Hostname: page-component-797576ffbb-cx6qr Total loading time: 0 Render date: 2023-12-04T23:28:43.923Z Has data issue: false Feature Flags: { "corePageComponentGetUserInfoFromSharedSession": true, "coreDisableEcommerce": false, "useRatesEcommerce": true } hasContentIssue false

Representations of History: From Acedia to the Dialectical Image in Bourlem Guerdjou's Vivre au paradis

Published online by Cambridge University Press:  23 October 2020

Extract

Can a film based on fiction contribute to the restoration of historical memory? can films help fill in the blanks of history? What exactly is the filmmaker's position? What faculty and what means does he or she require to make such a prodigious feat possible? Are films capable of creating sites of memory, and by what means? What traces will make it possible to set up markers in a site of a scotoma? The questions become increasingly precise: Can cinema lift the veil that colonial history has thrown over the history of the Algerian War? And what can the nature of the blind spot be if every effort has been made to keep it hidden?

Type
Correspondents at Large
Copyright
Copyright © Modern Language Association of America, 2009

Access options

Get access to the full version of this content by using one of the access options below. (Log in options will check for institutional or personal access. Content may require purchase if you do not have access.)

References

Works Cited

Roland, Barthes. Camera Lucida: Reflections on Photography. New York: Hill, 1982. Print.Google Scholar
Bazin, André. Qu'est-ce que le cinéma? Paris: Cerf, 1976. Print.Google Scholar
Walter, Benjamin. The Arcades Project. Ed. Tiedemann, Rolf. Trans. Howard Eiland and Kevin McLaughlin. Cambridge: Harvard UP, 1999. Print.Google Scholar
Walter, Benjamin. “On the Concept of History.” Trans. Zohn, Harry. Selected Writings. By Benjamin. Vol. 4 (1938–40). Ed. Eiland, Howard and Jennings, Michael W. Cambridge: Belknap–Harvard UP, 2003. 389400. Print.Google Scholar
Assia, Djebar. Le blanc de l'Algérie. Paris: Michel, 1996. Print.Google Scholar
“Front de Libération Nationale.” Microsoft Encarta Online Encyclopedia. Microsoft, 2009. Web. 16 May 2009.Google Scholar
Guerdjou, Bourlem, dir. Vivre au paradis. 3B Productions, 1998. Film.Google Scholar
Hamon, Hervé, and Rotman, Patrick. Les porteurs de valises: La résistance française et la guerre d'Algérie. Paris: Seuil, 1982. Print.Google Scholar
Marianne, Hirsch. “Surviving Images: Holocaust Photographs and the Work of Postmemory.” Yale Journal of Criticism 14.1 (2001): 537. Print.Google Scholar
Olivier, Milza. Les français devant l'immigration. Paris: Complexe, 2003. Print.Google Scholar
Scotoma.” Wikipedia. Wikimedia Foundation, 27 July 2009. Web. 31 July 2009.Google Scholar