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Ralph P. Locke, Musical Exoticism: Images and Reflections (Cambridge: Cambridge University Press, 2009). xix + 421pp. $99.00
Published online by Cambridge University Press: 26 April 2011
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2 On hermeneutic windows, see Kramer, Lawrence, Music as Cultural Practice, 1800–1900 (Berkeley: University of California Press, 1990): 5–11Google Scholar. Elsewhere, Kramer defines them as ‘sites of engagement through which the interpreter and the interpreted animate one another’; see his Classical Music and Postmodern Knowledge (Berkeley: University of California Press, 1995): 21Google Scholar.
3 Linda Phyllis Austern's work on music and exoticism in seventeenth-century England (‘“Forreine Conceites and Wandring Devises”: the Exotic, the Erotic and the Feminine’, in The Exotic in Western Music, ed. Bellman, Jonathan (Boston: Northeastern University Press, 1998): 26–47)Google Scholar is a curious omission from the bibliography. The issue of music's perceived exoticism is also mooted in my ‘Musicology on Safari: Orientalism and the Spectre of Postcolonial Theory’, Music Analysis 22/1–2 (March–July 2003): 211–30Google Scholar.