Hostname: page-component-78c5997874-j824f Total loading time: 0 Render date: 2024-11-19T10:22:04.193Z Has data issue: false hasContentIssue false

The Fantastic in Literature

Published online by Cambridge University Press:  23 October 2020

Extract

Charles Nodier (1780–1844) holds the dismal distinction of being the most important French Romantic you have never heard of. A child prodigy, Nodier was reading Montaigne and Plutarch, and writing fluently in French and Latin, by the age of ten. By twenty-five he had vandalized a guillotine, founded the ironically Freemasonesque antiJacobin society called the Philadelphes, published one of the irst French works of scholarship on Shakespeare, and served a month in prison for criticizing Napoleon in the poem “La Napoléone.” It was only then that he got serious, and in 1806 Les tristes was published, a collection of short stories, poems, dialogues, and essays that marked him as a disciple of the Romanticism of Goethe and Schiller and hinted at his future affinity for the visionary, fantastic mode of E.T.A. Hoffmann.

Type
Criticism in Translation
Copyright
Copyright © Modern Language Association of America, 2019

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Castex, Pierre-Georges. “Walter Scott contre Hoffmann: Les épisodes d'une rivalité littéraire en France”. Mélanges d'histoire littéraire, offerts à Daniel Mornetpar ses anciens collègues et ses disciples français, by Castex et al., Librairie Nizet, 1951, pp. 169–76.Google Scholar
Chestier, Alain. Charles Nodier: Du proscrit à l'immortel: Récit. Cabédita, 2015.Google Scholar
Gautier, Théophile. “Les contes d'Hoffmann”. Souvenirs de théâtre, d'art et de critique. G. Charpentier, 1883, pp. 4150. Archive, archive.org/details/souvenirsdethatOOgautgoog.Google Scholar
Gibson, Matthew. The Fantastic and European Gothic: History, Literature and the French Revolution. U of Wales P, 2013. Gothic Literary Studies.Google Scholar
Hoffmann, E.T.A.“Jacques Callot”. Preface. Fantasy Pieces in Callot's Manner: Pages from the Diary of a Traveling Romantic, by Hoffmann, translated by Hayse, Joseph M., Union College Press, 1996, pp. 34.Google Scholar
Hoffmann, E.T.A. The Serapion Brethren. Translated by Alexander Ewing, vol. 1, George Bell and Sons, 1908.Google Scholar
Hugo, Victor. Préface de Cromwell. Préface de Cromwell and Hernani, by Hugo, edited by Effinger, John R. Jr., Scott, Foresman, 1900, pp. 43103.Google Scholar
Nelson, Hilda. Charles Nodier. Twayne Publishers, 1972.Google Scholar
Nodier, Charles. “Le petit pierre, traduit de l'allemand, de Spiesse”. Le petit pierre, by Christian Heinrich Spiess, translated by Henri de Latouche, éditions Cartouche, 2005, pp. 265–77.Google Scholar
Nodier, Charles. Les tristes, ou mélanges tirés des tablettes d'un suicide. Demonville, 1806.Google Scholar
Scott, Walter. “On the Supernatural in Fictitious Composition; and Particularly on the Works of Ernest Theodore William Hoffman”. The Foreign Quarterly Review, vol. 1, no. 1, 1827, pp. 6098.Google Scholar
Stendhal, . Racine et Shakespeare. Le Divan, 1928.Google Scholar