Hostname: page-component-7c8c6479df-r7xzm Total loading time: 0 Render date: 2024-03-19T02:10:18.409Z Has data issue: false hasContentIssue false

Collaboration and Concepts of Authorship

Published online by Cambridge University Press:  23 October 2020

Extract

Despite efforts among recent critical theorists to remove, banish, or even kill the author, the author remains at the center of general critical attention. It is commonplace now to understand that all texts produced by authors are not the products of individual creators. Rather, they are the result of any number of discourses that take place among the writer, the political and social environments in which the writing occurs, the aesthetic and economic pressures that encourage the process, the psychological and emotional state of the writer, and the reader who is expected to receive or consume the end product when it reaches print. Even if not intended for an audience or the publishing marketplace, a piece of writing cannot escape the numerous influences that produce it. All discourse is socially constructed.

Type
Theories and Methodologies
Copyright
Copyright © Modern Language Association of America, 2001

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Berg, Scott. Max Perkins: Editor of Genius. New York: Dutton. 1978.Google Scholar
Bruccoli, Matthew J. Introduction. Fitzgerald (1991) ix-lv.Google Scholar
Dreiser, Theodore. Sister Carrie. The Pennsylvania Ed. Ed. Berkey, John C., Winters, Alice M., West, James L. W. III, and Westlake, Neda M. Philadelphia: U of Pennsylvania P. 1981.CrossRefGoogle Scholar
Dryden, John. The Letters of John Dryden. Ed. Ward, Charles E. Durham: Duke UP, 1942.Google Scholar
Eliot, T. S. Selected Essays. New York: Harcourt, 1950.Google Scholar
Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner's. 1925.Google Scholar
Fitzgerald, F. Scott. The Great Gatsby. The Cambridge Ed. Ed. Bruccoli, Matthew J. Cambridge: Cambridge UP, 1991.Google Scholar
Leonard, James S., and Wharton, Christine E.Breaking the Silence: Collaboration and the Isolationist Paradigm.” Author-ity and Textuality: Current Views of Collaborative Writing. Ed. Wharton, Leonard, Davis, Robert Murray, and Harris, Jeanette. West Cornwall: Locust Hill, 1994, 2540.Google Scholar
Post-Lauria, Sheila. Correspondent Colorings: Melville in the Marketplace. Amherst: U of Massachusetts P. 1996.Google Scholar
Stillinger, Jack. Multiple Authorship and the Myth of Solitary Genius. New York: Oxford UP, 1991.Google Scholar
Thoreau, Henry David. The Portable Thoreau. Ed. Bode, Carl. New York: Penguin, 1997.Google Scholar
West, James L. W. III. American Authors and the Literary Marketplace since 1900. Philadelphia: U of Pennsylvania P. 1988.Google Scholar
Westlake, Neda M. Preface and Acknowledgments. Dreiser ix-xi.Google Scholar