cambridge: Harvard UP, 1987. Print.Google Scholar
Körte, Alfred. “Hermann Reichs Mimus.” Neue Jahrbücher für das klassische Altertum 11 (1903): 537–49. Print.Google Scholar
Kozevnikova, N. A. XIX-XX bb. Moscow: Iazyki russkoj kul'tury, 2000. Print.Google Scholar
Kožinov, V..” 3 (1979): 4546. Print.CrossRefGoogle Scholar
Kristeva, Julia. “The Ruin of a Poetics.” Russian Formalism. Ed. Bann, Stephen and Bowlt, John E. Edinburgh: Scottish Academic, 1973. 102–19. Print.Google Scholar
Kuznetsov, A. . Moscow: Klassika-XXI, 2008. Print.Google Scholar
Law, Vivien. Wisdom, Authority, and Grammar in the Seventh Century: Decoding Virgilius Maro Grammaticus. Cambridge: Cambridge UP, 1995. Print.CrossRefGoogle Scholar
Levin, Ju. I. “O .” . Ed. Vjač. Vs. Ivanov. Moscow: Nauka, 1966. 199215. Print.Google Scholar
Lodge, David. After Bakhtin: Essays on Fiction and Criticism. London: Routledge, 1990. Print.Google Scholar
Lotman, Ju. “ 3 (1979): 4748. Print.CrossRefGoogle Scholar
McKinnon, Alistair. “Kierkegaard's Pseudonyms: A New Hierarchy.” American Philosophical Quarterly 6.2 (1969): 116–26. Print.Google Scholar
Minc, Zara, and Šiškina, Ol'ga. “.” 5 (1971): 310–32. Print.Google Scholar
Pan'kov, Nikolai. “‘Everything Else Depends on How This Business Turns Out …‘: The Defence of Mikhail Bakhtin's Dissertation as Real Event, as High Drama and as Academic Comedy: Part I.” Dialogism: An International Journal of Bakhtin Studies 1 (1998): 1129. Print.Google Scholar
Reich, Hermann. Der Mimus. Ein Litterar-Entwickelungsgeschichtlicher Versuch. 2 vols. Berlin: Weidmann, 1903. Print.Google Scholar
Sofokl. . Trans. F. Zelinskij. 3 vols. Moscow: Sabašnikov, 1913-14. Print.Google Scholar
Wellek, René.Bakhtin's View of Dostoevsky: ‘Polyphony’ and ‘Carnivalesque.‘Dostoevsky Studies 1 (1980): 3239. Print.Google Scholar
Xrapčenko, M. “B .” 10 (1979): 2833. Print.CrossRefGoogle Scholar