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Modalities of Assimilation: Subcultural Currents in Felix Mendelssohn's Lieder Ohne Worte – ERRATUM

Published online by Cambridge University Press:  03 March 2022

Dan Deutsch Open the ORCID record for Dan Deutsch [Opens in a new window]
Dan Deutsch*
Affiliation:
Hebrew University, Jerusalem
*
dan.deutsch@mail.huji.ac.il
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Abstract

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Type
Erratum
Information
Nineteenth-Century Music Review , Volume 19 , Issue 3 , December 2022 , pp. 573
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Copyright
Copyright © The Author(s), 2022. Published by Cambridge University Press

The original article was published with an incorrect first sentence in the abstract. The first sentence read:

‘In this article I examine the impact on Felix Mendelssohn's music, as reflected in his Lieder ohne Worte (Songs without Words), of his affiliation with a German-Jewish subculture.’

This has been corrected on the original article to:

‘In this article I examine the impact of Felix Mendelssohn's affiliation with a German-Jewish subculture on his music as reflected in the Lieder ohne Worte (Songs without Words) for piano solo.’

The publisher apologises for this error.

References

Deutsch, D. (2021). Modalities of Assimilation: Subcultural Currents in Felix Mendelssohn's Lieder Ohne Worte. Nineteenth-Century Music Review, 1–28. doi:10.1017/S1479409821000409CrossRefGoogle Scholar